Archive

Dezember 2017
Sat 09.12.2017 | 09:30 - 16:00
Cancelled! Pia Krämer: Dance Therapy
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Workshops

Cancelled! Pia Krämer: Dance Therapy

  • Sat 09.12.2017 | 09:30 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 190 Eur red. 140 Euro (students) / Early bird discount: 170 Euro /95 Euro red. (students)

In Pia Kraemer’s Dance Therapy workshop, the participants focus on the transition from stillness to movement, individually and as a group experience. Starting with various awareness and focusing exercises, we discover the meditative quality of movement and dance and the possibilities of deep relaxation, finding one’s centre, breathing and flow, while moving and while still, inner balance and harmony. Furthermore, we try to create a movement ritual, shaped by the group’s dynamic. The aim is to discover the healing and positive power of structured physical experience.

Fri 08.12.2017 | 10:00 - 11:30
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Fri 08.12.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Thu 07.12.2017 | 10:00 - 11:30
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Thu 07.12.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Wed 06.12.2017 | 10:00 - 11:30
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Wed 06.12.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Tue 05.12.2017 | 10:00 - 11:30
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Tue 05.12.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Mon 04.12.2017 | 10:00 - 11:30
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Mon 04.12.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Fri 01.12.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Fri 01.12.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

November 2017
Thu 30.11.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Thu 30.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Wed 29.11.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Wed 29.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Tue 28.11.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Tue 28.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Mon 27.11.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Mon 27.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Fri 24.11.2017 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Fri 24.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Thu 23.11.2017 | 19:00
Forum Tanzvermittlung with Martin Streit
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Forum Dance Outreach

Forum Tanzvermittlung with Martin Streit

  • Thu 23.11.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Martin Streit, one of 11 researchers in the REFLEX Europe project with the subtitle “Documenting as a tool for reflection in order to improve the teaching and to increase the impact on the learners in contemporary dance”, invites to an insight into what the research group has been dealing with, the current state of the RTG (Research Tool and Guide) and how it fits within the bigger picture of IDOCDE (International Documentation of Contemporary Dance Education). This interactive evening with talk, demonstrations, practical examples aims to open the floor to discussion on related topics.

Thu 23.11.2017 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Thu 23.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Wed 22.11.2017 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Wed 22.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Tue 21.11.2017 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Tue 21.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Mon 20.11.2017 | 10:15 - 13:45
Dance medical consultation sessions
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Dance Medical Consultation Sessions

Dance medical consultation sessions

  • Mon 20.11.2017 | 10:15 - 13:45
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eigenkostenanteil/Own contribution: € 15,-

What is taken for granted by many professional athletes – medical and therapeutic support throughout their entire active career – should also become available for dancers!
Priv.-Doz. Dr. med. Benita Kuni will offer support and assistance on the following:

  • Prevention of Dance Injuries
  • Rehabilitation and How to Make a Comeback after a Dance Injury
  • Analysis of Dance Technique and Technique Coaching
  • Alternative Training Methods for Dancers
  • “Dance Medicine Check-Up”
  • Guidance and Supervision in the Field of Dance Medicine

Registration:
Online form

Mon 20.11.2017 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Mon 20.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Fri 17.11.2017 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Fri 17.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Apart from almost always being there – to rest upon, to balance, to push from, to gain speed, the floor is one of our first and lifelong teachers. Inviting us to feel ourselves through the feedback it offers to our structure, we will throughout the week find ways to listen to the proposed invitation and find different relationships to how and when.

Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. For the Emerging Choreographers program of Ballett Frankfurt she created ‘between: a dance installation’ in 1999 and in 2001 a duet called ‘Fusiform’. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season.
Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005 and the “explorationen 07” at PACT Zollverein in October 2007. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Thu 16.11.2017 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Thu 16.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Apart from almost always being there – to rest upon, to balance, to push from, to gain speed, the floor is one of our first and lifelong teachers. Inviting us to feel ourselves through the feedback it offers to our structure, we will throughout the week find ways to listen to the proposed invitation and find different relationships to how and when.

Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. For the Emerging Choreographers program of Ballett Frankfurt she created ‘between: a dance installation’ in 1999 and in 2001 a duet called ‘Fusiform’. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season.
Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005 and the “explorationen 07” at PACT Zollverein in October 2007. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Wed 15.11.2017 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Wed 15.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Apart from almost always being there – to rest upon, to balance, to push from, to gain speed, the floor is one of our first and lifelong teachers. Inviting us to feel ourselves through the feedback it offers to our structure, we will throughout the week find ways to listen to the proposed invitation and find different relationships to how and when.

Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. For the Emerging Choreographers program of Ballett Frankfurt she created ‘between: a dance installation’ in 1999 and in 2001 a duet called ‘Fusiform’. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season.
Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005 and the “explorationen 07” at PACT Zollverein in October 2007. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Tue 14.11.2017 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Tue 14.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Apart from almost always being there – to rest upon, to balance, to push from, to gain speed, the floor is one of our first and lifelong teachers. Inviting us to feel ourselves through the feedback it offers to our structure, we will throughout the week find ways to listen to the proposed invitation and find different relationships to how and when.

Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. For the Emerging Choreographers program of Ballett Frankfurt she created ‘between: a dance installation’ in 1999 and in 2001 a duet called ‘Fusiform’. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season.
Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005 and the “explorationen 07” at PACT Zollverein in October 2007. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Mon 13.11.2017 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Mon 13.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Apart from almost always being there – to rest upon, to balance, to push from, to gain speed, the floor is one of our first and lifelong teachers. Inviting us to feel ourselves through the feedback it offers to our structure, we will throughout the week find ways to listen to the proposed invitation and find different relationships to how and when.

Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. For the Emerging Choreographers program of Ballett Frankfurt she created ‘between: a dance installation’ in 1999 and in 2001 a duet called ‘Fusiform’. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season.
Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005 and the “explorationen 07” at PACT Zollverein in October 2007. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Sat 11.11.2017 | 19:00
ravvina/veit: Makulatur - open rehearsal
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Städteübergreifende ResidenzenAufführungen

ravvina/veit: Makulatur - open rehearsal

  • Sat 11.11.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

Sat 11.11.2017 | 10:00 - 18:00
Dr. Adriana Almeida Pees: Dance Composition & Body-Mind Centering®
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Workshops

Dr. Adriana Almeida Pees: Dance Composition & Body-Mind Centering®

  • Sat 11.11.2017 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket 1.100,- Euro / Studierende 600,- Euro; Wochendkurs regulär 190,- Euro / Frühbucher 170,- Euro | Studierende: 140,- Euro / Frühbucher 95,- Euro

The workshop series Dance composition & BMC® will be offered by Adriana Almeida on seven weekends, and this experience does not only open up new dimensions and creative possibilities for dance creation and performance practice, but also creates a multifaceted movement material as well as surprising physical and poetic research approaches. The performer learns, through specific exercises and touch techniques, different movement qualities and the visual power of his/her experience with the various body systems, which allows him / her to substantially extend the individual range of motion and movement vocabulary.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009

Fri 10.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Fri 10.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Thu 09.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Thu 09.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Wed 08.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Wed 08.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Tue 07.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Tue 07.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Mon 06.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Mon 06.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Fri 03.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Fri 03.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Thu 02.11.2017 | 21:30
Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds
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AufführungenVermittlungsresidenzen

Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds

  • Thu 02.11.2017 | 21:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

We live in an age of constant stress and overload. The performance duo Janna Pinsker and Wicki Bernhardt are undaunted by this situation and have initiated an experiment that is both humorous and exciting: “Heute mobben wir die Birds” is a lecture-performance for people age 11 and up. More than a mere introduction to performance art, the piece also confronts itself and the audience with the fact that everything is somehow interconnected and relevant in its own way. Not knowing is no longer an option when trying to find meaning in the jungle of life. Flooding the brain with information feeds the web of thoughts and speculations. That leaves it up to us to organize things and communicate with them. But how?

In German

Concept, Chroreography and Performance: Janna Pinsker und Wicki Bernhardt
Costume and Property Master: Kristin Gerwien
Light Design: Charlotte Bösling
Production Management: Nele Beinborn

Coproduction as part of Outreach Residency of Tanzplattform Rhein-Main
Funded by the City of Frankfurt and the Hessisches Ministerium für Wissenschaft und Kunst
Concept research in the context of next generation workspace – a residence project by Künstlerhaus Mousonturm, Starke Stücke Festival, Theaterhaus Frankfurt and Hessische Theaterakademie, sponsored by the Hessisches Ministerium für Wissenschaft und Kunst.

Thu 02.11.2017 | 19:30
Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds
Read more
AufführungenVermittlungsresidenzen

Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds

  • Thu 02.11.2017 | 19:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

We live in an age of constant stress and overload. The performance duo Janna Pinsker and Wicki Bernhardt are undaunted by this situation and have initiated an experiment that is both humorous and exciting: “Heute mobben wir die Birds” is a lecture-performance for people age 11 and up. More than a mere introduction to performance art, the piece also confronts itself and the audience with the fact that everything is somehow interconnected and relevant in its own way. Not knowing is no longer an option when trying to find meaning in the jungle of life. Flooding the brain with information feeds the web of thoughts and speculations. That leaves it up to us to organize things and communicate with them. But how?

In German

Concept, Chroreography and Performance: Janna Pinsker und Wicki Bernhardt
Costume and Property Master: Kristin Gerwien
Light Design: Charlotte Bösling
Production Management: Nele Beinborn

Coproduction as part of Outreach Residency of Tanzplattform Rhein-Main
Funded by the City of Frankfurt and the Hessisches Ministerium für Wissenschaft und Kunst
Concept research in the context of next generation workspace – a residence project by Künstlerhaus Mousonturm, Starke Stücke Festival, Theaterhaus Frankfurt and Hessische Theaterakademie, sponsored by the Hessisches Ministerium für Wissenschaft und Kunst.

Thu 02.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Thu 02.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Wed 01.11.2017 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Wed 01.11.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Oktober 2017
Tue 31.10.2017 | 19:30
Company MAD: Music for 18 Musicians
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Projekte zum MitmachenTanzfestival Rhein-MainAufführungen

Company MAD: Music for 18 Musicians

  • Tue 31.10.2017 | 19:30
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • ab 10 Euro | erm. ab 9,25 Euro

150 dance passionados from the Rhine-Main region, five professional dancers, and one internationally renowned music ensemble followed the invitation of french choreographer Sylvain Groud to dance to music by Steve Reich. “Music for 18 Musicians” is an extra-large inclusive dance concert, in which Groud and conductor Rémi Durupt unite their art forms into a shared score. In a series of rehearsals, the participants were introduced to this pulsating-hypnotic piece in order to discover the possibilities of the body and the power of movement and gaze that it evokes. During the performance, they connect musicians and audience and so provide a collective music experience. Together, they occupy the theatre until it becomes fully unclear, who exactly is an insider or who has simply been carried away by the unique energy.

——-

Choreography: Sylvain Groud
Musical direction: Rémi Durupt
Dancers: Lauriane Madeleine, Julien Raso, Anusha Emrith, Jérémy Martinez, Julie Koenig
Music: Steve Reich, played by Ensemble Links
Lighting design: Michaël Dez
Sound design: Pierre Favrez

Ensemble Links:
Percussion: Clément Delmas, Vincent Martin, Stanislas Delannoy, Rémi Durupt, Lucas Genas, Nicolas Didier, Maxime Guillouet
Voice: Manon Bautian, Séverine Maquaire, Caroline Chassany, Sophie Leleu
Clarinet: Maxime Peinard, Coralie Ordulu
Strings: Èlodie Gaudet, Claire Perrotton
Piano: Laurent Durupt, Fabrizio Rat Ferrero, Trami Nguyen, Alvise Sinivia
A production by Compagnie MAD/Sylvain Groud und Amarillo.
Funded by Kulturministerium and Kommunikationsministerium as well as
Regionalbüro für Kulturangelegenheiten der Normandie, der Region Normandie, dem Départment de l’Eure sowie der Stadt Rouen.
Sylvain Groud ist ein assoziierter Künstler im Théâtre-Sénart, dem Scène nationale, und Lieusaint sowie Artist in residence am Rive Gauche, Scène conventionnée pour la danse und Saint-Étionnen-du-Rouvray.
Die Produktion wurde u.a. am Thèâtre de Saint-Quenin-en-Yvelines, Scène nationale realisiert.

Sun 29.10.2017 | 19:30
SOL Dance Company - Eyal Dadon: Sale
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Tanzfestival Rhein-MainAufführungen

SOL Dance Company - Eyal Dadon: Sale

  • Sun 29.10.2017 | 19:30
  • Hessisches Staatstheater Wiesbaden, Kleines Haus, Christian-Zais-Straße 3, 65189 Wiesbaden
  • ab 12,10 Euro | erm. ab 6,05 Euro

Hot and cold, mirror and rules, sell-out and total consumerism – “Sale” contemplates all parts of social coexistence as a challenge: the challenge of mastering life, society and capitalism in general, where we all simply want to belong. Following his residency at the Staatstheater Darmstadt, dancer and choreographer Eyal Dadon, who is considered one of the most exciting protagonists in a new generation of Israeli dance makers, is presenting his piece “Sale” for the first time in Europe. Inspired by reality and social coexistence, Dadon combines detailed, precise movement sequences with his very own brand of humour – thus holding up the mirror to the audience.

Sat, 28.10., 18.00-19.00 Uhr: Physical Introduction
Sat, 28.10., Podium talk “Contemporary Dance Education” after the performance
So, 29.10., Interaktive follow-up talk after the performance

——-

SOL Dance Company / House of Dance Beer Sheva, Israel
Choreography: Eyal Dadon
Rehearsal Director: Keren Horesh Begun
Choreographic Assistant: Tamar Barlevt
With Sian Olles, Madison Payne Hoke, Yuko Imazaike, Shay Partush, Nadav Gal, Gil Shachar, Eyal Dadon
Costumes and Music: Tomer Salem, Nissim Gutman

Light: Alon Shazar
Stage Manager: Assaf Zakay Management OZ Productions / Offer Zaks
Supported by the Israeli Ministry for Culture and Sport, the Israeli Foreign Office and the Israeli Embassy, the City of Beer Sheva, Mifal Hapais, Kivunim Company, the Cultural Ministry Beer Sheva and the Economoy Company for Development Beer Sheva.

Sun 29.10.2017 | 16:00
Hessisches Staatsballett: Eine Winterreise
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Tanzfestival Rhein-MainAufführungen

Hessisches Staatsballett: Eine Winterreise

  • Sun 29.10.2017 | 16:00
  • Hessisches Staatstheater Wiesbaden, Großes Haus, Christian-Zais-Str. 3, 65189 Wiesbaden
  • ab 9,90 Euro | erm. ab 4,95 Euro

In “Eine Winterreise”, Tim Plegge sets out on a choreographic journey. The ballet follows in the steps of his prior narrative ballets, which began at the Hessische Staatsballet with “Aschenputtel” followed by “Kaspar Hauser” and “A Midsummer Night’s Dream”. Yet “Eine Winterreise” abandons the previously explored path of stringent narration. In fragmentary episodes, it follows the lyrical self of the song cycle in search of the source his own longing. The ballet tells a story of growth and decay, of desire and of a state of searching that comes from the contemplative reflection of self. Wiesbaden composer Hans Zender has reinterpreted and rearranged Franz Schubert’s “Winterreise” – a milestone of Romantic song. Now this interpretation finds its way together with Tim Plegge’s ballet creation onto the stage of its hometown.
Featuring the Hessische Staatsorchester Wiesbaden directed by Benjamin Schneider.

Thu, 26.10., 19.00 Uhr: Introduction
Sun, 29.10., 15.30 Uhr: Introduction
Sun, 29.10., Artist talk with Tiim Plegge after the performance

——-

Choreography: Tim Plegge
Voice: Simon Bode
Stage: Sebastian Hannak
Costume: Judith Adam
Dramaturgy: Esther Dreesen-Schaback
Video: De-Da Productions

Sat 28.10.2017 | 21:00
Christoph Winkler: Urban Soul Café
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Tanzfestival Rhein-MainAufführungen

Christoph Winkler: Urban Soul Café

  • Sat 28.10.2017 | 21:00
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 20,90 Euro / erm. 9,90 Euro

Is it possible to dance a Haka version of the “Goldberg Variations”? And what happens when the love for Taylor Swift meets Yvonne Rainer’s “No Manifesto”? Berlin choreographer Christoph Winkler brings a very special coming-of-age story to the “Urban Soul Café”: in this piece, Aloalii Tapu – hip hop dancer with Polynesian roots, trained in contemporary dance and recipient of the 2016 theatre prize “Der Faust” for this very performance – deals with various aspects of dance history that inspired him – from Pina Bausch to Steve Paxton – and reads them from a non-European, non-white perspective, without hesitating to contribute his own (pop)cultural background.

——-

By and with Aloalii Tapu
Concept: Christoph Winkler
Lighting Design: Florian Guist
Tech: Fabian Eichner
Set & Costumes: Lena Mody & Valentina Primavera
Production & Subtitles: ehrliche arbeit – freies Kulturbüro
Pina Bausch Photo: Gerhard F. Ludwig
Appearing in the Videos: Leti Fetakaiga (Beanz), Moli Tapu (Mum)

A production by Christoph Winkler and ehrliche arbeit – freies Kulturbüro Co-produced by Ballhaus Ost
Funded by the City of Berlin – Department for Culture and Europe

Sat 28.10.2017 | 19:30
SOL Dance Company - Eyal Dadon: Sale
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Tanzfestival Rhein-MainAufführungen

SOL Dance Company - Eyal Dadon: Sale

  • Sat 28.10.2017 | 19:30
  • Hessisches Staatstheater Wiesbaden, Kleines Haus, Christian-Zais-Straße 3, 65189 Wiesbaden
  • ab 12,10 Euro | erm. ab 6,05 Euro

Hot and cold, mirror and rules, sell-out and total consumerism – “Sale” contemplates all parts of social coexistence as a challenge: the challenge of mastering life, society and capitalism in general, where we all simply want to belong. Following his residency at the Staatstheater Darmstadt, dancer and choreographer Eyal Dadon, who is considered one of the most exciting protagonists in a new generation of Israeli dance makers, is presenting his piece “Sale” for the first time in Europe. Inspired by reality and social coexistence, Dadon combines detailed, precise movement sequences with his very own brand of humour – thus holding up the mirror to the audience.

Sat, 28.10., 18.00-19.00 Uhr: Physical Introduction
Sat, 28.10., Podium talk “Contemporary Dance Education” after the performance
So, 29.10., Interaktive follow-up talk after the performance

——-

SOL Dance Company / House of Dance Beer Sheva, Israel
Choreography: Eyal Dadon
Rehearsal Director: Keren Horesh Begun
Choreographic Assistant: Tamar Barlevt
With Sian Olles, Madison Payne Hoke, Yuko Imazaike, Shay Partush, Nadav Gal, Gil Shachar, Eyal Dadon
Costumes and Music: Tomer Salem, Nissim Gutman

Light: Alon Shazar
Stage Manager: Assaf Zakay Management OZ Productions / Offer Zaks
Supported by the Israeli Ministry for Culture and Sport, the Israeli Foreign Office and the Israeli Embassy, the City of Beer Sheva, Mifal Hapais, Kivunim Company, the Cultural Ministry Beer Sheva and the Economoy Company for Development Beer Sheva.

Sat 28.10.2017 | 14:00 - 21:30
ravvina/veit: Makulatur
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Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Sat 28.10.2017 | 14:00 - 21:30
  • Hessisches Staatstheater Wiesbaden, Studio, Christian-Zais-Straße 3, 65189 Wiesbaden
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Sat 28.10.2017 | 14:00
Tanztee
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Tanzfestival Rhein-Main

Tanztee

  • Sat 28.10.2017 | 14:00
  • Hessisches Staatstheater Wiesbaden, Großes Haus, Christian-Zais-Str. 3, 65189 Wiesbaden
  • Eintritt frei!

In the 1920’s, tea dances were social highlights and informal possibilities to meet new acquaintances. Tea and canapés were served; there was dancing, laughter, mutual appraisals, a testing of the waters, profound talks and more dancing. After the enormous success of last year’s tea dance, the Hessische Staatsballet wants to revive this tradition anew as part of the Tanzfestival Rhein-Main and bring back memories that dance is not only something nice to look at, but can also be experienced by all – with all the happiness that this brings. This year, we are hosting a dance both in Wiesbaden, as well as in Darmstadt, for everyone who wishes to swing their hips to live music.

Fri 27.10.2017 | 19:30
Company MAD: Music for 18 Musicians
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Projekte zum MitmachenTanzfestival Rhein-MainAufführungen

Company MAD: Music for 18 Musicians

  • Fri 27.10.2017 | 19:30
  • Hessisches Staatstheater Wiesbaden, Großes Haus, Christian-Zais-Str. 3, 65189 Wiesbaden
  • ab 9,90 Euro | erm. ab 4,95 Euro

150 dance passionados from the Rhine-Main region, five professional dancers, and one internationally renowned music ensemble followed the invitation of french choreographer Sylvain Groud to dance to music by Steve Reich. “Music for 18 Musicians” is an extra-large inclusive dance concert, in which Groud and conductor Rémi Durupt unite their art forms into a shared score. In a series of rehearsals, the participants were introduced to this pulsating-hypnotic piece in order to discover the possibilities of the body and the power of movement and gaze that it evokes. During the performance, they connect musicians and audience and so provide a collective music experience. Together, they occupy the theatre until it becomes fully unclear, who exactly is an insider or who has simply been carried away by the unique energy.

——-

Choreography: Sylvain Groud
Musical direction: Rémi Durupt
Dancers: Lauriane Madeleine, Julien Raso, Anusha Emrith, Jérémy Martinez, Julie Koenig
Music: Steve Reich, played by Ensemble Links
Lighting design: Michaël Dez
Sound design: Pierre Favrez

Ensemble Links:
Percussion: Clément Delmas, Vincent Martin, Stanislas Delannoy, Rémi Durupt, Lucas Genas, Nicolas Didier, Maxime Guillouet
Voice: Manon Bautian, Séverine Maquaire, Caroline Chassany, Sophie Leleu
Clarinet: Maxime Peinard, Coralie Ordulu
Strings: Èlodie Gaudet, Claire Perrotton
Piano: Laurent Durupt, Fabrizio Rat Ferrero, Trami Nguyen, Alvise Sinivia
A production by Compagnie MAD/Sylvain Groud und Amarillo.
Funded by Kulturministerium and Kommunikationsministerium as well as
Regionalbüro für Kulturangelegenheiten der Normandie, der Region Normandie, dem Départment de l’Eure sowie der Stadt Rouen.
Sylvain Groud ist ein assoziierter Künstler im Théâtre-Sénart, dem Scène nationale, und Lieusaint sowie Artist in residence am Rive Gauche, Scène conventionnée pour la danse und Saint-Étionnen-du-Rouvray.
Die Produktion wurde u.a. am Thèâtre de Saint-Quenin-en-Yvelines, Scène nationale realisiert.

Fri 27.10.2017 | 18:30 - 22:00
ravvina/veit: Makulatur
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Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Fri 27.10.2017 | 18:30 - 22:00
  • Hessisches Staatstheater Wiesbaden, Studio, Christian-Zais-Straße 3, 65189 Wiesbaden
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Fri 27.10.2017 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Fri 27.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Fri 27.10.2017 | 09:00 - 13:00
Outreach Lab: Reaching the intangible - a MIND THE DANCE lab about documenting artistic practice
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WorkshopsReflex Europe

Outreach Lab: Reaching the intangible - a MIND THE DANCE lab about documenting artistic practice

  • Fri 27.10.2017 | 09:00 - 13:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Admission free

Reaching the intangible

a MIND THE DANCE lab about documenting artistic practice

In this two day workshop, Ulla Mäkinen (FIN) and Martin Streit (DE) will propose tools and pathways to practice documentation of one’s own artistic practice as dancer and/or dance teacher. We will work with movement as well as documenting it – and reflect around ideas what it means to document contemporary dance for us. Dancing and documenting together might also give us insight on how documenting our practice could be beneficial for ourselves as artists as well as for the whole field of dance.

This workshop is based on MIND THE DANCE, a digital publication of the REFLEX Europe project. The workshop is free of charge for the participants.
www.mindthedance.com

Facilitators:
Ulla Mäkinen is a Finnish dancer and dance teacher, currently working as the director of the dance department of North Karelia College Outokumpu in Finland. She graduated from the MA program of HfMDK Frankfurt am Main in 2010 and has been working as a teacher and dancer around Europe, North America and Asia. She is a part of the ASIRC, the Axis Syllabus International Research Community.
Martin Streit is connected to the Tanzplattform Rhein-Main. He works in the Media Department at Darmstadt University of Applied Sciences. In the dance research project Motion Bank he was coordinator for the Piecemaker development. He is the technology coordinator for IDOCDE and researcher in the REFLEX Europe project.

TIME: 26.10. and 27.10. from 9:00 – 13:00
You can come for both days or only one day – please mention this when you sign in!
FEE: The workshop is free (thanks to the Erasmus+ funded project REFLEX Europe).
REGISTRATION: Please register at anmeldung@tanzplattformrheinmain.de. We kindly ask you to sign in in advance and cancel your place latest at 22.10.2017.

Thu 26.10.2017 | 19:30
Hessisches Staatsballett: Eine Winterreise
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Tanzfestival Rhein-MainAufführungen

Hessisches Staatsballett: Eine Winterreise

  • Thu 26.10.2017 | 19:30
  • Hessisches Staatstheater Wiesbaden, Großes Haus, Christian-Zais-Str. 3, 65189 Wiesbaden
  • ab 9,90 Euro | erm. ab 4,95 Euro

In “Eine Winterreise”, Tim Plegge sets out on a choreographic journey. The ballet follows in the steps of his prior narrative ballets, which began at the Hessische Staatsballet with “Aschenputtel” followed by “Kaspar Hauser” and “A Midsummer Night’s Dream”. Yet “Eine Winterreise” abandons the previously explored path of stringent narration. In fragmentary episodes, it follows the lyrical self of the song cycle in search of the source his own longing. The ballet tells a story of growth and decay, of desire and of a state of searching that comes from the contemplative reflection of self. Wiesbaden composer Hans Zender has reinterpreted and rearranged Franz Schubert’s “Winterreise” – a milestone of Romantic song. Now this interpretation finds its way together with Tim Plegge’s ballet creation onto the stage of its hometown.
Featuring the Hessische Staatsorchester Wiesbaden directed by Benjamin Schneider.

Thu, 26.10., 19.00 Uhr: Introduction
Sun, 29.10., 15.30 Uhr: Introduction
Sun, 29.10., Artist talk with Tiim Plegge after the performance

——-

Choreography: Tim Plegge
Voice: Simon Bode
Stage: Sebastian Hannak
Costume: Judith Adam
Dramaturgy: Esther Dreesen-Schaback
Video: De-Da Productions

Thu 26.10.2017 | 19:30
Antony Hamilton & Alisdair Macindoe: Meeting
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Tanzfestival Rhein-MainAufführungen

Antony Hamilton & Alisdair Macindoe: Meeting

  • Thu 26.10.2017 | 19:30
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 20,90 Euro / erm. 9,90 Euro

“MEETING” is a choreographic study stripped to the bare essentials. The work pairs Antony Hamilton’s compulsive choreography with Alisdair Macindoe’s obsessive machine-making practice.
The two performers share space with 64 robotic percussion instruments. A relentless stream of activity unfolds, where the bodies enter states of heightened physical and mental agency, with all actions carried by the meditative pulse of the machine beat.
A focused recital, with Hamilton’s unique physical grammar and Macindoe’s bespoke musical instrument making, MEETING composes the body, the space and the robots into a dynamic and riveting choreographic sound installation.

——-

Choreographer, Director and Performer: Antony Hamilton
Composer, Performer, Instrument Design and Construction: Alisdair Macindoe
Lights: Bosco Shaw
Costumes: Paula Levis
Production Management: Freya Waterson

Thu 26.10.2017 | 18:00 - 22:00
ravvina/veit: Makulatur
Read more
Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Thu 26.10.2017 | 18:00 - 22:00
  • Hessisches Staatstheater Wiesbaden, Studio, Christian-Zais-Straße 3, 65189 Wiesbaden
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Thu 26.10.2017 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Thu 26.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Thu 26.10.2017 | 09:00 - 13:00
Outreach Lab: Reaching the intangible - a MIND THE DANCE lab about documenting artistic practice
Read more
WorkshopsReflex Europe

Outreach Lab: Reaching the intangible - a MIND THE DANCE lab about documenting artistic practice

  • Thu 26.10.2017 | 09:00 - 13:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Admission free

Reaching the intangible

a MIND THE DANCE lab about documenting artistic practice

In this two day workshop, Ulla Mäkinen (FIN) and Martin Streit (DE) will propose tools and pathways to practice documentation of one’s own artistic practice as dancer and/or dance teacher. We will work with movement as well as documenting it – and reflect around ideas what it means to document contemporary dance for us. Dancing and documenting together might also give us insight on how documenting our practice could be beneficial for ourselves as artists as well as for the whole field of dance.

This workshop is based on MIND THE DANCE, a digital publication of the REFLEX Europe project. The workshop is free of charge for the participants.
www.mindthedance.com

Facilitators:
Ulla Mäkinen is a Finnish dancer and dance teacher, currently working as the director of the dance department of North Karelia College Outokumpu in Finland. She graduated from the MA program of HfMDK Frankfurt am Main in 2010 and has been working as a teacher and dancer around Europe, North America and Asia. She is a part of the ASIRC, the Axis Syllabus International Research Community.
Martin Streit is connected to the Tanzplattform Rhein-Main. He works in the Media Department at Darmstadt University of Applied Sciences. In the dance research project Motion Bank he was coordinator for the Piecemaker development. He is the technology coordinator for IDOCDE and researcher in the REFLEX Europe project.

TIME: 26.10. and 27.10. from 9:00 – 13:00
You can come for both days or only one day – please mention this when you sign in!
FEE: The workshop is free (thanks to the Erasmus+ funded project REFLEX Europe).
REGISTRATION: Please register at anmeldung@tanzplattformrheinmain.de. We kindly ask you to sign in in advance and cancel your place latest at 22.10.2017.

Wed 25.10.2017 | 20:00
May Zarhy & Hermann Heisig: Next To Near
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Tanzfestival Rhein-MainAufführungen

May Zarhy & Hermann Heisig: Next To Near

  • Wed 25.10.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro | erm. 9 Euro

When does something feel close or intimate? Does intimacy necessarily mean being near to each other? May Zarhy and Hermann Heisig explore the physical and mental sensation of proximity and distance. They thereby reference a lifestyle not only central to dance makers working internationally and constantly on the road, but also shared by many people in this age of Skype, Instagram, and budget flights. In “Next to Near”, Zarhy – best known in Frankfurt for her productions with the choreographers collective MAMAZA – and Heisig, specialist for slapstick and subtle choreographic timing, stake out a field of detailed communication by readjusting their relationship to the audience and a musical trio headed by composer Tian Rotteveel.

No language skills required

Wed, 25.10., Artist talk after the performance

——-

Concept, Choreography, Performance: Hermann Heisig, May Zarhy
Composition, Outside Eye, Live music: Tian Rotteveel
Lighting Design: Sandra Blatterer
Costumes, Stage: Lea Søvsø, Marie Gerstenberger

Cube: lost & found Aarhus Würfel / Dice Amir Weiser
Tech: Fabian Bleisch
Production Management: Susanne Ogan, Johanna Milz (MAMAZA)
A production by Hermann Heisig und MAMAZA
Co-produced by Künstlerhaus Mousonturm Frankfurt as part of Tanzplattform Rhein-Main und SOPHIENSÆLE Supported by Schaubühne Lindenfels Leipzig and Kelim
Funded by the Berlin Department for Culture and Europe, the Cultural Foundation of the State of Saxony and the City of Frankfurt.

Wed 25.10.2017 | 19:30
Eyal Dadon: Work in Progress
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Tanzfestival Rhein-MainAufführungen

Eyal Dadon: Work in Progress

  • Wed 25.10.2017 | 19:30
  • Staatstheater Darmstadt, Foyer Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 6 Euro
Wed 25.10.2017 | 19:00
Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds
Read more
Tanzfestival Rhein-MainAufführungenVermittlungsresidenzen

Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds

  • Wed 25.10.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

We live in an age of constant stress and overload. The performance duo Janna Pinsker and Wicki Bernhardt are undaunted by this situation and have initiated an experiment that is both humorous and exciting: “Heute mobben wir die Birds” is a lecture-performance for people age 11 and up. More than a mere introduction to performance art, the piece also confronts itself and the audience with the fact that everything is somehow interconnected and relevant in its own way. Not knowing is no longer an option when trying to find meaning in the jungle of life. Flooding the brain with information feeds the web of thoughts and speculations. That leaves it up to us to organize things and communicate with them. But how?

In German

Tue, 24.10., Artist talk after the perfomance

——-

Concept, Chroreography and Performance: Janna Pinsker und Wicki Bernhardt
Costume and Property Master: Kristin Gerwien
Light Design: Charlotte Bösling
Production Management: Nele Beinborn

Coproduction as part of Outreach Residency of Tanzplattform Rhein-Main
Funded by the City of Frankfurt and the Hessisches Ministerium für Wissenschaft und Kunst
Concept research in the context of next generation workspace – a residence project by Künstlerhaus Mousonturm, Starke Stücke Festival, Theaterhaus Frankfurt and Hessische Theaterakademie, sponsored by the Hessisches Ministerium für Wissenschaft und Kunst.

Wed 25.10.2017 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Wed 25.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Tue 24.10.2017 | 19:30
Emanuel Gat & Awir Leon/Emanuel Gat Dance: SUNNY
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Tanzfestival Rhein-MainAufführungen

Emanuel Gat & Awir Leon/Emanuel Gat Dance: SUNNY

  • Tue 24.10.2017 | 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • 19 Euro | erm. 9 Euro

“Sunny, yesterday my heart was filled with pain. Sunny, you smiled at me and really eased the pain.” Bobby Hebb’s often-covered song from the year 1966 is one of the greatest earworms in pop history. Now, the hit song now serves as the starting point for a turbulent group piece by France-based choreographer Emanuel Gat, who has created a show, which brings dance and music together in a very special way in collaboration with former dancer and shooting star of the French electro scene Awir Leon. Gat gives free rein to allow his dancers to react to Leon’s live sound. Out of the self-regulating choreographic system, polyphonic structures and fragile movement patterns emerge that echo like a single note only to reside again. Sounds and movements merge into breathtakingly beautiful artistic synaesthesia.

No language skills required

After the perfomance: interaktive follow-up talk

——-

Choreography, Lights: Emanuel Gat
Live Music: Awir Leon
Costumes created in collaboration with the dancers
Created in collaboration with and danced by Thomas Bradley, Annie Hanauer, Peter Juhasz, Pansun Kim, Michael Löhr, Emma Mouton, Genevieve Osborne, Milena Twiehaus, Sara Wilhelmsson und Ashley Wright

Production: Emanuel Gat Dance
Co-production: Festival Montpellier Danse 2016, Théâtre de la Ville, Paris, Cité de la Musique – Philharmonie de Paris, Grand Théâtre de Provence, Scène Nationale d‘Albi
Supported by La Biennale di Venezia, 10. Festival Internazionale di Danza Contemporanea
As well as Fondation BNP Paribas, kreiert in l‘Agora, cité internationale de la danse in Montpellier und la Maison de la danse intercommunale in Istres.
The company wishes to thanks the Métropole Aix-Marseille Provence and the French Cultural Ministery DRAC Provence Alpes Côte d‘Azur for their support.

Tue 24.10.2017 | 18:00
May Zarhy & Hermann Heisig: Next To Near
Read more
Tanzfestival Rhein-MainAufführungen

May Zarhy & Hermann Heisig: Next To Near

  • Tue 24.10.2017 | 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro | erm. 9 Euro

When does something feel close or intimate? Does intimacy necessarily mean being near to each other? May Zarhy and Hermann Heisig explore the physical and mental sensation of proximity and distance. They thereby reference a lifestyle not only central to dance makers working internationally and constantly on the road, but also shared by many people in this age of Skype, Instagram, and budget flights. In “Next to Near”, Zarhy – best known in Frankfurt for her productions with the choreographers collective MAMAZA – and Heisig, specialist for slapstick and subtle choreographic timing, stake out a field of detailed communication by readjusting their relationship to the audience and a musical trio headed by composer Tian Rotteveel.

No language skills required

Wed, 25.10., Artist talk after the performance

——-

Concept, Choreography, Performance: Hermann Heisig, May Zarhy
Composition, Outside Eye, Live music: Tian Rotteveel
Lighting Design: Sandra Blatterer
Costumes, Stage: Lea Søvsø, Marie Gerstenberger

Cube: lost & found Aarhus Würfel / Dice Amir Weiser
Tech: Fabian Bleisch
Production Management: Susanne Ogan, Johanna Milz (MAMAZA)
A production by Hermann Heisig und MAMAZA
Co-produced by Künstlerhaus Mousonturm Frankfurt as part of Tanzplattform Rhein-Main und SOPHIENSÆLE Supported by Schaubühne Lindenfels Leipzig and Kelim
Funded by the Berlin Department for Culture and Europe, the Cultural Foundation of the State of Saxony and the City of Frankfurt.

Tue 24.10.2017 | 17:00 - 20:00
ravvina/veit: Makulatur
Read more
Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Tue 24.10.2017 | 17:00 - 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Tue 24.10.2017 | 11:00
Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds
Read more
Tanzfestival Rhein-MainAufführungenVermittlungsresidenzen

Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds

  • Tue 24.10.2017 | 11:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

We live in an age of constant stress and overload. The performance duo Janna Pinsker and Wicki Bernhardt are undaunted by this situation and have initiated an experiment that is both humorous and exciting: “Heute mobben wir die Birds” is a lecture-performance for people age 11 and up. More than a mere introduction to performance art, the piece also confronts itself and the audience with the fact that everything is somehow interconnected and relevant in its own way. Not knowing is no longer an option when trying to find meaning in the jungle of life. Flooding the brain with information feeds the web of thoughts and speculations. That leaves it up to us to organize things and communicate with them. But how?

In German

Tue, 24.10., Artist talk after the perfomance

——-

Concept, Chroreography and Performance: Janna Pinsker und Wicki Bernhardt
Costume and Property Master: Kristin Gerwien
Light Design: Charlotte Bösling
Production Management: Nele Beinborn

Coproduction as part of Outreach Residency of Tanzplattform Rhein-Main
Funded by the City of Frankfurt and the Hessisches Ministerium für Wissenschaft und Kunst
Concept research in the context of next generation workspace – a residence project by Künstlerhaus Mousonturm, Starke Stücke Festival, Theaterhaus Frankfurt and Hessische Theaterakademie, sponsored by the Hessisches Ministerium für Wissenschaft und Kunst.

Tue 24.10.2017 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Tue 24.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Mon 23.10.2017 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Mon 23.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Sat 21.10.2017 | 20:00 - 00:30
Tanzfest
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Tanzfestival Rhein-MainTanztag Rhein-Main

Tanzfest

  • Sat 21.10.2017 | 20:00 - 00:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 5,- € (Das Tanztag-Ticket berechtigt zur Teilnahme)

The grand finale is a glittering party at the evening in Künstlerhaus Mousonturm which spotlights collective dancing. To close the day of dancing together and to celebrate themselves, various dances are introduced and collectively danced by the attendants.

Sat 21.10.2017 | 14:00
Tanztee
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Tanzfestival Rhein-Main

Tanztee

  • Sat 21.10.2017 | 14:00
  • Staatstheater Darmstadt, Foyer Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt

In the 1920’s, tea dances were social highlights and informal possibilities to meet new acquaintances. Tea and canapés were served; there was dancing, laughter, mutual appraisals, a testing of the waters, profound talks and more dancing. After the enormous success of last year’s tea dance, the Hessische Staatsballet wants to revive this tradition anew as part of the Tanzfestival Rhein-Main and bring back memories that dance is not only something nice to look at, but can also be experienced by all – with all the happiness that this brings. This year, we are hosting a dance both in Wiesbaden, as well as in Darmstadt, for everyone who wishes to swing their hips to live music.

Sat 21.10.2017 | 10:00 - 23:00
ravvina/veit: Makulatur
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Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Sat 21.10.2017 | 10:00 - 23:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Sat 21.10.2017 | 09:30 - 00:30
Tanztag Rhein-Main 2017
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Tanzfestival Rhein-MainTanztag Rhein-Main

Tanztag Rhein-Main 2017

  • Sat 21.10.2017 | 09:30 - 00:30
  • diverse Orte in Bad Homburg, Darmstadt, Frankfurt, Kelkheim, Oberursel, Offenbach und Wiesbaden
  • 5,- €

The Tanztag Rhein-Main is back. We invite everyone with a love for dance to try out a wide array of dance styles and movement practices in over 160 trial classes in seven cities across the region, all happening on one single day. From classical and contemporary dance, historical court dances, folk dances from different regions to hiphop or swing: the Tanztag has something for everyone. This project is one-of-a-kind in Germany and not only aims to clearly show just how diverse the dance landscape in the Rhine-Main region really is, but also seeks to move people of all ages and backgrounds beyond city limits. The day will end with a grand celebration of dance at Künstlerhaus Mousonturm.

Fri 20.10.2017 | 21:00
Olivia Hyunsin Kim: Miss Yellow and Me - I wanna be a Musical
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Tanzfestival Rhein-MainAufführungen

Olivia Hyunsin Kim: Miss Yellow and Me - I wanna be a Musical

  • Fri 20.10.2017 | 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

Olivia Hyunsin Kim delights in rubbing artistic genres and physical techniques the wrong way. Be it postmodern dance, aerobics, minimal art and hard rock, pop or high culture – this young choreographer is interested in the stereotypes and clichés caused by various forms of expression and the power imbalances that they perpetuate between Us and the Others. Kim’s special perspective takes its strength from experiences being German-Korean. In her newest piece, she takes on one of the most popular genres: the musical. Inspired by “Miss Saigon” – one of the most successful shows on Broadway and one, which has simultaneously provoked numerous controversies on the representation of Asian women, she has created a musical talent show that is both grotesque and entertaining.

Thu, 19.10., 18.00 Uhr: Warm-up
Fri, 20.10., Artist talk after the performance

——-

Concept: Olivia Hyunsin Kim
Choreography, Performance: Jungyun Bae, Yeonsook Jeong, Olivia Hyunsin Kim
Music: Elischa Kaminer
Dramaturgy: Wicki Bernhardt

Production: Olivia Hyunsin Kim/ddanddarakim
Co-produced by Künstlerhaus Mousonturm as part of Tanzplattform Rhein-Main and Sophiensaele Berlin Funded by Kulturamt Frankfurt am Main, Kulturamt Gießen and Seoul Foundation for Arts and Culture.

Fri 20.10.2017 | 20:00
Isabelle Schad: Solo für Lea
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Tanzfestival Rhein-MainAufführungen

Isabelle Schad: Solo für Lea

  • Fri 20.10.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro | erm. 9 Euro

Frankfurt last hosted Berlin choreographer Isabelle Schad with her choreography “Collective Jumps” during the German Dance Platform 2016. Now she returns with a piece that again showcases her unusual choreographic approach – one that is deeply embedded in the corporeal and simultaneously imbued with influences from the visual arts. In “Solo for Lea”, Schad continues exploring the relationship between body, movement and image to create an intimate piece for the unique dancer that is Lea Moro: Schad re-organizes the dancer’s deconstructed body and plays with analogies and formal aspects of cubism, as well as Picasso’s drawings composed of a single line. The result is a dance portrait, which plays with and reveals the specific features of Moro’s body and its rhythms, contours, colours and energies.

No language skills required

Thu, 19.10., after the performance: Der Geheime Salon
Fri, 20.10., 19.00 Uhr: Warm-up

——-

Concept, Choreography: Isabelle Schad
Co-Choreography, Performance: Lea Moro
Dramaturgical Collaborator: Saša Bozic
Sound: Damir Šimunovic
Lighting Design, Tech: Bruno Pocheron
Costume: Charlotte Pistorius

Production Management: Heiko Schramm
Made possible by a long-term collaboration with Laurent Goldring
A production by Isabelle Schad
Co-produced by Künstlerhaus Mousonturm as part of Tanzplattform Rhein-Main und SOPHIENSÆLE
Coproduction Fund for Dance, which is funded by the Federal Government Commissioner for Culture and the Media
Supported by Wiesen55 e.V., Espace Darja, Casablanca und Goethe-Institut Marokko

Fri 20.10.2017 | 19:00 - 22:00
ravvina/veit: Makulatur
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Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Fri 20.10.2017 | 19:00 - 22:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Fri 20.10.2017 | 10:00 - 11:30
Professional Training with Michael Löhr
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Professional Training

Professional Training with Michael Löhr

  • Fri 20.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

My class develops from plain and pure body-work/work-out exercises, through short floor- and standing combinations into more complex choreographic sequences.
Some of the basic principles which are constantly worked with are finding, strengthening and shifting the center, resting and exploding into space, moving expansively and taking risks. The class is very physical, energetic and athletic but it also focuses on increasing the physical awareness in order to work within a frame in which one can push his individual limits but keep the body safe. I want to encourage the participants to take their own decisions, so they can find their own way of playing with quality, musicality and dynamics and strengthen their individual expression as a performer.

Michael Löhr studied contemporary dance at the Cologne University of Music and Dance and subsequently received a scholarship to visit the annual summer academy in Kyoto, Japan. As a performer he has been involved in various projects including collaborations with Ahn Eun-Me Company, Emanuel Gat Dance, Tanzcompagnie Oldenburg, Tanztheater Bielefeld, Unterwegstheater Heidelberg and has performed at numerous dance festivals around the world. In addition, he works as choreographic assistant of Emanuel Gat and is regularly invited to teach contemporary classes or workshops for institutions such as Ballet National de Marseille, Candoco Dance Company, Cedar Lake Contemporary Ballet, Polish National Ballet, Potsdamer Tanztage, PVC Freiburg, Tanz im August, Tanzhaus NRW and Unterwegstheater Heidelberg.

Thu 19.10.2017 | 20:00
Isabelle Schad: Solo für Lea
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Tanzfestival Rhein-MainAufführungen

Isabelle Schad: Solo für Lea

  • Thu 19.10.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro | erm. 9 Euro

Frankfurt last hosted Berlin choreographer Isabelle Schad with her choreography “Collective Jumps” during the German Dance Platform 2016. Now she returns with a piece that again showcases her unusual choreographic approach – one that is deeply embedded in the corporeal and simultaneously imbued with influences from the visual arts. In “Solo for Lea”, Schad continues exploring the relationship between body, movement and image to create an intimate piece for the unique dancer that is Lea Moro: Schad re-organizes the dancer’s deconstructed body and plays with analogies and formal aspects of cubism, as well as Picasso’s drawings composed of a single line. The result is a dance portrait, which plays with and reveals the specific features of Moro’s body and its rhythms, contours, colours and energies.

No language skills required

Thu, 19.10., after the performance: Der Geheime Salon
Fri, 20.10., 19.00 Uhr: Warm-up

——-

Concept, Choreography: Isabelle Schad
Co-Choreography, Performance: Lea Moro
Dramaturgical Collaborator: Saša Bozic
Sound: Damir Šimunovic
Lighting Design, Tech: Bruno Pocheron
Costume: Charlotte Pistorius

Production Management: Heiko Schramm
Made possible by a long-term collaboration with Laurent Goldring
A production by Isabelle Schad
Co-produced by Künstlerhaus Mousonturm as part of Tanzplattform Rhein-Main und SOPHIENSÆLE
Coproduction Fund for Dance, which is funded by the Federal Government Commissioner for Culture and the Media
Supported by Wiesen55 e.V., Espace Darja, Casablanca und Goethe-Institut Marokko

Thu 19.10.2017 | 19:00
Olivia Hyunsin Kim: Miss Yellow and Me - I wanna be a Musical
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Tanzfestival Rhein-MainAufführungen

Olivia Hyunsin Kim: Miss Yellow and Me - I wanna be a Musical

  • Thu 19.10.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

Olivia Hyunsin Kim delights in rubbing artistic genres and physical techniques the wrong way. Be it postmodern dance, aerobics, minimal art and hard rock, pop or high culture – this young choreographer is interested in the stereotypes and clichés caused by various forms of expression and the power imbalances that they perpetuate between Us and the Others. Kim’s special perspective takes its strength from experiences being German-Korean. In her newest piece, she takes on one of the most popular genres: the musical. Inspired by “Miss Saigon” – one of the most successful shows on Broadway and one, which has simultaneously provoked numerous controversies on the representation of Asian women, she has created a musical talent show that is both grotesque and entertaining.

Thu, 19.10., 18.00 Uhr: Warm-up
Fri, 20.10., Artist talk after the performance

——-

Concept: Olivia Hyunsin Kim
Choreography, Performance: Jungyun Bae, Yeonsook Jeong, Olivia Hyunsin Kim
Music: Elischa Kaminer
Dramaturgy: Wicki Bernhardt

Production: Olivia Hyunsin Kim/ddanddarakim
Co-produced by Künstlerhaus Mousonturm as part of Tanzplattform Rhein-Main and Sophiensaele Berlin Funded by Kulturamt Frankfurt am Main, Kulturamt Gießen and Seoul Foundation for Arts and Culture.

Thu 19.10.2017 | 18:00 - 22:00
ravvina/veit: Makulatur
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Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Thu 19.10.2017 | 18:00 - 22:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Thu 19.10.2017 | 10:00 - 11:30
Professional Training with Michael Löhr
Read more
Professional Training

Professional Training with Michael Löhr

  • Thu 19.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

My class develops from plain and pure body-work/work-out exercises, through short floor- and standing combinations into more complex choreographic sequences.
Some of the basic principles which are constantly worked with are finding, strengthening and shifting the center, resting and exploding into space, moving expansively and taking risks. The class is very physical, energetic and athletic but it also focuses on increasing the physical awareness in order to work within a frame in which one can push his individual limits but keep the body safe. I want to encourage the participants to take their own decisions, so they can find their own way of playing with quality, musicality and dynamics and strengthen their individual expression as a performer.

Michael Löhr studied contemporary dance at the Cologne University of Music and Dance and subsequently received a scholarship to visit the annual summer academy in Kyoto, Japan. As a performer he has been involved in various projects including collaborations with Ahn Eun-Me Company, Emanuel Gat Dance, Tanzcompagnie Oldenburg, Tanztheater Bielefeld, Unterwegstheater Heidelberg and has performed at numerous dance festivals around the world. In addition, he works as choreographic assistant of Emanuel Gat and is regularly invited to teach contemporary classes or workshops for institutions such as Ballet National de Marseille, Candoco Dance Company, Cedar Lake Contemporary Ballet, Polish National Ballet, Potsdamer Tanztage, PVC Freiburg, Tanz im August, Tanzhaus NRW and Unterwegstheater Heidelberg.

Wed 18.10.2017 | 20:00
Olivia Hyunsin Kim: Miss Yellow and Me - I wanna be a Musical
Read more
Tanzfestival Rhein-MainAufführungen

Olivia Hyunsin Kim: Miss Yellow and Me - I wanna be a Musical

  • Wed 18.10.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

Olivia Hyunsin Kim delights in rubbing artistic genres and physical techniques the wrong way. Be it postmodern dance, aerobics, minimal art and hard rock, pop or high culture – this young choreographer is interested in the stereotypes and clichés caused by various forms of expression and the power imbalances that they perpetuate between Us and the Others. Kim’s special perspective takes its strength from experiences being German-Korean. In her newest piece, she takes on one of the most popular genres: the musical. Inspired by “Miss Saigon” – one of the most successful shows on Broadway and one, which has simultaneously provoked numerous controversies on the representation of Asian women, she has created a musical talent show that is both grotesque and entertaining.

Thu, 19.10., 18.00 Uhr: Warm-up
Fri, 20.10., Artist talk after the performance

——-

Concept: Olivia Hyunsin Kim
Choreography, Performance: Jungyun Bae, Yeonsook Jeong, Olivia Hyunsin Kim
Music: Elischa Kaminer
Dramaturgy: Wicki Bernhardt

Production: Olivia Hyunsin Kim/ddanddarakim
Co-produced by Künstlerhaus Mousonturm as part of Tanzplattform Rhein-Main and Sophiensaele Berlin Funded by Kulturamt Frankfurt am Main, Kulturamt Gießen and Seoul Foundation for Arts and Culture.

Wed 18.10.2017 | 19:30
Helena Waldmann: Gute Pässe Schlechte Pässe
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Tanzfestival Rhein-MainAufführungen

Helena Waldmann: Gute Pässe Schlechte Pässe

  • Wed 18.10.2017 | 19:30
  • Staatstheater Darmstadt, Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • ab 10 Euro | erm. ab 9,25 Euro

In “Good Passports Bad Passports”, Helena Waldmann delves into a subject that momentarily moves our society like almost no other: borders. Why can I freely navigate 177 countries with my German passport? And why do people from poorer countries not have this freedom of movement? Whenever we define ourselves as members of a specific group, we invariably exclude others. The dance director translates the wealth represented by a country into two ensembles: a contemporary dance company and a group of nouveau cirque artists. A man-made wall separates the different communities and their values. Citizens of Darmstadt fuel a tumultuous competition between dance and acrobatics and sort good and bad in a world that seems to be composed of no more than nations.

Tue, 17.10., Artist talk after the performance

——-

Dance Direction, Set Design and Concept: Helena Waldmann
With: Sara Enrich Bertran, Antonia Modersohn, Enrico Paglialunga, Tjorm Palmer, Lysandre Coutu-Sauvé, Declan Whitaker, Carlos Zaspel und 22 Mauerbauer
Dramaturgy and Musical Concept: Tobias Staab
Music: Mika Vainio, Arne Deforce, Jean-Philippe Rameau, Richard Wagner
Light: Herbert Cybulska
Costumes: Judith Adam
Rehearsal leader: Johanna Hwang

Technical Director: Carsten Wank
Lighting Technicians: Carsten Wank, Jörg Bittner
Sound: Stephan Wöhrmann, Matthias Hirzel
A production by Helena Waldmann und ecotopia dance productions
Co-produced by Theater im Pfalzbau Ludwigshafen (D), Hessisches Staatsballett im Rahmen von Tanzplattform Rhein-Main, ein Projekt des Hessischen Staatsballetts im Staatstheater Darmstadt und Hessischen Staatstheater Wiesbaden und Künstlerhaus Mousonturm, Frankfurt (D), Les Théâtres de la Ville de Luxembourg (L), Colours International Dance Festival Stuttgart (D), Kaserne Basel (CH), Kurtheater Baden (CH), Forum Freies Theater Düsseldorf (D), Tafelhalle Nürnberg (D)
Funded by Fachausschuss Tanz und Theater BS/BL

Wed 18.10.2017 | 19:00 - 22:00
ravvina/veit: Makulatur
Read more
Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Wed 18.10.2017 | 19:00 - 22:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Wed 18.10.2017 | 10:00 - 11:30
Professional Training with Michael Löhr
Read more
Professional Training

Professional Training with Michael Löhr

  • Wed 18.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

My class develops from plain and pure body-work/work-out exercises, through short floor- and standing combinations into more complex choreographic sequences.
Some of the basic principles which are constantly worked with are finding, strengthening and shifting the center, resting and exploding into space, moving expansively and taking risks. The class is very physical, energetic and athletic but it also focuses on increasing the physical awareness in order to work within a frame in which one can push his individual limits but keep the body safe. I want to encourage the participants to take their own decisions, so they can find their own way of playing with quality, musicality and dynamics and strengthen their individual expression as a performer.

Michael Löhr studied contemporary dance at the Cologne University of Music and Dance and subsequently received a scholarship to visit the annual summer academy in Kyoto, Japan. As a performer he has been involved in various projects including collaborations with Ahn Eun-Me Company, Emanuel Gat Dance, Tanzcompagnie Oldenburg, Tanztheater Bielefeld, Unterwegstheater Heidelberg and has performed at numerous dance festivals around the world. In addition, he works as choreographic assistant of Emanuel Gat and is regularly invited to teach contemporary classes or workshops for institutions such as Ballet National de Marseille, Candoco Dance Company, Cedar Lake Contemporary Ballet, Polish National Ballet, Potsdamer Tanztage, PVC Freiburg, Tanz im August, Tanzhaus NRW and Unterwegstheater Heidelberg.

Tue 17.10.2017 | 19:30
Helena Waldmann: Gute Pässe Schlechte Pässe
Read more
Tanzfestival Rhein-MainAufführungen

Helena Waldmann: Gute Pässe Schlechte Pässe

  • Tue 17.10.2017 | 19:30
  • Staatstheater Darmstadt, Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • ab 10 Euro | erm. ab 9,25 Euro

In “Good Passports Bad Passports”, Helena Waldmann delves into a subject that momentarily moves our society like almost no other: borders. Why can I freely navigate 177 countries with my German passport? And why do people from poorer countries not have this freedom of movement? Whenever we define ourselves as members of a specific group, we invariably exclude others. The dance director translates the wealth represented by a country into two ensembles: a contemporary dance company and a group of nouveau cirque artists. A man-made wall separates the different communities and their values. Citizens of Darmstadt fuel a tumultuous competition between dance and acrobatics and sort good and bad in a world that seems to be composed of no more than nations.

Tue, 17.10., Artist talk after the performance

——-

Dance Direction, Set Design and Concept: Helena Waldmann
With: Sara Enrich Bertran, Antonia Modersohn, Enrico Paglialunga, Tjorm Palmer, Lysandre Coutu-Sauvé, Declan Whitaker, Carlos Zaspel und 22 Mauerbauer
Dramaturgy and Musical Concept: Tobias Staab
Music: Mika Vainio, Arne Deforce, Jean-Philippe Rameau, Richard Wagner
Light: Herbert Cybulska
Costumes: Judith Adam
Rehearsal leader: Johanna Hwang

Technical Director: Carsten Wank
Lighting Technicians: Carsten Wank, Jörg Bittner
Sound: Stephan Wöhrmann, Matthias Hirzel
A production by Helena Waldmann und ecotopia dance productions
Co-produced by Theater im Pfalzbau Ludwigshafen (D), Hessisches Staatsballett im Rahmen von Tanzplattform Rhein-Main, ein Projekt des Hessischen Staatsballetts im Staatstheater Darmstadt und Hessischen Staatstheater Wiesbaden und Künstlerhaus Mousonturm, Frankfurt (D), Les Théâtres de la Ville de Luxembourg (L), Colours International Dance Festival Stuttgart (D), Kaserne Basel (CH), Kurtheater Baden (CH), Forum Freies Theater Düsseldorf (D), Tafelhalle Nürnberg (D)
Funded by Fachausschuss Tanz und Theater BS/BL

Tue 17.10.2017 | 19:30
Bruno Beltrão/Grupo de Rua: INOAH
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Tanzfestival Rhein-MainAufführungen

Bruno Beltrão/Grupo de Rua: INOAH

  • Tue 17.10.2017 | 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • 19 Euro | erm. 9€

The tension grows almost unbearable as ten performers from Bruno Beltrão’s Grupo de Rua step onto the stage. Hesitantly, the dancers grope through the darkness until suddenly a whirlwind of jumps, head spins and somersaults break loose. Brazilian choreographer Beltrão is one of the shooting stars of the contemporary dance scene. He has added new aspects to dance by interweaving the movements and attitudes of street dance, breakdance and hip hop with principles of contemporary dance. This has produced expressive choreographies, which captivate audiences worldwide with their physical presence and virtuosity. “INOAH”, the company’s newest piece, takes on an entirely new dimension. Electric like a stormy night, it is also a call for social change – negotiating the irreconcilable differences currently running through Brazilian society. No language skills required.

Tue, 17.10., Artist talk after the performance

——-

Directed by: Bruno Beltrão
Assistant Director: Ugo Alexandre
Lighting Design: Renato Machado
Costume: Marcelo Sommer
Sound Design: Felipe Storino
Dance: Leozin Laureano, Olye Souza, João Chataignier, Kapu Araújo, Cley Almeida, Leandro Rodrigues, Douglas Santos, Duke Pantoja, Bruno Duarte, Igor Martins
Production Management: Tamara Catharino
A production by Grupo de Rua
Commissioned by Künstlerhaus Mousonturm, HAU Hebbel am Ufer Berlin, Kampnagel Hamburg, tanzhaus nrw and Hellerau Europäisches Zentrum der Künste Dresden a spart of „Projeto Brasil“, funded by the German Federal Culture Foundation. * A Grupo de Rua production, co-produced by Künstlerhaus Mousonturm, Wiener Festwochen, tanzhaus nrw, Festival de Marseille and Kampnagel Hamburg. * Performance as a part of the Tanzfestival Rhein-Main 2017 of the Tanzplattform Rhein Main. Supported by the Goethe Institut.

Tue 17.10.2017 | 10:00 - 11:30
Professional Training with Michael Löhr
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Professional Training

Professional Training with Michael Löhr

  • Tue 17.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

My class develops from plain and pure body-work/work-out exercises, through short floor- and standing combinations into more complex choreographic sequences.
Some of the basic principles which are constantly worked with are finding, strengthening and shifting the center, resting and exploding into space, moving expansively and taking risks. The class is very physical, energetic and athletic but it also focuses on increasing the physical awareness in order to work within a frame in which one can push his individual limits but keep the body safe. I want to encourage the participants to take their own decisions, so they can find their own way of playing with quality, musicality and dynamics and strengthen their individual expression as a performer.

Michael Löhr studied contemporary dance at the Cologne University of Music and Dance and subsequently received a scholarship to visit the annual summer academy in Kyoto, Japan. As a performer he has been involved in various projects including collaborations with Ahn Eun-Me Company, Emanuel Gat Dance, Tanzcompagnie Oldenburg, Tanztheater Bielefeld, Unterwegstheater Heidelberg and has performed at numerous dance festivals around the world. In addition, he works as choreographic assistant of Emanuel Gat and is regularly invited to teach contemporary classes or workshops for institutions such as Ballet National de Marseille, Candoco Dance Company, Cedar Lake Contemporary Ballet, Polish National Ballet, Potsdamer Tanztage, PVC Freiburg, Tanz im August, Tanzhaus NRW and Unterwegstheater Heidelberg.

Mon 16.10.2017 | 19:30
Bruno Beltrão/Grupo de Rua: INOAH
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Tanzfestival Rhein-MainAufführungen

Bruno Beltrão/Grupo de Rua: INOAH

  • Mon 16.10.2017 | 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • 19 Euro | erm. 9€

The tension grows almost unbearable as ten performers from Bruno Beltrão’s Grupo de Rua step onto the stage. Hesitantly, the dancers grope through the darkness until suddenly a whirlwind of jumps, head spins and somersaults break loose. Brazilian choreographer Beltrão is one of the shooting stars of the contemporary dance scene. He has added new aspects to dance by interweaving the movements and attitudes of street dance, breakdance and hip hop with principles of contemporary dance. This has produced expressive choreographies, which captivate audiences worldwide with their physical presence and virtuosity. “INOAH”, the company’s newest piece, takes on an entirely new dimension. Electric like a stormy night, it is also a call for social change – negotiating the irreconcilable differences currently running through Brazilian society. No language skills required.

Tue, 17.10., Artist talk after the performance

——-

Directed by: Bruno Beltrão
Assistant Director: Ugo Alexandre
Lighting Design: Renato Machado
Costume: Marcelo Sommer
Sound Design: Felipe Storino
Dance: Leozin Laureano, Olye Souza, João Chataignier, Kapu Araújo, Cley Almeida, Leandro Rodrigues, Douglas Santos, Duke Pantoja, Bruno Duarte, Igor Martins
Production Management: Tamara Catharino
A production by Grupo de Rua
Commissioned by Künstlerhaus Mousonturm, HAU Hebbel am Ufer Berlin, Kampnagel Hamburg, tanzhaus nrw and Hellerau Europäisches Zentrum der Künste Dresden a spart of „Projeto Brasil“, funded by the German Federal Culture Foundation. * A Grupo de Rua production, co-produced by Künstlerhaus Mousonturm, Wiener Festwochen, tanzhaus nrw, Festival de Marseille and Kampnagel Hamburg. * Performance as a part of the Tanzfestival Rhein-Main 2017 of the Tanzplattform Rhein Main. Supported by the Goethe Institut.

Mon 16.10.2017 | 17:00 - 20:00
ravvina/veit: Makulatur
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Städteübergreifende ResidenzenTanzfestival Rhein-MainAufführungen

ravvina/veit: Makulatur

  • Mon 16.10.2017 | 17:00 - 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • Eintritt frei!

Ideas are discarded. Plans are cancelled. Projects prove to be unfeasible. In Makulatur Frankfurt director Ksenia Ravvina and choreographer Kristina Veit focus on the artistically peripheral, the creative surplus, which normally lies outside our line of vision. For this, they called upon their artistic colleagues to allow them to use ideas and concepts, which did not make it beyond the bottom drawer. With the help of architect Jan Wind the artist duo are creating an installation – on the basis of the submitted material – in which hidden parts of the creative processes are turned into a spatial experience. On the basis of this installation, they will develop a piece in winter 2017, which will be shown at Künstlerhaus Mousonturm and the Staatstheater Darmstadt.

——-

By and with Sven Gey, Alexander Hadjiev, Ksenia Ravvina, Philipp Schulte, Bernhard Siebert, Kristina Veit, Jan Wind and Susanne Zaun

A Ksenia Ravvina & Kristina Veit production, in cooperation with Tanzplattform Rhein-Main, a project of the Künstlerhaus Mousonturm and the Hessische Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden).
Funded by the city of Frankfurt and Hessisches Ministerium für Wissenschaft und Kunst

Mon 16.10.2017 | 10:00 - 11:30
Professional Training with Michael Löhr
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Professional Training

Professional Training with Michael Löhr

  • Mon 16.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

My class develops from plain and pure body-work/work-out exercises, through short floor- and standing combinations into more complex choreographic sequences.
Some of the basic principles which are constantly worked with are finding, strengthening and shifting the center, resting and exploding into space, moving expansively and taking risks. The class is very physical, energetic and athletic but it also focuses on increasing the physical awareness in order to work within a frame in which one can push his individual limits but keep the body safe. I want to encourage the participants to take their own decisions, so they can find their own way of playing with quality, musicality and dynamics and strengthen their individual expression as a performer.

Michael Löhr studied contemporary dance at the Cologne University of Music and Dance and subsequently received a scholarship to visit the annual summer academy in Kyoto, Japan. As a performer he has been involved in various projects including collaborations with Ahn Eun-Me Company, Emanuel Gat Dance, Tanzcompagnie Oldenburg, Tanztheater Bielefeld, Unterwegstheater Heidelberg and has performed at numerous dance festivals around the world. In addition, he works as choreographic assistant of Emanuel Gat and is regularly invited to teach contemporary classes or workshops for institutions such as Ballet National de Marseille, Candoco Dance Company, Cedar Lake Contemporary Ballet, Polish National Ballet, Potsdamer Tanztage, PVC Freiburg, Tanz im August, Tanzhaus NRW and Unterwegstheater Heidelberg.

Fri 13.10.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Fri 13.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Thu 12.10.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Thu 12.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Wed 11.10.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Wed 11.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Tue 10.10.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Tue 10.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Mon 09.10.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Mon 09.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Sat 07.10.2017 | 10:00 - 16:00
Susanne Bentley: Embodying Text
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Workshops

Susanne Bentley: Embodying Text

  • Sat 07.10.2017 | 10:00 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 190 Eur red. 140 Euro (students) / Early bird discount: 170 Euro /95 Euro red. (students)

New date: 24. and 25.02.2018

Using the body as our instrument is the daily practice of a dancer, but how to add vocal expression to our performing? How to feed voice or text back into our bodies as inspiration for movement? This workshop opens the toolbox to using voice in improvised performance, for dancers or movers in the performing and circus arts: skills that can also be transferred to the creation of set performance material. Inspired by Al Wunder’s Theatre of the Ordinary, Ruth Zaporah’s Action Theater and the work of Andrew Morrish, this workshop promotes an experiential way of learning. Participants discover what they like doing, what they like seeing and take responsibility for developing their own style of theatrical self-presentation.

Fri 06.10.2017 | 11:00
Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds
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Vermittlungsresidenzen

Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds

  • Fri 06.10.2017 | 11:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

We live in an age of constant stress and overload. The performance duo Janna Pinsker and Wicki Bernhardt are undaunted by this situation and have initiated an experiment that is both humorous and exciting: “Heute mobben wir die Birds” is a lecture-performance for people age 11 and up. More than a mere introduction to performance art, the piece also confronts itself and the audience with the fact that everything is somehow interconnected and relevant in its own way. Not knowing is no longer an option when trying to find meaning in the jungle of life. Flooding the brain with information feeds the web of thoughts and speculations. That leaves it up to us to organize things and communicate with them. But how?

In German

——-

Concept, Chroreography and Performance: Janna Pinsker und Wicki Bernhardt
Costume and Property Master: Kristin Gerwien
Light Design: Charlotte Bösling
Production Management: Nele Beinborn

Coproduction as part of Outreach Residency of Tanzplattform Rhein-Main
Funded by the City of Frankfurt and the Hessisches Ministerium für Wissenschaft und Kunst
Concept research in the context of next generation workspace – a residence project by Künstlerhaus Mousonturm, Starke Stücke Festival, Theaterhaus Frankfurt and Hessische Theaterakademie, sponsored by the Hessisches Ministerium für Wissenschaft und Kunst.

Fri 06.10.2017 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Fri 06.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The Kinesthetic Resonance

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

www.laurahicks.net

Thu 05.10.2017 | 19:00
Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds
Read more
Vermittlungsresidenzen

Janna Pinsker and Wicki Bernhardt: Heute mobben wir die Birds

  • Thu 05.10.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro | erm. 6 Euro

We live in an age of constant stress and overload. The performance duo Janna Pinsker and Wicki Bernhardt are undaunted by this situation and have initiated an experiment that is both humorous and exciting: “Heute mobben wir die Birds” is a lecture-performance for people age 11 and up. More than a mere introduction to performance art, the piece also confronts itself and the audience with the fact that everything is somehow interconnected and relevant in its own way. Not knowing is no longer an option when trying to find meaning in the jungle of life. Flooding the brain with information feeds the web of thoughts and speculations. That leaves it up to us to organize things and communicate with them. But how?

In German

——-

Concept, Chroreography and Performance: Janna Pinsker und Wicki Bernhardt
Costume and Property Master: Kristin Gerwien
Light Design: Charlotte Bösling
Production Management: Nele Beinborn

Coproduction as part of Outreach Residency of Tanzplattform Rhein-Main
Funded by the City of Frankfurt and the Hessisches Ministerium für Wissenschaft und Kunst
Concept research in the context of next generation workspace – a residence project by Künstlerhaus Mousonturm, Starke Stücke Festival, Theaterhaus Frankfurt and Hessische Theaterakademie, sponsored by the Hessisches Ministerium für Wissenschaft und Kunst.

Thu 05.10.2017 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Thu 05.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The Kinesthetic Resonance

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

www.laurahicks.net

Wed 04.10.2017 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Wed 04.10.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The Kinesthetic Resonance

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

www.laurahicks.net

September 2017
Sat 30.09.2017 | 10:00 - 18:00
Dr. Adriana Almeida Pees: Dance Composition & Body-Mind Centering®
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Workshops

Dr. Adriana Almeida Pees: Dance Composition & Body-Mind Centering®

  • Sat 30.09.2017 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket 1.100,- Euro / Studierende 600,- Euro; Wochendkurs regulär 190,- Euro / Frühbucher 170,- Euro | Studierende: 140,- Euro / Frühbucher 95,- Euro

The workshop series Dance composition & BMC® will be offered by Adriana Almeida on seven weekends, and this experience does not only open up new dimensions and creative possibilities for dance creation and performance practice, but also creates a multifaceted movement material as well as surprising physical and poetic research approaches. The performer learns, through specific exercises and touch techniques, different movement qualities and the visual power of his/her experience with the various body systems, which allows him / her to substantially extend the individual range of motion and movement vocabulary.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009

Fri 29.09.2017 | 10:00 - 11:30
Professional Training with Narendra Patil
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Professional Training

Professional Training with Narendra Patil

  • Fri 29.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

It is a combination of the Indian Classical Kathak Dance, Folk and Contemporary Movement Vocabulary. It has lot of powerful footwork, hand combinations, rhythms and spins.
Class starts with Meditative posture and Asanas (Asana is a specific posture which strengthens Mind and Body). We continue to conditioning the body through Yoga and movement and it includes body toning and Martial arts exercises which are later incorporated into the movement phrase.
Playing with momentum, suspension and dynamic floor routines (which combines speed and centrifugal energy). It also combines floor exploration with antigravity falls, recovery, agile partnering and strength based technique which allows the individual to discover organic body rhythms and floor connections. Participates can expect to learn certain Indian classical Mudras from the dance form of Kathak & Bharatnatyam which can be incorporated in to the final phrase.
Classes will be focused on – Speed, musicality, strength, moving in the space, rhythm, emotions, different movement vocabulary Phrases, movement precision and efficiency. After more than 9 years as a close follower of David Zambrano, I will share a number of phrases which experiments on the flying low principles.

Narendra Patil is the first Indian contemporary dancer who has got scholarship and has studied under David Zambrano as a part of a 30 days intensive workshop of “Flying Low” and “Passing Through” technique in Berlin, Germany, 2014. He was one of the 45 dancers amongst 489 applicants around the world to be selected. Again he got selected for EXIN for 30 days Flying Low and Passing Through intensives which was conducted in Madrid, Spain September 2016.

Thu 28.09.2017 | 10:00 - 11:30
Professional Training with Narendra Patil
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Professional Training

Professional Training with Narendra Patil

  • Thu 28.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

It is a combination of the Indian Classical Kathak Dance, Folk and Contemporary Movement Vocabulary. It has lot of powerful footwork, hand combinations, rhythms and spins.
Class starts with Meditative posture and Asanas (Asana is a specific posture which strengthens Mind and Body). We continue to conditioning the body through Yoga and movement and it includes body toning and Martial arts exercises which are later incorporated into the movement phrase.
Playing with momentum, suspension and dynamic floor routines (which combines speed and centrifugal energy). It also combines floor exploration with antigravity falls, recovery, agile partnering and strength based technique which allows the individual to discover organic body rhythms and floor connections. Participates can expect to learn certain Indian classical Mudras from the dance form of Kathak & Bharatnatyam which can be incorporated in to the final phrase.
Classes will be focused on – Speed, musicality, strength, moving in the space, rhythm, emotions, different movement vocabulary Phrases, movement precision and efficiency. After more than 9 years as a close follower of David Zambrano, I will share a number of phrases which experiments on the flying low principles.

Narendra Patil is the first Indian contemporary dancer who has got scholarship and has studied under David Zambrano as a part of a 30 days intensive workshop of “Flying Low” and “Passing Through” technique in Berlin, Germany, 2014. He was one of the 45 dancers amongst 489 applicants around the world to be selected. Again he got selected for EXIN for 30 days Flying Low and Passing Through intensives which was conducted in Madrid, Spain September 2016.

Wed 27.09.2017 | 10:00 - 11:30
Professional Training with Narendra Patil
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Professional Training

Professional Training with Narendra Patil

  • Wed 27.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

It is a combination of the Indian Classical Kathak Dance, Folk and Contemporary Movement Vocabulary. It has lot of powerful footwork, hand combinations, rhythms and spins.
Class starts with Meditative posture and Asanas (Asana is a specific posture which strengthens Mind and Body). We continue to conditioning the body through Yoga and movement and it includes body toning and Martial arts exercises which are later incorporated into the movement phrase.
Playing with momentum, suspension and dynamic floor routines (which combines speed and centrifugal energy). It also combines floor exploration with antigravity falls, recovery, agile partnering and strength based technique which allows the individual to discover organic body rhythms and floor connections. Participates can expect to learn certain Indian classical Mudras from the dance form of Kathak & Bharatnatyam which can be incorporated in to the final phrase.
Classes will be focused on – Speed, musicality, strength, moving in the space, rhythm, emotions, different movement vocabulary Phrases, movement precision and efficiency. After more than 9 years as a close follower of David Zambrano, I will share a number of phrases which experiments on the flying low principles.

Narendra Patil is the first Indian contemporary dancer who has got scholarship and has studied under David Zambrano as a part of a 30 days intensive workshop of “Flying Low” and “Passing Through” technique in Berlin, Germany, 2014. He was one of the 45 dancers amongst 489 applicants around the world to be selected. Again he got selected for EXIN for 30 days Flying Low and Passing Through intensives which was conducted in Madrid, Spain September 2016.

Tue 26.09.2017 | 10:00 - 11:30
Professional Training with Narendra Patil
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Professional Training

Professional Training with Narendra Patil

  • Tue 26.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

It is a combination of the Indian Classical Kathak Dance, Folk and Contemporary Movement Vocabulary. It has lot of powerful footwork, hand combinations, rhythms and spins.
Class starts with Meditative posture and Asanas (Asana is a specific posture which strengthens Mind and Body). We continue to conditioning the body through Yoga and movement and it includes body toning and Martial arts exercises which are later incorporated into the movement phrase.
Playing with momentum, suspension and dynamic floor routines (which combines speed and centrifugal energy). It also combines floor exploration with antigravity falls, recovery, agile partnering and strength based technique which allows the individual to discover organic body rhythms and floor connections. Participates can expect to learn certain Indian classical Mudras from the dance form of Kathak & Bharatnatyam which can be incorporated in to the final phrase.
Classes will be focused on – Speed, musicality, strength, moving in the space, rhythm, emotions, different movement vocabulary Phrases, movement precision and efficiency. After more than 9 years as a close follower of David Zambrano, I will share a number of phrases which experiments on the flying low principles.

Narendra Patil is the first Indian contemporary dancer who has got scholarship and has studied under David Zambrano as a part of a 30 days intensive workshop of “Flying Low” and “Passing Through” technique in Berlin, Germany, 2014. He was one of the 45 dancers amongst 489 applicants around the world to be selected. Again he got selected for EXIN for 30 days Flying Low and Passing Through intensives which was conducted in Madrid, Spain September 2016.

Mon 25.09.2017 | 10:00 - 11:30
Professional Training with Narendra Patil
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Professional Training

Professional Training with Narendra Patil

  • Mon 25.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

It is a combination of the Indian Classical Kathak Dance, Folk and Contemporary Movement Vocabulary. It has lot of powerful footwork, hand combinations, rhythms and spins.
Class starts with Meditative posture and Asanas (Asana is a specific posture which strengthens Mind and Body). We continue to conditioning the body through Yoga and movement and it includes body toning and Martial arts exercises which are later incorporated into the movement phrase.
Playing with momentum, suspension and dynamic floor routines (which combines speed and centrifugal energy). It also combines floor exploration with antigravity falls, recovery, agile partnering and strength based technique which allows the individual to discover organic body rhythms and floor connections. Participates can expect to learn certain Indian classical Mudras from the dance form of Kathak & Bharatnatyam which can be incorporated in to the final phrase.
Classes will be focused on – Speed, musicality, strength, moving in the space, rhythm, emotions, different movement vocabulary Phrases, movement precision and efficiency. After more than 9 years as a close follower of David Zambrano, I will share a number of phrases which experiments on the flying low principles.

Narendra Patil is the first Indian contemporary dancer who has got scholarship and has studied under David Zambrano as a part of a 30 days intensive workshop of “Flying Low” and “Passing Through” technique in Berlin, Germany, 2014. He was one of the 45 dancers amongst 489 applicants around the world to be selected. Again he got selected for EXIN for 30 days Flying Low and Passing Through intensives which was conducted in Madrid, Spain September 2016.

Sat 23.09.2017 | 10:00 - 18:00
Dr. Adriana Almeida Pees: Dance Composition & Body-Mind Centering®
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Workshops

Dr. Adriana Almeida Pees: Dance Composition & Body-Mind Centering®

  • Sat 23.09.2017 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket 1.100,- Euro / Studierende 600,- Euro; Wochendkurs regulär 190,- Euro / Frühbucher 170,- Euro | Studierende: 140,- Euro / Frühbucher 95,- Euro

The workshop series Dance composition & BMC® will be offered by Adriana Almeida on seven weekends, and this experience does not only open up new dimensions and creative possibilities for dance creation and performance practice, but also creates a multifaceted movement material as well as surprising physical and poetic research approaches. The performer learns, through specific exercises and touch techniques, different movement qualities and the visual power of his/her experience with the various body systems, which allows him / her to substantially extend the individual range of motion and movement vocabulary.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009

Fri 22.09.2017 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Fri 22.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Thu 21.09.2017 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Thu 21.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Wed 20.09.2017 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Wed 20.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Tue 19.09.2017 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Tue 19.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Mon 18.09.2017 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Mon 18.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Sun 17.09.2017 | 17:00 - 17:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
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Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Sun 17.09.2017 | 17:00 - 17:40
  • Kurpark Bad Homburg (Russische Kirche), Paul-Ehrlich-Weg 2, 61348 Bad Homburg vor der Höhe
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Sun 17.09.2017 | 14:00 - 14:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
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Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Sun 17.09.2017 | 14:00 - 14:40
  • Kurpark Bad Homburg (Russische Kirche), Paul-Ehrlich-Weg 2, 61348 Bad Homburg vor der Höhe
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Sun 17.09.2017 | 11:00 - 11:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
Read more
Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Sun 17.09.2017 | 11:00 - 11:40
  • Kurpark Bad Homburg (Russische Kirche), Paul-Ehrlich-Weg 2, 61348 Bad Homburg vor der Höhe
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Sat 16.09.2017 | 18:00 - 18:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
Read more
Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Sat 16.09.2017 | 18:00 - 18:40
  • Kurpark Bad Nauheim (am Brunnen), 61231 Bad Nauheim
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Fri 15.09.2017 | 17:00 - 17:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
Read more
Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Fri 15.09.2017 | 17:00 - 17:40
  • Kurpark Bad Nauheim (am Brunnen), 61231 Bad Nauheim
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Fri 15.09.2017 | 15:00 - 15:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
Read more
Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Fri 15.09.2017 | 15:00 - 15:40
  • Kurpark Bad Nauheim (am Brunnen), 61231 Bad Nauheim
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Fri 15.09.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Fri 15.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Thu 14.09.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Thu 14.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Wed 13.09.2017 | 18:00 - 18:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
Read more
Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Wed 13.09.2017 | 18:00 - 18:40
  • Kurpark Bad Vilbel (Kurhaus), Niddastraße 1, 61118 Bad Vilbel
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Wed 13.09.2017 | 16:00 - 16:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
Read more
Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Wed 13.09.2017 | 16:00 - 16:40
  • Kurpark Bad Vilbel (Kurhaus), Niddastraße 1, 61118 Bad Vilbel
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Wed 13.09.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Wed 13.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Tue 12.09.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Tue 12.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Mon 11.09.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Mon 11.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Sun 10.09.2017 | 17:00 - 17:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
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Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Sun 10.09.2017 | 17:00 - 17:40
  • Alter Kurpark (Konzertmuschel), Königsteiner Str. 79, 65812 Bad Soden am Taunus
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Sun 10.09.2017 | 11:00 - 11:40
Ensemble Mobil | Canan Erek (Berlin): Green Move
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Ensemble MobilAufführungen

Ensemble Mobil | Canan Erek (Berlin): Green Move

  • Sun 10.09.2017 | 11:00 - 11:40
  • Alter Kurpark (Konzertmuschel), Königsteiner Str. 79, 65812 Bad Soden am Taunus
  • freier Eintritt

Japanese scientists have discovered that people, who spend a lot of time in nature, have better immune systems, suffer less from stress and are less likely to be diagnosed with cancer. This has set off a trend (at least in Asia): forest bathing – walking through woodlands, while perceiving nature with all your senses. This fascinates Canan Erek. Her choreography Green Move visits various spa gardens, which have always been places of healing. The dance performance wanders within the different parks and takes the audience with it on a stroll. Erek’s piece is the second Ensemble Mobil, initiated by the Tanzplattform Rhein-Main.

The performances will be shifted in case of rain.

“Green Move” will take place in other spa parks of Rhine-Main region. The exact dates will be announced soon.

Fri 08.09.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Fri 08.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Thu 07.09.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Thu 07.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 06.09.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Wed 06.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 05.09.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Tue 05.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Mon 04.09.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Mon 04.09.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Juli 2017
Sat 08.07.2017 | 15:00 - 23:00
Masterstudiengang Choreografie und Performance (CuP): Rough Proposals
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Aufführungen

Masterstudiengang Choreografie und Performance (CuP): Rough Proposals

  • Sat 08.07.2017 | 15:00 - 23:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal

Conceptual dance, movement-based dance or post-dance? What sparks the creation of dance? Composition, improvisation, movement research or repertory? This is the question driving the festival Rough Proposals, in which students of the Gießen Master Programme for Choreography and Performance (CuP) present the results of individual lines of inquiry and shared explorations in the fields of performance, dance and choreography: “In order to imagine a flexible institution based on open channels of communication between audiences, artists and their environments, we invite you all to join in our research, to visualise and experience time together. Self-contained and in the process. With everyone or alone. Before, during or after the dancing. Our search for choreography is open to all.

Admission free!

It is a plant. No, it is a building. It is a plant. No, it is Mousonturm. It is a plant in the building and on the building and outside of the building. It is a movement that has planted itself in the building. It is a plant and a performance. It is a house and a dance. It makes its way through common intelligence, strong body, swans and lakes, white laboratories, green pornscapes, things that are not yet there, things that are joyful, things that oscillate, things that we forget.

It is a group body. It is a plant and a group body of thinking choreography, of dance, of poetry, of imaginary, of realm, of exposing and proposing.

Frida, Patrick, Tanja, Kasia, Filomena, Rene, Fabricio, Ana, Rahel, Marja, Zrinka, Liza, Ida and Viktoria will water it daily.

Day 1
The roots

17.00 – 18.00
Paradance
A proposal by Frida Laux

The stem

18.00 – 22.00
Oscillatory
A proposal by Patrick Faurot

The flower

22.15 – 23.00
SURFACE I
A proposal by Tanja Kodlien

Day 2
The roots

19.00 – 19.30
FOOD
A proposal by Katarzyna Kania

The stem

19.30 – 20.30
i decide to buy the toilet paper at the discounter, later you will say I am good in taking care of money
a proposal by Filomena Krause

20.45 – 21.15
i2 = −1 : imaginary numbers and the problem of still being human
a proposal by Fabricio Belzoff and Rene Alejandro Huari Mateus

The flower

21.30 – 22.30
Feminist pornscapes
A proposal by Rahel Barra, Ida Daniel, Ana Dublevic, Frida Laux, Zrinka Uzbinec,

Day 3

The roots

15.00 – 17.00
stiction_working title
a proposal by Marja Christiania

17.00 – 17.30
Sketches for making a SCI-Fi dance 1
A proposal by Zrinka Uzbinec

The stem

17.30 – 19.00
Original choice
A proposal by Elizaveta Spivakovska

19.00 – 19.30
sit&w(h)at.ch 1
a proposal by Ida Daniel

19.30 – 20.00
Sketches for making a SCI-Fi dance 2
A proposal by Zrinka Uzbinec

The flower

20.30 – 21.30
the other day i forgot to mention
a proposal by Marja Christiania and Viktoria Illioska

21.30 – 22.00
sit&w(h)at.ch 2
a proposal by Ida Daniel

22.15 – 22.30
Sketches for making a SCI-Fi dance 3
A proposal by Zrinka Uzbinec

22.30 – 23.00
sit&w(h)at.ch 3
a proposal by Ida Daniel

Fri 07.07.2017 | 19:30 - 22:30
Masterstudiengang Choreografie und Performance (CuP): Rough Proposals
Read more
Aufführungen

Masterstudiengang Choreografie und Performance (CuP): Rough Proposals

  • Fri 07.07.2017 | 19:30 - 22:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal

Conceptual dance, movement-based dance or post-dance? What sparks the creation of dance? Composition, improvisation, movement research or repertory? This is the question driving the festival Rough Proposals, in which students of the Gießen Master Programme for Choreography and Performance (CuP) present the results of individual lines of inquiry and shared explorations in the fields of performance, dance and choreography: “In order to imagine a flexible institution based on open channels of communication between audiences, artists and their environments, we invite you all to join in our research, to visualise and experience time together. Self-contained and in the process. With everyone or alone. Before, during or after the dancing. Our search for choreography is open to all.

Admission free!

It is a plant. No, it is a building. It is a plant. No, it is Mousonturm. It is a plant in the building and on the building and outside of the building. It is a movement that has planted itself in the building. It is a plant and a performance. It is a house and a dance. It makes its way through common intelligence, strong body, swans and lakes, white laboratories, green pornscapes, things that are not yet there, things that are joyful, things that oscillate, things that we forget.

It is a group body. It is a plant and a group body of thinking choreography, of dance, of poetry, of imaginary, of realm, of exposing and proposing.

Frida, Patrick, Tanja, Kasia, Filomena, Rene, Fabricio, Ana, Rahel, Marja, Zrinka, Liza, Ida and Viktoria will water it daily.

Day 1
The roots

17.00 – 18.00
Paradance
A proposal by Frida Laux

The stem

18.00 – 22.00
Oscillatory
A proposal by Patrick Faurot

The flower

22.15 – 23.00
SURFACE I
A proposal by Tanja Kodlien

Day 2
The roots

19.00 – 19.30
FOOD
A proposal by Katarzyna Kania

The stem

19.30 – 20.30
i decide to buy the toilet paper at the discounter, later you will say I am good in taking care of money
a proposal by Filomena Krause

20.45 – 21.15
i2 = −1 : imaginary numbers and the problem of still being human
a proposal by Fabricio Belzoff and Rene Alejandro Huari Mateus

The flower

21.30 – 22.30
Feminist pornscapes
A proposal by Rahel Barra, Ida Daniel, Ana Dublevic, Frida Laux, Zrinka Uzbinec,

Day 3

The roots

15.00 – 17.00
stiction_working title
a proposal by Marja Christiania

17.00 – 17.30
Sketches for making a SCI-Fi dance 1
A proposal by Zrinka Uzbinec

The stem

17.30 – 19.00
Original choice
A proposal by Elizaveta Spivakovska

19.00 – 19.30
sit&w(h)at.ch 1
a proposal by Ida Daniel

19.30 – 20.00
Sketches for making a SCI-Fi dance 2
A proposal by Zrinka Uzbinec

The flower

20.30 – 21.30
the other day i forgot to mention
a proposal by Marja Christiania and Viktoria Illioska

21.30 – 22.00
sit&w(h)at.ch 2
a proposal by Ida Daniel

22.15 – 22.30
Sketches for making a SCI-Fi dance 3
A proposal by Zrinka Uzbinec

22.30 – 23.00
sit&w(h)at.ch 3
a proposal by Ida Daniel

Thu 06.07.2017 | 17:00 - 23:00
Masterstudiengang Choreografie und Performance (CuP): Rough Proposals
Read more
Aufführungen

Masterstudiengang Choreografie und Performance (CuP): Rough Proposals

  • Thu 06.07.2017 | 17:00 - 23:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal

Conceptual dance, movement-based dance or post-dance? What sparks the creation of dance? Composition, improvisation, movement research or repertory? This is the question driving the festival Rough Proposals, in which students of the Gießen Master Programme for Choreography and Performance (CuP) present the results of individual lines of inquiry and shared explorations in the fields of performance, dance and choreography: “In order to imagine a flexible institution based on open channels of communication between audiences, artists and their environments, we invite you all to join in our research, to visualise and experience time together. Self-contained and in the process. With everyone or alone. Before, during or after the dancing. Our search for choreography is open to all.

Admission free!

It is a plant. No, it is a building. It is a plant. No, it is Mousonturm. It is a plant in the building and on the building and outside of the building. It is a movement that has planted itself in the building. It is a plant and a performance. It is a house and a dance. It makes its way through common intelligence, strong body, swans and lakes, white laboratories, green pornscapes, things that are not yet there, things that are joyful, things that oscillate, things that we forget.

It is a group body. It is a plant and a group body of thinking choreography, of dance, of poetry, of imaginary, of realm, of exposing and proposing.

Frida, Patrick, Tanja, Kasia, Filomena, Rene, Fabricio, Ana, Rahel, Marja, Zrinka, Liza, Ida and Viktoria will water it daily.

Day 1
The roots

17.00 – 18.00
Paradance
A proposal by Frida Laux

The stem

18.00 – 22.00
Oscillatory
A proposal by Patrick Faurot

The flower

22.15 – 23.00
SURFACE I
A proposal by Tanja Kodlien

Day 2
The roots

19.00 – 19.30
FOOD
A proposal by Katarzyna Kania

The stem

19.30 – 20.30
i decide to buy the toilet paper at the discounter, later you will say I am good in taking care of money
a proposal by Filomena Krause

20.45 – 21.15
i2 = −1 : imaginary numbers and the problem of still being human
a proposal by Fabricio Belzoff and Rene Alejandro Huari Mateus

The flower

21.30 – 22.30
Feminist pornscapes
A proposal by Rahel Barra, Ida Daniel, Ana Dublevic, Frida Laux, Zrinka Uzbinec,

Day 3

The roots

15.00 – 17.00
stiction_working title
a proposal by Marja Christiania

17.00 – 17.30
Sketches for making a SCI-Fi dance 1
A proposal by Zrinka Uzbinec

The stem

17.30 – 19.00
Original choice
A proposal by Elizaveta Spivakovska

19.00 – 19.30
sit&w(h)at.ch 1
a proposal by Ida Daniel

19.30 – 20.00
Sketches for making a SCI-Fi dance 2
A proposal by Zrinka Uzbinec

The flower

20.30 – 21.30
the other day i forgot to mention
a proposal by Marja Christiania and Viktoria Illioska

21.30 – 22.00
sit&w(h)at.ch 2
a proposal by Ida Daniel

22.15 – 22.30
Sketches for making a SCI-Fi dance 3
A proposal by Zrinka Uzbinec

22.30 – 23.00
sit&w(h)at.ch 3
a proposal by Ida Daniel

Juni 2017
Fri 30.06.2017 | 10:00
Professional training with Laura Hicks
Read more
Professional Training

Professional training with Laura Hicks

  • Fri 30.06.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

This class integrates cutting edge concepts from the fields of movement science and Somatics as a way of approaching dance training. How do breathing dynamics, fascial sliding, or range of motion relate to your dancing? The class will move from explorative exercises, into shared movement material that will challenge us to incorporate functional concepts while executing changes of direction and phrasing.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Movement Patterning, Bartineff Fundamentals, contact improvisation, and contemporary philosophy are strong influences. She now teaches at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and is currently working on her own research project in ‘Kinesthetic Mapping.’ She is also a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Thu 29.06.2017 | 10:00
Professional training with Laura Hicks
Read more
Professional Training

Professional training with Laura Hicks

  • Thu 29.06.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

This class integrates cutting edge concepts from the fields of movement science and Somatics as a way of approaching dance training. How do breathing dynamics, fascial sliding, or range of motion relate to your dancing? The class will move from explorative exercises, into shared movement material that will challenge us to incorporate functional concepts while executing changes of direction and phrasing.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Movement Patterning, Bartineff Fundamentals, contact improvisation, and contemporary philosophy are strong influences. She now teaches at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and is currently working on her own research project in ‘Kinesthetic Mapping.’ She is also a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Wed 28.06.2017 | 10:00
Professional training with Laura Hicks
Read more
Professional Training

Professional training with Laura Hicks

  • Wed 28.06.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

This class integrates cutting edge concepts from the fields of movement science and Somatics as a way of approaching dance training. How do breathing dynamics, fascial sliding, or range of motion relate to your dancing? The class will move from explorative exercises, into shared movement material that will challenge us to incorporate functional concepts while executing changes of direction and phrasing.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Movement Patterning, Bartineff Fundamentals, contact improvisation, and contemporary philosophy are strong influences. She now teaches at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and is currently working on her own research project in ‘Kinesthetic Mapping.’ She is also a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Tue 27.06.2017 | 10:00
Professional training with Laura Hicks
Read more
Professional Training

Professional training with Laura Hicks

  • Tue 27.06.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

This class integrates cutting edge concepts from the fields of movement science and Somatics as a way of approaching dance training. How do breathing dynamics, fascial sliding, or range of motion relate to your dancing? The class will move from explorative exercises, into shared movement material that will challenge us to incorporate functional concepts while executing changes of direction and phrasing.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Movement Patterning, Bartineff Fundamentals, contact improvisation, and contemporary philosophy are strong influences. She now teaches at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and is currently working on her own research project in ‘Kinesthetic Mapping.’ She is also a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Mon 26.06.2017 | 10:00
Professional training with Laura Hicks
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Professional Training

Professional training with Laura Hicks

  • Mon 26.06.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

This class integrates cutting edge concepts from the fields of movement science and Somatics as a way of approaching dance training. How do breathing dynamics, fascial sliding, or range of motion relate to your dancing? The class will move from explorative exercises, into shared movement material that will challenge us to incorporate functional concepts while executing changes of direction and phrasing.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Movement Patterning, Bartineff Fundamentals, contact improvisation, and contemporary philosophy are strong influences. She now teaches at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and is currently working on her own research project in ‘Kinesthetic Mapping.’ She is also a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Fri 23.06.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Fri 23.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Thu 22.06.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Thu 22.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 21.06.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Wed 21.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 20.06.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Tue 20.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Mon 19.06.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Mon 19.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Sun 18.06.2017 | 10:00 - 16:00
Clint Lutes: Move You/In a Group
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Workshops

Clint Lutes: Move You/In a Group

  • Sun 18.06.2017 | 10:00 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 190 Eur red. 140 Euro (students) / Early bird discount: 170 Euro /95 Euro red. (students)

Clint Lutes’ Move You/In a Group-workshop looks at developing and understanding one’s identity and role in terms of individual movement practice and vocabulary in a group improvisation situation. We will work on our inner presence and body texture via outward connection, by decoding and expanding reactionary possibilities to our environment. In group situations, we will play and be present, understanding when to (re)act, follow, wait and when to go deeper. We will identify questions pertaining to these practices and try to understand them more deeply using verbal and nonverbal methods.

Sat 17.06.2017 | 10:00 - 16:00
Clint Lutes: Move You/In a Group
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Workshops

Clint Lutes: Move You/In a Group

  • Sat 17.06.2017 | 10:00 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 190 Eur red. 140 Euro (students) / Early bird discount: 170 Euro /95 Euro red. (students)

Clint Lutes’ Move You/In a Group-workshop looks at developing and understanding one’s identity and role in terms of individual movement practice and vocabulary in a group improvisation situation. We will work on our inner presence and body texture via outward connection, by decoding and expanding reactionary possibilities to our environment. In group situations, we will play and be present, understanding when to (re)act, follow, wait and when to go deeper. We will identify questions pertaining to these practices and try to understand them more deeply using verbal and nonverbal methods.

Fri 16.06.2017 | 20:00
Presentation Tanzplattform Rhein-Main Dance Clubs
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KlubsAufführungen

Presentation Tanzplattform Rhein-Main Dance Clubs

  • Fri 16.06.2017 | 20:00
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 7 Euro

Dancing makes people happy. That is why the Tanzplattform Rhein-Main offers contemporary dance clubs in Darmstadt, Frankfurt and Wiesbaden for dance amateurs with the desire to dance for themselves. At the end of the season, the clubs present what they worked on together in a public performance.

Wed 14.06.2017 | 20:00
Presentation Tanzplattform Rhein-Main Dance Clubs
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KlubsAufführungen

Presentation Tanzplattform Rhein-Main Dance Clubs

  • Wed 14.06.2017 | 20:00
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 7 Euro

Dancing makes people happy. That is why the Tanzplattform Rhein-Main offers contemporary dance clubs in Darmstadt, Frankfurt and Wiesbaden for dance amateurs with the desire to dance for themselves. At the end of the season, the clubs present what they worked on together in a public performance.

Wed 14.06.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Wed 14.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Tue 13.06.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Tue 13.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Mon 12.06.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Mon 12.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Fri 09.06.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Fri 09.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Thu 08.06.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Thu 08.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Wed 07.06.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Wed 07.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Tue 06.06.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Tue 06.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Fri 02.06.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Fri 02.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Thu 01.06.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Thu 01.06.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Mai 2017
Wed 31.05.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Wed 31.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Tue 30.05.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Tue 30.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Mon 29.05.2017 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Mon 29.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Wed 24.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Wed 24.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Tue 23.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Tue 23.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Mon 22.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Mon 22.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Sun 21.05.2017 | 20:00

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AufführungenVermittlungsresidenzen

  • Sun 21.05.2017 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Sun 21.05.2017 | 18:00
ZuKT_present
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Aufführungen

ZuKT_present

  • Sun 21.05.2017 | 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal

ZuKT is known for aesthetic diversity, bridging tradition and innovation, inciting a love of dance and always being good for a few surprises. For the last 15 years, the Department for Contemporary and Classical Dance at the Frankfurt University for Music and Performing Arts has presented a challenging dance programme at Mousonturm every year. This year, it includes excerpts from William Forsythe’s Vile Parody of Address, Unter dem Hundsstern by Stephan Thoss and a piece by Iván Pérez for Balletboyz, as well as pieces by Cameron McMillan, Georg Reischl, Johannes Wieland and Dieter Heitkamp. Working with these choreographers gives students the chance to explore the multiple facets of their artistic abilities.

Sat 20.05.2017 | 20:00
ZuKT_present
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Aufführungen

ZuKT_present

  • Sat 20.05.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal

ZuKT is known for aesthetic diversity, bridging tradition and innovation, inciting a love of dance and always being good for a few surprises. For the last 15 years, the Department for Contemporary and Classical Dance at the Frankfurt University for Music and Performing Arts has presented a challenging dance programme at Mousonturm every year. This year, it includes excerpts from William Forsythe’s Vile Parody of Address, Unter dem Hundsstern by Stephan Thoss and a piece by Iván Pérez for Balletboyz, as well as pieces by Cameron McMillan, Georg Reischl, Johannes Wieland and Dieter Heitkamp. Working with these choreographers gives students the chance to explore the multiple facets of their artistic abilities.

Fri 19.05.2017 | 20:00
ZuKT_present
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Aufführungen

ZuKT_present

  • Fri 19.05.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal

ZuKT is known for aesthetic diversity, bridging tradition and innovation, inciting a love of dance and always being good for a few surprises. For the last 15 years, the Department for Contemporary and Classical Dance at the Frankfurt University for Music and Performing Arts has presented a challenging dance programme at Mousonturm every year. This year, it includes excerpts from William Forsythe’s Vile Parody of Address, Unter dem Hundsstern by Stephan Thoss and a piece by Iván Pérez for Balletboyz, as well as pieces by Cameron McMillan, Georg Reischl, Johannes Wieland and Dieter Heitkamp. Working with these choreographers gives students the chance to explore the multiple facets of their artistic abilities.

Fri 19.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Fri 19.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Thu 18.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Thu 18.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Wed 17.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Wed 17.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Tue 16.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Tue 16.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Mon 15.05.2017 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Mon 15.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Sat 13.05.2017 | 19:00
Warm-up on the production "Dança doente" by MarceloEvelin/Demolition
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Warm-ups

Warm-up on the production "Dança doente" by MarceloEvelin/Demolition

  • Sat 13.05.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

For all those, who find the transition from everyday life to the theatre somewhat too sudden, we now have an alternative: the artists will be offering a special warm-up for theatre spectators before select Dance performances! Unlike typical introductory events, this is a chance to personally explore aspects of corporeality, dance or choreography based on very concrete examples and exercises. After the warm-up, there will still be enough time to freshen up before the show begins. On special dates one hour before the show starts.

Fri 12.05.2017 | 10:00
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Fri 12.05.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Thu 11.05.2017 | 10:00
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Thu 11.05.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Wed 10.05.2017 | 10:00
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Wed 10.05.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Tue 09.05.2017 | 10:00
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Tue 09.05.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Tue 09.05.2017 | 10:00
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Tue 09.05.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Mon 08.05.2017 | 10:15 - 13:45
Dance medical consultation sessions
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Dance Medical Consultation Sessions

Dance medical consultation sessions

  • Mon 08.05.2017 | 10:15 - 13:45
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eigenkostenanteil/Own contribution: € 15,-

What is taken for granted by many professional athletes – medical and therapeutic support throughout their entire active career – should also become available for dancers!
Priv.-Doz. Dr. med. Benita Kuni will offer support and assistance on the following:

  • Prevention of Dance Injuries
  • Rehabilitation and How to Make a Comeback after a Dance Injury
  • Analysis of Dance Technique and Technique Coaching
  • Alternative Training Methods for Dancers
  • “Dance Medicine Check-Up”
  • Guidance and Supervision in the Field of Dance Medicine

Registration:
Online form

Mon 08.05.2017 | 10:00
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Mon 08.05.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Fri 05.05.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Fri 05.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Thu 04.05.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Thu 04.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Wed 03.05.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Wed 03.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Tue 02.05.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Tue 02.05.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

April 2017
Sat 29.04.2017 | 20:00

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AufführungenVermittlungsresidenzen

  • Sat 29.04.2017 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Fri 28.04.2017 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Fri 28.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Thu 27.04.2017 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Thu 27.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Wed 26.04.2017 | 20:00

Read more
AufführungenVermittlungsresidenzen

  • Wed 26.04.2017 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Wed 26.04.2017 | 11:00 - 12:00
Birutė Banevičiūtė: Farbenspiele
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Aufführungen

Birutė Banevičiūtė: Farbenspiele

  • Wed 26.04.2017 | 11:00 - 12:00
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old by Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Wed 26.04.2017 | 10:00 - 11:30
Professional training with Joel Bray
Read more
Professional Training

Professional training with Joel Bray

  • Wed 26.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Wed 26.04.2017 | 09:30 - 10:30
Birutė Banevičiūtė: Farbenspiele
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Aufführungen

Birutė Banevičiūtė: Farbenspiele

  • Wed 26.04.2017 | 09:30 - 10:30
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old by Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Tue 25.04.2017 | 11:00 - 12:00
Birutė Banevičiūtė: Farbenspiele
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Aufführungen

Birutė Banevičiūtė: Farbenspiele

  • Tue 25.04.2017 | 11:00 - 12:00
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old by Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Tue 25.04.2017 | 10:00 - 11:30
Professional training with Joel Bray
Read more
Professional Training

Professional training with Joel Bray

  • Tue 25.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Tue 25.04.2017 | 09:30 - 10:30
Birutė Banevičiūtė: Farbenspiele
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Aufführungen

Birutė Banevičiūtė: Farbenspiele

  • Tue 25.04.2017 | 09:30 - 10:30
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old by Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Mon 24.04.2017 | 10:00 - 11:30
Professional training with Joel Bray
Read more
Professional Training

Professional training with Joel Bray

  • Mon 24.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Sun 23.04.2017 | 09:30 - 15:30
Milan Herich: The Flying Low
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Workshops

Milan Herich: The Flying Low

  • Sun 23.04.2017 | 09:30 - 15:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 190 Eur red. 140 Euro (students) / Early bird discount: 170 Euro /95 Euro red. (students)

Milan Herich’s Flying Low workshop mainly focuses on the dancer’s relationship to the floor. The class utilizes simple movement patterns that involve breathing, speed and releasing energy throughout the body to activate the relationship between the centre and the joints, moving in and out of the ground more efficiently by maintaining a centred state. Focus on the skeletal structure helps improve dancers’ physical perception and alertness. The class includes partnering work and movement phrases, which explore the primary laws of physics: cohesion and expansion. The workshop is based on the observation that the body is constantly spiralling, whether running or standing. These spirals help the dancers into and out of the floor, as well as propelling the class all over the room, both on the ground and upright. This is the flying low technique.

Sat 22.04.2017 | 09:30 - 15:30
Milan Herich: The Flying Low
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Workshops

Milan Herich: The Flying Low

  • Sat 22.04.2017 | 09:30 - 15:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 190 Eur red. 140 Euro (students) / Early bird discount: 170 Euro /95 Euro red. (students)

Milan Herich’s Flying Low workshop mainly focuses on the dancer’s relationship to the floor. The class utilizes simple movement patterns that involve breathing, speed and releasing energy throughout the body to activate the relationship between the centre and the joints, moving in and out of the ground more efficiently by maintaining a centred state. Focus on the skeletal structure helps improve dancers’ physical perception and alertness. The class includes partnering work and movement phrases, which explore the primary laws of physics: cohesion and expansion. The workshop is based on the observation that the body is constantly spiralling, whether running or standing. These spirals help the dancers into and out of the floor, as well as propelling the class all over the room, both on the ground and upright. This is the flying low technique.

Fri 21.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
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Professional Training

Professional training with Georg Reischl

  • Fri 21.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Thu 20.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
Read more
Professional Training

Professional training with Georg Reischl

  • Thu 20.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Wed 19.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
Read more
Professional Training

Professional training with Georg Reischl

  • Wed 19.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Tue 18.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
Read more
Professional Training

Professional training with Georg Reischl

  • Tue 18.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Thu 13.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
Read more
Professional Training

Professional training with Georg Reischl

  • Thu 13.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Wed 12.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
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Professional Training

Professional training with Georg Reischl

  • Wed 12.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Tue 11.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
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Professional Training

Professional training with Georg Reischl

  • Tue 11.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Mon 10.04.2017 | 10:00 - 11:30
Professional training with Georg Reischl
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Professional Training

Professional training with Georg Reischl

  • Mon 10.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Classical Ballet
Ballet class has been always something very important to me. In companies that I have worked for as dancer, I expected a great warm-up in the morning and a class that allows me to improve my skills and to get coordination, dynamics and mind ready for the day. An uplifting, joyful approach to something very complex and technical. In my class, I am trying to do exactly that. I offer a class that is focused on movement, dynamics and “Epaulement” but also on decision-making, performance and pure JOY of dancing.

Born in Austria, Georg Reischl began his dance training with Rosa Hartlieb in Salzburg and attended the Vienna Opera Ballet School under the direction of Michael Birkmeyer. In 1993, he joined the ensemble of Liz King in Heidelberg. Thereafter, Reischl danced 4 years with Scapino Ballet Rotterdam. In 1999, Georg Reischl joined Ballet Frankfurt, where he experienced the repertoire and the collaborative creative process with William Forsythe. After the closing of Ballet Frankfurt, Reischl continued with the newly formed “The Forsythe Company”.
Asked to become the resident choreographer for Scapino Ballet Rotterdam, Reischl left the company in 2006. As resident choreographer of Scapino Ballet, from 2006-2010, Reischl has created numerous pieces for the company, as well as formed important relationships on an international level. As a choreographer, Georg is known for his abstract and highly energetic work that appeals to the fantasy and the concentration of the viewer. The clarity of structure and detailed physicality result in pieces that evoke emotions and create an unpredictable and intense edge, without telling a linear story. In his work, he is not afraid of the experimental but also understands how to embed the idea of tradition and repertoire. His choreography involves the dancer entirely, and preparing their sensibility to the “moment of performance” not to fall into patterns of reproduction. Not a symbolic delivery, but a pure physical outcome creates the atmosphere and the content of each piece.

Sat 08.04.2017 | 20:00

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AufführungenVermittlungsresidenzen

  • Sat 08.04.2017 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Fri 07.04.2017 | 10:00 - 11:30
Professional training with Kristina Veit
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Professional Training

Professional training with Kristina Veit

  • Fri 07.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Thu 06.04.2017 | 10:00 - 11:30
Professional training with Kristina Veit
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Professional Training

Professional training with Kristina Veit

  • Thu 06.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Wed 05.04.2017 | 10:00 - 11:30
Professional training with Kristina Veit
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Professional Training

Professional training with Kristina Veit

  • Wed 05.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Tue 04.04.2017 | 10:00 - 11:30
Professional training with Kristina Veit
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Professional Training

Professional training with Kristina Veit

  • Tue 04.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Mon 03.04.2017 | 10:00 - 11:30
Professional training with Kristina Veit
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Professional Training

Professional training with Kristina Veit

  • Mon 03.04.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

März 2017
Fri 31.03.2017 | 20:00
Nadia Beugré: Legacy
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Projekte zum MitmachenAufführungen

Nadia Beugré: Legacy

  • Fri 31.03.2017 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Legacy is a group piece talking about heritage : the heritage of the Bassam March during which the women were stroken while protesting, heritage of the guinean queen Pokou whom legend says that she scarified her son to save her people, heritage of all the women in march who just did not accept to stay silent. The strong and committed dance presented by Nadia Beugré is her own way to walk, run, run and never stop, her own way of protesting.
Fri 31.03.2017 | 10:00 - 11:30
Profitraining with Eldad Ben-Sasson
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Professional Training

Profitraining with Eldad Ben-Sasson

  • Fri 31.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class will focus on the connection between creativity and imagination in the dancer’s work. It is based upon Eldad Ben-Sassomn’s experience with Ohad Naharin’s method and many other ideas, concepts, exercises from his education, personal life and career and philosophy as well. The class will work with analytical thought and physical feelings in different situations, as experienced by the body. The aim is to enrich and improve the intuitive experience of the dancer, using the body’s memory in creating a movement that leaves “new” traces of memories in space, and practicing how to identify them and how to relate to them.

“During the class I speak constantly. Structured exercises, clear instructions for improvisation, and stamina exercises for strengthening. The class has no official break. The challenge of the class is to be in a constant state of body and mind connection. In the moments of tiredness we understand it is a quality that we can connect to and enjoy, being available for multi tasking challenges.“

Eldad Ben-Sasson studied at the Bat Dor School of Dance. He worked with the Batsheva Dance Company, directed by Ohad Naharin, and Vertigo Dance Company, directed by Noa Wertheim and Adi Sha’al. He collaborated with many choreographers such as Mats Ek, Sharon Eyal, Alexandra Waierstall, Paul Norton, Yoshifumi Inao, Orjan Andersson, Michael Getman, Noa Dar, Yossi Berg, among others. He is invited to give workshops in schools, academies and companies in Israel and around the world.
Eldad works as a choreographer since 2000. With his creation “4 of a kind” he won the 1st place and the best dancer award of the „Cross Connection Choreography Competition“ in Copenhagen. He travels and performs around the world with his works and as a guest performer in different projects.

Thu 30.03.2017 | 20:00
Nadia Beugré: Legacy
Read more
Projekte zum MitmachenAufführungen

Nadia Beugré: Legacy

  • Thu 30.03.2017 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Legacy is a group piece talking about heritage : the heritage of the Bassam March during which the women were stroken while protesting, heritage of the guinean queen Pokou whom legend says that she scarified her son to save her people, heritage of all the women in march who just did not accept to stay silent. The strong and committed dance presented by Nadia Beugré is her own way to walk, run, run and never stop, her own way of protesting.
Thu 30.03.2017 | 10:00 - 11:30
Profitraining with Eldad Ben-Sasson
Read more
Professional Training

Profitraining with Eldad Ben-Sasson

  • Thu 30.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class will focus on the connection between creativity and imagination in the dancer’s work. It is based upon Eldad Ben-Sassomn’s experience with Ohad Naharin’s method and many other ideas, concepts, exercises from his education, personal life and career and philosophy as well. The class will work with analytical thought and physical feelings in different situations, as experienced by the body. The aim is to enrich and improve the intuitive experience of the dancer, using the body’s memory in creating a movement that leaves “new” traces of memories in space, and practicing how to identify them and how to relate to them.

“During the class I speak constantly. Structured exercises, clear instructions for improvisation, and stamina exercises for strengthening. The class has no official break. The challenge of the class is to be in a constant state of body and mind connection. In the moments of tiredness we understand it is a quality that we can connect to and enjoy, being available for multi tasking challenges.“

Eldad Ben-Sasson studied at the Bat Dor School of Dance. He worked with the Batsheva Dance Company, directed by Ohad Naharin, and Vertigo Dance Company, directed by Noa Wertheim and Adi Sha’al. He collaborated with many choreographers such as Mats Ek, Sharon Eyal, Alexandra Waierstall, Paul Norton, Yoshifumi Inao, Orjan Andersson, Michael Getman, Noa Dar, Yossi Berg, among others. He is invited to give workshops in schools, academies and companies in Israel and around the world.
Eldad works as a choreographer since 2000. With his creation “4 of a kind” he won the 1st place and the best dancer award of the „Cross Connection Choreography Competition“ in Copenhagen. He travels and performs around the world with his works and as a guest performer in different projects.

Wed 29.03.2017 | 10:00 - 11:30
Profitraining with Eldad Ben-Sasson
Read more
Professional Training

Profitraining with Eldad Ben-Sasson

  • Wed 29.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class will focus on the connection between creativity and imagination in the dancer’s work. It is based upon Eldad Ben-Sassomn’s experience with Ohad Naharin’s method and many other ideas, concepts, exercises from his education, personal life and career and philosophy as well. The class will work with analytical thought and physical feelings in different situations, as experienced by the body. The aim is to enrich and improve the intuitive experience of the dancer, using the body’s memory in creating a movement that leaves “new” traces of memories in space, and practicing how to identify them and how to relate to them.

“During the class I speak constantly. Structured exercises, clear instructions for improvisation, and stamina exercises for strengthening. The class has no official break. The challenge of the class is to be in a constant state of body and mind connection. In the moments of tiredness we understand it is a quality that we can connect to and enjoy, being available for multi tasking challenges.“

Eldad Ben-Sasson studied at the Bat Dor School of Dance. He worked with the Batsheva Dance Company, directed by Ohad Naharin, and Vertigo Dance Company, directed by Noa Wertheim and Adi Sha’al. He collaborated with many choreographers such as Mats Ek, Sharon Eyal, Alexandra Waierstall, Paul Norton, Yoshifumi Inao, Orjan Andersson, Michael Getman, Noa Dar, Yossi Berg, among others. He is invited to give workshops in schools, academies and companies in Israel and around the world.
Eldad works as a choreographer since 2000. With his creation “4 of a kind” he won the 1st place and the best dancer award of the „Cross Connection Choreography Competition“ in Copenhagen. He travels and performs around the world with his works and as a guest performer in different projects.

Tue 28.03.2017 | 10:00 - 11:30
Profitraining with Eldad Ben-Sasson
Read more
Professional Training

Profitraining with Eldad Ben-Sasson

  • Tue 28.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class will focus on the connection between creativity and imagination in the dancer’s work. It is based upon Eldad Ben-Sassomn’s experience with Ohad Naharin’s method and many other ideas, concepts, exercises from his education, personal life and career and philosophy as well. The class will work with analytical thought and physical feelings in different situations, as experienced by the body. The aim is to enrich and improve the intuitive experience of the dancer, using the body’s memory in creating a movement that leaves “new” traces of memories in space, and practicing how to identify them and how to relate to them.

“During the class I speak constantly. Structured exercises, clear instructions for improvisation, and stamina exercises for strengthening. The class has no official break. The challenge of the class is to be in a constant state of body and mind connection. In the moments of tiredness we understand it is a quality that we can connect to and enjoy, being available for multi tasking challenges.“

Eldad Ben-Sasson studied at the Bat Dor School of Dance. He worked with the Batsheva Dance Company, directed by Ohad Naharin, and Vertigo Dance Company, directed by Noa Wertheim and Adi Sha’al. He collaborated with many choreographers such as Mats Ek, Sharon Eyal, Alexandra Waierstall, Paul Norton, Yoshifumi Inao, Orjan Andersson, Michael Getman, Noa Dar, Yossi Berg, among others. He is invited to give workshops in schools, academies and companies in Israel and around the world.
Eldad works as a choreographer since 2000. With his creation “4 of a kind” he won the 1st place and the best dancer award of the „Cross Connection Choreography Competition“ in Copenhagen. He travels and performs around the world with his works and as a guest performer in different projects.

Mon 27.03.2017 | 10:00 - 11:30
Profitraining with Eldad Ben-Sasson
Read more
Professional Training

Profitraining with Eldad Ben-Sasson

  • Mon 27.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class will focus on the connection between creativity and imagination in the dancer’s work. It is based upon Eldad Ben-Sassomn’s experience with Ohad Naharin’s method and many other ideas, concepts, exercises from his education, personal life and career and philosophy as well. The class will work with analytical thought and physical feelings in different situations, as experienced by the body. The aim is to enrich and improve the intuitive experience of the dancer, using the body’s memory in creating a movement that leaves “new” traces of memories in space, and practicing how to identify them and how to relate to them.

“During the class I speak constantly. Structured exercises, clear instructions for improvisation, and stamina exercises for strengthening. The class has no official break. The challenge of the class is to be in a constant state of body and mind connection. In the moments of tiredness we understand it is a quality that we can connect to and enjoy, being available for multi tasking challenges.“

Eldad Ben-Sasson studied at the Bat Dor School of Dance. He worked with the Batsheva Dance Company, directed by Ohad Naharin, and Vertigo Dance Company, directed by Noa Wertheim and Adi Sha’al. He collaborated with many choreographers such as Mats Ek, Sharon Eyal, Alexandra Waierstall, Paul Norton, Yoshifumi Inao, Orjan Andersson, Michael Getman, Noa Dar, Yossi Berg, among others. He is invited to give workshops in schools, academies and companies in Israel and around the world.
Eldad works as a choreographer since 2000. With his creation “4 of a kind” he won the 1st place and the best dancer award of the „Cross Connection Choreography Competition“ in Copenhagen. He travels and performs around the world with his works and as a guest performer in different projects.

Sun 26.03.2017 | 17:00
Warm-up on the production "Balabala" by Eko Supriyanto
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Warm-ups

Warm-up on the production "Balabala" by Eko Supriyanto

  • Sun 26.03.2017 | 17:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal

For all those, who find the transition from everyday life to the theatre somewhat too sudden, we now have an alternative: the artists will be offering a Special warm-up for theatre spectators before select dance performances! Unlike typical introductory events, this is a chance to personally explore aspects of corporeality, dance or choreography based on very concrete examples and exercises. After the warm-up, there will still be enough time to freshen up before the Show begins. On special dates one hour before the show starts.

Fri 24.03.2017 | 10:00
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Fri 24.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Thu 23.03.2017 | 20:00
Fabrice Mazliah / MAMAZA (Frankfurt): Acme of Emphasis
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Residenzprogramm in FrankfurtAufführungen

Fabrice Mazliah / MAMAZA (Frankfurt): Acme of Emphasis

  • Thu 23.03.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • € 19 / erm. € 9

What makes us intelligent beings? What was there in the beginning? How do the objects that we have created influence our humanity and where do they come from? Questions of meaning, origin and the bigger picture are an integral part of being human. In Acme of Emphasis, Fabrice Mazliah and dancer Adam Ster apply them to the condensed cosmos of artistic creation. The new piece is a playful journey into the heart of paradoxical thought; an attempt to create something that does not need us. Dancing with the thing that we have created; waiting for the moment when what we are looking at, gazes back at us.

Thu 23.03.2017 | 19:00
Warm-up on the production "Acme of Emphasis" by Fabrice Mazliah
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Warm-ups

Warm-up on the production "Acme of Emphasis" by Fabrice Mazliah

  • Thu 23.03.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1

For all those, who find the transition from everyday life to the theatre somewhat too sudden, we now have an alternative: the artists will be offering a Special warm-up for theatre spectators before select dance performances! Unlike typical introductory events, this is a chance to personally explore aspects of corporeality, dance or choreography based on very concrete examples and exercises. After the warm-up, there will still be enough time to freshen up before the show begins. On special dates one hour before the show starts.

Thu 23.03.2017 | 10:00
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Thu 23.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Wed 22.03.2017 | 20:00
Fabrice Mazliah / MAMAZA (Frankfurt): Acme of Emphasis
Read more
Residenzprogramm in FrankfurtAufführungen

Fabrice Mazliah / MAMAZA (Frankfurt): Acme of Emphasis

  • Wed 22.03.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • € 19 / erm. € 9

What makes us intelligent beings? What was there in the beginning? How do the objects that we have created influence our humanity and where do they come from? Questions of meaning, origin and the bigger picture are an integral part of being human. In Acme of Emphasis, Fabrice Mazliah and dancer Adam Ster apply them to the condensed cosmos of artistic creation. The new piece is a playful journey into the heart of paradoxical thought; an attempt to create something that does not need us. Dancing with the thing that we have created; waiting for the moment when what we are looking at, gazes back at us.

Wed 22.03.2017 | 10:00
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Wed 22.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Tue 21.03.2017 | 20:00
Fabrice Mazliah / MAMAZA (Frankfurt): Acme of Emphasis
Read more
Residenzprogramm in FrankfurtAufführungen

Fabrice Mazliah / MAMAZA (Frankfurt): Acme of Emphasis

  • Tue 21.03.2017 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • € 19 / erm. € 9

What makes us intelligent beings? What was there in the beginning? How do the objects that we have created influence our humanity and where do they come from? Questions of meaning, origin and the bigger picture are an integral part of being human. In Acme of Emphasis, Fabrice Mazliah and dancer Adam Ster apply them to the condensed cosmos of artistic creation. The new piece is a playful journey into the heart of paradoxical thought; an attempt to create something that does not need us. Dancing with the thing that we have created; waiting for the moment when what we are looking at, gazes back at us.

Tue 21.03.2017 | 10:00
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Tue 21.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Mon 20.03.2017 | 10:00
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Mon 20.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Fri 10.03.2017 | 10:00
Professional training with Adam Ster
Read more
Professional Training

Professional training with Adam Ster

  • Fri 10.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Single Ticket € 4,-, 10 Classes Ticket € 25,-, Monthly Ticket € 40,-

Since his first encounter with yoga Adam Ster admire what a great tool it is. It’s science provides a net of physical, mental and spiritual practices towards a stronger sense of connectedness. Adam’s goal is to offer a safe environment where one can deepen their body-mind-spirit connection according to their own interests.
The dynamic morning class focuses on the optimal alignment of the body in all asanas and syncing movement to the breath. Specifically for dancers Adam Ster take time to practice hip openings to release accumulated tension. Partner work is also used allowing the dancer to engage with the understanding of their own body weight in relation to others, and to be able to reach deeper stretches not always possible while working alone.

Adam Ster was born in Budapest, where he graduated from the Hungarian Dance Academy. Upon graduation he’s been dancing for companies such as Jeune Ballet de France, Scapino Ballet Rotterdam and Amanda Miller’s Pretty Ugly Tanz Köln. Since 2009 he is one of the founding members of the MichaelDouglas Kollektiv
(mdkollektiv.de) through which he performs/collaborates with other artists (a.o. Stefan Dreher, Fabrice Mazliah, Prue Lang) and teaches yoga and ballet (ZAIK, Tanzhaus NRW, Codarts Rotterdam, Dansateliers Rotterdam).

Thu 09.03.2017 | 10:00
Professional training with Adam Ster
Read more
Professional Training

Professional training with Adam Ster

  • Thu 09.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Single Ticket € 4,-, 10 Classes Ticket € 25,-, Monthly Ticket € 40,-

Since his first encounter with yoga Adam Ster admire what a great tool it is. It’s science provides a net of physical, mental and spiritual practices towards a stronger sense of connectedness. Adam’s goal is to offer a safe environment where one can deepen their body-mind-spirit connection according to their own interests.
The dynamic morning class focuses on the optimal alignment of the body in all asanas and syncing movement to the breath. Specifically for dancers Adam Ster take time to practice hip openings to release accumulated tension. Partner work is also used allowing the dancer to engage with the understanding of their own body weight in relation to others, and to be able to reach deeper stretches not always possible while working alone.

Adam Ster was born in Budapest, where he graduated from the Hungarian Dance Academy. Upon graduation he’s been dancing for companies such as Jeune Ballet de France, Scapino Ballet Rotterdam and Amanda Miller’s Pretty Ugly Tanz Köln. Since 2009 he is one of the founding members of the MichaelDouglas Kollektiv
(mdkollektiv.de) through which he performs/collaborates with other artists (a.o. Stefan Dreher, Fabrice Mazliah, Prue Lang) and teaches yoga and ballet (ZAIK, Tanzhaus NRW, Codarts Rotterdam, Dansateliers Rotterdam).

Wed 08.03.2017 | 16:00 - 18:30
Forum Tanzvermittlung with Birutė Banevičiūtė
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Forum Dance Outreach

Forum Tanzvermittlung with Birutė Banevičiūtė

  • Wed 08.03.2017 | 16:00 - 18:30
  • Hessisches Staatstheater Wiesbaden, Ballettsaal, Christian-Zais-Str. 3, 65189 Wiesbaden
  • 15,50 € / 7,75 € erm.

Dancers-teachers lead children of 8–14 months age to dance world by trying different movements which develop coordination, balance and fine motor skills. These experiences will further lead into dance perception and interpretation, which might be expressed by children not only verbally, but also kinesthetically. During the activities adults will find out how babies understand dance and how their express their understanding. For parents who care to nurture their children it is important to learn to notice their reactions as well as to wait for their answers which might be not verbal, but kinesthetic.

Choreographer Birutė Banevičiūtė graduated from Vilnius University, different dance techniques, improvisation and composition, dance pedagogy studied in the US, UK, Austria, Italy, Netherlands, Germany, Sweden, Poland and Lithuania. Her dance performances have been shown at various international dance festivals in Lithuania, Estonia, Latvia, Germany, Poland, Wales, Sweden, Denmark, Belgium and Netherlands. Birutė directed and created choreography for several children musical performances with 100-150 young dancers on stage aged from 2 to 19 years. Currently she works as assoc. prof. doctor of social sciences (dance education) in Lithuanian University of Educational Sciences in Dance and Theater Department. Birutė is a dance teacher and dance education scholar, giving seminars and workshops for children, dancers, choreographers, dance teachers nationally and internationally.

Wed 08.03.2017 | 10:00
Professional training with Adam Ster
Read more
Professional Training

Professional training with Adam Ster

  • Wed 08.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Single Ticket € 4,-, 10 Classes Ticket € 25,-, Monthly Ticket € 40,-

Since his first encounter with yoga Adam Ster admire what a great tool it is. It’s science provides a net of physical, mental and spiritual practices towards a stronger sense of connectedness. Adam’s goal is to offer a safe environment where one can deepen their body-mind-spirit connection according to their own interests.
The dynamic morning class focuses on the optimal alignment of the body in all asanas and syncing movement to the breath. Specifically for dancers Adam Ster take time to practice hip openings to release accumulated tension. Partner work is also used allowing the dancer to engage with the understanding of their own body weight in relation to others, and to be able to reach deeper stretches not always possible while working alone.

Adam Ster was born in Budapest, where he graduated from the Hungarian Dance Academy. Upon graduation he’s been dancing for companies such as Jeune Ballet de France, Scapino Ballet Rotterdam and Amanda Miller’s Pretty Ugly Tanz Köln. Since 2009 he is one of the founding members of the MichaelDouglas Kollektiv
(mdkollektiv.de) through which he performs/collaborates with other artists (a.o. Stefan Dreher, Fabrice Mazliah, Prue Lang) and teaches yoga and ballet (ZAIK, Tanzhaus NRW, Codarts Rotterdam, Dansateliers Rotterdam).

Tue 07.03.2017 | 16:00 - 18:30
Forum Tanzvermittlung with Birutė Banevičiūtė
Read more
Forum Dance Outreach

Forum Tanzvermittlung with Birutė Banevičiūtė

  • Tue 07.03.2017 | 16:00 - 18:30
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 15,50 € / 7,75 € erm.

Dancers-teachers lead children of 8–14 months age to dance world by trying different movements which develop coordination, balance and fine motor skills. These experiences will further lead into dance perception and interpretation, which might be expressed by children not only verbally, but also kinesthetically. During the activities adults will find out how babies understand dance and how their express their understanding. For parents who care to nurture their children it is important to learn to notice their reactions as well as to wait for their answers which might be not verbal, but kinesthetic.

Choreographer Birutė Banevičiūtė graduated from Vilnius University, different dance techniques, improvisation and composition, dance pedagogy studied in the US, UK, Austria, Italy, Netherlands, Germany, Sweden, Poland and Lithuania. Her dance performances have been shown at various international dance festivals in Lithuania, Estonia, Latvia, Germany, Poland, Wales, Sweden, Denmark, Belgium and Netherlands. Birutė directed and created choreography for several children musical performances with 100-150 young dancers on stage aged from 2 to 19 years. Currently she works as assoc. prof. doctor of social sciences (dance education) in Lithuanian University of Educational Sciences in Dance and Theater Department. Birutė is a dance teacher and dance education scholar, giving seminars and workshops for children, dancers, choreographers, dance teachers nationally and internationally.

Tue 07.03.2017 | 10:00
Professional training with Adam Ster
Read more
Professional Training

Professional training with Adam Ster

  • Tue 07.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Single Ticket € 4,-, 10 Classes Ticket € 25,-, Monthly Ticket € 40,-

Since his first encounter with yoga Adam Ster admire what a great tool it is. It’s science provides a net of physical, mental and spiritual practices towards a stronger sense of connectedness. Adam’s goal is to offer a safe environment where one can deepen their body-mind-spirit connection according to their own interests.
The dynamic morning class focuses on the optimal alignment of the body in all asanas and syncing movement to the breath. Specifically for dancers Adam Ster take time to practice hip openings to release accumulated tension. Partner work is also used allowing the dancer to engage with the understanding of their own body weight in relation to others, and to be able to reach deeper stretches not always possible while working alone.

Adam Ster was born in Budapest, where he graduated from the Hungarian Dance Academy. Upon graduation he’s been dancing for companies such as Jeune Ballet de France, Scapino Ballet Rotterdam and Amanda Miller’s Pretty Ugly Tanz Köln. Since 2009 he is one of the founding members of the MichaelDouglas Kollektiv
(mdkollektiv.de) through which he performs/collaborates with other artists (a.o. Stefan Dreher, Fabrice Mazliah, Prue Lang) and teaches yoga and ballet (ZAIK, Tanzhaus NRW, Codarts Rotterdam, Dansateliers Rotterdam).

Mon 06.03.2017 | 10:00
Professional training with Adam Ster
Read more
Professional Training

Professional training with Adam Ster

  • Mon 06.03.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Single Ticket € 4,-, 10 Classes Ticket € 25,-, Monthly Ticket € 40,-

Since his first encounter with yoga Adam Ster admire what a great tool it is. It’s science provides a net of physical, mental and spiritual practices towards a stronger sense of connectedness. Adam’s goal is to offer a safe environment where one can deepen their body-mind-spirit connection according to their own interests.
The dynamic morning class focuses on the optimal alignment of the body in all asanas and syncing movement to the breath. Specifically for dancers Adam Ster take time to practice hip openings to release accumulated tension. Partner work is also used allowing the dancer to engage with the understanding of their own body weight in relation to others, and to be able to reach deeper stretches not always possible while working alone.

Adam Ster was born in Budapest, where he graduated from the Hungarian Dance Academy. Upon graduation he’s been dancing for companies such as Jeune Ballet de France, Scapino Ballet Rotterdam and Amanda Miller’s Pretty Ugly Tanz Köln. Since 2009 he is one of the founding members of the MichaelDouglas Kollektiv
(mdkollektiv.de) through which he performs/collaborates with other artists (a.o. Stefan Dreher, Fabrice Mazliah, Prue Lang) and teaches yoga and ballet (ZAIK, Tanzhaus NRW, Codarts Rotterdam, Dansateliers Rotterdam).

Mon 06.03.2017 | 10:00 - 13:45
Dance medical consultation sessions
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Dance Medical Consultation Sessions

Dance medical consultation sessions

  • Mon 06.03.2017 | 10:00 - 13:45
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eigenkostenanteil/Own contribution: € 15,-

What is taken for granted by many professional athletes – medical and therapeutic support throughout their entire active career – should also become available for dancers!
Priv.-Doz. Dr. med. Benita Kuni will offer support and assistance on the following:

  • Prevention of Dance Injuries
  • Rehabilitation and How to Make a Comeback after a Dance Injury
  • Analysis of Dance Technique and Technique Coaching
  • Alternative Training Methods for Dancers
  • “Dance Medicine Check-Up”
  • Guidance and Supervision in the Field of Dance Medicine

Registration:
Online form

Fri 03.03.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Fri 03.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Thu 02.03.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Thu 02.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Wed 01.03.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Wed 01.03.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Februar 2017
Tue 28.02.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Tue 28.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Mon 27.02.2017 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Mon 27.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

What about jumping?
This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.

Fri 24.02.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Fri 24.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Thu 23.02.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Thu 23.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 22.02.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Wed 22.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 21.02.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Tue 21.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Mon 20.02.2017 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Mon 20.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Fri 17.02.2017 | 10:00
Professional training with Oded Ronen
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Professional Training

Professional training with Oded Ronen

  • Fri 17.02.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Built over five years of intense research, Imagery in Motion (I.M) is based on an applied understanding of human neurology: carefully crafted imagery is used for a deeper understanding of the movement possibilities of the body. The imagery is drawn from emotional states and from the animal kingdom to build a bridge between the worlds of imagination and physics. Both as a creation system and as an execution tool, artists learn to replace standard dance terms and ideas with a playful treasure trove of fantasies and images by opening their sensory system.
*
Oded Ronen*
Born in Israel, Oded trained at The Laban Center and Bodyworks, before obtaining a Bachelor of Arts Degree from Rambert School of ballet and contemporary dance (all in the UK). Oded danced for CeDeCe Dance Company (Portugal), Kolben Dance Company and Fresco Dance Company (both in Israel). Additionally, Oded danced for projects by Ana Lujan Sanchez, AmfiDromoChoroTeatro (Cyprus), and as a Soloist at the Opening Ceremony of the Athens Olympic Games, under Dimitris Papaioannou. Oded currently dances in his own works.

As a Choreographer, Oded has created pieces for the Jerusalem Ballet, Bloomfield Science Museum, IntimaDance Festival, Kolben Dance Company and Humans in Motion (all in Israel), West Australia Academy of Performing Arts, Ochre Dance Company, STRUT (all three in Australia), XPATS International Project (Switzerland, The Netherlands), Albania Dance Theatre and Transitions Dance Company (London).
Oded has won awards by the Tel Aviv Municipality for his pieces on Bikurei Haitim Dance Training program (2010, 2011, 2013) and represented Israel twice in Albania Dance Meeting (2010, 2011). He has been funded by the Israeli Ministry of Culture, Israeli Ministry of Foreign Affairs, Municipality of Tel Aviv, The Rabinovich Foundation and Australia Council for the Arts.

Oded teaches his movement & choreography technique – Imagery in Motion:
In Israel: Bikurei Ha’Itim Dance Centre, Vertigo Dance Company, the Jerusalem Ballet, HaYovel Performing Arts High School, The Arts High School of Jerusalem, Jerusalem Dance Academy.
Abroad: Sydney Dance Company PPY, Queensland University of Technology, STRUT Dance, Ausdance QLD, Stephanie Lake Company, Western Australian Academy of Performing Arts, the Kim Baker School (all in Australia); Urbanity Dance Company (USA); Aurinko Baletti (Finland); Trinity Laban, The Rambert School of Ballet & Contemporary Dance and The Northern School of Contemporary Dance (all in the UK).

Thu 16.02.2017 | 10:00
Professional training with Oded Ronen
Read more
Professional Training

Professional training with Oded Ronen

  • Thu 16.02.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Built over five years of intense research, Imagery in Motion (I.M) is based on an applied understanding of human neurology: carefully crafted imagery is used for a deeper understanding of the movement possibilities of the body. The imagery is drawn from emotional states and from the animal kingdom to build a bridge between the worlds of imagination and physics. Both as a creation system and as an execution tool, artists learn to replace standard dance terms and ideas with a playful treasure trove of fantasies and images by opening their sensory system.
*
Oded Ronen*
Born in Israel, Oded trained at The Laban Center and Bodyworks, before obtaining a Bachelor of Arts Degree from Rambert School of ballet and contemporary dance (all in the UK). Oded danced for CeDeCe Dance Company (Portugal), Kolben Dance Company and Fresco Dance Company (both in Israel). Additionally, Oded danced for projects by Ana Lujan Sanchez, AmfiDromoChoroTeatro (Cyprus), and as a Soloist at the Opening Ceremony of the Athens Olympic Games, under Dimitris Papaioannou. Oded currently dances in his own works.

As a Choreographer, Oded has created pieces for the Jerusalem Ballet, Bloomfield Science Museum, IntimaDance Festival, Kolben Dance Company and Humans in Motion (all in Israel), West Australia Academy of Performing Arts, Ochre Dance Company, STRUT (all three in Australia), XPATS International Project (Switzerland, The Netherlands), Albania Dance Theatre and Transitions Dance Company (London).
Oded has won awards by the Tel Aviv Municipality for his pieces on Bikurei Haitim Dance Training program (2010, 2011, 2013) and represented Israel twice in Albania Dance Meeting (2010, 2011). He has been funded by the Israeli Ministry of Culture, Israeli Ministry of Foreign Affairs, Municipality of Tel Aviv, The Rabinovich Foundation and Australia Council for the Arts.

Oded teaches his movement & choreography technique – Imagery in Motion:
In Israel: Bikurei Ha’Itim Dance Centre, Vertigo Dance Company, the Jerusalem Ballet, HaYovel Performing Arts High School, The Arts High School of Jerusalem, Jerusalem Dance Academy.
Abroad: Sydney Dance Company PPY, Queensland University of Technology, STRUT Dance, Ausdance QLD, Stephanie Lake Company, Western Australian Academy of Performing Arts, the Kim Baker School (all in Australia); Urbanity Dance Company (USA); Aurinko Baletti (Finland); Trinity Laban, The Rambert School of Ballet & Contemporary Dance and The Northern School of Contemporary Dance (all in the UK).

Wed 15.02.2017 | 19:00
May Zarhy/MAMAZA (Tel Aviv / Berlin/ Frankfurt): "Next to near"
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Residenzprogramm in Frankfurt

May Zarhy/MAMAZA (Tel Aviv / Berlin/ Frankfurt): "Next to near"

  • Wed 15.02.2017 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

May Zarhy, member of the choreographer trio MAMAZA, returns to Mousonturm to develop parts of her new production NEXT TO NEAR in residency. Together with composer Tian Rotteveel and choreographer Hermann Heisig, specialist for slapstick and absurd timing, Zarhy will be dealing with a central paradox of today’s day and age: thanks to video telephony and budget airlines, we feel connected to people far away, while at the same time alienating ourselves from our immediate surroundings. In an open rehearsal, the trio will provide some insights into their working process and their exploration of the absurd relationship between distance and intimacy.

Wed 15.02.2017 | 10:00
Professional training with Oded Ronen
Read more
Professional Training

Professional training with Oded Ronen

  • Wed 15.02.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Built over five years of intense research, Imagery in Motion (I.M) is based on an applied understanding of human neurology: carefully crafted imagery is used for a deeper understanding of the movement possibilities of the body. The imagery is drawn from emotional states and from the animal kingdom to build a bridge between the worlds of imagination and physics. Both as a creation system and as an execution tool, artists learn to replace standard dance terms and ideas with a playful treasure trove of fantasies and images by opening their sensory system.
*
Oded Ronen*
Born in Israel, Oded trained at The Laban Center and Bodyworks, before obtaining a Bachelor of Arts Degree from Rambert School of ballet and contemporary dance (all in the UK). Oded danced for CeDeCe Dance Company (Portugal), Kolben Dance Company and Fresco Dance Company (both in Israel). Additionally, Oded danced for projects by Ana Lujan Sanchez, AmfiDromoChoroTeatro (Cyprus), and as a Soloist at the Opening Ceremony of the Athens Olympic Games, under Dimitris Papaioannou. Oded currently dances in his own works.

As a Choreographer, Oded has created pieces for the Jerusalem Ballet, Bloomfield Science Museum, IntimaDance Festival, Kolben Dance Company and Humans in Motion (all in Israel), West Australia Academy of Performing Arts, Ochre Dance Company, STRUT (all three in Australia), XPATS International Project (Switzerland, The Netherlands), Albania Dance Theatre and Transitions Dance Company (London).
Oded has won awards by the Tel Aviv Municipality for his pieces on Bikurei Haitim Dance Training program (2010, 2011, 2013) and represented Israel twice in Albania Dance Meeting (2010, 2011). He has been funded by the Israeli Ministry of Culture, Israeli Ministry of Foreign Affairs, Municipality of Tel Aviv, The Rabinovich Foundation and Australia Council for the Arts.

Oded teaches his movement & choreography technique – Imagery in Motion:
In Israel: Bikurei Ha’Itim Dance Centre, Vertigo Dance Company, the Jerusalem Ballet, HaYovel Performing Arts High School, The Arts High School of Jerusalem, Jerusalem Dance Academy.
Abroad: Sydney Dance Company PPY, Queensland University of Technology, STRUT Dance, Ausdance QLD, Stephanie Lake Company, Western Australian Academy of Performing Arts, the Kim Baker School (all in Australia); Urbanity Dance Company (USA); Aurinko Baletti (Finland); Trinity Laban, The Rambert School of Ballet & Contemporary Dance and The Northern School of Contemporary Dance (all in the UK).

Tue 14.02.2017 | 17:30 - 20:00
Contemporary Dance for everyone between the ages of 16 and 59
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Klubs

Contemporary Dance for everyone between the ages of 16 and 59

  • Tue 14.02.2017 | 17:30 - 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 50,-

The dance club will run until summer 2017 and offers the chance to playfully and as a group explore the body’s many potentials and learn to communicate through movement in weekly sessions.

Participants can gain a better understanding of contemporary dance via the interdisciplinary approach and by experimentally dealing with issues that they themselves find interesting or inspiring. The dance club aims to encourage engagement with artistic dance as a group, to explore the body and exchange ideas.

Participants learn a special approach to movement, which allows them to translate music, ideas, feelings and impulses into physical expression. The group work challenges existing individual concepts of dance. The weekly sessions every Tuesday serve as labs in which artistic experience is conveyed, but which also allow enough space for participants to experiment with ideas of their own. The club creates a creative environment in all are simultaneously most experienced and still learning. The dance club is open at all between age 16 to 59 and will be guided by Frankfurt dancer and choreographer Jason Jacobs.

The dance club is fully booked

Further dates:
Di, 21.02.2017
Do, 02.03.2017
Di, 14.03.2017
Di, 28.03.2017
Di, 04.04.2017
Di, 25.04.2017
Di, 16.05.2017
Di, 23.05.2017
Di, 06.06.2017
Di, 20.06.2017

Tue 14.02.2017 | 10:00
Professional training with Oded Ronen
Read more
Professional Training

Professional training with Oded Ronen

  • Tue 14.02.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Built over five years of intense research, Imagery in Motion (I.M) is based on an applied understanding of human neurology: carefully crafted imagery is used for a deeper understanding of the movement possibilities of the body. The imagery is drawn from emotional states and from the animal kingdom to build a bridge between the worlds of imagination and physics. Both as a creation system and as an execution tool, artists learn to replace standard dance terms and ideas with a playful treasure trove of fantasies and images by opening their sensory system.
*
Oded Ronen*
Born in Israel, Oded trained at The Laban Center and Bodyworks, before obtaining a Bachelor of Arts Degree from Rambert School of ballet and contemporary dance (all in the UK). Oded danced for CeDeCe Dance Company (Portugal), Kolben Dance Company and Fresco Dance Company (both in Israel). Additionally, Oded danced for projects by Ana Lujan Sanchez, AmfiDromoChoroTeatro (Cyprus), and as a Soloist at the Opening Ceremony of the Athens Olympic Games, under Dimitris Papaioannou. Oded currently dances in his own works.

As a Choreographer, Oded has created pieces for the Jerusalem Ballet, Bloomfield Science Museum, IntimaDance Festival, Kolben Dance Company and Humans in Motion (all in Israel), West Australia Academy of Performing Arts, Ochre Dance Company, STRUT (all three in Australia), XPATS International Project (Switzerland, The Netherlands), Albania Dance Theatre and Transitions Dance Company (London).
Oded has won awards by the Tel Aviv Municipality for his pieces on Bikurei Haitim Dance Training program (2010, 2011, 2013) and represented Israel twice in Albania Dance Meeting (2010, 2011). He has been funded by the Israeli Ministry of Culture, Israeli Ministry of Foreign Affairs, Municipality of Tel Aviv, The Rabinovich Foundation and Australia Council for the Arts.

Oded teaches his movement & choreography technique – Imagery in Motion:
In Israel: Bikurei Ha’Itim Dance Centre, Vertigo Dance Company, the Jerusalem Ballet, HaYovel Performing Arts High School, The Arts High School of Jerusalem, Jerusalem Dance Academy.
Abroad: Sydney Dance Company PPY, Queensland University of Technology, STRUT Dance, Ausdance QLD, Stephanie Lake Company, Western Australian Academy of Performing Arts, the Kim Baker School (all in Australia); Urbanity Dance Company (USA); Aurinko Baletti (Finland); Trinity Laban, The Rambert School of Ballet & Contemporary Dance and The Northern School of Contemporary Dance (all in the UK).

Mon 13.02.2017 | 10:00
Professional training with Oded Ronen
Read more
Professional Training

Professional training with Oded Ronen

  • Mon 13.02.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Built over five years of intense research, Imagery in Motion (I.M) is based on an applied understanding of human neurology: carefully crafted imagery is used for a deeper understanding of the movement possibilities of the body. The imagery is drawn from emotional states and from the animal kingdom to build a bridge between the worlds of imagination and physics. Both as a creation system and as an execution tool, artists learn to replace standard dance terms and ideas with a playful treasure trove of fantasies and images by opening their sensory system.
*
Oded Ronen*
Born in Israel, Oded trained at The Laban Center and Bodyworks, before obtaining a Bachelor of Arts Degree from Rambert School of ballet and contemporary dance (all in the UK). Oded danced for CeDeCe Dance Company (Portugal), Kolben Dance Company and Fresco Dance Company (both in Israel). Additionally, Oded danced for projects by Ana Lujan Sanchez, AmfiDromoChoroTeatro (Cyprus), and as a Soloist at the Opening Ceremony of the Athens Olympic Games, under Dimitris Papaioannou. Oded currently dances in his own works.

As a Choreographer, Oded has created pieces for the Jerusalem Ballet, Bloomfield Science Museum, IntimaDance Festival, Kolben Dance Company and Humans in Motion (all in Israel), West Australia Academy of Performing Arts, Ochre Dance Company, STRUT (all three in Australia), XPATS International Project (Switzerland, The Netherlands), Albania Dance Theatre and Transitions Dance Company (London).
Oded has won awards by the Tel Aviv Municipality for his pieces on Bikurei Haitim Dance Training program (2010, 2011, 2013) and represented Israel twice in Albania Dance Meeting (2010, 2011). He has been funded by the Israeli Ministry of Culture, Israeli Ministry of Foreign Affairs, Municipality of Tel Aviv, The Rabinovich Foundation and Australia Council for the Arts.

Oded teaches his movement & choreography technique – Imagery in Motion:
In Israel: Bikurei Ha’Itim Dance Centre, Vertigo Dance Company, the Jerusalem Ballet, HaYovel Performing Arts High School, The Arts High School of Jerusalem, Jerusalem Dance Academy.
Abroad: Sydney Dance Company PPY, Queensland University of Technology, STRUT Dance, Ausdance QLD, Stephanie Lake Company, Western Australian Academy of Performing Arts, the Kim Baker School (all in Australia); Urbanity Dance Company (USA); Aurinko Baletti (Finland); Trinity Laban, The Rambert School of Ballet & Contemporary Dance and The Northern School of Contemporary Dance (all in the UK).

Sat 11.02.2017 | 20:00 - 21:30
Compagnie Philippe Saire: "Cut"
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Residenzprogramm

Compagnie Philippe Saire: "Cut"

  • Sat 11.02.2017 | 20:00 - 21:30
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 18,50

In Switzerland, choreographer Philippe Saire is considered a key protagonist of the contemporary dance scene. In 1996, he founded his own company. During a residency the ensemble worked on their new production “Cut”, which will now be shown in February 2017 in Darmstadt. A “work in progress” showing was presented last September 2016 at the Staatstheater Darmstadt.

Fri 10.02.2017 | 20:00 - 21:30
Compagnie Philippe Saire: "Cut"
Read more
Residenzprogramm

Compagnie Philippe Saire: "Cut"

  • Fri 10.02.2017 | 20:00 - 21:30
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 18,50

In Switzerland, choreographer Philippe Saire is considered a key protagonist of the contemporary dance scene. In 1996, he founded his own company. During a residency the ensemble worked on their new production “Cut”, which will now be shown in February 2017 in Darmstadt. A “work in progress” showing was presented last September 2016 at the Staatstheater Darmstadt.

Fri 10.02.2017 | 10:00 - 11:30
Professional training with May Zarhy
Read more
Professional Training

Professional training with May Zarhy

  • Fri 10.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Inside out (contemporary)
Based on principles of Feldenkrais and release technique, the practice focuses on one’s connection to the body from the inside out: awakening physical connections, stimulating sensibility, to then integrating these into movement schemes. It starts with simple movements developing into a full range dance, where one’s presence and concentration are at the core of interest. The idea is to set the body in motion in a comfortable and methodic way.

May Zarhy
Born in Israel in 1984, May Zarhy created her first piece for the National Choreography Biennale “Shades in Dance 2001” Tel Aviv, directed by Noemie Perlov, before moving to the Netherlands in 2002 to study dance at the Rotterdam Dance Academy. In 2005, she assisted William Forsythe in the creation “3 Atmospheric Studies”. In 2006 received the Quercus Trust Scholarship in London. May was a member in ex.e.r.ce07 in Montpellier France, directed by Mathilde Monnier and Xavier Le Roy.
Her latest piece “ZERO” (2009) was created in collaboration with Fabrice Mazliah and Ioannis Mandafounis and co-produced by the Festival Automne en Normandie, Kunstlerhaus Mousonturm Frankfurt, PACT Zollverein Essen, Kunstenfestivaldesarts and Les Rencontres Chorégraphiques Internationales de Seine-Saint-Denis. Currently based in Tel Aviv Israel, she is engaged as a choreographer in the “Maslool training program” directed by Noemie Perlov and Offir Dagan, where she also teaches contemporary dance and theory.

Thu 09.02.2017 | 10:00 - 11:30
Professional training with May Zarhy
Read more
Professional Training

Professional training with May Zarhy

  • Thu 09.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Inside out (contemporary)
Based on principles of Feldenkrais and release technique, the practice focuses on one’s connection to the body from the inside out: awakening physical connections, stimulating sensibility, to then integrating these into movement schemes. It starts with simple movements developing into a full range dance, where one’s presence and concentration are at the core of interest. The idea is to set the body in motion in a comfortable and methodic way.

May Zarhy
Born in Israel in 1984, May Zarhy created her first piece for the National Choreography Biennale “Shades in Dance 2001” Tel Aviv, directed by Noemie Perlov, before moving to the Netherlands in 2002 to study dance at the Rotterdam Dance Academy. In 2005, she assisted William Forsythe in the creation “3 Atmospheric Studies”. In 2006 received the Quercus Trust Scholarship in London. May was a member in ex.e.r.ce07 in Montpellier France, directed by Mathilde Monnier and Xavier Le Roy.
Her latest piece “ZERO” (2009) was created in collaboration with Fabrice Mazliah and Ioannis Mandafounis and co-produced by the Festival Automne en Normandie, Kunstlerhaus Mousonturm Frankfurt, PACT Zollverein Essen, Kunstenfestivaldesarts and Les Rencontres Chorégraphiques Internationales de Seine-Saint-Denis. Currently based in Tel Aviv Israel, she is engaged as a choreographer in the “Maslool training program” directed by Noemie Perlov and Offir Dagan, where she also teaches contemporary dance and theory.

Wed 08.02.2017 | 10:00 - 11:30
Professional training with May Zarhy
Read more
Professional Training

Professional training with May Zarhy

  • Wed 08.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Inside out (contemporary)
Based on principles of Feldenkrais and release technique, the practice focuses on one’s connection to the body from the inside out: awakening physical connections, stimulating sensibility, to then integrating these into movement schemes. It starts with simple movements developing into a full range dance, where one’s presence and concentration are at the core of interest. The idea is to set the body in motion in a comfortable and methodic way.

May Zarhy
Born in Israel in 1984, May Zarhy created her first piece for the National Choreography Biennale “Shades in Dance 2001” Tel Aviv, directed by Noemie Perlov, before moving to the Netherlands in 2002 to study dance at the Rotterdam Dance Academy. In 2005, she assisted William Forsythe in the creation “3 Atmospheric Studies”. In 2006 received the Quercus Trust Scholarship in London. May was a member in ex.e.r.ce07 in Montpellier France, directed by Mathilde Monnier and Xavier Le Roy.
Her latest piece “ZERO” (2009) was created in collaboration with Fabrice Mazliah and Ioannis Mandafounis and co-produced by the Festival Automne en Normandie, Kunstlerhaus Mousonturm Frankfurt, PACT Zollverein Essen, Kunstenfestivaldesarts and Les Rencontres Chorégraphiques Internationales de Seine-Saint-Denis. Currently based in Tel Aviv Israel, she is engaged as a choreographer in the “Maslool training program” directed by Noemie Perlov and Offir Dagan, where she also teaches contemporary dance and theory.

Tue 07.02.2017 | 10:00 - 11:30
Professional training with May Zarhy
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Professional Training

Professional training with May Zarhy

  • Tue 07.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Inside out (contemporary)
Based on principles of Feldenkrais and release technique, the practice focuses on one’s connection to the body from the inside out: awakening physical connections, stimulating sensibility, to then integrating these into movement schemes. It starts with simple movements developing into a full range dance, where one’s presence and concentration are at the core of interest. The idea is to set the body in motion in a comfortable and methodic way.

May Zarhy
Born in Israel in 1984, May Zarhy created her first piece for the National Choreography Biennale “Shades in Dance 2001” Tel Aviv, directed by Noemie Perlov, before moving to the Netherlands in 2002 to study dance at the Rotterdam Dance Academy. In 2005, she assisted William Forsythe in the creation “3 Atmospheric Studies”. In 2006 received the Quercus Trust Scholarship in London. May was a member in ex.e.r.ce07 in Montpellier France, directed by Mathilde Monnier and Xavier Le Roy.
Her latest piece “ZERO” (2009) was created in collaboration with Fabrice Mazliah and Ioannis Mandafounis and co-produced by the Festival Automne en Normandie, Kunstlerhaus Mousonturm Frankfurt, PACT Zollverein Essen, Kunstenfestivaldesarts and Les Rencontres Chorégraphiques Internationales de Seine-Saint-Denis. Currently based in Tel Aviv Israel, she is engaged as a choreographer in the “Maslool training program” directed by Noemie Perlov and Offir Dagan, where she also teaches contemporary dance and theory.

Mon 06.02.2017 | 10:00 - 11:30
Professional training with May Zarhy
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Professional Training

Professional training with May Zarhy

  • Mon 06.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Inside out (contemporary)
Based on principles of Feldenkrais and release technique, the practice focuses on one’s connection to the body from the inside out: awakening physical connections, stimulating sensibility, to then integrating these into movement schemes. It starts with simple movements developing into a full range dance, where one’s presence and concentration are at the core of interest. The idea is to set the body in motion in a comfortable and methodic way.

May Zarhy
Born in Israel in 1984, May Zarhy created her first piece for the National Choreography Biennale “Shades in Dance 2001” Tel Aviv, directed by Noemie Perlov, before moving to the Netherlands in 2002 to study dance at the Rotterdam Dance Academy. In 2005, she assisted William Forsythe in the creation “3 Atmospheric Studies”. In 2006 received the Quercus Trust Scholarship in London. May was a member in ex.e.r.ce07 in Montpellier France, directed by Mathilde Monnier and Xavier Le Roy.
Her latest piece “ZERO” (2009) was created in collaboration with Fabrice Mazliah and Ioannis Mandafounis and co-produced by the Festival Automne en Normandie, Kunstlerhaus Mousonturm Frankfurt, PACT Zollverein Essen, Kunstenfestivaldesarts and Les Rencontres Chorégraphiques Internationales de Seine-Saint-Denis. Currently based in Tel Aviv Israel, she is engaged as a choreographer in the “Maslool training program” directed by Noemie Perlov and Offir Dagan, where she also teaches contemporary dance and theory.

Sat 04.02.2017 | 19:30
Work in Progress: Helena Waldmann "Gute Pässe Schlechte Pässe"
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Residenzprogramm

Work in Progress: Helena Waldmann "Gute Pässe Schlechte Pässe"

  • Sat 04.02.2017 | 19:30
  • Staatstheater Darmstadt, Foyer Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

Helena Waldmann is known for producing work that is strongly authentic and haunting. Recently demonstrated e.g. by her performance of “Made in Bangladesh” in the 2014/15 season at the Staatstheater Darmstadt. During a recent residency, this globetrotter in all matters of dance, continued work on her project “Good Passports Bad Passports” and will now be presenting her initial findings in form of a “work in progress”.

Fri 03.02.2017 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Fri 03.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Thu 02.02.2017 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Thu 02.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Wed 01.02.2017 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Wed 01.02.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Januar 2017
Tue 31.01.2017 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Tue 31.01.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Mon 30.01.2017 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Mon 30.01.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Fri 27.01.2017 | 10:00
Professional training with Aleksandra Scibor
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Professional Training

Professional training with Aleksandra Scibor

  • Fri 27.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

Inspired by the research into developmental movement patterns, the training proposes diverse pathways towards reembodying our developmental body and its potentialities as a reference space from which to move into action. Nourishing ourselves with the developmental information, we go back to where we all have been and remember what we all already know. We shake off the dust of immobility, clear the flow within, expand inner spaces and become intimate with our developmental resources. We sense what we need to do and we do it, fully mobile and functional. Both exploration- and structure-based training modes facilitate a pathway towards tapping into the fullness of our developmental movement potentials. We identify key dynamic triggers; and through a set of movement situations and games, we motivate action delighting in its fluidity and joy. We invite and encourage our innate drive to return to a state of dynamic equilibrium. The training is based on the inquiry within the frame of BACK HOME movement practice developed out of the research into developmental movement patterns, Jurewicz Movement Technique, contemporary dance and martial arts. It applies the developmental movement classification (Basic Neurocellular Patterns) as proposed by Body-Mind Centering®.

Aleksandra Scibor
In 2005 Aleksandra joined the Alter Dance Theatre, and between 2005 and 2008 received a thorough training in the Jurewicz Movement Technique. She danced with Alter until 2010, performing in The Claw, What Would You Do if You Could Do What You Can’t Do?, Shitty Dance Shitty, And What… and Lovers. Alongside she was exploring improvisation and Contact Improvisation, and integrating her interpreting skills into the translation of the language of dance. Aleksandra has cooperated with, among others, Nigel Charnock (Happy), Jacek Owczarek (Pracownia Fizyczna, Occurrences), Tomasz Rodowicz and Robert M. Hayden (Chorea, Oratorium Dance Project, Bacchantes), and Rafał Dziemidok (Koncentrat, Nut. Squirrel.).
She holds a Master of Arts in English Philology, Specialisation: Conference Interpreting (Department of Translation Studies, Faculty of English, Adam Mickiewicz University, Poznań, Poland), a Postgraduate Degree in Cultural Management (Collegium of World Economy, Warsaw School of Economics, Poland), and a Master of Arts in Contemporary Dance Education (Department of Contemporary and Classical Dance, Frankfurt University of Music and Performing Arts, Germany). Her latest M.A. thesis Stimulating Internal Core Support Through Developmental Movement Patterns researched into the reawakening of the navel space radiation. Currently she is studying within the Body-Mind Centering® Certification Program – Somatic Movement Education.

Thu 26.01.2017 | 10:00
Professional training with Aleksandra Scibor
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Professional Training

Professional training with Aleksandra Scibor

  • Thu 26.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

Inspired by the research into developmental movement patterns, the training proposes diverse pathways towards reembodying our developmental body and its potentialities as a reference space from which to move into action. Nourishing ourselves with the developmental information, we go back to where we all have been and remember what we all already know. We shake off the dust of immobility, clear the flow within, expand inner spaces and become intimate with our developmental resources. We sense what we need to do and we do it, fully mobile and functional. Both exploration- and structure-based training modes facilitate a pathway towards tapping into the fullness of our developmental movement potentials. We identify key dynamic triggers; and through a set of movement situations and games, we motivate action delighting in its fluidity and joy. We invite and encourage our innate drive to return to a state of dynamic equilibrium. The training is based on the inquiry within the frame of BACK HOME movement practice developed out of the research into developmental movement patterns, Jurewicz Movement Technique, contemporary dance and martial arts. It applies the developmental movement classification (Basic Neurocellular Patterns) as proposed by Body-Mind Centering®.

Aleksandra Scibor
In 2005 Aleksandra joined the Alter Dance Theatre, and between 2005 and 2008 received a thorough training in the Jurewicz Movement Technique. She danced with Alter until 2010, performing in The Claw, What Would You Do if You Could Do What You Can’t Do?, Shitty Dance Shitty, And What… and Lovers. Alongside she was exploring improvisation and Contact Improvisation, and integrating her interpreting skills into the translation of the language of dance. Aleksandra has cooperated with, among others, Nigel Charnock (Happy), Jacek Owczarek (Pracownia Fizyczna, Occurrences), Tomasz Rodowicz and Robert M. Hayden (Chorea, Oratorium Dance Project, Bacchantes), and Rafał Dziemidok (Koncentrat, Nut. Squirrel.).
She holds a Master of Arts in English Philology, Specialisation: Conference Interpreting (Department of Translation Studies, Faculty of English, Adam Mickiewicz University, Poznań, Poland), a Postgraduate Degree in Cultural Management (Collegium of World Economy, Warsaw School of Economics, Poland), and a Master of Arts in Contemporary Dance Education (Department of Contemporary and Classical Dance, Frankfurt University of Music and Performing Arts, Germany). Her latest M.A. thesis Stimulating Internal Core Support Through Developmental Movement Patterns researched into the reawakening of the navel space radiation. Currently she is studying within the Body-Mind Centering® Certification Program – Somatic Movement Education.

Wed 25.01.2017 | 10:00
Professional training with Aleksandra Scibor
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Professional Training

Professional training with Aleksandra Scibor

  • Wed 25.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

Inspired by the research into developmental movement patterns, the training proposes diverse pathways towards reembodying our developmental body and its potentialities as a reference space from which to move into action. Nourishing ourselves with the developmental information, we go back to where we all have been and remember what we all already know. We shake off the dust of immobility, clear the flow within, expand inner spaces and become intimate with our developmental resources. We sense what we need to do and we do it, fully mobile and functional. Both exploration- and structure-based training modes facilitate a pathway towards tapping into the fullness of our developmental movement potentials. We identify key dynamic triggers; and through a set of movement situations and games, we motivate action delighting in its fluidity and joy. We invite and encourage our innate drive to return to a state of dynamic equilibrium. The training is based on the inquiry within the frame of BACK HOME movement practice developed out of the research into developmental movement patterns, Jurewicz Movement Technique, contemporary dance and martial arts. It applies the developmental movement classification (Basic Neurocellular Patterns) as proposed by Body-Mind Centering®.

Aleksandra Scibor
In 2005 Aleksandra joined the Alter Dance Theatre, and between 2005 and 2008 received a thorough training in the Jurewicz Movement Technique. She danced with Alter until 2010, performing in The Claw, What Would You Do if You Could Do What You Can’t Do?, Shitty Dance Shitty, And What… and Lovers. Alongside she was exploring improvisation and Contact Improvisation, and integrating her interpreting skills into the translation of the language of dance. Aleksandra has cooperated with, among others, Nigel Charnock (Happy), Jacek Owczarek (Pracownia Fizyczna, Occurrences), Tomasz Rodowicz and Robert M. Hayden (Chorea, Oratorium Dance Project, Bacchantes), and Rafał Dziemidok (Koncentrat, Nut. Squirrel.).
She holds a Master of Arts in English Philology, Specialisation: Conference Interpreting (Department of Translation Studies, Faculty of English, Adam Mickiewicz University, Poznań, Poland), a Postgraduate Degree in Cultural Management (Collegium of World Economy, Warsaw School of Economics, Poland), and a Master of Arts in Contemporary Dance Education (Department of Contemporary and Classical Dance, Frankfurt University of Music and Performing Arts, Germany). Her latest M.A. thesis Stimulating Internal Core Support Through Developmental Movement Patterns researched into the reawakening of the navel space radiation. Currently she is studying within the Body-Mind Centering® Certification Program – Somatic Movement Education.

Tue 24.01.2017 | 10:00
Professional training with Aleksandra Scibor
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Professional Training

Professional training with Aleksandra Scibor

  • Tue 24.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

Inspired by the research into developmental movement patterns, the training proposes diverse pathways towards reembodying our developmental body and its potentialities as a reference space from which to move into action. Nourishing ourselves with the developmental information, we go back to where we all have been and remember what we all already know. We shake off the dust of immobility, clear the flow within, expand inner spaces and become intimate with our developmental resources. We sense what we need to do and we do it, fully mobile and functional. Both exploration- and structure-based training modes facilitate a pathway towards tapping into the fullness of our developmental movement potentials. We identify key dynamic triggers; and through a set of movement situations and games, we motivate action delighting in its fluidity and joy. We invite and encourage our innate drive to return to a state of dynamic equilibrium. The training is based on the inquiry within the frame of BACK HOME movement practice developed out of the research into developmental movement patterns, Jurewicz Movement Technique, contemporary dance and martial arts. It applies the developmental movement classification (Basic Neurocellular Patterns) as proposed by Body-Mind Centering®.

Aleksandra Scibor
In 2005 Aleksandra joined the Alter Dance Theatre, and between 2005 and 2008 received a thorough training in the Jurewicz Movement Technique. She danced with Alter until 2010, performing in The Claw, What Would You Do if You Could Do What You Can’t Do?, Shitty Dance Shitty, And What… and Lovers. Alongside she was exploring improvisation and Contact Improvisation, and integrating her interpreting skills into the translation of the language of dance. Aleksandra has cooperated with, among others, Nigel Charnock (Happy), Jacek Owczarek (Pracownia Fizyczna, Occurrences), Tomasz Rodowicz and Robert M. Hayden (Chorea, Oratorium Dance Project, Bacchantes), and Rafał Dziemidok (Koncentrat, Nut. Squirrel.).
She holds a Master of Arts in English Philology, Specialisation: Conference Interpreting (Department of Translation Studies, Faculty of English, Adam Mickiewicz University, Poznań, Poland), a Postgraduate Degree in Cultural Management (Collegium of World Economy, Warsaw School of Economics, Poland), and a Master of Arts in Contemporary Dance Education (Department of Contemporary and Classical Dance, Frankfurt University of Music and Performing Arts, Germany). Her latest M.A. thesis Stimulating Internal Core Support Through Developmental Movement Patterns researched into the reawakening of the navel space radiation. Currently she is studying within the Body-Mind Centering® Certification Program – Somatic Movement Education.

Mon 23.01.2017 | 10:00
Professional training with Aleksandra Scibor
Read more
Professional Training

Professional training with Aleksandra Scibor

  • Mon 23.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

Inspired by the research into developmental movement patterns, the training proposes diverse pathways towards reembodying our developmental body and its potentialities as a reference space from which to move into action. Nourishing ourselves with the developmental information, we go back to where we all have been and remember what we all already know. We shake off the dust of immobility, clear the flow within, expand inner spaces and become intimate with our developmental resources. We sense what we need to do and we do it, fully mobile and functional. Both exploration- and structure-based training modes facilitate a pathway towards tapping into the fullness of our developmental movement potentials. We identify key dynamic triggers; and through a set of movement situations and games, we motivate action delighting in its fluidity and joy. We invite and encourage our innate drive to return to a state of dynamic equilibrium. The training is based on the inquiry within the frame of BACK HOME movement practice developed out of the research into developmental movement patterns, Jurewicz Movement Technique, contemporary dance and martial arts. It applies the developmental movement classification (Basic Neurocellular Patterns) as proposed by Body-Mind Centering®.

Aleksandra Scibor
In 2005 Aleksandra joined the Alter Dance Theatre, and between 2005 and 2008 received a thorough training in the Jurewicz Movement Technique. She danced with Alter until 2010, performing in The Claw, What Would You Do if You Could Do What You Can’t Do?, Shitty Dance Shitty, And What… and Lovers. Alongside she was exploring improvisation and Contact Improvisation, and integrating her interpreting skills into the translation of the language of dance. Aleksandra has cooperated with, among others, Nigel Charnock (Happy), Jacek Owczarek (Pracownia Fizyczna, Occurrences), Tomasz Rodowicz and Robert M. Hayden (Chorea, Oratorium Dance Project, Bacchantes), and Rafał Dziemidok (Koncentrat, Nut. Squirrel.).
She holds a Master of Arts in English Philology, Specialisation: Conference Interpreting (Department of Translation Studies, Faculty of English, Adam Mickiewicz University, Poznań, Poland), a Postgraduate Degree in Cultural Management (Collegium of World Economy, Warsaw School of Economics, Poland), and a Master of Arts in Contemporary Dance Education (Department of Contemporary and Classical Dance, Frankfurt University of Music and Performing Arts, Germany). Her latest M.A. thesis Stimulating Internal Core Support Through Developmental Movement Patterns researched into the reawakening of the navel space radiation. Currently she is studying within the Body-Mind Centering® Certification Program – Somatic Movement Education.

Fri 20.01.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Fri 20.01.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Thu 19.01.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Thu 19.01.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Wed 18.01.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Wed 18.01.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Tue 17.01.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Tue 17.01.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Mon 16.01.2017 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Mon 16.01.2017 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Sat 14.01.2017 | 10:00 - 16:00
WORKSHOP "The Axis Syllabus" by Frey Faust
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Workshops

WORKSHOP "The Axis Syllabus" by Frey Faust

  • Sat 14.01.2017 | 10:00 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 190,- / ermäßigt € 140,- | Frühbucherrabatt (bis 6 Wochen vor dem Workshop): € 170,- / ermäßigt € 95,-

Frey Faust is a veteran of the New York contemporary dance scene. In the late 90’s he developed an interdisciplinary movement analysis system. The Axis Syllabus system designates different parts of the body as “motors” and explores their potential for energy creation. In his workshop, Frey Faust invites the participants to practice for example the kinetic energy transfer from one body part to the other. The workshop addresses to participants which have already gained basic experience in dance and movement techniques.

BIOGRAPHY
Frey Faust is a 56 year old veteran of the New York contemporary dance scene, with a strong European renommée and intercontinental touring circuit. His focus for the last twenty years has shifted to the educational value of applied science in the arts, with an emphasis on anatomy and physics, including aspects of sociology and cognitive science. With the help of colleagues from the arts and sciences, He consolidated an interdisciplinary movement analysis and reference system called The Axis Syllabus (AS) in the late 1990’s.

Fr, 13.01.2016, 15:00 – 21:00 Uhr + Sa, 14.01.2016, 10:00 – 16:00 Uhr

Registration: info@tanzplattformrheinmain.de

More information: Tanzplattform Rhein-Main

Fri 13.01.2017 | 15:00 - 21:00
WORKSHOP "The Axis Syllabus" by Frey Faust
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Workshops

WORKSHOP "The Axis Syllabus" by Frey Faust

  • Fri 13.01.2017 | 15:00 - 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 190,- / ermäßigt € 140,- | Frühbucherrabatt (bis 6 Wochen vor dem Workshop): € 170,- / ermäßigt € 95,-

Frey Faust is a veteran of the New York contemporary dance scene. In the late 90’s he developed an interdisciplinary movement analysis system. The Axis Syllabus system designates different parts of the body as “motors” and explores their potential for energy creation. In his workshop, Frey Faust invites the participants to practice for example the kinetic energy transfer from one body part to the other. The workshop addresses to participants which have already gained basic experience in dance and movement techniques.

BIOGRAPHY
Frey Faust is a 56 year old veteran of the New York contemporary dance scene, with a strong European renommée and intercontinental touring circuit. His focus for the last twenty years has shifted to the educational value of applied science in the arts, with an emphasis on anatomy and physics, including aspects of sociology and cognitive science. With the help of colleagues from the arts and sciences, He consolidated an interdisciplinary movement analysis and reference system called The Axis Syllabus (AS) in the late 1990’s.

Fr, 13.01.2016, 15:00 – 21:00 Uhr + Sa, 14.01.2016, 10:00 – 16:00 Uhr

Registration: info@tanzplattformrheinmain.de

More information: Tanzplattform Rhein-Main

Fri 13.01.2017 | 10:00
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Fri 13.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Thu 12.01.2017 | 10:00
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Thu 12.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Wed 11.01.2017 | 10:00
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Wed 11.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Tue 10.01.2017 | 10:00
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Tue 10.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Mon 09.01.2017 | 10:00
Professional Training with Inma Rubio
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Professional Training

Professional Training with Inma Rubio

  • Mon 09.01.2017 | 10:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

The class is based on a ballet class technique which interlaces and alternates the use of body improvisation techniques with the aim to provide the dancers tools to search and strive for the extent and approach to movement. Inma offers the dancers knowledge in body improvisation techniques through simple deconstruction exercises to create new movement using their improvisation skills mixed with those of ballet. These combined simple exercises will offer the dancers to think and resolve their body actions in space and add up the different modes of performing and understanding movement.

Inma Rubio Tomas studied at The Royal Conservatory of Music and Dance, Den Haag (Holland) and The Royal Conservatory of Music and Dance of Valencia (Spain). Among others she has danced as guest dancer with The Forsythe Company, Cocoondance, MD Kollektiv Köln, Antony Rizzi and The Bad Habits (Germany), Scapino Ballet Rotterdam (Holland). She choreographed for The Ballet of Flanders/Ballet van Vlaanderen (Belgium), The American Ballet School, Rochester City Ballet, Miami Dance Festival (USA), Johannesburg Jomba Dance Festival, (South Africa), Scapino Ballet Rotterdam (Holland), Onassis Foundation (Greece), Centro Dramático de Aragón (Spain) and for various festivals around Europe. Teaching experience: Palucca Schule, MDKollektiv Köln, Cocoondance Bonn, (Germany), The University of Dance, Cape Town (South Africa), Aktina Dance School Athens (Greece), Tdanz, Dantzaz, University of Vasc Country, Coach for emerging choreographers programme Gobierno Vasco (Bilbao, Spain).

Dezember 2016
Sun 11.12.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
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Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sun 11.12.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Sat 10.12.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
Read more
Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sat 10.12.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Mon 05.12.2016 | 10:00 - 13:45
Dance medical consultation sessions
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Dance Medical Consultation Sessions

Dance medical consultation sessions

  • Mon 05.12.2016 | 10:00 - 13:45
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eigenkostenanteil/Own contribution: € 15,-

What is taken for granted by many professional athletes – medical and therapeutic support throughout their entire active career – should also become available for dancers!
Priv.-Doz. Dr. med. Benita Kuni will offer support and assistance on the following:

  • Prevention of Dance Injuries
  • Rehabilitation and How to Make a Comeback after a Dance Injury
  • Analysis of Dance Technique and Technique Coaching
  • Alternative Training Methods for Dancers
  • “Dance Medicine Check-Up”
  • Guidance and Supervision in the Field of Dance Medicine

Registration:
Online form

Sun 04.12.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
Read more
Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sun 04.12.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Sat 03.12.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
Read more
Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sat 03.12.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

November 2016
Fri 25.11.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Fri 25.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Thu 24.11.2016 | 20:00 - 21:45
CocoonDance: No Body but Me
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Residenzprogramm

CocoonDance: No Body but Me

  • Thu 24.11.2016 | 20:00 - 21:45
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 18,50

In NO BODY BUT ME, the CocoonDance company makes us aware of how different media can affect our perceptions of the body by transferring cinematic effects onto the dancers’ bodies. The changing perceptions of the body lead to a new, differently constructed perspective for the spectator who, at the end of the evening, will feel as if his personal view has been altered.

Body and film – the bond between the two is indissoluble as well as fascinating. A film without bodies is difficult to imagine, because bodies are usually the focus of the camera. The camera follows them, captures them, makes them stand still and dissolves them. Sometimes, the camera moves quickly around them, zooms in and out, scans the bodies and wallows in their movements, gestures and images.

The body, on the other hand, is neither imaginable nor conceivable without the medium of film. Images can only be perceived through a body, whereas we need images to perceive our own bodies. In so doing, images address the recipients’ body directly and inscribe themselves directly onto physical perceptions. We are using images to practice body self-awareness as well as to relinquish our own bodies.

A Production of CocoonDance in Coproduction with: Hessisches Staatsballett / Staatstheater Darmstadt & Hessisches Staatstheater Wiesbaden, Théâtre du Crochetan Monthey, theaterimballsaal Bonn.
Gefördert durch: Kunststiftung NRW, Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen, Bundesstadt Bonn und Théâtre-ProVS, Le Conseil de la Culture Etat du Valais, La Loterie Romande und das NATIONALE PERFORMANCE NETZ (NPN) Koproduktionsförderung Tanz aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien aufgrund eines Beschlusses des Deutschen Bundestags.
Of and with: Fa-Hsuan Chen, Martina De Dominicis, Alvaro Esteban, Werner Nigg, Inma Rubio, Susanne Schneider, Brice Taupin // Choreography, direction: Rafaële Giovanola // Music: Jörg Ritzenhoff // Light: Marc Brodeur // Costumes: Kristelle Paré // Assistance: Leonardo Rodrigues Santos // Outside eye: Roberto Serafide // Video-Coaching: Cedric Raccio // Dramaturgy: Rainald Endraß

Thu 24.11.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
Read more
Professional Training

Professional training with Gregory Livingston

  • Thu 24.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Wed 23.11.2016 | 20:00 - 21:45
CocoonDance: No Body but Me
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Residenzprogramm

CocoonDance: No Body but Me

  • Wed 23.11.2016 | 20:00 - 21:45
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 18,50

In NO BODY BUT ME, the CocoonDance company makes us aware of how different media can affect our perceptions of the body by transferring cinematic effects onto the dancers’ bodies. The changing perceptions of the body lead to a new, differently constructed perspective for the spectator who, at the end of the evening, will feel as if his personal view has been altered.

Body and film – the bond between the two is indissoluble as well as fascinating. A film without bodies is difficult to imagine, because bodies are usually the focus of the camera. The camera follows them, captures them, makes them stand still and dissolves them. Sometimes, the camera moves quickly around them, zooms in and out, scans the bodies and wallows in their movements, gestures and images.

The body, on the other hand, is neither imaginable nor conceivable without the medium of film. Images can only be perceived through a body, whereas we need images to perceive our own bodies. In so doing, images address the recipients’ body directly and inscribe themselves directly onto physical perceptions. We are using images to practice body self-awareness as well as to relinquish our own bodies.

A Production of CocoonDance in Coproduction with: Hessisches Staatsballett / Staatstheater Darmstadt & Hessisches Staatstheater Wiesbaden, Théâtre du Crochetan Monthey, theaterimballsaal Bonn.
Gefördert durch: Kunststiftung NRW, Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen, Bundesstadt Bonn und Théâtre-ProVS, Le Conseil de la Culture Etat du Valais, La Loterie Romande und das NATIONALE PERFORMANCE NETZ (NPN) Koproduktionsförderung Tanz aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien aufgrund eines Beschlusses des Deutschen Bundestags.
Of and with: Fa-Hsuan Chen, Martina De Dominicis, Alvaro Esteban, Werner Nigg, Inma Rubio, Susanne Schneider, Brice Taupin // Choreography, direction: Rafaële Giovanola // Music: Jörg Ritzenhoff // Light: Marc Brodeur // Costumes: Kristelle Paré // Assistance: Leonardo Rodrigues Santos // Outside eye: Roberto Serafide // Video-Coaching: Cedric Raccio // Dramaturgy: Rainald Endraß

Wed 23.11.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Wed 23.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Tue 22.11.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Tue 22.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Mon 21.11.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Mon 21.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Fri 18.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Fri 18.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Thu 17.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Thu 17.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Wed 16.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Wed 16.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Tue 15.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Tue 15.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Mon 14.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Mon 14.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Sun 13.11.2016 | 19:30 - 21:00
Compagnie Nacera Belaza: La Traversée & Sur le fil
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Tanzfestival Rhein-Main

Compagnie Nacera Belaza: La Traversée & Sur le fil

  • Sun 13.11.2016 | 19:30 - 21:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 19,00 / erm. € 9,00

Choreography by Nacera Belaza

Nacera Belaza is one of the most unconventional choreographers in France. Born in Algeria, she emigrated as a child with her family to France. There, she began performing as a self-taught dancer. Belaza’s pieces occupy the fringes of conscious thought and explore the elements that connect different worlds: ritual and daily life, North-African physical practices and Western European dance styles. She is always searching for “a space in which time no longer plays a role, in which we touch the infinite and can finally share something”.

Belaza does not consider her pieces to be self-contained, but rather sees them as constantly new variations of ever-deepening contemplation. They are intense, radically contemporary, spiritual, personal and meditative. Set: non-existent. Costumes: austere and simple. Lights: minimal. A few, clearly defined and scarcely varying gestures suffice for Belaza and her dancers to produce a fascinating slipstream that draws the audience right into the heart of their movements.

Nacera Belaza’s choreographies are an invitation to listen to one’s own inner voice and sharpen one’s awareness. At the Tanzfestival Rhein-Main, she will be presenting “La Traversée” and the German premiere of “Sur le fil”, partially created in a residency provided by the Tanzplattform Rhein-Main.

La Traversée
Choreography Nacera Belaza
 Performers Dalila Belaza, Aurélie Berland, Anne-Sophie Lancelin Sound and Lighting Concept Nacera Belaza Lighting Design Gwendal Malard 
Sound Design Christophe Renaud
Production Compagnie Nacera Belaza
Coproduction Biennale de la danse de Lyon, Arcadi : aide à la production et à la diffusion, L’échangeur – CDC Picardie Accueil Studio Centre chorégraphique national d’Orléans – Josef Nadj, Centre chorégraphique national de Nantes – Claude Brumachon, Benjamin Lamarche, Centre chorégraphique national de Belfort – Joanne Leighton, Centre chorégraphique national de Nancy – Ballet de Lorraine – Petter Jacobsson Residencies Théâtre de l’Olivier, Istres, Institut français du Maroc, Atelier de Paris – Carolyn Carlson, Moussem : Théâtre Monty (Belgique) Theater Freiburg (Allemagne) With the support of DRAC Ile-de-France / Ministère de la Culture et de la Communication, Région Ile-de-France, Institut français, Bureau du théâtre et de la danse – Institut français Allemagne, Spedidam, Parc de la Villette (mise à disposition de plateau)

Sur le fil
Choreography Nacera Belaza Performers Nacera Belaza, Aurélie Berland, Anne-Sophie Lancelin, Dalila Belaza Music and Lighting Design Nacera Belaza
 Tech Christophe Renaud, Gwendal Malard
Production
 Compagnie Nacera Belaza

Coproduction Festival Montpellier Danse, La Villette Paris – résidences d’artiste 2015, Centre Chorégraphique National de Tours / Direction Thomas Lebrun (accueil studio), Le Centre National de la Danse – Pantin (création en résidence), Moussem – Belgique
, Collectif 12 – Mantes la Jolie, avec le soutien de la DRAC Ile de France – aide à la résidence, Bozar – Palais des Beaux-Arts de Bruxelles, Künstlerhaus Mousonturm de Francfort – Allemagne, With the support of Fonds Transfabrik – Fonds franco-allemand pour le spectacle vivant. Aide au projet: Spedidam, Adami Partners La Compagnie est subventionnée par la Région Ile-de-France au titre de la permanence artistique et culturelle et la DRAC Ile-de-France / Ministère de la Culture et de la Communication au titre de l’aide à la compagnie chorégraphique conventionnée. Elle est soutenue par l’ONDA et ARCADI pour sa diffusion sur le territoire français et par l’Institut français pour sa diffusion à l’international.

Sun 13.11.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
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Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sun 13.11.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Sat 12.11.2016 | 20:30 - 21:30
Artist talk with Nacera Belaza
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Tanzfestival Rhein-Main

Artist talk with Nacera Belaza

  • Sat 12.11.2016 | 20:30 - 21:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main

Start: After the performance of “La Traversée” & “Sur le fil”

Sat 12.11.2016 | 19:30 - 21:00
Compagnie Nacera Belaza: La Traversée & Sur le fil
Read more
Tanzfestival Rhein-Main

Compagnie Nacera Belaza: La Traversée & Sur le fil

  • Sat 12.11.2016 | 19:30 - 21:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 19,00 / erm. € 9,00

Choreography by Nacera Belaza

Nacera Belaza is one of the most unconventional choreographers in France. Born in Algeria, she emigrated as a child with her family to France. There, she began performing as a self-taught dancer. Belaza’s pieces occupy the fringes of conscious thought and explore the elements that connect different worlds: ritual and daily life, North-African physical practices and Western European dance styles. She is always searching for “a space in which time no longer plays a role, in which we touch the infinite and can finally share something”.

Belaza does not consider her pieces to be self-contained, but rather sees them as constantly new variations of ever-deepening contemplation. They are intense, radically contemporary, spiritual, personal and meditative. Set: non-existent. Costumes: austere and simple. Lights: minimal. A few, clearly defined and scarcely varying gestures suffice for Belaza and her dancers to produce a fascinating slipstream that draws the audience right into the heart of their movements.

Nacera Belaza’s choreographies are an invitation to listen to one’s own inner voice and sharpen one’s awareness. At the Tanzfestival Rhein-Main, she will be presenting “La Traversée” and the German premiere of “Sur le fil”, partially created in a residency provided by the Tanzplattform Rhein-Main.

La Traversée
Choreography Nacera Belaza
 Performers Dalila Belaza, Aurélie Berland, Anne-Sophie Lancelin Sound and Lighting Concept Nacera Belaza Lighting Design Gwendal Malard 
Sound Design Christophe Renaud
Production Compagnie Nacera Belaza
Coproduction Biennale de la danse de Lyon, Arcadi : aide à la production et à la diffusion, L’échangeur – CDC Picardie Accueil Studio Centre chorégraphique national d’Orléans – Josef Nadj, Centre chorégraphique national de Nantes – Claude Brumachon, Benjamin Lamarche, Centre chorégraphique national de Belfort – Joanne Leighton, Centre chorégraphique national de Nancy – Ballet de Lorraine – Petter Jacobsson Residencies Théâtre de l’Olivier, Istres, Institut français du Maroc, Atelier de Paris – Carolyn Carlson, Moussem : Théâtre Monty (Belgique) Theater Freiburg (Allemagne) With the support of DRAC Ile-de-France / Ministère de la Culture et de la Communication, Région Ile-de-France, Institut français, Bureau du théâtre et de la danse – Institut français Allemagne, Spedidam, Parc de la Villette (mise à disposition de plateau)

Sur le fil
Choreography Nacera Belaza Performers Nacera Belaza, Aurélie Berland, Anne-Sophie Lancelin, Dalila Belaza Music and Lighting Design Nacera Belaza
 Tech Christophe Renaud, Gwendal Malard
Production
 Compagnie Nacera Belaza

Coproduction Festival Montpellier Danse, La Villette Paris – résidences d’artiste 2015, Centre Chorégraphique National de Tours / Direction Thomas Lebrun (accueil studio), Le Centre National de la Danse – Pantin (création en résidence), Moussem – Belgique
, Collectif 12 – Mantes la Jolie, avec le soutien de la DRAC Ile de France – aide à la résidence, Bozar – Palais des Beaux-Arts de Bruxelles, Künstlerhaus Mousonturm de Francfort – Allemagne, With the support of Fonds Transfabrik – Fonds franco-allemand pour le spectacle vivant. Aide au projet: Spedidam, Adami Partners La Compagnie est subventionnée par la Région Ile-de-France au titre de la permanence artistique et culturelle et la DRAC Ile-de-France / Ministère de la Culture et de la Communication au titre de l’aide à la compagnie chorégraphique conventionnée. Elle est soutenue par l’ONDA et ARCADI pour sa diffusion sur le territoire français et par l’Institut français pour sa diffusion à l’international.

Sat 12.11.2016 | 14:00 - 18:00
Workshop with Paula Rosolen: Movements Collector
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Tanzfestival Rhein-Main

Workshop with Paula Rosolen: Movements Collector

  • Sat 12.11.2016 | 14:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 10,00

Choreographer Paula Rosolen is interested topics that are not typical for dance. In her past pieces, she has explored the movement patterns of puppeteers, merged aerobics with the dramaturgical structures of Romantic ballet or made dance repetiteurs her main protagonists. Her workshop, aimed at people with dance and movement experience, offers practical insight into the methodologies that she has developed since 2010 in pieces such as Piano Men (2013), Aerobics! A Ballet in 3 Acts (2015) and Puppets (2016).

The workshop is limited to 15 participants.

Sat 12.11.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
Read more
Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sat 12.11.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Fri 11.11.2016 | 21:15 - 22:00
Artist talk with Fabrice Mazliah
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Tanzfestival Rhein-Main

Artist talk with Fabrice Mazliah

  • Fri 11.11.2016 | 21:15 - 22:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
Fri 11.11.2016 | 20:00 - 21:00
Fabrice Mazliah / MAMAZA: In Act and Thought - a score for six performers
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Tanzfestival Rhein-Main

Fabrice Mazliah / MAMAZA: In Act and Thought - a score for six performers

  • Fri 11.11.2016 | 20:00 - 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 19,00 / erm. € 9,00

If you could talk to dancers during a performance, what would you say to them? How can the knowledge and experience of this special community of people be shared with an audience and simultaneously develop into something new?

In Fabrice Mazliah’s “In Act and Thought – a score for six performers”, dancers connect their movements on stage with language – they specify, contrast, develop details into complex actions or formulate new ideas through movements and words.

The Forsythe Company took their leave last year with „In Act and Thought“. As opening piece of this year’s Architecture Biennale, Fabrice Mazliah has created a new version of the piece for six former company dancers, which met with enthusiastic responses in Venice and will be shown for the first time in Frankfurt at the Tanzfestival Rhein-Main.

Fabrice Mazliah was a dancer for the Nederlands Dans Theater, before joining William Forsythe’s company. He began creating projects of his own in 1998, e.g. as a member of the choreographer collective MAMAZA. His work is presented on a regular basis at Mousonturm and at festivals and theatre venues across Europe.

Concept Fabrice Mazliah
Choreography Fabrice Mazliah
In collaboration with the dancers Katja Cheraneva, Frances Chiaverini, Josh Johnson, David Kern, Yasutake Shimaji, Ildikó Tóth
Performed by: Katja Cheraneva, Frances Chiaverini, Josh Johnson, David Kern, Natalia Rodina, Ildikó Tóth Artistic Assistant Liz Waterhouse, Cyril Baldy Sound Johannes Helberger kling klang klong Lighting Design Harry Schulz
Set Design Fabrice Mazliah Set Building Max Schubert, Harry Schulz Costumes Dorothee Merg Production Management: Johanna Milz Comissioned by the Forsythe Company Venice version produced by Goethe Institut München

Fri 11.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Fri 11.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Thu 10.11.2016 | 20:00 - 21:00
Fabrice Mazliah / MAMAZA: In Act and Thought - a score for six performers
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Tanzfestival Rhein-Main

Fabrice Mazliah / MAMAZA: In Act and Thought - a score for six performers

  • Thu 10.11.2016 | 20:00 - 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 19,00 / erm. € 9,00

If you could talk to dancers during a performance, what would you say to them? How can the knowledge and experience of this special community of people be shared with an audience and simultaneously develop into something new?

In Fabrice Mazliah’s “In Act and Thought – a score for six performers”, dancers connect their movements on stage with language – they specify, contrast, develop details into complex actions or formulate new ideas through movements and words.

The Forsythe Company took their leave last year with „In Act and Thought“. As opening piece of this year’s Architecture Biennale, Fabrice Mazliah has created a new version of the piece for six former company dancers, which met with enthusiastic responses in Venice and will be shown for the first time in Frankfurt at the Tanzfestival Rhein-Main.

Fabrice Mazliah was a dancer for the Nederlands Dans Theater, before joining William Forsythe’s company. He began creating projects of his own in 1998, e.g. as a member of the choreographer collective MAMAZA. His work is presented on a regular basis at Mousonturm and at festivals and theatre venues across Europe.

Concept Fabrice Mazliah
Choreography Fabrice Mazliah
In collaboration with the dancers Katja Cheraneva, Frances Chiaverini, Josh Johnson, David Kern, Yasutake Shimaji, Ildikó Tóth
Performed by: Katja Cheraneva, Frances Chiaverini, Josh Johnson, David Kern, Natalia Rodina, Ildikó Tóth Artistic Assistant Liz Waterhouse, Cyril Baldy Sound Johannes Helberger kling klang klong Lighting Design Harry Schulz
Set Design Fabrice Mazliah Set Building Max Schubert, Harry Schulz Costumes Dorothee Merg Production Management: Johanna Milz Comissioned by the Forsythe Company Venice version produced by Goethe Institut München

Thu 10.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Thu 10.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Wed 09.11.2016 | 19:30 - 21:00
Jérôme Bel: Gala
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Tanzfestival Rhein-Main

Jérôme Bel: Gala

  • Wed 09.11.2016 | 19:30 - 21:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 19,00 / red. € 9,00

Choreography by Jérôme Bel

French choreographer Jérôme Bel knows how to challenge contemporary dance in astonishing ways like no others. He opens the theatre to those you wouldn’t normally find there. The gala, an art form that is both festive and collective, brings together dance professionals and amateurs from the Rhine-Main region. Who are the invisible people in our society? Which bodies do we suppress? Jérôme Bel subverts conventional power structures of representation and gives the individual a chance for autonomy. Ruthless. Lustfully. Radically beautiful.

Concept Jérôme Bel Assistance Maxime Kurvers Assistants Wiesbaden, Frankfurt Maxime Kurvers, Dina ed Dik, Sheila Atala Artistic Advisor and Company Manager Rebecca Lee Costumes by the dancers Casting & Coordination Larissa Bischoff, Larissa Koch By and with Kathrin Ahjar, Alaa Badenjki, Maurice Baker, Thomas Bartling, Pauline Bernard, Hans Busch, Gal Fefferman, Günther Frühm, Johanna Griesfeller, Ann-Kristin Hildenhagen, Ranim Al Malat, Nora Kimball Mentzos, Milton Meurer, Igli Mezini, Thibaut Nury, Nataliya Sachsse-Panina, Llewellyn Reichmann, Marcella Schwarz, Lydia Lu Schweighardt, Majd Shalgheen, Johanna Thoß Executive direction and artistic advice Rebecca Lee Production by R.B. Jérôme Bel in Koproduktion mit Dance Umbrella, Theater-Works Singapore / 72–13, KunstenFestivaldesArts, Tanzquartier Wien, Nanterre-Amandiers Centre Dramatique National, Festival d’Automne à Paris, Theater Chur, TAK Theater Liechtenstein, TanzPlan Ost, Fondazione La Biennale di Venezia, Théâtre de la Ville Paris, HAU Hebbel am Ufer, BIT Teatergarasjen, La Commune Centre dramatique national d’Aubervilliers, tanzhaus nrw und House on Fire mit Unterstützung des Kulturprogramms der Europäischen Union. Dank an Centre National de la Danse, Pantin und Ménagerie de Verre, Paris. With the support of Institut français. A coproduction by Wiesbaden Biennale mit Tanzplattform Rhein-Main, ein Projekt von Künstlerhaus Mousonturm und Hessischem Staatsballett

Wed 09.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Wed 09.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Tue 08.11.2016 | 19:30 - 21:00
Jérôme Bel: Gala
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Tanzfestival Rhein-Main

Jérôme Bel: Gala

  • Tue 08.11.2016 | 19:30 - 21:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 19,00 / red. € 9,00

Choreography by Jérôme Bel

French choreographer Jérôme Bel knows how to challenge contemporary dance in astonishing ways like no others. He opens the theatre to those you wouldn’t normally find there. The gala, an art form that is both festive and collective, brings together dance professionals and amateurs from the Rhine-Main region. Who are the invisible people in our society? Which bodies do we suppress? Jérôme Bel subverts conventional power structures of representation and gives the individual a chance for autonomy. Ruthless. Lustfully. Radically beautiful.

Concept Jérôme Bel Assistance Maxime Kurvers Assistants Wiesbaden, Frankfurt Maxime Kurvers, Dina ed Dik, Sheila Atala Artistic Advisor and Company Manager Rebecca Lee Costumes by the dancers Casting & Coordination Larissa Bischoff, Larissa Koch By and with Kathrin Ahjar, Alaa Badenjki, Maurice Baker, Thomas Bartling, Pauline Bernard, Hans Busch, Gal Fefferman, Günther Frühm, Johanna Griesfeller, Ann-Kristin Hildenhagen, Ranim Al Malat, Nora Kimball Mentzos, Milton Meurer, Igli Mezini, Thibaut Nury, Nataliya Sachsse-Panina, Llewellyn Reichmann, Marcella Schwarz, Lydia Lu Schweighardt, Majd Shalgheen, Johanna Thoß Executive direction and artistic advice Rebecca Lee Production by R.B. Jérôme Bel in Koproduktion mit Dance Umbrella, Theater-Works Singapore / 72–13, KunstenFestivaldesArts, Tanzquartier Wien, Nanterre-Amandiers Centre Dramatique National, Festival d’Automne à Paris, Theater Chur, TAK Theater Liechtenstein, TanzPlan Ost, Fondazione La Biennale di Venezia, Théâtre de la Ville Paris, HAU Hebbel am Ufer, BIT Teatergarasjen, La Commune Centre dramatique national d’Aubervilliers, tanzhaus nrw und House on Fire mit Unterstützung des Kulturprogramms der Europäischen Union. Dank an Centre National de la Danse, Pantin und Ménagerie de Verre, Paris. With the support of Institut français. A coproduction by Wiesbaden Biennale mit Tanzplattform Rhein-Main, ein Projekt von Künstlerhaus Mousonturm und Hessischem Staatsballett

Tue 08.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Tue 08.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Mon 07.11.2016 | 20:00 - 22:00
Paula Rosolen/Haptic Hide: Puppets
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Tanzfestival Rhein-Main

Paula Rosolen/Haptic Hide: Puppets

  • Mon 07.11.2016 | 20:00 - 22:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 18,50

Choreography by Paula Rosolen

Paula Rosolen specializes in unusual subject matters in dance. Her newest piece “Puppets” once again leads us into the peripheral regions of choreography to reinterpret a central motive in dance: In many eras and cultures, for example in Romantic ballet or classical Javanese dance, puppets’ movements were considered an ideal of dance. Paula Rosolen offers a twist to the relationship between puppets and dance: she doesn’t examine the puppets’ movements, but rather the puppeteers’. What movement material and which choreographic patterns are created when two control a puppet? In a discipline foreign to dance, puppet theater, Rosolen discovers an otherwise hidden kind of movement – and she places it in the spotlight.

Concept and Choreography Paula Rosolen Artistic Advisor Juan M. Morales Produced and danced by Jungyun Bae, Alina Bilokon, Émilia Giudicelli, Atsushi Heki, Marko Milic Music and Composition David Morrow Hurdy-Gurdy Knud Seckel Lighting Designer and Technical Director Lea Schneidermann Costumes Takako Senda, Anika Alischewski, Juan M. Morales Dramaturgical Advisor Christopher Matthews
Choreographic assistance Christopher Matthews Management Haptic Hide Karin Berrío Production Assistant Takako Senda Public Relations Karin Schäfer Kultur PR. A production by Paula Rosolen/Haptic Hide und der Tanzplattform Rhein-Main in Koproduktion mit dem Théâtre de la Ville Paris und dem Damansara Performing Arts Centre Kuala Lumpur. Gefördert durch das Nationale Performance Netz (NPN). Koproduktionsförderung Tanz aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien aufgrund eines Beschlusses des Deutschen Bundestags, dem Kulturamt Frankfurt am Main, dem Hessischen Ministerium für Wissenschaft und Kunst. Mit freundlicher Unterstützung von der Saison Foundation Japan, dem Goethe-Institur Malaysia sowie der FAZIT-Stiftung. Die Recherche wurde unterstützt durch einen Residenzaufenthalt in Goethe-Institut Villa Kamogawa Kyoto.

Mon 07.11.2016 | 10:00 - 11:30
Professional training with Antony Rizzi
Read more
Professional Training

Professional training with Antony Rizzi

  • Mon 07.11.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Sun 06.11.2016 | 20:30 - 21:30
Artist talk with the Candoco Dance Company
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Tanzfestival Rhein-Main

Artist talk with the Candoco Dance Company

  • Sun 06.11.2016 | 20:30 - 21:30
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

Start: After the performance of “Beheld” & “Set and Reset/Reset”

Sun 06.11.2016 | 20:00 - 00:00
Festivalbar
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Tanzfestival Rhein-Main

Festivalbar

  • Sun 06.11.2016 | 20:00 - 00:00
  • Staatstheater Darmstadt, Bar Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

Festivalbar opens after the end of the performance of “Samedi Détente”/“Puppets”

Sun 06.11.2016 | 19:30 - 21:30
Candoco Dance Company: Beheld & Set and Reset/Reset
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Tanzfestival Rhein-Main

Candoco Dance Company: Beheld & Set and Reset/Reset

  • Sun 06.11.2016 | 19:30 - 21:30
  • Staatstheater Darmstadt, Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 9,50 - 42,50

Choreographies by Alexander Whitley and Trisha Brown

The Candoco Dance Company ranks among the top ensembles in Europe. Its performances are choreographic masterpieces that confound notions of the perfect body and familiar dance conventions: The company is made up of seven professional dancers – some with, some without disabilities.

The double bill “Beheld” and “Set and Reset/Reset” celebrates the 25th anniversary of the Candoco Dance Company. “Beheld” is a piece by Alexander Whitley, guest choreographer in residence at the Hessische Staatsballet during the 2015/16 season. In his piece, seven dancers explore the possibilities and limitations of space while challenging our viewing habits. “Set and Reset/Reset” is the restaging of the seminal piece from 1983 by famous American choreographer Trisha Brown. With a new set design and music by multi-media artist Laurie Anderson, Candoco presents its own unique take on this great show.

Beheld
Concept, Choreography & Direction Alexander Whitley Set and Costume Design Jean-Marc Puissant
 Costume Realisation Sasha Keir Set Realisation Jessica Dixon and Amanda Barrow Lighting Design Jackie Shemesh Music Nils Frahm, reworked by Rutger Zuydervel
Thanks to Nils Frahm, Sylvie Launay, Harriet Moss, Harriet Wybor, alle Candoco Dance Company International Lab 2015-Mitglieder. This piece is co-commissioned by Trinity Laban Conservatoire of Music and Dance and supported by The Idlewild Trust.

Set and Reset/Reset
Choreography (1983) Trisha Brown
 Directed by (2016) Abigail Yager
 Music Laurie Anderson Costumes Celeste Dandeker-Arnold
 OBE (based on the original design by Robert Rauschenberg in 1983)
 Set David Lock (based on the original design by Robert Rauschenberg in 1983) Lighting Design Chahine Yavroyan
The piece combination of the original and the choreography of the Candoco dancers who performed this piece for the first time in 2011 Co-produced by 
Migros Culture Percentage Dance Festival Steps.

Sun 06.11.2016 | 19:30 - 00:00
Festivalbar with DJ
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Tanzfestival Rhein-Main

Festivalbar with DJ

  • Sun 06.11.2016 | 19:30 - 00:00
  • Staatstheater Darmstadt, Bar Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

Festivalbar opens after the end of the performance of “Puppets”

Sun 06.11.2016 | 18:00 - 20:00
Paula Rosolen/Haptic Hide: Puppets
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Tanzfestival Rhein-Main

Paula Rosolen/Haptic Hide: Puppets

  • Sun 06.11.2016 | 18:00 - 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 18,50

Choreography by Paula Rosolen

Paula Rosolen specializes in unusual subject matters in dance. Her newest piece “Puppets” once again leads us into the peripheral regions of choreography to reinterpret a central motive in dance: In many eras and cultures, for example in Romantic ballet or classical Javanese dance, puppets’ movements were considered an ideal of dance. Paula Rosolen offers a twist to the relationship between puppets and dance: she doesn’t examine the puppets’ movements, but rather the puppeteers’. What movement material and which choreographic patterns are created when two control a puppet? In a discipline foreign to dance, puppet theater, Rosolen discovers an otherwise hidden kind of movement – and she places it in the spotlight.

Concept and Choreography Paula Rosolen Artistic Advisor Juan M. Morales Produced and danced by Jungyun Bae, Alina Bilokon, Émilia Giudicelli, Atsushi Heki, Marko Milic Music and Composition David Morrow Hurdy-Gurdy Knud Seckel Lighting Designer and Technical Director Lea Schneidermann Costumes Takako Senda, Anika Alischewski, Juan M. Morales Dramaturgical Advisor Christopher Matthews
Choreographic assistance Christopher Matthews Management Haptic Hide Karin Berrío Production Assistant Takako Senda Public Relations Karin Schäfer Kultur PR. A production by Paula Rosolen/Haptic Hide und der Tanzplattform Rhein-Main in Koproduktion mit dem Théâtre de la Ville Paris und dem Damansara Performing Arts Centre Kuala Lumpur. Gefördert durch das Nationale Performance Netz (NPN). Koproduktionsförderung Tanz aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien aufgrund eines Beschlusses des Deutschen Bundestags, dem Kulturamt Frankfurt am Main, dem Hessischen Ministerium für Wissenschaft und Kunst. Mit freundlicher Unterstützung von der Saison Foundation Japan, dem Goethe-Institur Malaysia sowie der FAZIT-Stiftung. Die Recherche wurde unterstützt durch einen Residenzaufenthalt in Goethe-Institut Villa Kamogawa Kyoto.

Sun 06.11.2016 | 13:15 - 15:30
Tanztee
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Tanzfestival Rhein-Main

Tanztee

  • Sun 06.11.2016 | 13:15 - 15:30
  • Staatstheater Darmstadt, Foyer Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
Sun 06.11.2016 | 11:00 - 12:00
Birutė Banevičiūtė: Farbenspiele
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Tanzfestival Rhein-Main

Birutė Banevičiūtė: Farbenspiele

  • Sun 06.11.2016 | 11:00 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old from / Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Sun 06.11.2016 | 10:00 - 11:00
Birutė Banevičiūtė: Farbenspiele
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Tanzfestival Rhein-Main

Birutė Banevičiūtė: Farbenspiele

  • Sun 06.11.2016 | 10:00 - 11:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old from / Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Sat 05.11.2016 | 22:00 - 00:00
Festivalbar
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Tanzfestival Rhein-Main

Festivalbar

  • Sat 05.11.2016 | 22:00 - 00:00
  • Staatstheater Darmstadt, Bar Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

Festivalbar opens after the end of the performance of “Samedi Détente”/“Puppets”

Sat 05.11.2016 | 20:00 - 21:30
Compagnie Kadidi: Samedi Détente
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Tanzfestival Rhein-Main

Compagnie Kadidi: Samedi Détente

  • Sat 05.11.2016 | 20:00 - 21:30
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 18,50

Choreography by Dorothée Munyaneza

How to speak about the unspeakable? Ruanda 1994: Dorothée Munyaneza was twelve years old when in an act of genocide members of Tutsi minority were murdered. She was lucky and able to flee.

On stage, she gazes back into her past: during happier times, she liked to listen to the radio show “Samedi détente”, which brought foreign, international music to Ruanda every Saturday. The absolute highlight of the week featured music that people danced and sang to. The resulting individual choreographies were then performed on Mondays in a competition at the playground. A real ritual. In 2014, Dorothée Munyaneza invented her very own “Samedi détente”. She sings and dances with an electrifying physical presence, revealing pure survival instinct, but also quiet moments of happiness. With her haunting, poetic and powerful voice, she takes the audience with her from Europe to Africa, from the past into the presence.

Concept, Text, Dance, Voice Dorothée Munyaneza
 With Nadia Beugré, Alain Mahé, Dorothée Munyaneza Outside Eye Mathurin Bolze
 Lighting Design Christian Dubet Set Design Vincent Gadras
 Costumes Tifenn Morvan Stage Manager Marion Piry Lighting Tech Marie Le Vey Sound Tech Valérie Bjcsa
Production director Emmanuel Magis, Anahi assisted by Marion Gauvent www.anahi-spectacle-vivant.fr Producer: Kadidi Company with the support of Anahi/Emmanuel Magis Coproduction: Théâtre de Nîmes– scène conventionnée pour la danse, Théâtre La Passerelle–scène nationale de Gap et des Alpes du Sud, Bois de l’Aune-Aix-en-Provence, Théâtre des Salins–scène nationale de Martigues, L’Onde–Théâtre Centre d’Art de Vélizy-Villacoublay, Pôle Sud–Strasbourg, Théâtre Jacques Prévert–Aulnay-sous-Bois, Le Parvis–scène nationale de Tarbes, Théâtre Garonne–Toulouse, Réseau Open Latitudes 2 mit Unterstützung von/with the support of the Cultural European Programme, Théâtre de Liège, Théâtre de la Ville–Paris, BIT Teatergarasjen–Bergen. Mit Unterstützung von/With the support of Théâtre Le Monfort–Paris, of Friche Belle de Mai–Marseille, of DRAC (Regional Direction of Cultural Affairs) PACA- Ministry of Culture and Communication, of SACD, association Beaumarchais, Arcadi Ile-de-France, ADAMI and Mairie of Paris.

Sat 05.11.2016 | 10:00 - 16:00
Workshop with the Candoco Dance Company
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Tanzfestival Rhein-Main

Workshop with the Candoco Dance Company

  • Sat 05.11.2016 | 10:00 - 16:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 25,00

The Candoco Dance Company is considered the leading inclusive ensemble for contemporary dance worldwide. One day before their performance at the Staatstheater, they will be giving a one-day practical workshop.
The programme begins with an introduction to contemporary dance techniques and Candoco’s method of inclusive work.
Next, participants will be given creative tasks based on the current productions “Beheld” and “Set and Reset/Reset“.
This workshop is open for all people with and without disabilities. Prior experience is not required, but please do bring an interest in and love of movement.
The workshop is limited to 20 participants.

Fri 04.11.2016 | 21:00 - 00:00
Festivalbar with DJ
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Tanzfestival Rhein-Main

Festivalbar with DJ

  • Fri 04.11.2016 | 21:00 - 00:00
  • Staatstheater Darmstadt, Bar Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Fri 04.11.2016 | 19:30 - 21:00
L-E-V: OCD Love
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Tanzfestival Rhein-Main

L-E-V: OCD Love

  • Fri 04.11.2016 | 19:30 - 21:00
  • Staatstheater Darmstadt, Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 10,50 - 46,00

Choreography by Sharon Eyal

She is the star of the Israeli dance scene: Sharon Eyal, born 1971 in Jerusalem, best known as dancer and resident choreographer for the world-famous Batsheva Dance Company. Gai Behar is a DJ, techno musician and fromer organiser of legendary underground raves in Tel Aviv. The two of them have been working together since 2005 and still create pieces that breathtakingly tear down the boundaries between high culture and rave.

In 2013, they founded their company L-E-V, which contains the Hebrew word for “heart“(lev). Their piece “OCD Love” is a personal matter. It deals with OCD (obsessive compulsive disorder), a pathological condition that interferes with love and life. Accompanied by the pulsating techno beats of DJ Ori Lichtik, the piece focuses on failed love. Like a person going to bed just as the other stands up. Something complete, but nevertheless full of holes. “OCD Love” is dedicated to exactly these holes. The piece was strongly inspired by Neil Hilbron’s slam poem about OCD, which Sharon Eyal read like a choreography.

Creators Sharon Eyal & Gai Behar 
Sound Artist and Live Music Ori Lichtig Lighting Thierry Dreyfus Costumes Odelia Arnold In Collaboration With
 Rebecca Hytting, Gon Biran, Sharon Eyal, Gai Behar Dancers Gon Biran, Darren Devaney, Rebecca Hytting, Mariko Kakizaki, Leo Lerus,
 Keren Lurie Pardes
 Technical Director Alon Cohen
Tour Manager Keren Gdalyhau Malki International touring agent Menno Plukker Theatre Agent, INC. Co Producers Colours – International Dance Festival – Stuttgart, Germany; Sadler’s Wells – London, England; Carolina Performing Arts – The University of North Carolina at Chapel Hill, USA; Julidans – Amsterdam, Netherlands; Montpellier Danse. The production of OCD LOVE was developed through a Performing Arts 
Residency at The Banff Centre, Canada.

Fri 04.11.2016 | 19:00 - 19:30
Introduction to "OCD Love"
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Tanzfestival Rhein-Main

Introduction to "OCD Love"

  • Fri 04.11.2016 | 19:00 - 19:30
  • Staatstheater Darmstadt, Foyer Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
Thu 03.11.2016 | 19:30 - 22:45
Hessisches Staatsballett: Spiegelungen
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Tanzfestival Rhein-Main

Hessisches Staatsballett: Spiegelungen

  • Thu 03.11.2016 | 19:30 - 22:45
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 9,50 - 42,50

Triple Bill with Choreographies by Wayne McGregor, Tim Plegge & Alexander Ekman

One night, three ground-breaking ballet pieces: Wayne McGregor is resident choreographer at The Royal Ballet, London. He is regularly commissioned by and has works in the repertories of the most important ballet companies around the world, including the New York City Ballet and the Paris Opera Ballet. He has choreographed for theatre, opera and film (‘Harry Potter and the Goblet of Fire’ and ‘Tarzan’,) as well as for music videos (Radiohead). On the opening night, he will be presenting his piece “Infra”, which explores what goes on under the surface of human relationships. His solos, pas de deux and group sequences are emotional and brimming with visual power.

Next the director of the Hessische Staatsballet Tim Plegge shows a new creation designed to be an adventure. The choreographic approach: artistic intuition. Together with his dancers, he tries to free himself from the totalitarian system surrounding us.

The third piece is an exaggerated portrayal of every- day events. In “Left Right Left Right”, Alexander Ekman elevates normal walking to the highest level of concentration, timing and rhythm. This highly successful piece by the young Swedish choreographer met with sanding ovations at the ballet showcase “Aufwind”.

INFRA (German first performance)
Choreography Wayne McGregor Répétiteur Antoine Vereecken Assistant Davide Di Pretoro 
Music Max Richter 
Costumes Moritz Junge
 Costume Assistant Helen Johnson Lighting Design Lucy Carter
 Set Design Julian Opie
 Sound Design Chris Ekers
 Dance Ensemble Hessisches Staatsballett

PREMIERE BY TIM PLEGGE
Choreography Tim Plegge Set Design & Costumes Thomas Mika Dramaturgy Esther Dreesen-Schaback

LEFT RIGHT LEFT RIGHT
Choreography, Set Design & Costumes Alexander Ekman Music Mikael Karlsson
 Lighting Design Tom Visser

Thu 03.11.2016 | 19:00 - 19:30
Introduction to "Spiegelungen"
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Tanzfestival Rhein-Main

Introduction to "Spiegelungen"

  • Thu 03.11.2016 | 19:00 - 19:30
  • Staatstheater Darmstadt, Foyer Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
Thu 03.11.2016 | 11:00 - 12:00
Birutė Banevičiūtė: Farbenspiele
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Tanzfestival Rhein-Main

Birutė Banevičiūtė: Farbenspiele

  • Thu 03.11.2016 | 11:00 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old from / Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Thu 03.11.2016 | 10:00 - 11:00
Birutė Banevičiūtė: Farbenspiele
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Tanzfestival Rhein-Main

Birutė Banevičiūtė: Farbenspiele

  • Thu 03.11.2016 | 10:00 - 11:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old from / Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Tue 01.11.2016 | 11:00 - 12:00
Birutė Banevičiūtė: Farbenspiele
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Tanzfestival Rhein-Main

Birutė Banevičiūtė: Farbenspiele

  • Tue 01.11.2016 | 11:00 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old from / Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Tue 01.11.2016 | 10:00 - 11:00
Birutė Banevičiūtė: Farbenspiele
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Tanzfestival Rhein-Main

Birutė Banevičiūtė: Farbenspiele

  • Tue 01.11.2016 | 10:00 - 11:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 3,00

A participatory dance and circus piece for children age 0-3 years old from / Birutė Banevičiūtė

During the first years of life, new premieres come thick and fast: sitting for the first time, crawling, jumping, climbing, grabbing, letting go, catching, kicking, smiling, frowning, sharing, making friends, feeling happy, thinking. To experiment with and explore our bodies and the world around us is best done through play. “Farbenspiele”, an interactive piece by Lithuanian choreographer Birutė Banevičiūtė, is packed with unexpected, colourful experiences, which motivate children to discover many new things about themselves and the world together with the dancer. An intense and exciting experience for the little ones: everywhere that the piece has toured to its young audience are loath to leave the stage after the performance.

Choreography Birutė Banevičiūtė Dance Valérie Sauer
 Costumes Rūta Biliūnaitė

Oktober 2016
Sun 30.10.2016 | 18:00 - 21:15
Hessisches Staatsballett: Spiegelungen
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Tanzfestival Rhein-Main

Hessisches Staatsballett: Spiegelungen

  • Sun 30.10.2016 | 18:00 - 21:15
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 9,50 - 42,50

Triple Bill with Choreographies by Wayne McGregor, Tim Plegge & Alexander Ekman

One night, three ground-breaking ballet pieces: Wayne McGregor is resident choreographer at The Royal Ballet, London. He is regularly commissioned by and has works in the repertories of the most important ballet companies around the world, including the New York City Ballet and the Paris Opera Ballet. He has choreographed for theatre, opera and film (‘Harry Potter and the Goblet of Fire’ and ‘Tarzan’,) as well as for music videos (Radiohead). On the opening night, he will be presenting his piece “Infra”, which explores what goes on under the surface of human relationships. His solos, pas de deux and group sequences are emotional and brimming with visual power.

Next the director of the Hessische Staatsballet Tim Plegge shows a new creation designed to be an adventure. The choreographic approach: artistic intuition. Together with his dancers, he tries to free himself from the totalitarian system surrounding us.

The third piece is an exaggerated portrayal of every- day events. In “Left Right Left Right”, Alexander Ekman elevates normal walking to the highest level of concentration, timing and rhythm. This highly successful piece by the young Swedish choreographer met with sanding ovations at the ballet showcase “Aufwind”.

INFRA (German first performance)
Choreography Wayne McGregor Répétiteur Antoine Vereecken Assistant Davide Di Pretoro 
Music Max Richter 
Costumes Moritz Junge
 Costume Assistant Helen Johnson Lighting Design Lucy Carter
 Set Design Julian Opie
 Sound Design Chris Ekers
 Dance Ensemble Hessisches Staatsballett

PREMIERE BY TIM PLEGGE
Choreography Tim Plegge Set Design & Costumes Thomas Mika Dramaturgy Esther Dreesen-Schaback

LEFT RIGHT LEFT RIGHT
Choreography, Set Design & Costumes Alexander Ekman Music Mikael Karlsson
 Lighting Design Tom Visser

Sun 30.10.2016 | 17:30 - 18:00
Opening of the Tanzfestival Rhine-Main
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Tanzfestival Rhein-Main

Opening of the Tanzfestival Rhine-Main

  • Sun 30.10.2016 | 17:30 - 18:00
  • Staatstheater Darmstadt, Foyer Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
Fri 28.10.2016 | 10:00 - 11:30
Professional training with Mirjam Karvat
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Professional Training

Professional training with Mirjam Karvat

  • Fri 28.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Gaga is a movement language which Ohad Naharin developed over the course of many years and which is applied in daily practice and exercises by the Batsheva Dance Company members. The language of Gaga originated from the belief in the healing, dynamic, ever-changing power of movement.
Gaga is a new way of gaining knowledge and self-awareness through your body. Gaga provides a framework for discovering and strengthening your body and adding flexibility, stamina, and agility while lightening the senses and imagination. Gaga raises awareness of physical weaknesses, awakens numb areas, exposes physical fixations, and offers ways for their elimination. The work improves instinctive movement and connects conscious and unconscious movement, and it allows for an experience of freedom and pleasure in a simple way, in a pleasant space, in comfortable clothes, accompanied by music, each person with himself and others.

Mirjam Karvat
After completing her first degree as a Massage Therapist and Teacher for Human Kinetics, Mirjam studied dance at the London Contemporary Dance School until 2006. After graduation she performed with the New Generations Dance Company in Egypt before choreographing as a solo artist in an interdisciplinary collaboration in the Theater Aarau in Switzerland. She also participated as the main character in a film documentation about schizophrenia before turning back to dance. Prior to joining the Gaga Teacher Training Program in 2011, she danced in the musical RENT in Basel/Switzerland. Mirjam teaches Gaga in Israel, Switzerland, and Germany.

Thu 27.10.2016 | 10:00 - 11:30
Professional training with Mirjam Karvat
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Professional Training

Professional training with Mirjam Karvat

  • Thu 27.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Gaga is a movement language which Ohad Naharin developed over the course of many years and which is applied in daily practice and exercises by the Batsheva Dance Company members. The language of Gaga originated from the belief in the healing, dynamic, ever-changing power of movement.
Gaga is a new way of gaining knowledge and self-awareness through your body. Gaga provides a framework for discovering and strengthening your body and adding flexibility, stamina, and agility while lightening the senses and imagination. Gaga raises awareness of physical weaknesses, awakens numb areas, exposes physical fixations, and offers ways for their elimination. The work improves instinctive movement and connects conscious and unconscious movement, and it allows for an experience of freedom and pleasure in a simple way, in a pleasant space, in comfortable clothes, accompanied by music, each person with himself and others.

Mirjam Karvat
After completing her first degree as a Massage Therapist and Teacher for Human Kinetics, Mirjam studied dance at the London Contemporary Dance School until 2006. After graduation she performed with the New Generations Dance Company in Egypt before choreographing as a solo artist in an interdisciplinary collaboration in the Theater Aarau in Switzerland. She also participated as the main character in a film documentation about schizophrenia before turning back to dance. Prior to joining the Gaga Teacher Training Program in 2011, she danced in the musical RENT in Basel/Switzerland. Mirjam teaches Gaga in Israel, Switzerland, and Germany.

Wed 26.10.2016 | 10:00 - 11:30
Professional training with Mirjam Karvat
Read more
Professional Training

Professional training with Mirjam Karvat

  • Wed 26.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Gaga is a movement language which Ohad Naharin developed over the course of many years and which is applied in daily practice and exercises by the Batsheva Dance Company members. The language of Gaga originated from the belief in the healing, dynamic, ever-changing power of movement.
Gaga is a new way of gaining knowledge and self-awareness through your body. Gaga provides a framework for discovering and strengthening your body and adding flexibility, stamina, and agility while lightening the senses and imagination. Gaga raises awareness of physical weaknesses, awakens numb areas, exposes physical fixations, and offers ways for their elimination. The work improves instinctive movement and connects conscious and unconscious movement, and it allows for an experience of freedom and pleasure in a simple way, in a pleasant space, in comfortable clothes, accompanied by music, each person with himself and others.

Mirjam Karvat
After completing her first degree as a Massage Therapist and Teacher for Human Kinetics, Mirjam studied dance at the London Contemporary Dance School until 2006. After graduation she performed with the New Generations Dance Company in Egypt before choreographing as a solo artist in an interdisciplinary collaboration in the Theater Aarau in Switzerland. She also participated as the main character in a film documentation about schizophrenia before turning back to dance. Prior to joining the Gaga Teacher Training Program in 2011, she danced in the musical RENT in Basel/Switzerland. Mirjam teaches Gaga in Israel, Switzerland, and Germany.

Tue 25.10.2016 | 10:00 - 11:30
Professional training with Mirjam Karvat
Read more
Professional Training

Professional training with Mirjam Karvat

  • Tue 25.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Gaga is a movement language which Ohad Naharin developed over the course of many years and which is applied in daily practice and exercises by the Batsheva Dance Company members. The language of Gaga originated from the belief in the healing, dynamic, ever-changing power of movement.
Gaga is a new way of gaining knowledge and self-awareness through your body. Gaga provides a framework for discovering and strengthening your body and adding flexibility, stamina, and agility while lightening the senses and imagination. Gaga raises awareness of physical weaknesses, awakens numb areas, exposes physical fixations, and offers ways for their elimination. The work improves instinctive movement and connects conscious and unconscious movement, and it allows for an experience of freedom and pleasure in a simple way, in a pleasant space, in comfortable clothes, accompanied by music, each person with himself and others.

Mirjam Karvat
After completing her first degree as a Massage Therapist and Teacher for Human Kinetics, Mirjam studied dance at the London Contemporary Dance School until 2006. After graduation she performed with the New Generations Dance Company in Egypt before choreographing as a solo artist in an interdisciplinary collaboration in the Theater Aarau in Switzerland. She also participated as the main character in a film documentation about schizophrenia before turning back to dance. Prior to joining the Gaga Teacher Training Program in 2011, she danced in the musical RENT in Basel/Switzerland. Mirjam teaches Gaga in Israel, Switzerland, and Germany.

Fri 21.10.2016 | 19:00 - 22:00
Jan Martens: The Common People
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Projekte zum Mitmachen

Jan Martens: The Common People

  • Fri 21.10.2016 | 19:00 - 22:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 19,00 / erm. € 9,00

In a society where people primarily communicate on the internet THE COMMON PEOPLE tries to bring people together in a more humane way, one on one, intense, intimate and with physical contact. As a participant you will meet another person for the first time during the performance. You will have received a simple script on forehand to guide you. The audience is witnessing several of these encounters. During the workshop you will be prepared for this physical encounter. By means of simple instructions the participants will work on consciousness of the body, performativity and contact improvisation.

Choreographer Jan Martens and movie director Lukas Dhont are organizing a workshop about meeting people, intensity, intimacy and privacy.

Fri 21.10.2016 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Fri 21.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Thu 20.10.2016 | 19:00 - 22:00
Jan Martens: The Common People
Read more
Projekte zum Mitmachen

Jan Martens: The Common People

  • Thu 20.10.2016 | 19:00 - 22:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 19,00 / erm. € 9,00

In a society where people primarily communicate on the internet THE COMMON PEOPLE tries to bring people together in a more humane way, one on one, intense, intimate and with physical contact. As a participant you will meet another person for the first time during the performance. You will have received a simple script on forehand to guide you. The audience is witnessing several of these encounters. During the workshop you will be prepared for this physical encounter. By means of simple instructions the participants will work on consciousness of the body, performativity and contact improvisation.

Choreographer Jan Martens and movie director Lukas Dhont are organizing a workshop about meeting people, intensity, intimacy and privacy.

Thu 20.10.2016 | 10:00 - 11:30
Professional training with Joel Bray
Read more
Professional Training

Professional training with Joel Bray

  • Thu 20.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Wed 19.10.2016 | 10:00 - 11:30
Professional training with Joel Bray
Read more
Professional Training

Professional training with Joel Bray

  • Wed 19.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Tue 18.10.2016 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Tue 18.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Mon 17.10.2016 | 10:00 - 11:30
Professional training with Joel Bray
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Professional Training

Professional training with Joel Bray

  • Mon 17.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

Joel Bray’s teaching practice draws on the ancient understanding of the traditional Aboriginal people of Australia of animal biomechanics, and the use of direction/counter-direction and dynamic balance from CounterTechnique. The work incorporates elements of the Ido Portal movement system, which uses evolutionary movement patterns- squatting, brachiating (hanging) and various forms of crawling to build power and endurance. Joel is an accredited Pilates teacher and his classes reflect his broad physical experience with Pilates, Gaga, Ballet, Release Technique and Capoiera.

Originally from Australia, Joel Bray is an experienced performer, teacher and choreographer in Israel, Germany and Australia. Born of an Aboriginal father and a white mother, he started dancing at the age of 20 through studying the traditional dance-forms of his Indigenous people. He went on to work with, and perform works by, Anouk van Dijk, Hofesh Shechter, and Niv Sheinfeld & Oren Laor. He is a guest lecturer at the NAISDA Dance College and The Western Australian Academy of Performing Arts, and for seven years has taught master-classes and workshops to professionals, students, youth and the general public.

Fri 14.10.2016 | 10:00 - 11:30
Professional training with Gabrielle Staiger
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Professional Training

Professional training with Gabrielle Staiger

  • Fri 14.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class consists of three areas – floor, centre, space – that build on each other and are partly mixed. Technical and stylistic basics are the kinetics according to Jooss/Züllig and the Limón technique, as well as own choreographic elements. Special attention is given to breathing and its physiological and dynamical impacts.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Thu 13.10.2016 | 19:30 - 21:00
Work in Progress: Candoco Dance Company
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Residenzprogramm

Work in Progress: Candoco Dance Company

  • Thu 13.10.2016 | 19:30 - 21:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 5,50
Thu 13.10.2016 | 10:00 - 11:30
Professional training with Gabrielle Staiger
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Professional Training

Professional training with Gabrielle Staiger

  • Thu 13.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class consists of three areas – floor, centre, space – that build on each other and are partly mixed. Technical and stylistic basics are the kinetics according to Jooss/Züllig and the Limón technique, as well as own choreographic elements. Special attention is given to breathing and its physiological and dynamical impacts.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Wed 12.10.2016 | 10:00 - 11:30
Professional training with Gabrielle Staiger
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Professional Training

Professional training with Gabrielle Staiger

  • Wed 12.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class consists of three areas – floor, centre, space – that build on each other and are partly mixed. Technical and stylistic basics are the kinetics according to Jooss/Züllig and the Limón technique, as well as own choreographic elements. Special attention is given to breathing and its physiological and dynamical impacts.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Tue 11.10.2016 | 19:00 - 20:30

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Klubs

  • Tue 11.10.2016 | 19:00 - 20:30
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
Tue 11.10.2016 | 10:00 - 11:30
Professional training with Gabrielle Staiger
Read more
Professional Training

Professional training with Gabrielle Staiger

  • Tue 11.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class consists of three areas – floor, centre, space – that build on each other and are partly mixed. Technical and stylistic basics are the kinetics according to Jooss/Züllig and the Limón technique, as well as own choreographic elements. Special attention is given to breathing and its physiological and dynamical impacts.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Mon 10.10.2016 | 18:00 - 19:30

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Klubs

  • Mon 10.10.2016 | 18:00 - 19:30
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
Mon 10.10.2016 | 10:00 - 11:30
Professional training with Gabrielle Staiger
Read more
Professional Training

Professional training with Gabrielle Staiger

  • Mon 10.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class consists of three areas – floor, centre, space – that build on each other and are partly mixed. Technical and stylistic basics are the kinetics according to Jooss/Züllig and the Limón technique, as well as own choreographic elements. Special attention is given to breathing and its physiological and dynamical impacts.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Sun 09.10.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
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Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sun 09.10.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Sat 08.10.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
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Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sat 08.10.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Fri 07.10.2016 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Fri 07.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Thu 06.10.2016 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Thu 06.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 05.10.2016 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Wed 05.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 04.10.2016 | 10:00 - 11:30
Professional training with Jason Jacobs
Read more
Professional Training

Professional training with Jason Jacobs

  • Tue 04.10.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

September 2016
Fri 30.09.2016 | 10:00 - 11:30
Professional training with Hannah Shakti Bühler
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Professional Training

Professional training with Hannah Shakti Bühler

  • Fri 30.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with bringing attention to a daily chosen anatomical structure and principle. In the first part of the class we will alternate between improvisational explorations and a series of set exercises that combine principles from Yoga and Gyrokinesis. Focusing on oppositional directions in the body, we will explore fluidity and volume in movement, releasing unnecessary tensions also when increasing speed and complexity. Set movement sequences combine floor work and release based techniques and will set the ground from where we will practice individual decision makings and risk taking.

Hannah Shakti Bühler studied contemporary dance at Laban Trinity College, London, obtaining her BA (Hons) Dance Theatre. Her performance practice has led her to work among others with Retina Dance Co. in UK and Belgium, Centro Coreografico Galego in Spain (projects by Roberto Olivan, Roberto Magro and Cisco Aznar) and with T.R.A.S.H. DansPerformanceGroup in Holland. Over 4 years she has collaborated with choreographer and opera director Cisco Aznar, performing at Opera de Lausanne and later taking the position of choreographic assistant at Opera de Dijon and FolkOperan Stockholm. In 2012 she receives a grant for young choreographers from T.R.A.S.H. DansPerformanceGroup, Tilburg and premieres a 45min. duet at Theatre DeVorst in Tilburg. Her choreographic practice also led her to merge film and movement, presenting short films between others at Choreographic Captures Competition (gaining 1st Prize in 2009), LaDanzaInUnMinuto COORPI Torino (gaining 1st Prize in 2012). In October 2013 she enrolled at MACoDE, Master in Contemporary Dance Education at Hochschule für Musik und Darstellende Kunst in Frankfurt am Main. In the same year she joins the conceptual team of the educational project KulturTagJahr in Frankfurt am Main, collaborating with The Forsythe Co. In 2015 she receives a postgraduate grant from the Hessische Theaterakademie to follow her research on documentation and assists choreographer Ivan Perez during the creation of Waiting for the Barbarians at Toneelschuur Producties/Korzo Theatre in Holland. Out of this process she produced moving thinking capture, a choreographic toolbox. Since graduating from MACoDE Hannah has been performing with Cia Bertha in Switzerland, France and La Reunion. She also worked at the Schauspiel Frankfurt, assisting Anouk Van Dijk and Falk Richter in their production Safe Places. She recently followed the One Body One Career Intensive by Anouk Van Dijk at Chunky Move in Melbourne to gain more insights in Countertechnique. Hannah is also a certified GYROKINESIS® Trainer and teaches at the Hochschule für Musik und darstellende Kunst in Frankfurt.

Thu 29.09.2016 | 10:00 - 11:30
Professional training with Hannah Shakti Bühler
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Professional Training

Professional training with Hannah Shakti Bühler

  • Thu 29.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with bringing attention to a daily chosen anatomical structure and principle. In the first part of the class we will alternate between improvisational explorations and a series of set exercises that combine principles from Yoga and Gyrokinesis. Focusing on oppositional directions in the body, we will explore fluidity and volume in movement, releasing unnecessary tensions also when increasing speed and complexity. Set movement sequences combine floor work and release based techniques and will set the ground from where we will practice individual decision makings and risk taking.

Hannah Shakti Bühler studied contemporary dance at Laban Trinity College, London, obtaining her BA (Hons) Dance Theatre. Her performance practice has led her to work among others with Retina Dance Co. in UK and Belgium, Centro Coreografico Galego in Spain (projects by Roberto Olivan, Roberto Magro and Cisco Aznar) and with T.R.A.S.H. DansPerformanceGroup in Holland. Over 4 years she has collaborated with choreographer and opera director Cisco Aznar, performing at Opera de Lausanne and later taking the position of choreographic assistant at Opera de Dijon and FolkOperan Stockholm. In 2012 she receives a grant for young choreographers from T.R.A.S.H. DansPerformanceGroup, Tilburg and premieres a 45min. duet at Theatre DeVorst in Tilburg. Her choreographic practice also led her to merge film and movement, presenting short films between others at Choreographic Captures Competition (gaining 1st Prize in 2009), LaDanzaInUnMinuto COORPI Torino (gaining 1st Prize in 2012). In October 2013 she enrolled at MACoDE, Master in Contemporary Dance Education at Hochschule für Musik und Darstellende Kunst in Frankfurt am Main. In the same year she joins the conceptual team of the educational project KulturTagJahr in Frankfurt am Main, collaborating with The Forsythe Co. In 2015 she receives a postgraduate grant from the Hessische Theaterakademie to follow her research on documentation and assists choreographer Ivan Perez during the creation of Waiting for the Barbarians at Toneelschuur Producties/Korzo Theatre in Holland. Out of this process she produced moving thinking capture, a choreographic toolbox. Since graduating from MACoDE Hannah has been performing with Cia Bertha in Switzerland, France and La Reunion. She also worked at the Schauspiel Frankfurt, assisting Anouk Van Dijk and Falk Richter in their production Safe Places. She recently followed the One Body One Career Intensive by Anouk Van Dijk at Chunky Move in Melbourne to gain more insights in Countertechnique. Hannah is also a certified GYROKINESIS® Trainer and teaches at the Hochschule für Musik und darstellende Kunst in Frankfurt.

Wed 28.09.2016 | 10:00 - 11:30
Professional training with Hannah Shakti Bühler
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Professional Training

Professional training with Hannah Shakti Bühler

  • Wed 28.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with bringing attention to a daily chosen anatomical structure and principle. In the first part of the class we will alternate between improvisational explorations and a series of set exercises that combine principles from Yoga and Gyrokinesis. Focusing on oppositional directions in the body, we will explore fluidity and volume in movement, releasing unnecessary tensions also when increasing speed and complexity. Set movement sequences combine floor work and release based techniques and will set the ground from where we will practice individual decision makings and risk taking.

Hannah Shakti Bühler studied contemporary dance at Laban Trinity College, London, obtaining her BA (Hons) Dance Theatre. Her performance practice has led her to work among others with Retina Dance Co. in UK and Belgium, Centro Coreografico Galego in Spain (projects by Roberto Olivan, Roberto Magro and Cisco Aznar) and with T.R.A.S.H. DansPerformanceGroup in Holland. Over 4 years she has collaborated with choreographer and opera director Cisco Aznar, performing at Opera de Lausanne and later taking the position of choreographic assistant at Opera de Dijon and FolkOperan Stockholm. In 2012 she receives a grant for young choreographers from T.R.A.S.H. DansPerformanceGroup, Tilburg and premieres a 45min. duet at Theatre DeVorst in Tilburg. Her choreographic practice also led her to merge film and movement, presenting short films between others at Choreographic Captures Competition (gaining 1st Prize in 2009), LaDanzaInUnMinuto COORPI Torino (gaining 1st Prize in 2012). In October 2013 she enrolled at MACoDE, Master in Contemporary Dance Education at Hochschule für Musik und Darstellende Kunst in Frankfurt am Main. In the same year she joins the conceptual team of the educational project KulturTagJahr in Frankfurt am Main, collaborating with The Forsythe Co. In 2015 she receives a postgraduate grant from the Hessische Theaterakademie to follow her research on documentation and assists choreographer Ivan Perez during the creation of Waiting for the Barbarians at Toneelschuur Producties/Korzo Theatre in Holland. Out of this process she produced moving thinking capture, a choreographic toolbox. Since graduating from MACoDE Hannah has been performing with Cia Bertha in Switzerland, France and La Reunion. She also worked at the Schauspiel Frankfurt, assisting Anouk Van Dijk and Falk Richter in their production Safe Places. She recently followed the One Body One Career Intensive by Anouk Van Dijk at Chunky Move in Melbourne to gain more insights in Countertechnique. Hannah is also a certified GYROKINESIS® Trainer and teaches at the Hochschule für Musik und darstellende Kunst in Frankfurt.

Tue 27.09.2016 | 10:00 - 11:30
Professional training with Hannah Shakti Bühler
Read more
Professional Training

Professional training with Hannah Shakti Bühler

  • Tue 27.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with bringing attention to a daily chosen anatomical structure and principle. In the first part of the class we will alternate between improvisational explorations and a series of set exercises that combine principles from Yoga and Gyrokinesis. Focusing on oppositional directions in the body, we will explore fluidity and volume in movement, releasing unnecessary tensions also when increasing speed and complexity. Set movement sequences combine floor work and release based techniques and will set the ground from where we will practice individual decision makings and risk taking.

Hannah Shakti Bühler studied contemporary dance at Laban Trinity College, London, obtaining her BA (Hons) Dance Theatre. Her performance practice has led her to work among others with Retina Dance Co. in UK and Belgium, Centro Coreografico Galego in Spain (projects by Roberto Olivan, Roberto Magro and Cisco Aznar) and with T.R.A.S.H. DansPerformanceGroup in Holland. Over 4 years she has collaborated with choreographer and opera director Cisco Aznar, performing at Opera de Lausanne and later taking the position of choreographic assistant at Opera de Dijon and FolkOperan Stockholm. In 2012 she receives a grant for young choreographers from T.R.A.S.H. DansPerformanceGroup, Tilburg and premieres a 45min. duet at Theatre DeVorst in Tilburg. Her choreographic practice also led her to merge film and movement, presenting short films between others at Choreographic Captures Competition (gaining 1st Prize in 2009), LaDanzaInUnMinuto COORPI Torino (gaining 1st Prize in 2012). In October 2013 she enrolled at MACoDE, Master in Contemporary Dance Education at Hochschule für Musik und Darstellende Kunst in Frankfurt am Main. In the same year she joins the conceptual team of the educational project KulturTagJahr in Frankfurt am Main, collaborating with The Forsythe Co. In 2015 she receives a postgraduate grant from the Hessische Theaterakademie to follow her research on documentation and assists choreographer Ivan Perez during the creation of Waiting for the Barbarians at Toneelschuur Producties/Korzo Theatre in Holland. Out of this process she produced moving thinking capture, a choreographic toolbox. Since graduating from MACoDE Hannah has been performing with Cia Bertha in Switzerland, France and La Reunion. She also worked at the Schauspiel Frankfurt, assisting Anouk Van Dijk and Falk Richter in their production Safe Places. She recently followed the One Body One Career Intensive by Anouk Van Dijk at Chunky Move in Melbourne to gain more insights in Countertechnique. Hannah is also a certified GYROKINESIS® Trainer and teaches at the Hochschule für Musik und darstellende Kunst in Frankfurt.

Mon 26.09.2016 | 10:00 - 11:30
Professional training with Hannah Shakti Bühler
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Professional Training

Professional training with Hannah Shakti Bühler

  • Mon 26.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

The class begins with bringing attention to a daily chosen anatomical structure and principle. In the first part of the class we will alternate between improvisational explorations and a series of set exercises that combine principles from Yoga and Gyrokinesis. Focusing on oppositional directions in the body, we will explore fluidity and volume in movement, releasing unnecessary tensions also when increasing speed and complexity. Set movement sequences combine floor work and release based techniques and will set the ground from where we will practice individual decision makings and risk taking.

Hannah Shakti Bühler studied contemporary dance at Laban Trinity College, London, obtaining her BA (Hons) Dance Theatre. Her performance practice has led her to work among others with Retina Dance Co. in UK and Belgium, Centro Coreografico Galego in Spain (projects by Roberto Olivan, Roberto Magro and Cisco Aznar) and with T.R.A.S.H. DansPerformanceGroup in Holland. Over 4 years she has collaborated with choreographer and opera director Cisco Aznar, performing at Opera de Lausanne and later taking the position of choreographic assistant at Opera de Dijon and FolkOperan Stockholm. In 2012 she receives a grant for young choreographers from T.R.A.S.H. DansPerformanceGroup, Tilburg and premieres a 45min. duet at Theatre DeVorst in Tilburg. Her choreographic practice also led her to merge film and movement, presenting short films between others at Choreographic Captures Competition (gaining 1st Prize in 2009), LaDanzaInUnMinuto COORPI Torino (gaining 1st Prize in 2012). In October 2013 she enrolled at MACoDE, Master in Contemporary Dance Education at Hochschule für Musik und Darstellende Kunst in Frankfurt am Main. In the same year she joins the conceptual team of the educational project KulturTagJahr in Frankfurt am Main, collaborating with The Forsythe Co. In 2015 she receives a postgraduate grant from the Hessische Theaterakademie to follow her research on documentation and assists choreographer Ivan Perez during the creation of Waiting for the Barbarians at Toneelschuur Producties/Korzo Theatre in Holland. Out of this process she produced moving thinking capture, a choreographic toolbox. Since graduating from MACoDE Hannah has been performing with Cia Bertha in Switzerland, France and La Reunion. She also worked at the Schauspiel Frankfurt, assisting Anouk Van Dijk and Falk Richter in their production Safe Places. She recently followed the One Body One Career Intensive by Anouk Van Dijk at Chunky Move in Melbourne to gain more insights in Countertechnique. Hannah is also a certified GYROKINESIS® Trainer and teaches at the Hochschule für Musik und darstellende Kunst in Frankfurt.

Fri 23.09.2016 | 19:30 - 21:00
Work in Progress: Compagnie Philippe Saire
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Residenzprogramm

Work in Progress: Compagnie Philippe Saire

  • Fri 23.09.2016 | 19:30 - 21:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 5,50
Sun 18.09.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
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Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sun 18.09.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Sat 17.09.2016 | 10:00 - 18:00
Body Mind-Centering® (BMC) - Advanced Training
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Weiterbildung

Body Mind-Centering® (BMC) - Advanced Training

  • Sat 17.09.2016 | 10:00 - 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Gesamtpaket € 1.100,- / Studierende € 600,- 1 Wochendkurs regulär € 190,- / Frühbucher € 170,- | Studierende: € 140,- / Frühbucher € 95,- BMC-Einführungskurs (19.3.) € 40,- /Studierende € 20,-

Advanced Training with Dr. Adriana Almeida Pees

We are offering an advanced training course in BMC on 7 intensive weekends at Mousonturm. BMC is a somatic practice, developed by Bonnie Bainbridge Cohen in the 1970’s, to deal with and explore the body in movement. The method focuses on experiencing and incorporating one’s own individual anatomy and physiology (bones, organs, sensory apparatus, fluid system, nervous system, etc.), as well as on early human development. Touch and specific exercises are used to trigger new movement qualities and body awareness. BMC is used e.g. in the fields of movement, yoga, bodywork, somatic studies, ergotherapy and physiotherapy, psychotherapy, early learning, education, voice work, meditation, sports and other body-mind disciplines. No professional experience or qualifications required in order to attend this course.

Dr. Adriana Almeida Pees is a certified Body-Mind Centering® Teacher, Infant-Developmental Movement Educator (IDME) and somatic movement therapist and lecturer for various BMC programmes. She is director of the South American BMC Education Programme at the School for Body-Mind Centering (SBMC) since 2009.

Fri 16.09.2016 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Fri 16.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Thu 15.09.2016 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Thu 15.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Wed 14.09.2016 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Wed 14.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Tue 13.09.2016 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Tue 13.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Mon 12.09.2016 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Mon 12.09.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Kasia’s class is experimenting with diverse movement qualities, combining technique and different dynamics with personal interpretation and sensitivity. The class consists of phrases built upon spatial orientation, movement complexity and coordination, allowing space for individual movement exploration. This practice aims to establish energetic patterns and interconnectedness of the body parts. Being a result of personal investigation, this training is influenced by improvisation and classical training.

Katarzyna Kizior – dancer, teacher and choreographer born in Poland. She studied ballet and folk dance at the National Ballet School. Since 2006 she has been working with Swirls Dance Company and The Opera House in Warsaw, Polin- Museum and with The Dramatic Theater in Warsaw. Apart from dance experience, she choreographs for TV formats such as So you think you can dance Poland, films and commercials. In 2015 she obtained a master’s degree in Contemporary Dance Education from the Hochschule für Musik und Darstellende Kunst in Frankfurt. She expanded her classical dance background to more awareness-related work like Release Technique, Improvisation, and Yoga. The strength and value of her experience lies in diversity and multiple genres.

Sat 03.09.2016 | 10:00 - 18:30
WORKSHOP "Improvisation" by Katie Duck
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Workshops

WORKSHOP "Improvisation" by Katie Duck

  • Sat 03.09.2016 | 10:00 - 18:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 190,- / ermäßigt € 140,- | Frühbucherrabatt (bis 6 Wochen vor dem Workshop): € 170,- / ermäßigt € 95,-

Katie Duck has been teaching since she began to perform professionally in the mid 70’s. She is dedicated to how process and research play a major role in how one can continue to be artistic in how they approach their life and their work.
Now in her 60’s, Katie has been teaching workshops internationally and in prestigious University systems for over 35 years. Her enthusiasm for a young artists to be able to initiate their practice is evident in how she has continued to stay connected with new technologies, new research in the physical sciences, economic and political issues, in relationship with the performing arts and music fields.
Katie Duck has been investigating theater, dance and music with live performance for over 30 years. In her workshop, she takes a microscopic view on the role improvisation plays in a live performance combining her background in the performing arts with her curiosity for advances in brain studies, music and movement research.
Katie guides the dancers and performers through physical exercises that highlight how the eyes and ears affect movement choices and developmental brain studies about “how we learned to walk”. She extends the workshop toward improvisation sessions by setting a fictional front in the studio space and then declaring this as a platform to choose pause, flow or exit. This platform highlights how the limit of these three choices can already provide the frame for a composition to take place, and that misunderstanding, coincidence, live time, interactivity, messiness, emotions, intuition and inspiration are basic materials in a creative process. These raw materials are integrated with the combined fact that everyone in the workshop group can make a choice.
The improvisation sessions are given a delegated time frame with an option for the workshop group to shift, drop or lift the space at will. This shifting, dropping and lifting of the performance space places each individual in a position where they need to be to be fully awake or they will recognisably loose the thread of the creative compositional activity in play.
Choice is introduced to the workshop group as a compositional reality but also as a means for individuals to elect to participate in the performative or as a viewer and yet remain involved in the process. The aim is to gather the workshop group to recognize that in a creative composition process, time is passing at different perceived speeds and that space is shifting in several dimensions at once. This awake fullness promotes individual performance presence and compositional alertness.

Katie Duck has been a professional performer and maker since the early 1970’s. She has been a influential figure in the improvisational performance scene internationally, inspiring generations of performers, musicians and performance makers. She set up the acclaimed Gruppo in Italy in 1979 and toured Europe with a host of productions. She was head of choreography at Dartington College of arts (senior lecturer) in the late 1980’s. She joined the staff at Amsterdam Hogeschool voor de kunsten in 1991 teaching movement research, improvisation, composition and technique and founded the improvisational dance and music company Magpie in the 1990’s with whom she toured internationally. She has collaborated with renowned dance and improvisation music artists form all over the world. Katie’s career has included independent teaching, university teaching, set choreography’s, structured improvisations, music and dance real time performances and live streaming international performances. Her collaborations have been with musicians, visual artists, lighting designers, dancers, actors and comedians. She has initiated education courses and workshops, festivals and monthly performance series in her three bases Italy, England and Holland. She has led dance companies, dance/music companies, advises young artists and has written text for her performances as well as critical articles. Katie has a determination to continue her research in theatre, music, dance, text and performance. Alongside her vocational studies, her research has led her toward social studies, cultural studies and brain studies. She believes that her research must not be validated by way of academic speak alone but rather on her insistence to hear, see and take part in the practice.

Level: For students from all performance art backgrounds and professional levels. It is important to have a deep interest in the material Katie will be sharing with the students.

Scedule:
02.09.2016 | 14.00 – 20.30
03.09.2016 | 10.00 – 13.00 und 14.30 – 18.30

Fri 02.09.2016 | 14:00 - 20:30
WORKSHOP "Improvisation" by Katie Duck
Read more
Workshops

WORKSHOP "Improvisation" by Katie Duck

  • Fri 02.09.2016 | 14:00 - 20:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 190,- / ermäßigt € 140,- | Frühbucherrabatt (bis 6 Wochen vor dem Workshop): € 170,- / ermäßigt € 95,-

Katie Duck has been teaching since she began to perform professionally in the mid 70’s. She is dedicated to how process and research play a major role in how one can continue to be artistic in how they approach their life and their work.
Now in her 60’s, Katie has been teaching workshops internationally and in prestigious University systems for over 35 years. Her enthusiasm for a young artists to be able to initiate their practice is evident in how she has continued to stay connected with new technologies, new research in the physical sciences, economic and political issues, in relationship with the performing arts and music fields.
Katie Duck has been investigating theater, dance and music with live performance for over 30 years. In her workshop, she takes a microscopic view on the role improvisation plays in a live performance combining her background in the performing arts with her curiosity for advances in brain studies, music and movement research.
Katie guides the dancers and performers through physical exercises that highlight how the eyes and ears affect movement choices and developmental brain studies about “how we learned to walk”. She extends the workshop toward improvisation sessions by setting a fictional front in the studio space and then declaring this as a platform to choose pause, flow or exit. This platform highlights how the limit of these three choices can already provide the frame for a composition to take place, and that misunderstanding, coincidence, live time, interactivity, messiness, emotions, intuition and inspiration are basic materials in a creative process. These raw materials are integrated with the combined fact that everyone in the workshop group can make a choice.
The improvisation sessions are given a delegated time frame with an option for the workshop group to shift, drop or lift the space at will. This shifting, dropping and lifting of the performance space places each individual in a position where they need to be to be fully awake or they will recognisably loose the thread of the creative compositional activity in play.
Choice is introduced to the workshop group as a compositional reality but also as a means for individuals to elect to participate in the performative or as a viewer and yet remain involved in the process. The aim is to gather the workshop group to recognize that in a creative composition process, time is passing at different perceived speeds and that space is shifting in several dimensions at once. This awake fullness promotes individual performance presence and compositional alertness.

Katie Duck has been a professional performer and maker since the early 1970’s. She has been a influential figure in the improvisational performance scene internationally, inspiring generations of performers, musicians and performance makers. She set up the acclaimed Gruppo in Italy in 1979 and toured Europe with a host of productions. She was head of choreography at Dartington College of arts (senior lecturer) in the late 1980’s. She joined the staff at Amsterdam Hogeschool voor de kunsten in 1991 teaching movement research, improvisation, composition and technique and founded the improvisational dance and music company Magpie in the 1990’s with whom she toured internationally. She has collaborated with renowned dance and improvisation music artists form all over the world. Katie’s career has included independent teaching, university teaching, set choreography’s, structured improvisations, music and dance real time performances and live streaming international performances. Her collaborations have been with musicians, visual artists, lighting designers, dancers, actors and comedians. She has initiated education courses and workshops, festivals and monthly performance series in her three bases Italy, England and Holland. She has led dance companies, dance/music companies, advises young artists and has written text for her performances as well as critical articles. Katie has a determination to continue her research in theatre, music, dance, text and performance. Alongside her vocational studies, her research has led her toward social studies, cultural studies and brain studies. She believes that her research must not be validated by way of academic speak alone but rather on her insistence to hear, see and take part in the practice.

Level: For students from all performance art backgrounds and professional levels. It is important to have a deep interest in the material Katie will be sharing with the students.

Scedule:
02.09.2016 | 14.00 – 20.30
03.09.2016 | 10.00 – 13.00 und 14.30 – 18.30

Juli 2016
Wed 13.07.2016 | 20:00 - 21:15
Paula Rosolen/Haptic Hide: Puppets
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Städteübergreifende Residenzen

Paula Rosolen/Haptic Hide: Puppets

  • Wed 13.07.2016 | 20:00 - 21:15
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • € 19,- / erm. € 9,-.

The starting point for this project is the study of the dance-like sequence of movements that puppeteers create while performing, as an emergent property of puppetry art. “Puppets”, develops a new perspective on the dance hidden in an ancient popular practice, Puppet Theatre, and examines its choreographic potential for dance. Through the investigation of the techniques and coordinated movements inherent to the discipline, I treat them as dance material for choreography, transposing them into a different context by applying a dramaturgical line and variations on their original spatial relationship and dynamics.

Concept and choreography: Paula Rosolen | Artistic & research advisor: Juan M. Morales | Created with and and danced by: Jungyun Bae, Alina Bilokon, Émilia Giudicelli, Atsushi Heki, Marko Milic | Music and composition: David Morrow | Hurdy Gurdy: Knud Seckel | Light design and technical director: Lea Schneidermann | Costumes: Takako Senda, Anika Alischewski, Juan M. Morales | Dramatic Advice: Friederike Thielmann | Choreographic assistance: Christopher Matthews | Haptic Hide Management: Karin Berrio | Production assistant: Takako Senda | PR: Kathrin Schäfer KulturPR

A production of Paula Rosolen / Haptic Hide in coproduction with Tanzplattform Rhein-Main, a project of Künstlerhaus Mousonturm and the Hessisches Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden), the Théâtre de la Ville Paris and the Damansara Performing Arts Centre in Malaysia. Supported by the NATIONALES PERFORMANCE NETZ (NPN) Coproduction Fund for Dance, which is funded by the Federal Government Commissioner for Culture and the Media on the basis of adecision by the German Bundestag, the City of Frankfurt am Main, the Hessian Ministry for Science and Art. Supported by The Saison Foundation Japan, Goethe-Institut Malasyia and FAZIT-STIFTUNG. The research was supported by a residency at the Goethe-Institut Villa Kamogawa Kyoto.

Tue 12.07.2016 | 20:00 - 21:15
Paula Rosolen/Haptic Hide: Puppets
Read more
Städteübergreifende Residenzen

Paula Rosolen/Haptic Hide: Puppets

  • Tue 12.07.2016 | 20:00 - 21:15
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • € 19,- / erm. € 9,-.

The starting point for this project is the study of the dance-like sequence of movements that puppeteers create while performing, as an emergent property of puppetry art. “Puppets”, develops a new perspective on the dance hidden in an ancient popular practice, Puppet Theatre, and examines its choreographic potential for dance. Through the investigation of the techniques and coordinated movements inherent to the discipline, I treat them as dance material for choreography, transposing them into a different context by applying a dramaturgical line and variations on their original spatial relationship and dynamics.

Concept and choreography: Paula Rosolen | Artistic & research advisor: Juan M. Morales | Created with and and danced by: Jungyun Bae, Alina Bilokon, Émilia Giudicelli, Atsushi Heki, Marko Milic | Music and composition: David Morrow | Hurdy Gurdy: Knud Seckel | Light design and technical director: Lea Schneidermann | Costumes: Takako Senda, Anika Alischewski, Juan M. Morales | Dramatic Advice: Friederike Thielmann | Choreographic assistance: Christopher Matthews | Haptic Hide Management: Karin Berrio | Production assistant: Takako Senda | PR: Kathrin Schäfer KulturPR

A production of Paula Rosolen / Haptic Hide in coproduction with Tanzplattform Rhein-Main, a project of Künstlerhaus Mousonturm and the Hessisches Staatsballett (Staatstheater Darmstadt and Staatstheater Wiesbaden), the Théâtre de la Ville Paris and the Damansara Performing Arts Centre in Malaysia. Supported by the NATIONALES PERFORMANCE NETZ (NPN) Coproduction Fund for Dance, which is funded by the Federal Government Commissioner for Culture and the Media on the basis of adecision by the German Bundestag, the City of Frankfurt am Main, the Hessian Ministry for Science and Art. Supported by The Saison Foundation Japan, Goethe-Institut Malasyia and FAZIT-STIFTUNG. The research was supported by a residency at the Goethe-Institut Villa Kamogawa Kyoto.

Thu 07.07.2016 | 13:00 - 13:30
Final presentation of the dance in schools project with Wallschule
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Dance in Schools

Final presentation of the dance in schools project with Wallschule

  • Thu 07.07.2016 | 13:00 - 13:30
  • Museum Angewandte Kunst, Schaumainkai 17, 60594 Frankfurt
  • Museumseintritt
Sun 03.07.2016 | 16:00 - 22:00
CuP: ROUGH PROPOSALS
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CuP: ROUGH PROPOSALS

  • Sun 03.07.2016 | 16:00 - 22:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

One day spread out to choreographically cover four days of performances, interventions, installations and open formats by CuP & SNDO students on co-existence, collaboration and participation. In English.

Sat 02.07.2016 | 22:00 - 04:00
CuP: ROUGH PROPOSALS
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CuP: ROUGH PROPOSALS

  • Sat 02.07.2016 | 22:00 - 04:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

One day spread out to choreographically cover four days of performances, interventions, installations and open formats by CuP & SNDO students on co-existence, collaboration and participation. In English.

Fri 01.07.2016 | 16:00 - 22:00
CuP: ROUGH PROPOSALS
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CuP: ROUGH PROPOSALS

  • Fri 01.07.2016 | 16:00 - 22:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

One day spread out to choreographically cover four days of performances, interventions, installations and open formats by CuP & SNDO students on co-existence, collaboration and participation. In English.

Fri 01.07.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Fri 01.07.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Juni 2016
Thu 30.06.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Thu 30.06.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Thu 30.06.2016 | 10:00 - 16:00
CuP: ROUGH PROPOSALS
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CuP: ROUGH PROPOSALS

  • Thu 30.06.2016 | 10:00 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

One day spread out to choreographically cover four days of performances, interventions, installations and open formats by CuP & SNDO students on co-existence, collaboration and participation. In English.

Wed 29.06.2016 | 19:30
Work in Progress: Paula Rosolen
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Städteübergreifende Residenzen

Work in Progress: Paula Rosolen

  • Wed 29.06.2016 | 19:30
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • € 5,50
Wed 29.06.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
Read more
Professional Training

Professional training with Gregory Livingston

  • Wed 29.06.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Tue 28.06.2016 | 10:00 - 11:30
Professional training with Gregory Livingston
Read more
Professional Training

Professional training with Gregory Livingston

  • Tue 28.06.2016 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 4,-, 10er-Karte € 25,-, Monatskarte € 40,-

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (