Archive

September 2020
Sun 27.09.2020 | 18:00
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Sun 27.09.2020 | 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Sun 27.09.2020 | 11:30
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Sun 27.09.2020 | 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Sat 26.09.2020 | 22:30
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Sat 26.09.2020 | 22:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Sat 26.09.2020 | 19:30
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Sat 26.09.2020 | 19:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Sat 26.09.2020 | 15:30
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Sat 26.09.2020 | 15:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Sat 26.09.2020 | 11:30 - 15:30
Workshop/Textproject with Luise Meier
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Workshops

Workshop/Textproject with Luise Meier

  • Sat 26.09.2020 | 11:30 - 15:30
  • digital

more information

Sat 26.09.2020 | 10:30 - 12:00
Antanzen | Klassisch with Katelyn Skelley
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Antanzen

Antanzen | Klassisch with Katelyn Skelley

  • Sat 26.09.2020 | 10:30 - 12:00
  • Staatstheater Darmstadt, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 10 Euro

more information

Fri 25.09.2020 | 22:30
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Fri 25.09.2020 | 22:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Fri 25.09.2020 | 19:00
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Fri 25.09.2020 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Fri 25.09.2020 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Fri 25.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Thu 24.09.2020 | 22:30
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Thu 24.09.2020 | 22:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Thu 24.09.2020 | 19:00
Manufactured Series Duet #5 | Fabrice Mazliah
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Guest Performance

Manufactured Series Duet #5 | Fabrice Mazliah

  • Thu 24.09.2020 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • Solidarisches Preissystem (frei wählbar): € 5 / € 10 / € 20 / € 30

more information

Thu 24.09.2020 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Thu 24.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 23.09.2020 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Wed 23.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 22.09.2020 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Tue 22.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Mon 21.09.2020 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Mon 21.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Fri 18.09.2020 | 10:00 - 11:30
Professional Training with Cyril Baldy
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Professional Training

Professional Training with Cyril Baldy

  • Fri 18.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
Cyril Baldy’s workshop focus on physical sensations, awareness and organisation, to offer a versatile body focused on its materiality, the stuff it is made of. How do bodies, from the point of view of their materiality compose themselves in a dance compare to more familiar ways, such as those centered around imprinting movement from a single point of external authority. Movement, mobility and organisation (not only of the body) will be exercised. Following a simple displacement — movement, body-sensation, change— the class will aim to carry out and redistribute form not as a stylistic exercise but as form of being in the world, with the world and organise the consequences of it own emergence/becoming. It will be a quest toward a movement of subjective perceptual experience. What begins as physical perception returns to affect the structures that governs individuality. What if there were no one direction?

Biography
Cyril Baldy is a choreographer, dancer and teacher. Born in France in 1980. He studied at the Conservatoire National Supérieur de Musique et de Danse de Paris from 1993 to 1997. As a dancer he joined his first professional company in 1997 named “Le Jeune Ballet de France”. From 1998 to 2002 he successively was part of Nederland Dans Theatre II and Nederland Dans Theatre I under the direction of Jiri Kylian. In 2002, he became a member of Frankfurt Ballet then The Forsythe Company from 2005 to 2014 under the artistic direction of William Forsythe. In 2014, he became a freelance choreographer, teacher and dancer.

Thu 17.09.2020 | 10:00 - 11:30
Professional Training with Cyril Baldy
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Professional Training

Professional Training with Cyril Baldy

  • Thu 17.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
Cyril Baldy’s workshop focus on physical sensations, awareness and organisation, to offer a versatile body focused on its materiality, the stuff it is made of. How do bodies, from the point of view of their materiality compose themselves in a dance compare to more familiar ways, such as those centered around imprinting movement from a single point of external authority. Movement, mobility and organisation (not only of the body) will be exercised. Following a simple displacement — movement, body-sensation, change— the class will aim to carry out and redistribute form not as a stylistic exercise but as form of being in the world, with the world and organise the consequences of it own emergence/becoming. It will be a quest toward a movement of subjective perceptual experience. What begins as physical perception returns to affect the structures that governs individuality. What if there were no one direction?

Biography
Cyril Baldy is a choreographer, dancer and teacher. Born in France in 1980. He studied at the Conservatoire National Supérieur de Musique et de Danse de Paris from 1993 to 1997. As a dancer he joined his first professional company in 1997 named “Le Jeune Ballet de France”. From 1998 to 2002 he successively was part of Nederland Dans Theatre II and Nederland Dans Theatre I under the direction of Jiri Kylian. In 2002, he became a member of Frankfurt Ballet then The Forsythe Company from 2005 to 2014 under the artistic direction of William Forsythe. In 2014, he became a freelance choreographer, teacher and dancer.

Wed 16.09.2020 | 10:00 - 11:30
Professional Training with Cyril Baldy
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Professional Training

Professional Training with Cyril Baldy

  • Wed 16.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
Cyril Baldy’s workshop focus on physical sensations, awareness and organisation, to offer a versatile body focused on its materiality, the stuff it is made of. How do bodies, from the point of view of their materiality compose themselves in a dance compare to more familiar ways, such as those centered around imprinting movement from a single point of external authority. Movement, mobility and organisation (not only of the body) will be exercised. Following a simple displacement — movement, body-sensation, change— the class will aim to carry out and redistribute form not as a stylistic exercise but as form of being in the world, with the world and organise the consequences of it own emergence/becoming. It will be a quest toward a movement of subjective perceptual experience. What begins as physical perception returns to affect the structures that governs individuality. What if there were no one direction?

Biography
Cyril Baldy is a choreographer, dancer and teacher. Born in France in 1980. He studied at the Conservatoire National Supérieur de Musique et de Danse de Paris from 1993 to 1997. As a dancer he joined his first professional company in 1997 named “Le Jeune Ballet de France”. From 1998 to 2002 he successively was part of Nederland Dans Theatre II and Nederland Dans Theatre I under the direction of Jiri Kylian. In 2002, he became a member of Frankfurt Ballet then The Forsythe Company from 2005 to 2014 under the artistic direction of William Forsythe. In 2014, he became a freelance choreographer, teacher and dancer.

Tue 15.09.2020 | 10:00 - 11:30
Professional Training with Cyril Baldy
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Professional Training

Professional Training with Cyril Baldy

  • Tue 15.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
Cyril Baldy’s workshop focus on physical sensations, awareness and organisation, to offer a versatile body focused on its materiality, the stuff it is made of. How do bodies, from the point of view of their materiality compose themselves in a dance compare to more familiar ways, such as those centered around imprinting movement from a single point of external authority. Movement, mobility and organisation (not only of the body) will be exercised. Following a simple displacement — movement, body-sensation, change— the class will aim to carry out and redistribute form not as a stylistic exercise but as form of being in the world, with the world and organise the consequences of it own emergence/becoming. It will be a quest toward a movement of subjective perceptual experience. What begins as physical perception returns to affect the structures that governs individuality. What if there were no one direction?

Biography
Cyril Baldy is a choreographer, dancer and teacher. Born in France in 1980. He studied at the Conservatoire National Supérieur de Musique et de Danse de Paris from 1993 to 1997. As a dancer he joined his first professional company in 1997 named “Le Jeune Ballet de France”. From 1998 to 2002 he successively was part of Nederland Dans Theatre II and Nederland Dans Theatre I under the direction of Jiri Kylian. In 2002, he became a member of Frankfurt Ballet then The Forsythe Company from 2005 to 2014 under the artistic direction of William Forsythe. In 2014, he became a freelance choreographer, teacher and dancer.

Mon 14.09.2020 | 19:30 - 21:00
Choreografische Werkstatt – digital
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Guest Performance

Choreografische Werkstatt – digital

  • Mon 14.09.2020 | 19:30 - 21:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Pay as you wish

Further Information

Mon 14.09.2020 | 10:00 - 11:30
Professional Training with Cyril Baldy
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Professional Training

Professional Training with Cyril Baldy

  • Mon 14.09.2020 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
Cyril Baldy’s workshop focus on physical sensations, awareness and organisation, to offer a versatile body focused on its materiality, the stuff it is made of. How do bodies, from the point of view of their materiality compose themselves in a dance compare to more familiar ways, such as those centered around imprinting movement from a single point of external authority. Movement, mobility and organisation (not only of the body) will be exercised. Following a simple displacement — movement, body-sensation, change— the class will aim to carry out and redistribute form not as a stylistic exercise but as form of being in the world, with the world and organise the consequences of it own emergence/becoming. It will be a quest toward a movement of subjective perceptual experience. What begins as physical perception returns to affect the structures that governs individuality. What if there were no one direction?

Biography
Cyril Baldy is a choreographer, dancer and teacher. Born in France in 1980. He studied at the Conservatoire National Supérieur de Musique et de Danse de Paris from 1993 to 1997. As a dancer he joined his first professional company in 1997 named “Le Jeune Ballet de France”. From 1998 to 2002 he successively was part of Nederland Dans Theatre II and Nederland Dans Theatre I under the direction of Jiri Kylian. In 2002, he became a member of Frankfurt Ballet then The Forsythe Company from 2005 to 2014 under the artistic direction of William Forsythe. In 2014, he became a freelance choreographer, teacher and dancer.

Sun 13.09.2020 | 11:00 - 16:00
Alter schützt vor tanzen nicht - Workshop with Petra Lehr
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Workshops

Alter schützt vor tanzen nicht - Workshop with Petra Lehr

  • Sun 13.09.2020 | 11:00 - 16:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main

Workshop for persons 60+ with Pera Lehr

For over 40 years now, Petra Lehr has been working as a choreographer and dancer with great enthusiasm. Age and physical changes are no hindrance for her. Especially contemporary dance, with its variety of approaches, is ideal for connecting with different movement abilities. In a two-day workshop, which is exclusively directed to people over 60 with and without dance experience, Petra Lehr introduces participants to the basics of contemporary dance. After a relaxed warm-up, which will strengthen and mobilize the body, elements such as dynamics, rhythm and contact will be explored and movement potentials expanded.

So 10.11. 2nd Workshop day

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 12.09.2020 | 20:00
Touch | Sebastian Weber Dance Company
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Guest Performance

Touch | Sebastian Weber Dance Company

  • Sat 12.09.2020 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Sat 12.09.2020 | 11:00 - 16:00
Alter schützt vor tanzen nicht - Workshop with Petra Lehr
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Workshops

Alter schützt vor tanzen nicht - Workshop with Petra Lehr

  • Sat 12.09.2020 | 11:00 - 16:00
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main

Workshop for persons 60+ with Pera Lehr

For over 40 years now, Petra Lehr has been working as a choreographer and dancer with great enthusiasm. Age and physical changes are no hindrance for her. Especially contemporary dance, with its variety of approaches, is ideal for connecting with different movement abilities. In a two-day workshop, which is exclusively directed to people over 60 with and without dance experience, Petra Lehr introduces participants to the basics of contemporary dance. After a relaxed warm-up, which will strengthen and mobilize the body, elements such as dynamics, rhythm and contact will be explored and movement potentials expanded.

So 10.11. 2nd Workshop day

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 12.09.2020 | 10:45
Tanzworkshop mit Sebastian Weber zu TOUCH
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Workshops

Tanzworkshop mit Sebastian Weber zu TOUCH

  • Sat 12.09.2020 | 10:45
  • Orangerie | Darmstadt
Fri 11.09.2020 | 20:00
Touch | Sebastian Weber Dance Company
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Guest Performance

Touch | Sebastian Weber Dance Company

  • Fri 11.09.2020 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
Fri 11.09.2020 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Fri 11.09.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Thu 10.09.2020 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Thu 10.09.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 09.09.2020 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Wed 09.09.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 08.09.2020 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Tue 08.09.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Mon 07.09.2020 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Mon 07.09.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Sat 05.09.2020 | 17:30
Zerstreuung überall! | LIGNA
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Guest Performance

Zerstreuung überall! | LIGNA

  • Sat 05.09.2020 | 17:30
  • Am Warmen Damm | Wiesbaden

more information

Sat 05.09.2020 | 10:00 - 11:30
Antanzen
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Antanzen

Antanzen

  • Sat 05.09.2020 | 10:00 - 11:30
  • Wiesbaden
  • 9,90 Euro

Zeitgenössich mit Miranda Glickson

Treffpunkt Bühneneingang um 9.45 Uhr. Damit keine Ansammlung von Menschen am Bühneneingang stattfindet, werden wir die Leute in kleinen Gruppen zum Park oder Kolonnade begleiten.
Bei schönen Wetter im Park Am Warmen Damm und bei schlechtem Wetter in den Kolonnade.
Im Falle von weiteren Kontaktbeschränkungen wird dieses Format bei Bedarf abgesagt.

Weitere Infos

Fri 04.09.2020 | 19:30
Zerstreuung überall! | LIGNA
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Guest Performance

Zerstreuung überall! | LIGNA

  • Fri 04.09.2020 | 19:30
  • Orangerie | Darmstadt

more information

Wed 02.09.2020 | 19:00
Zerstreuung überall! | LIGNA
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Guest Performance

Zerstreuung überall! | LIGNA

  • Wed 02.09.2020 | 19:00
  • Metzlerpark | Frankfurt a.M.

more information

Tue 01.09.2020 | 19:00
Zerstreuung überall! | LIGNA
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Guest Performance

Zerstreuung überall! | LIGNA

  • Tue 01.09.2020 | 19:00
  • Metzlerpark | Frankfurt a.M.

more information

August 2020
Sat 15.08.2020 | 11:30 - 15:30
Workshop/Textproject with Luise Meier
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Workshops

Workshop/Textproject with Luise Meier

  • Sat 15.08.2020 | 11:30 - 15:30
  • digital

more information

Juli 2020
Fri 03.07.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Fri 03.07.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Thu 02.07.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Thu 02.07.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Wed 01.07.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Wed 01.07.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Juni 2020
Tue 30.06.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Tue 30.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Mon 29.06.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Mon 29.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Fri 26.06.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Fri 26.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Thu 25.06.2020 | 18:30 - 20:00
Exchange platform digital dance outreach
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Forum Tanzvermittlung

Exchange platform digital dance outreach

  • Thu 25.06.2020 | 18:30 - 20:00
  • digital - Zoom Meeting
  • kostenfrei

Prof. Dr. Claudia Steinberg and Marco Jodes will be introducing an app, which they developed as part of the research project #digitanz at the Johannes Gutenberg University in Mainz and at the Hochschule Mainz. After a short opening presentation, attendees can ask questions and discuss further digital dance outreach projects. The exchange is part of the Dance Outreach Forum, which also serves to connect professionals in the field of dance outreach across the Rhine-Main area.

Thu 25.06.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Thu 25.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Wed 24.06.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Wed 24.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Tue 23.06.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Tue 23.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Mon 22.06.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Mon 22.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Fri 19.06.2020 | 10:00 - 11:30
Professional Training with Petra Lehr
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Professional Training

Professional Training with Petra Lehr

  • Fri 19.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Petra Lehr received her training in Germany and the USA (e.g. Leonard Pitt School of Mime and Mask Theater, Martha Graham School of Contemporary Dance, Alvin Ailey American Dance Center). With Matt Mittler and Jonah Emsig she continued her education in physical acting. After several solo pieces, working with musicians and visual artists and working in free groups, she founded the co.lab.tanztheater in Frankfurt in 1993, with which she has worked on 20 productions so far. She teaches contemporary dance, had lectureships at various universities and colleges and leads the dance clubs ü60 (since 2016) and ü40 (since 2017) as part of the Tanzplattform Rhein-Main. She is a Pilates trainer and has the dance medicine certificate.

About the training
The warm up is based on knowledge from dance medicine and includes perception, mobilization and strengthening. The use of breathing also plays a major role in this.
We deal with rhythm, dynamics and focus on different movement centers of our body.
I usually work a lot with contact, which is impossible in the current situation. So we will deal with questions such as contact under the given circumstances via e.g. Body language and gaze is possible. How does the perception of our fellow dancers and the perception of space change?

Thu 18.06.2020 | 10:00 - 11:30
Professional Training with Petra Lehr
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Professional Training

Professional Training with Petra Lehr

  • Thu 18.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Petra Lehr received her training in Germany and the USA (e.g. Leonard Pitt School of Mime and Mask Theater, Martha Graham School of Contemporary Dance, Alvin Ailey American Dance Center). With Matt Mittler and Jonah Emsig she continued her education in physical acting. After several solo pieces, working with musicians and visual artists and working in free groups, she founded the co.lab.tanztheater in Frankfurt in 1993, with which she has worked on 20 productions so far. She teaches contemporary dance, had lectureships at various universities and colleges and leads the dance clubs ü60 (since 2016) and ü40 (since 2017) as part of the Tanzplattform Rhein-Main. She is a Pilates trainer and has the dance medicine certificate.

About the training
The warm up is based on knowledge from dance medicine and includes perception, mobilization and strengthening. The use of breathing also plays a major role in this.
We deal with rhythm, dynamics and focus on different movement centers of our body.
I usually work a lot with contact, which is impossible in the current situation. So we will deal with questions such as contact under the given circumstances via e.g. Body language and gaze is possible. How does the perception of our fellow dancers and the perception of space change?

Wed 17.06.2020 | 10:00 - 11:30
Professional Training with Petra Lehr
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Professional Training

Professional Training with Petra Lehr

  • Wed 17.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Petra Lehr received her training in Germany and the USA (e.g. Leonard Pitt School of Mime and Mask Theater, Martha Graham School of Contemporary Dance, Alvin Ailey American Dance Center). With Matt Mittler and Jonah Emsig she continued her education in physical acting. After several solo pieces, working with musicians and visual artists and working in free groups, she founded the co.lab.tanztheater in Frankfurt in 1993, with which she has worked on 20 productions so far. She teaches contemporary dance, had lectureships at various universities and colleges and leads the dance clubs ü60 (since 2016) and ü40 (since 2017) as part of the Tanzplattform Rhein-Main. She is a Pilates trainer and has the dance medicine certificate.

About the training
The warm up is based on knowledge from dance medicine and includes perception, mobilization and strengthening. The use of breathing also plays a major role in this.
We deal with rhythm, dynamics and focus on different movement centers of our body.
I usually work a lot with contact, which is impossible in the current situation. So we will deal with questions such as contact under the given circumstances via e.g. Body language and gaze is possible. How does the perception of our fellow dancers and the perception of space change?

Tue 16.06.2020 | 10:00 - 11:30
Professional Training with Petra Lehr
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Professional Training

Professional Training with Petra Lehr

  • Tue 16.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Petra Lehr received her training in Germany and the USA (e.g. Leonard Pitt School of Mime and Mask Theater, Martha Graham School of Contemporary Dance, Alvin Ailey American Dance Center). With Matt Mittler and Jonah Emsig she continued her education in physical acting. After several solo pieces, working with musicians and visual artists and working in free groups, she founded the co.lab.tanztheater in Frankfurt in 1993, with which she has worked on 20 productions so far. She teaches contemporary dance, had lectureships at various universities and colleges and leads the dance clubs ü60 (since 2016) and ü40 (since 2017) as part of the Tanzplattform Rhein-Main. She is a Pilates trainer and has the dance medicine certificate.

About the training
The warm up is based on knowledge from dance medicine and includes perception, mobilization and strengthening. The use of breathing also plays a major role in this.
We deal with rhythm, dynamics and focus on different movement centers of our body.
I usually work a lot with contact, which is impossible in the current situation. So we will deal with questions such as contact under the given circumstances via e.g. Body language and gaze is possible. How does the perception of our fellow dancers and the perception of space change?

Mon 15.06.2020 | 10:00 - 11:30
Professional Training with Petra Lehr
Read more
Professional Training

Professional Training with Petra Lehr

  • Mon 15.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Petra Lehr received her training in Germany and the USA (e.g. Leonard Pitt School of Mime and Mask Theater, Martha Graham School of Contemporary Dance, Alvin Ailey American Dance Center). With Matt Mittler and Jonah Emsig she continued her education in physical acting. After several solo pieces, working with musicians and visual artists and working in free groups, she founded the co.lab.tanztheater in Frankfurt in 1993, with which she has worked on 20 productions so far. She teaches contemporary dance, had lectureships at various universities and colleges and leads the dance clubs ü60 (since 2016) and ü40 (since 2017) as part of the Tanzplattform Rhein-Main. She is a Pilates trainer and has the dance medicine certificate.

About the training
The warm up is based on knowledge from dance medicine and includes perception, mobilization and strengthening. The use of breathing also plays a major role in this.
We deal with rhythm, dynamics and focus on different movement centers of our body.
I usually work a lot with contact, which is impossible in the current situation. So we will deal with questions such as contact under the given circumstances via e.g. Body language and gaze is possible. How does the perception of our fellow dancers and the perception of space change?

Sat 13.06.2020 | 00:10 - 00:15
Virtuelles Antanzen with Anton Rudakov
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Antanzen

Virtuelles Antanzen with Anton Rudakov

  • Sat 13.06.2020 | 00:10 - 00:15
  • digital
  • kostenfrei

In order to comply with physical distancing and hygiene regulations, Antanzen in June will only take place online via Hessisches Staatstheater Wiesbaden.

Fri 12.06.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
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Professional Training

Professional Training with Frédéric De Carlo

  • Fri 12.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Wed 10.06.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
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Professional Training

Professional Training with Frédéric De Carlo

  • Wed 10.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Tue 09.06.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
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Professional Training

Professional Training with Frédéric De Carlo

  • Tue 09.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Mon 08.06.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
Read more
Professional Training

Professional Training with Frédéric De Carlo

  • Mon 08.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Sat 06.06.2020 | 19:30 - 22:30
Virtual Antanzen with Jungyeon Kim
Read more
Antanzen

Virtual Antanzen with Jungyeon Kim

  • Sat 06.06.2020 | 19:30 - 22:30
  • digital - Youtube

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

UIn order to comply with physical distancing and hygiene regulations, Antanzen in June will only take place online via Eine Dosis Theater des Staatstheaters Darmstadt online

Fri 05.06.2020 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Fri 05.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6,- / 10er Karte 35,- / Monatskarte 50,-

Watch out registration via e-mail needed. More information here

Biography

Fabrice Mazlia (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as the various Duets from The Manufactured series (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza/ work of act collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered economy of freelance work and the fixed institutional structure of a company.

About the training
A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Thu 04.06.2020 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Thu 04.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6,- / 10er Karte 35,- / Monatskarte 50,-

Watch out registration via e-mail needed. More information here

Biography

Fabrice Mazlia (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as the various Duets from The Manufactured series (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza/ work of act collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered economy of freelance work and the fixed institutional structure of a company.

About the training
A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Wed 03.06.2020 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Wed 03.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6,- / 10er Karte 35,- / Monatskarte 50,-

Watch out registration via e-mail needed. More information here

Biography

Fabrice Mazlia (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as the various Duets from The Manufactured series (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza/ work of act collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered economy of freelance work and the fixed institutional structure of a company.

About the training
A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Tue 02.06.2020 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Tue 02.06.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6,- / 10er Karte 35,- / Monatskarte 50,-

Watch out registration via e-mail needed. More information here

Biography

Fabrice Mazlia (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as the various Duets from The Manufactured series (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza/ work of act collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered economy of freelance work and the fixed institutional structure of a company.

About the training
A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

April 2020
Wed 29.04.2020 | 19:00 - 19:30
+++canceled+++ Warm-Up
Read more
Warm-up | Cool-down

+++canceled+++ Warm-Up

  • Wed 29.04.2020 | 19:00 - 19:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Zu Matéria Escura – Dark Matter von Alejandro Ahmed/Cena 11 Mi 29.4.2020

Mon 27.04.2020 | 19:00 - 20:00
+++ postponed+++ Choreografische Werkstatt
Read more
Choreografische Werkstatt

+++ postponed+++ Choreografische Werkstatt

  • Mon 27.04.2020 | 19:00 - 20:00
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 5,50 €

The Choreographic Workshop offers local and regional dance professionals the opportunity to present their work-in-progress or research projects, to give an insight into current issues and their working methods, and to talk about them in a subsequent discussion.
Up to three presentations (15 min max.) will be shown per evening. In the subsequent discussion, the artists and the audience will have the opportunity to discuss questions, make references or give suggestions for further development.

Sat 25.04.2020 | 14:00 - 17:00
+++ cancaled +++ Voguing Workshop
Read more
Workshops

+++ cancaled +++ Voguing Workshop

  • Sat 25.04.2020 | 14:00 - 17:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eintritt frei
Fri 03.04.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Antony Rizzi
Read more
Professional Training

+++ canceled +++ Professional Training with Antony Rizzi

  • Fri 03.04.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Class Description
Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Thu 02.04.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Antony Rizzi
Read more
Professional Training

+++ canceled +++ Professional Training with Antony Rizzi

  • Thu 02.04.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Class Description
Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Wed 01.04.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Antony Rizzi
Read more
Professional Training

+++ canceled +++ Professional Training with Antony Rizzi

  • Wed 01.04.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Class Description
Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

März 2020
Tue 31.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Antony Rizzi
Read more
Professional Training

+++ canceled +++ Professional Training with Antony Rizzi

  • Tue 31.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Class Description
Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Mon 30.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Antony Rizzi
Read more
Professional Training

+++ canceled +++ Professional Training with Antony Rizzi

  • Mon 30.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Class Description
Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Sun 29.03.2020 | 16:00 - 17:00
+++canceled+++ Massala Dance Company | OUM
Read more
Guest Performance

+++canceled+++ Massala Dance Company | OUM

  • Sun 29.03.2020 | 16:00 - 17:00
  • Staatstheater Darmstadt, Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 8,50 € - 41,00 €

The Moroccan-French choreographer Fouad Boussouf is once again engaged in the latest work by his Massala Dance Company, whose work Näss was shown during the Tanzfestival Rhein-Main 2018, with the synthesis of traditional North African and Arabic art and culture and hip-hop. Starting with the great Arabic divas like Oum Kalthoum, Ismahan and Leila Mourad, he explores with the help of his dancers how hip-hop as a cultural “foreign body” musically, physically and socially overwrites memories and thus, in combination with traditions, makes physical limits transcendable.

Sat 28.03.2020 | 19:30 - 20:30
+++canceled+++ Massala Dance Company | OUM
Read more
Guest Performance

+++canceled+++ Massala Dance Company | OUM

  • Sat 28.03.2020 | 19:30 - 20:30
  • Staatstheater Darmstadt, Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 8,50 € - 41,00 €

The Moroccan-French choreographer Fouad Boussouf is once again engaged in the latest work by his Massala Dance Company, whose work Näss was shown during the Tanzfestival Rhein-Main 2018, with the synthesis of traditional North African and Arabic art and culture and hip-hop. Starting with the great Arabic divas like Oum Kalthoum, Ismahan and Leila Mourad, he explores with the help of his dancers how hip-hop as a cultural “foreign body” musically, physically and socially overwrites memories and thus, in combination with traditions, makes physical limits transcendable.

Sat 28.03.2020 | 10:00 - 11:30
+++ canceled +++ Antanzen | Zeitgenössisch mit Gilda Rebello
Read more
Antanzen

+++ canceled +++ Antanzen | Zeitgenössisch mit Gilda Rebello

  • Sat 28.03.2020 | 10:00 - 11:30
  • Hessisches Staatstheater Wiesbaden, Ballettsaal, Christian-Zais-Str. 3, 65189 Wiesbaden

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

The ANTANZEN format is being carried out in cooperation with dance pedagogues from the region and the national and international network of alumni of the master’s degree in Contemporary Dance Education (MA CoDE) at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK).

Please bring along comfortable training clothes, socks or dance shoes. Normal walking shoes are not allowed in the rehearsal room.

  • Where: Ballet Hall, Hessischen Staatstheater Wiesbaden
  • Meeting Point: Stage door, 15 min. before the start of the session

More Information and Tickets

Fri 27.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Isaac Spencer
Read more
Professional Training

+++ canceled +++ Professional Training with Isaac Spencer

  • Fri 27.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Isaac Spencer (USA) is a dancer, teacher, and choreographer living in Dresden since 2014. He earned his Bachelor of Fine Arts from the Juilliard School in New York City in 2004. He was a member of Hubbard Street Dance Chicago (2004-2006), Cullberg Ballet in Stockholm (2006-2012), and Göteborgs Operans
Danskompani (2013-2014). He has received merit-based funding from the Princess Grace Foundation USA and the Swedish Arts Council. Isaac is a member of the artistic panel of the Milvus Artistic Research Center in Sweden and the Villa Wigman e.V. in Dresden. He is a guest teacher at SEAD Salzburg Experimental Academy of Dance, HfBK Dresden, Norrdans Sweden, teaching ballet, contemporary, improvisation and staging repertory. His latest solo work, MESH, was presented as part of the exhibition „Bauhaus und Amerika“ at the LWL Museum für Kunst und Kultur in Münster.

Class Description
Contemporary Dance
creating, designing, dancing

The class is organized into four categories starting with somatics, followed by technique, themes, and ending with performance. The somatic entrance is used to enter the dancing practice on a deep sensorial level, working with sensations that are present in the dancer on that day, in that moment. This is followed by technical exercizes aimed at mobilizing the body, building strength and practicing various
dynamic movements and coordinations. We will then learn three to four themes for movement research and exploration. Finally, we will practice these themes by dancing and performing them in an open structure to end the class.

Thu 26.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Isaac Spencer
Read more
Professional Training

+++ canceled +++ Professional Training with Isaac Spencer

  • Thu 26.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Isaac Spencer (USA) is a dancer, teacher, and choreographer living in Dresden since 2014. He earned his Bachelor of Fine Arts from the Juilliard School in New York City in 2004. He was a member of Hubbard Street Dance Chicago (2004-2006), Cullberg Ballet in Stockholm (2006-2012), and Göteborgs Operans
Danskompani (2013-2014). He has received merit-based funding from the Princess Grace Foundation USA and the Swedish Arts Council. Isaac is a member of the artistic panel of the Milvus Artistic Research Center in Sweden and the Villa Wigman e.V. in Dresden. He is a guest teacher at SEAD Salzburg Experimental Academy of Dance, HfBK Dresden, Norrdans Sweden, teaching ballet, contemporary, improvisation and staging repertory. His latest solo work, MESH, was presented as part of the exhibition „Bauhaus und Amerika“ at the LWL Museum für Kunst und Kultur in Münster.

Class Description
Contemporary Dance
creating, designing, dancing

The class is organized into four categories starting with somatics, followed by technique, themes, and ending with performance. The somatic entrance is used to enter the dancing practice on a deep sensorial level, working with sensations that are present in the dancer on that day, in that moment. This is followed by technical exercizes aimed at mobilizing the body, building strength and practicing various
dynamic movements and coordinations. We will then learn three to four themes for movement research and exploration. Finally, we will practice these themes by dancing and performing them in an open structure to end the class.

Wed 25.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Isaac Spencer
Read more
Professional Training

+++ canceled +++ Professional Training with Isaac Spencer

  • Wed 25.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Isaac Spencer (USA) is a dancer, teacher, and choreographer living in Dresden since 2014. He earned his Bachelor of Fine Arts from the Juilliard School in New York City in 2004. He was a member of Hubbard Street Dance Chicago (2004-2006), Cullberg Ballet in Stockholm (2006-2012), and Göteborgs Operans
Danskompani (2013-2014). He has received merit-based funding from the Princess Grace Foundation USA and the Swedish Arts Council. Isaac is a member of the artistic panel of the Milvus Artistic Research Center in Sweden and the Villa Wigman e.V. in Dresden. He is a guest teacher at SEAD Salzburg Experimental Academy of Dance, HfBK Dresden, Norrdans Sweden, teaching ballet, contemporary, improvisation and staging repertory. His latest solo work, MESH, was presented as part of the exhibition „Bauhaus und Amerika“ at the LWL Museum für Kunst und Kultur in Münster.

Class Description
Contemporary Dance
creating, designing, dancing

The class is organized into four categories starting with somatics, followed by technique, themes, and ending with performance. The somatic entrance is used to enter the dancing practice on a deep sensorial level, working with sensations that are present in the dancer on that day, in that moment. This is followed by technical exercizes aimed at mobilizing the body, building strength and practicing various
dynamic movements and coordinations. We will then learn three to four themes for movement research and exploration. Finally, we will practice these themes by dancing and performing them in an open structure to end the class.

Tue 24.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Isaac Spencer
Read more
Professional Training

+++ canceled +++ Professional Training with Isaac Spencer

  • Tue 24.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Isaac Spencer (USA) is a dancer, teacher, and choreographer living in Dresden since 2014. He earned his Bachelor of Fine Arts from the Juilliard School in New York City in 2004. He was a member of Hubbard Street Dance Chicago (2004-2006), Cullberg Ballet in Stockholm (2006-2012), and Göteborgs Operans
Danskompani (2013-2014). He has received merit-based funding from the Princess Grace Foundation USA and the Swedish Arts Council. Isaac is a member of the artistic panel of the Milvus Artistic Research Center in Sweden and the Villa Wigman e.V. in Dresden. He is a guest teacher at SEAD Salzburg Experimental Academy of Dance, HfBK Dresden, Norrdans Sweden, teaching ballet, contemporary, improvisation and staging repertory. His latest solo work, MESH, was presented as part of the exhibition „Bauhaus und Amerika“ at the LWL Museum für Kunst und Kultur in Münster.

Class Description
Contemporary Dance
creating, designing, dancing

The class is organized into four categories starting with somatics, followed by technique, themes, and ending with performance. The somatic entrance is used to enter the dancing practice on a deep sensorial level, working with sensations that are present in the dancer on that day, in that moment. This is followed by technical exercizes aimed at mobilizing the body, building strength and practicing various
dynamic movements and coordinations. We will then learn three to four themes for movement research and exploration. Finally, we will practice these themes by dancing and performing them in an open structure to end the class.

Mon 23.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Isaac Spencer
Read more
Professional Training

+++ canceled +++ Professional Training with Isaac Spencer

  • Mon 23.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Isaac Spencer (USA) is a dancer, teacher, and choreographer living in Dresden since 2014. He earned his Bachelor of Fine Arts from the Juilliard School in New York City in 2004. He was a member of Hubbard Street Dance Chicago (2004-2006), Cullberg Ballet in Stockholm (2006-2012), and Göteborgs Operans
Danskompani (2013-2014). He has received merit-based funding from the Princess Grace Foundation USA and the Swedish Arts Council. Isaac is a member of the artistic panel of the Milvus Artistic Research Center in Sweden and the Villa Wigman e.V. in Dresden. He is a guest teacher at SEAD Salzburg Experimental Academy of Dance, HfBK Dresden, Norrdans Sweden, teaching ballet, contemporary, improvisation and staging repertory. His latest solo work, MESH, was presented as part of the exhibition „Bauhaus und Amerika“ at the LWL Museum für Kunst und Kultur in Münster.

Class Description
Contemporary Dance
creating, designing, dancing

The class is organized into four categories starting with somatics, followed by technique, themes, and ending with performance. The somatic entrance is used to enter the dancing practice on a deep sensorial level, working with sensations that are present in the dancer on that day, in that moment. This is followed by technical exercizes aimed at mobilizing the body, building strength and practicing various
dynamic movements and coordinations. We will then learn three to four themes for movement research and exploration. Finally, we will practice these themes by dancing and performing them in an open structure to end the class.

Sat 21.03.2020 | 10:30 - 12:00
+++ canceled +++ Antanzen | Klassisch mit Richard Oberscheven
Read more
Antanzen

+++ canceled +++ Antanzen | Klassisch mit Richard Oberscheven

  • Sat 21.03.2020 | 10:30 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 9,00 €

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary. It takes place once a month in the Staatstheater Wiesbaden and Staatstheater Darmstadt.

Please bring along comfortable training clothes, socks or dance shoes. Normal walking shoes are not allowed in the rehearsal room.

The ANTANZEN format is being carried out in cooperation with dance pedagogues from the region and the national and international network of alumni of the master’s degree in Contemporary Dance Education (MA CoDE) at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK).

  • Meeting point: Foyer Kammerspiele 15 min. before start

More Information and Tickets

Fri 20.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Norbert Pape
Read more
Professional Training

+++ canceled +++ Professional Training with Norbert Pape

  • Fri 20.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Norbert Pape works as an artist in the field of dance, performance and choreography. He has been investigating what dance can do, often in collaboration with others, on stages, museums, studios, classrooms, ballrooms, living rooms, caves, raves and dungeons. He has been invested in questions of (alternative) education and self-organization and been exploring how the knowledge he acquired through dancing can be transmitted or put to work for facilitating different kinds of processes. Currently studying mathematics.

Class Description
On a basic level, this class will provide a thourough physical workout. Further, it seeks to refine performance skills by asking what moves when we move. Tasks and movement routines combined from a variety of techniques will not only serve as a warm-up and coordinative challenges. They will also give opportunity to think about how our concepts of space and self – both intuitive and conscious – shape the articulation of our movements and carve out particular realms of possible actions and interactions.

Thu 19.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Norbert Pape
Read more
Professional Training

+++ canceled +++ Professional Training with Norbert Pape

  • Thu 19.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Norbert Pape works as an artist in the field of dance, performance and choreography. He has been investigating what dance can do, often in collaboration with others, on stages, museums, studios, classrooms, ballrooms, living rooms, caves, raves and dungeons. He has been invested in questions of (alternative) education and self-organization and been exploring how the knowledge he acquired through dancing can be transmitted or put to work for facilitating different kinds of processes. Currently studying mathematics.

Class Description
On a basic level, this class will provide a thourough physical workout. Further, it seeks to refine performance skills by asking what moves when we move. Tasks and movement routines combined from a variety of techniques will not only serve as a warm-up and coordinative challenges. They will also give opportunity to think about how our concepts of space and self – both intuitive and conscious – shape the articulation of our movements and carve out particular realms of possible actions and interactions.

Wed 18.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Norbert Pape
Read more
Professional Training

+++ canceled +++ Professional Training with Norbert Pape

  • Wed 18.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Norbert Pape works as an artist in the field of dance, performance and choreography. He has been investigating what dance can do, often in collaboration with others, on stages, museums, studios, classrooms, ballrooms, living rooms, caves, raves and dungeons. He has been invested in questions of (alternative) education and self-organization and been exploring how the knowledge he acquired through dancing can be transmitted or put to work for facilitating different kinds of processes. Currently studying mathematics.

Class Description
On a basic level, this class will provide a thourough physical workout. Further, it seeks to refine performance skills by asking what moves when we move. Tasks and movement routines combined from a variety of techniques will not only serve as a warm-up and coordinative challenges. They will also give opportunity to think about how our concepts of space and self – both intuitive and conscious – shape the articulation of our movements and carve out particular realms of possible actions and interactions.

Tue 17.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Norbert Pape
Read more
Professional Training

+++ canceled +++ Professional Training with Norbert Pape

  • Tue 17.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Norbert Pape works as an artist in the field of dance, performance and choreography. He has been investigating what dance can do, often in collaboration with others, on stages, museums, studios, classrooms, ballrooms, living rooms, caves, raves and dungeons. He has been invested in questions of (alternative) education and self-organization and been exploring how the knowledge he acquired through dancing can be transmitted or put to work for facilitating different kinds of processes. Currently studying mathematics.

Class Description
On a basic level, this class will provide a thourough physical workout. Further, it seeks to refine performance skills by asking what moves when we move. Tasks and movement routines combined from a variety of techniques will not only serve as a warm-up and coordinative challenges. They will also give opportunity to think about how our concepts of space and self – both intuitive and conscious – shape the articulation of our movements and carve out particular realms of possible actions and interactions.

Mon 16.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Norbert Pape
Read more
Professional Training

+++ canceled +++ Professional Training with Norbert Pape

  • Mon 16.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Norbert Pape works as an artist in the field of dance, performance and choreography. He has been investigating what dance can do, often in collaboration with others, on stages, museums, studios, classrooms, ballrooms, living rooms, caves, raves and dungeons. He has been invested in questions of (alternative) education and self-organization and been exploring how the knowledge he acquired through dancing can be transmitted or put to work for facilitating different kinds of processes. Currently studying mathematics.

Class Description
On a basic level, this class will provide a thourough physical workout. Further, it seeks to refine performance skills by asking what moves when we move. Tasks and movement routines combined from a variety of techniques will not only serve as a warm-up and coordinative challenges. They will also give opportunity to think about how our concepts of space and self – both intuitive and conscious – shape the articulation of our movements and carve out particular realms of possible actions and interactions.

Fri 13.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Richard Oberscheven
Read more
Professional Training

+++ canceled +++ Professional Training with Richard Oberscheven

  • Fri 13.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Richard Oberscheven, living in Frankfurt am Main, is a contemporary dancer, choreographer, lecturer and DJ. He is trained in classical and contemporary dance, Improvisation and Feldenkrais, and completed his Bachelor of Arts in DANCE at the HfMDK in Frankfurt am Main. As a dancer he has received engagements for companies and choreographers such as the Saarland State Ballet, Tanzkompagnie Gießen, Tony Rizzi and the Bad Habits, Taulant Shehu, Célestine Hennermann, Freies Tanz Theater Frankfurt and Dieter Heitkamp. Richard has been showing choreographic works throughout Germany since 2014. As a lecturer he teaches professional dance training at TanzFaktur Köln, Künstlerhaus Mousonturm, tanznetz|Freiburg, gives workshops in various dance studios as well at the Frankfurt University for Applied Sciences. His teaching is inspired and influenced by various improvisation systems such as Improvisation Technologies by William Forsythe. In his practice Richard experiments with dynamic changes of positions and spatial directions and searches for natural elements of movement in order to experience dance as a living anatomy. This year Richard Oberscheven is Artist in Residence of Twain dance production centre in Tuscania.

Class Description
His teaching is based on a combination of ballet and contemporary dance with an emphasis on position and movement efficiency, while at the same time taking into account the individual needs and abilities of each participant. The training is structured with exercises on the bar from simple to complex sequences of movements in space, which sharpen the sense of movement through dynamic changes between positions and spatial orientation. The aim is to discover ballet as a tool in contemporary dance by giving the participants more freedom of movement and awareness of their own movement potential. The training can thus form an innovative basis for improvisation.

Thu 12.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Richard Oberscheven
Read more
Professional Training

+++ canceled +++ Professional Training with Richard Oberscheven

  • Thu 12.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Richard Oberscheven, living in Frankfurt am Main, is a contemporary dancer, choreographer, lecturer and DJ. He is trained in classical and contemporary dance, Improvisation and Feldenkrais, and completed his Bachelor of Arts in DANCE at the HfMDK in Frankfurt am Main. As a dancer he has received engagements for companies and choreographers such as the Saarland State Ballet, Tanzkompagnie Gießen, Tony Rizzi and the Bad Habits, Taulant Shehu, Célestine Hennermann, Freies Tanz Theater Frankfurt and Dieter Heitkamp. Richard has been showing choreographic works throughout Germany since 2014. As a lecturer he teaches professional dance training at TanzFaktur Köln, Künstlerhaus Mousonturm, tanznetz|Freiburg, gives workshops in various dance studios as well at the Frankfurt University for Applied Sciences. His teaching is inspired and influenced by various improvisation systems such as Improvisation Technologies by William Forsythe. In his practice Richard experiments with dynamic changes of positions and spatial directions and searches for natural elements of movement in order to experience dance as a living anatomy. This year Richard Oberscheven is Artist in Residence of Twain dance production centre in Tuscania.

Class Description
His teaching is based on a combination of ballet and contemporary dance with an emphasis on position and movement efficiency, while at the same time taking into account the individual needs and abilities of each participant. The training is structured with exercises on the bar from simple to complex sequences of movements in space, which sharpen the sense of movement through dynamic changes between positions and spatial orientation. The aim is to discover ballet as a tool in contemporary dance by giving the participants more freedom of movement and awareness of their own movement potential. The training can thus form an innovative basis for improvisation.

Wed 11.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Richard Oberscheven
Read more
Professional Training

+++ canceled +++ Professional Training with Richard Oberscheven

  • Wed 11.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Richard Oberscheven, living in Frankfurt am Main, is a contemporary dancer, choreographer, lecturer and DJ. He is trained in classical and contemporary dance, Improvisation and Feldenkrais, and completed his Bachelor of Arts in DANCE at the HfMDK in Frankfurt am Main. As a dancer he has received engagements for companies and choreographers such as the Saarland State Ballet, Tanzkompagnie Gießen, Tony Rizzi and the Bad Habits, Taulant Shehu, Célestine Hennermann, Freies Tanz Theater Frankfurt and Dieter Heitkamp. Richard has been showing choreographic works throughout Germany since 2014. As a lecturer he teaches professional dance training at TanzFaktur Köln, Künstlerhaus Mousonturm, tanznetz|Freiburg, gives workshops in various dance studios as well at the Frankfurt University for Applied Sciences. His teaching is inspired and influenced by various improvisation systems such as Improvisation Technologies by William Forsythe. In his practice Richard experiments with dynamic changes of positions and spatial directions and searches for natural elements of movement in order to experience dance as a living anatomy. This year Richard Oberscheven is Artist in Residence of Twain dance production centre in Tuscania.

Class Description
His teaching is based on a combination of ballet and contemporary dance with an emphasis on position and movement efficiency, while at the same time taking into account the individual needs and abilities of each participant. The training is structured with exercises on the bar from simple to complex sequences of movements in space, which sharpen the sense of movement through dynamic changes between positions and spatial orientation. The aim is to discover ballet as a tool in contemporary dance by giving the participants more freedom of movement and awareness of their own movement potential. The training can thus form an innovative basis for improvisation.

Tue 10.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Richard Oberscheven
Read more
Professional Training

+++ canceled +++ Professional Training with Richard Oberscheven

  • Tue 10.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Richard Oberscheven, living in Frankfurt am Main, is a contemporary dancer, choreographer, lecturer and DJ. He is trained in classical and contemporary dance, Improvisation and Feldenkrais, and completed his Bachelor of Arts in DANCE at the HfMDK in Frankfurt am Main. As a dancer he has received engagements for companies and choreographers such as the Saarland State Ballet, Tanzkompagnie Gießen, Tony Rizzi and the Bad Habits, Taulant Shehu, Célestine Hennermann, Freies Tanz Theater Frankfurt and Dieter Heitkamp. Richard has been showing choreographic works throughout Germany since 2014. As a lecturer he teaches professional dance training at TanzFaktur Köln, Künstlerhaus Mousonturm, tanznetz|Freiburg, gives workshops in various dance studios as well at the Frankfurt University for Applied Sciences. His teaching is inspired and influenced by various improvisation systems such as Improvisation Technologies by William Forsythe. In his practice Richard experiments with dynamic changes of positions and spatial directions and searches for natural elements of movement in order to experience dance as a living anatomy. This year Richard Oberscheven is Artist in Residence of Twain dance production centre in Tuscania.

Class Description
His teaching is based on a combination of ballet and contemporary dance with an emphasis on position and movement efficiency, while at the same time taking into account the individual needs and abilities of each participant. The training is structured with exercises on the bar from simple to complex sequences of movements in space, which sharpen the sense of movement through dynamic changes between positions and spatial orientation. The aim is to discover ballet as a tool in contemporary dance by giving the participants more freedom of movement and awareness of their own movement potential. The training can thus form an innovative basis for improvisation.

Mon 09.03.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Richard Oberscheven
Read more
Professional Training

+++ canceled +++ Professional Training with Richard Oberscheven

  • Mon 09.03.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Richard Oberscheven, living in Frankfurt am Main, is a contemporary dancer, choreographer, lecturer and DJ. He is trained in classical and contemporary dance, Improvisation and Feldenkrais, and completed his Bachelor of Arts in DANCE at the HfMDK in Frankfurt am Main. As a dancer he has received engagements for companies and choreographers such as the Saarland State Ballet, Tanzkompagnie Gießen, Tony Rizzi and the Bad Habits, Taulant Shehu, Célestine Hennermann, Freies Tanz Theater Frankfurt and Dieter Heitkamp. Richard has been showing choreographic works throughout Germany since 2014. As a lecturer he teaches professional dance training at TanzFaktur Köln, Künstlerhaus Mousonturm, tanznetz|Freiburg, gives workshops in various dance studios as well at the Frankfurt University for Applied Sciences. His teaching is inspired and influenced by various improvisation systems such as Improvisation Technologies by William Forsythe. In his practice Richard experiments with dynamic changes of positions and spatial directions and searches for natural elements of movement in order to experience dance as a living anatomy. This year Richard Oberscheven is Artist in Residence of Twain dance production centre in Tuscania.

Class Description
His teaching is based on a combination of ballet and contemporary dance with an emphasis on position and movement efficiency, while at the same time taking into account the individual needs and abilities of each participant. The training is structured with exercises on the bar from simple to complex sequences of movements in space, which sharpen the sense of movement through dynamic changes between positions and spatial orientation. The aim is to discover ballet as a tool in contemporary dance by giving the participants more freedom of movement and awareness of their own movement potential. The training can thus form an innovative basis for improvisation.

Thu 05.03.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Thu 05.03.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Wed 04.03.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Wed 04.03.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Tue 03.03.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Tue 03.03.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Mon 02.03.2020 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
Read more
Professional Training

Professional Training with Gabrielle Staiger

  • Mon 02.03.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35€ | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography
Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

About the training
Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Februar 2020
Sat 29.02.2020 | 10:30 - 12:00
Antanzen | Contemporary ballet with Richard Oberscheven
Read more
Antanzen

Antanzen | Contemporary ballet with Richard Oberscheven

  • Sat 29.02.2020 | 10:30 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 9 Euro

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary. It takes place once a month in the Staatstheater Wiesbaden and Staatstheater Darmstadt.

Please bring along comfortable training clothes, socks or dance shoes. Normal walking shoes are not allowed in the rehearsal room.

The ANTANZEN format is being carried out in cooperation with dance pedagogues from the region and the national and international network of alumni of the master’s degree in Contemporary Dance Education (MA CoDE) at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK).

Meeting point: Foyer Kammerspiele 15 min. before start

More Information & Tickets

Fri 28.02.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
Read more
Professional Training

Professional Training with Laura Hicks

  • Fri 28.02.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Thu 27.02.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
Read more
Professional Training

Professional Training with Laura Hicks

  • Thu 27.02.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Wed 26.02.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Wed 26.02.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Tue 25.02.2020 | 20:00 - 21:40
Animals on the Beach & my choreographed body … revisited | Deborah Hay
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Guest Performance

Animals on the Beach & my choreographed body … revisited | Deborah Hay

  • Tue 25.02.2020 | 20:00 - 21:40
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 25 / € 12

Deborah Hay is one of the most influential choreographers of the USA. She was a founding member of the legendary Judson Dance Theater in New York, which is considered the creative breeding ground of postmodern dance. Hay defines dance as a permanent process of learning and unlearning, which forces her to constantly reinvent her own practice. This double bill features two new works, thus offering the chance to get to know the versatility of this witty dance revolutionary. “Animals on the Beach” is performed by an outstanding cast of five dancers, including former Forsythe dancers Tilman O’Donell and Christopher Roman. The ensemble’s extensive knowledge enters into delicate dialogue with the intimacy and rigor of Hay’s performance practice. In her solo “my choreographed body … revisited”, Hay addresses her own fifty years of artistic practice, which have formed i.e. deeply choreographed her body. Reason enough for Hay to shake off the composition structures that shaped her solos in the past. No language skills required.

Length: 100 minutes
Talk after the performance

Tue 25.02.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
Read more
Professional Training

Professional Training with Laura Hicks

  • Tue 25.02.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Mon 24.02.2020 | 20:00 - 21:40
Animals on the Beach & my choreographed body … revisited | Deborah Hay
Read more
Guest Performance

Animals on the Beach & my choreographed body … revisited | Deborah Hay

  • Mon 24.02.2020 | 20:00 - 21:40
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 25 / € 12

Deborah Hay is one of the most influential choreographers of the USA. She was a founding member of the legendary Judson Dance Theater in New York, which is considered the creative breeding ground of postmodern dance. Hay defines dance as a permanent process of learning and unlearning, which forces her to constantly reinvent her own practice. This double bill features two new works, thus offering the chance to get to know the versatility of this witty dance revolutionary. “Animals on the Beach” is performed by an outstanding cast of five dancers, including former Forsythe dancers Tilman O’Donell and Christopher Roman. The ensemble’s extensive knowledge enters into delicate dialogue with the intimacy and rigor of Hay’s performance practice. In her solo “my choreographed body … revisited”, Hay addresses her own fifty years of artistic practice, which have formed i.e. deeply choreographed her body. Reason enough for Hay to shake off the composition structures that shaped her solos in the past. No language skills required

Length: 100 minutes
Introduction: 19.30 h

Mon 24.02.2020 | 10:00 - 11:30
Professional Training with Laura Hicks
Read more
Professional Training

Professional Training with Laura Hicks

  • Mon 24.02.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Watch out registration via e-mail needed. More information here

Biography

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last decade her work has focused substantially on improvisation and Somatics and her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, AiM, contact improvisation, biomechanics, and philosophy are strong influences. She is a lecturer at the Frankfurt University of Music and Performing Arts, was a researcher with Project ICI/Labodanse 2016-2018 studying ‘intersubjectivity’ in joint improvisation, and produced the short documentary film ‘push and reach’ with the support of the HTA Postgraduate Alumni Research Grant in 2016. As a choreographer she has been producing work independently and collaboratively since 2011. She is a fully certified trainer of the Pilates Method, and an alumni of MACODE. www.laurahicks.net

About the training
The Kinesthetic Resonance
Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate.

Sat 22.02.2020 | 10:00 - 12:00
Eltern-Kinder Workshop zur Performance Des gestes blancs
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Workshops

Eltern-Kinder Workshop zur Performance Des gestes blancs

  • Sat 22.02.2020 | 10:00 - 12:00
  • Staatstheater Darmstadt, Foyer Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11,50€
Fri 21.02.2020 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Fri 21.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season. Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Class Description
My class is geared towards developing an extended and fluid sense of movement while pursuing detailed articulations and rhythmical dynamics. The class is based on classical, modern and yoga techiques. It also includes information I have gained throughout my dance career. There will be a warm up that deeply activates joint mobility followed by exercises and sequences with layered task coordinations. The dancers are encouraged to locate their individual understanding of the ideas and exercises.

Thu 20.02.2020 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Thu 20.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season. Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Class Description
My class is geared towards developing an extended and fluid sense of movement while pursuing detailed articulations and rhythmical dynamics. The class is based on classical, modern and yoga techiques. It also includes information I have gained throughout my dance career. There will be a warm up that deeply activates joint mobility followed by exercises and sequences with layered task coordinations. The dancers are encouraged to locate their individual understanding of the ideas and exercises.

Wed 19.02.2020 | 10:00 - 11:30
Professional Training with Allison Brown
Read more
Professional Training

Professional Training with Allison Brown

  • Wed 19.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season. Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Class Description
My class is geared towards developing an extended and fluid sense of movement while pursuing detailed articulations and rhythmical dynamics. The class is based on classical, modern and yoga techiques. It also includes information I have gained throughout my dance career. There will be a warm up that deeply activates joint mobility followed by exercises and sequences with layered task coordinations. The dancers are encouraged to locate their individual understanding of the ideas and exercises.

Tue 18.02.2020 | 10:00 - 11:30
Professional Training with Allison Brown
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Professional Training

Professional Training with Allison Brown

  • Tue 18.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season. Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Class Description
My class is geared towards developing an extended and fluid sense of movement while pursuing detailed articulations and rhythmical dynamics. The class is based on classical, modern and yoga techiques. It also includes information I have gained throughout my dance career. There will be a warm up that deeply activates joint mobility followed by exercises and sequences with layered task coordinations. The dancers are encouraged to locate their individual understanding of the ideas and exercises.

Mon 17.02.2020 | 10:00 - 11:30
Professional Training with Allison Brown
Read more
Professional Training

Professional Training with Allison Brown

  • Mon 17.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Allison Brown, living in Frankfurt, Germany, has been making her own work since 1998, starting with the experimental piece “Achtung Honey”. In 2003 she choreographed a piece for 8 dancers entitled “Worship the Flaw” for Amanda Miller’s company, Pretty Ugly / Ballett Freiburg. “Grundlicht”, an evening length work, was created in 2006 at the Künstlerhaus Mousonturm in Frankfurt. Her most recent production is entitled “just like that” and has been commissioned by the Transitions Dance Company for the 2008 season. Allison Brown is teaching workshops throughout Europe, North America and Japan. She has participated in numerous symposia, such as the interdisciplinary “Connect – Between Art and Architecture” symposium at the University of Hannover in June 2005. Her previous dance experience includes New York City Ballet, Twyla Tharp and Dancers, Amanda Miller’s Pretty Ugly Dance Company and Saburo Teshigawara’s Karas Company. From 1996 to 2004 she was a member of William Forsythe’s Ballett Frankfurt.

Class Description
My class is geared towards developing an extended and fluid sense of movement while pursuing detailed articulations and rhythmical dynamics. The class is based on classical, modern and yoga techiques. It also includes information I have gained throughout my dance career. There will be a warm up that deeply activates joint mobility followed by exercises and sequences with layered task coordinations. The dancers are encouraged to locate their individual understanding of the ideas and exercises.

Fri 14.02.2020 | 10:00 - 11:30
Professional Training with Katja Cheraneva
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Professional Training

Professional Training with Katja Cheraneva

  • Fri 14.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Class Description
As a freelance dancer I often struggled with the idea of professional trainings. From one hand there is a need for a training that would allow oneself to have a reflective time on a physical practice. From the other hand, there is not enough formats that allow the freelance dancers and choreographers to share their practices. So, my question became, how to provide space for getting into ones body and at the same time remain the space open for experiments?
More than teaching, I would like to invite the participants into moving and thinking together. During the week, we will look into different practices that I have been introduced to, practiced or have developed during the past years. Some of those practices focus on listening; working with the body as a material and noticing what happens when we focus on specific elements that form choreography; working with voice and experimenting with how the sound can become a movement; doing ninja’s workout and learning how to disappear; and exorcising the contemporary dance.

CV
Katja Cheraneva is a freelance dancer based in Berlin. Studied at the Nikolai Ogryzskov’s Contemporary Dance School, Moscow and at the Hochschule für Musik und Darstellende Kunst, Frankfurt am Main. She was a member of the Kannon Dance Company from 2004 – 2005 and after finishing HfMDK joined The Forsythe Company from 2010 – 2015. Since then she has been freelancing as a dancer, choreographer and teacher, working in close collaboration with Fabrice Mazliah, Frances Chiaverini, Ksenia Ravvina and Janina Arendt. She has performed in ANGST II, III and award winning FAUST by Anne Imhof. From 2016 – 2019 a member and co-founder of HOOD that were resident artists of PACT Zollverein. As of October 2019 she is taking part in MACuP Giessen.

Thu 13.02.2020 | 10:00 - 11:30
Professional Training with Katja Cheraneva
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Professional Training

Professional Training with Katja Cheraneva

  • Thu 13.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Class Description
As a freelance dancer I often struggled with the idea of professional trainings. From one hand there is a need for a training that would allow oneself to have a reflective time on a physical practice. From the other hand, there is not enough formats that allow the freelance dancers and choreographers to share their practices. So, my question became, how to provide space for getting into ones body and at the same time remain the space open for experiments?
More than teaching, I would like to invite the participants into moving and thinking together. During the week, we will look into different practices that I have been introduced to, practiced or have developed during the past years. Some of those practices focus on listening; working with the body as a material and noticing what happens when we focus on specific elements that form choreography; working with voice and experimenting with how the sound can become a movement; doing ninja’s workout and learning how to disappear; and exorcising the contemporary dance.

CV
Katja Cheraneva is a freelance dancer based in Berlin. Studied at the Nikolai Ogryzskov’s Contemporary Dance School, Moscow and at the Hochschule für Musik und Darstellende Kunst, Frankfurt am Main. She was a member of the Kannon Dance Company from 2004 – 2005 and after finishing HfMDK joined The Forsythe Company from 2010 – 2015. Since then she has been freelancing as a dancer, choreographer and teacher, working in close collaboration with Fabrice Mazliah, Frances Chiaverini, Ksenia Ravvina and Janina Arendt. She has performed in ANGST II, III and award winning FAUST by Anne Imhof. From 2016 – 2019 a member and co-founder of HOOD that were resident artists of PACT Zollverein. As of October 2019 she is taking part in MACuP Giessen.

Wed 12.02.2020 | 10:00 - 11:30
Professional Training with Katja Cheraneva
Read more
Professional Training

Professional Training with Katja Cheraneva

  • Wed 12.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Class Description
As a freelance dancer I often struggled with the idea of professional trainings. From one hand there is a need for a training that would allow oneself to have a reflective time on a physical practice. From the other hand, there is not enough formats that allow the freelance dancers and choreographers to share their practices. So, my question became, how to provide space for getting into ones body and at the same time remain the space open for experiments?
More than teaching, I would like to invite the participants into moving and thinking together. During the week, we will look into different practices that I have been introduced to, practiced or have developed during the past years. Some of those practices focus on listening; working with the body as a material and noticing what happens when we focus on specific elements that form choreography; working with voice and experimenting with how the sound can become a movement; doing ninja’s workout and learning how to disappear; and exorcising the contemporary dance.

CV
Katja Cheraneva is a freelance dancer based in Berlin. Studied at the Nikolai Ogryzskov’s Contemporary Dance School, Moscow and at the Hochschule für Musik und Darstellende Kunst, Frankfurt am Main. She was a member of the Kannon Dance Company from 2004 – 2005 and after finishing HfMDK joined The Forsythe Company from 2010 – 2015. Since then she has been freelancing as a dancer, choreographer and teacher, working in close collaboration with Fabrice Mazliah, Frances Chiaverini, Ksenia Ravvina and Janina Arendt. She has performed in ANGST II, III and award winning FAUST by Anne Imhof. From 2016 – 2019 a member and co-founder of HOOD that were resident artists of PACT Zollverein. As of October 2019 she is taking part in MACuP Giessen.

Tue 11.02.2020 | 10:00 - 11:30
Professional Training with Katja Cheraneva
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Professional Training

Professional Training with Katja Cheraneva

  • Tue 11.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Class Description
As a freelance dancer I often struggled with the idea of professional trainings. From one hand there is a need for a training that would allow oneself to have a reflective time on a physical practice. From the other hand, there is not enough formats that allow the freelance dancers and choreographers to share their practices. So, my question became, how to provide space for getting into ones body and at the same time remain the space open for experiments?
More than teaching, I would like to invite the participants into moving and thinking together. During the week, we will look into different practices that I have been introduced to, practiced or have developed during the past years. Some of those practices focus on listening; working with the body as a material and noticing what happens when we focus on specific elements that form choreography; working with voice and experimenting with how the sound can become a movement; doing ninja’s workout and learning how to disappear; and exorcising the contemporary dance.

CV
Katja Cheraneva is a freelance dancer based in Berlin. Studied at the Nikolai Ogryzskov’s Contemporary Dance School, Moscow and at the Hochschule für Musik und Darstellende Kunst, Frankfurt am Main. She was a member of the Kannon Dance Company from 2004 – 2005 and after finishing HfMDK joined The Forsythe Company from 2010 – 2015. Since then she has been freelancing as a dancer, choreographer and teacher, working in close collaboration with Fabrice Mazliah, Frances Chiaverini, Ksenia Ravvina and Janina Arendt. She has performed in ANGST II, III and award winning FAUST by Anne Imhof. From 2016 – 2019 a member and co-founder of HOOD that were resident artists of PACT Zollverein. As of October 2019 she is taking part in MACuP Giessen.

Mon 10.02.2020 | 10:15 - 13:45
Dance Medical Consultation
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Dance Medical Consultation Sessions

Dance Medical Consultation

  • Mon 10.02.2020 | 10:15 - 13:45
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

30-Minute Individual Appointments | Supervised by Prof. Dr. med. Benita Kuni

The Tanzplattform Rhein-Main now offers to dancers of all fields what many professional athletes take for granted – medical and therapeutic support throughout their entire active career. The early morning consultation sessions take place on a regular basis and provide 30-minute one-on-one advice on: the prevention of dance injuries, rehabilitation and returning to the studio and the stage after having sustained a dance injury, analysis of dance technique and technique coaching, information on alternative training methods, a “dance medicine check-up”, as well as guidance and supervision in the field of dance medicine.

Registration

Mon 10.02.2020 | 10:00 - 11:30
Professional Training with Katja Cheraneva
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Professional Training

Professional Training with Katja Cheraneva

  • Mon 10.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

Class Description
As a freelance dancer I often struggled with the idea of professional trainings. From one hand there is a need for a training that would allow oneself to have a reflective time on a physical practice. From the other hand, there is not enough formats that allow the freelance dancers and choreographers to share their practices. So, my question became, how to provide space for getting into ones body and at the same time remain the space open for experiments?
More than teaching, I would like to invite the participants into moving and thinking together. During the week, we will look into different practices that I have been introduced to, practiced or have developed during the past years. Some of those practices focus on listening; working with the body as a material and noticing what happens when we focus on specific elements that form choreography; working with voice and experimenting with how the sound can become a movement; doing ninja’s workout and learning how to disappear; and exorcising the contemporary dance.

CV
Katja Cheraneva is a freelance dancer based in Berlin. Studied at the Nikolai Ogryzskov’s Contemporary Dance School, Moscow and at the Hochschule für Musik und Darstellende Kunst, Frankfurt am Main. She was a member of the Kannon Dance Company from 2004 – 2005 and after finishing HfMDK joined The Forsythe Company from 2010 – 2015. Since then she has been freelancing as a dancer, choreographer and teacher, working in close collaboration with Fabrice Mazliah, Frances Chiaverini, Ksenia Ravvina and Janina Arendt. She has performed in ANGST II, III and award winning FAUST by Anne Imhof. From 2016 – 2019 a member and co-founder of HOOD that were resident artists of PACT Zollverein. As of October 2019 she is taking part in MACuP Giessen.

Sat 08.02.2020 | 10:00 - 11:30
Antanzen | Klassisch mit Valerie Sauer
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Antanzen | Klassisch mit Valerie Sauer

  • Sat 08.02.2020 | 10:00 - 11:30
  • Hessisches Staatstheater Wiesbaden, Ballettsaal, Christian-Zais-Str. 3, 65189 Wiesbaden
  • 9,90 €

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

Please bring along comfortable training clothes, socks or dance shoes. Normal walking shoes are not allowed in the rehearsal room.

The ANTANZEN format is being carried out in cooperation with dance pedagogues from the region and the national and international network of alumni of the master’s degree in Contemporary Dance Education (MA CoDE) at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK).

  • Where: Ballet Hall, Hessischen Staatstheater Wiesbaden
  • Meeting Point: Stage door, 15 min. before the start of the session
Fri 07.02.2020 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Fri 07.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. Raimonda was born in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.

Class Description
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training. The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns.

Thu 06.02.2020 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Thu 06.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. Raimonda was born in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.

Class Description
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training. The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns.

Wed 05.02.2020 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
Read more
Professional Training

Professional Training with Raimonda Gudaviciute

  • Wed 05.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. Raimonda was born in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.

Class Description
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training. The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns.

Tue 04.02.2020 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
Read more
Professional Training

Professional Training with Raimonda Gudaviciute

  • Tue 04.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. Raimonda was born in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.

Class Description
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training. The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns.

Mon 03.02.2020 | 20:00 - 21:00
Flags | Paula Rosolen
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Guest Performance

Flags | Paula Rosolen

  • Mon 03.02.2020 | 20:00 - 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 19 | erm. € 9

Flags and banners are integral parts of our lives. They indicate affiliation with a football club in stadiums or represent a nation during a political event. They are skilfully twirled through the air and are used at sea and by the military to communicate signals and messages. And even though people can now communicate across great distances almost in real time thanks to satellites and broadband networks, flags retain their importance for transporting messages. In her new piece, Frankfurt choreographer Paula Rosolen therefore focuses on this much-ignored means of communication. She superimposes various semiotic systems of using flags to create a semiotic language of her own, which is meant to transmit messages between her ensemble of dancers and the audience. The theatre becomes an experimental ground on which fundamental principles of communication – including misunderstandings and misdirected information – can be playfully experienced which validity even in the age of binary code. No language skills required.

Dauer: ca. 60 Min.
Mousonturm-Koproduktion
Warm-Up | 19.00 h

Mon 03.02.2020 | 19:00 - 20:00
Warm-Up | Flags | Paula Rosolen
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Warm-Up | Flags | Paula Rosolen

  • Mon 03.02.2020 | 19:00 - 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main

Flags and banners are integral parts of our lives. They indicate affiliation with a football club in stadiums or represent a nation during a political event. They are skilfully twirled through the air and are used at sea and by the military to communicate signals and messages. And even though people can now communicate across great distances almost in real time thanks to satellites and broadband networks, flags retain their importance for transporting messages. In her new piece, Frankfurt choreographer Paula Rosolen therefore focuses on this much-ignored means of communication. She superimposes various semiotic systems of using flags to create a semiotic language of her own, which is meant to transmit messages between her ensemble of dancers and the audience. The theatre becomes an experimental ground on which fundamental principles of communication – including misunderstandings and misdirected information – can be playfully experienced which validity even in the age of binary code. No language skills required.

Mon 03.02.2020 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Mon 03.02.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Tageskarte 6€ | 10er-Karte 35 € | Monatskarte 50€

CV
Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. Raimonda was born in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.

Class Description
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training. The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns.

Sun 02.02.2020 | 18:00 - 19:00
Flags | Paula Rosolen
Read more
Guest Performance

Flags | Paula Rosolen

  • Sun 02.02.2020 | 18:00 - 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 19 | € 9

Flags and banners are integral parts of our lives. They indicate affiliation with a football club in stadiums or represent a nation during a political event. They are skilfully twirled through the air and are used at sea and by the military to communicate signals and messages. And even though people can now communicate across great distances almost in real time thanks to satellites and broadband networks, flags retain their importance for transporting messages. In her new piece, Frankfurt choreographer Paula Rosolen therefore focuses on this much-ignored means of communication. She superimposes various semiotic systems of using flags to create a semiotic language of her own, which is meant to transmit messages between her ensemble of dancers and the audience. The theatre becomes an experimental ground on which fundamental principles of communication – including misunderstandings and misdirected information – can be playfully experienced which validity even in the age of binary code. No language skills required.

Dauer: ca. 60 Min.
Mousonturm-Coproduction
Talk after the performance

Sat 01.02.2020 | 20:00 - 21:00
Flags | Paula Rosolen
Read more
Guest Performance

Flags | Paula Rosolen

  • Sat 01.02.2020 | 20:00 - 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • € 19 | € 9

Flags and banners are integral parts of our lives. They indicate affiliation with a football club in stadiums or represent a nation during a political event. They are skilfully twirled through the air and are used at sea and by the military to communicate signals and messages. And even though people can now communicate across great distances almost in real time thanks to satellites and broadband networks, flags retain their importance for transporting messages. In her new piece, Frankfurt choreographer Paula Rosolen therefore focuses on this much-ignored means of communication. She superimposes various semiotic systems of using flags to create a semiotic language of her own, which is meant to transmit messages between her ensemble of dancers and the audience. The theatre becomes an experimental ground on which fundamental principles of communication – including misunderstandings and misdirected information – can be playfully experienced which validity even in the age of binary code. No language skills required.

Dauer: ca. 60 Min.
Mousonturm-Koproduktion
premiere

Januar 2020
Fri 31.01.2020 | 19:30 - 20:30
Duet #4: sonâmesonhameçon Manufactured Series | Fabrice Mazliah
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Guest Performance

Duet #4: sonâmesonhameçon Manufactured Series | Fabrice Mazliah

  • Fri 31.01.2020 | 19:30 - 20:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 12 | € 6

In his “Manufactured Series” Fabrice Mazliah creates ten duets, each between a human and a nonhuman handcrafted body. In the fourth duet of the series, the performer Emilia Giudicelli is collaborating with a rod for fly fishing, which she has made herself. To fly fish is to deeply listen to the different ecosystems that the angler is in contact with and to tune into them. Catching a fish, is not an end in itself, but rather the confirmation of a successful “reading” of the water, the vegetation of the bottom and the insects of the
specific wet biotope. The fly rod can function as an extension of the human body but also as a lever made up of bamboo and line, in order to cast a tiny knot of a string fly onto the surface of the water. Flies are studies of the insects in all the different stages of development. They “play” the fish and queer the fly angler community, still mainly male-gendered, with their colorful garments of paillettes and feathers. In the end the question remains: who catches whom? No language skills required

Fri 31.01.2020 | 10:00 - 11:30
Professional Training with Verónica Garzón
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Professional Training

Professional Training with Verónica Garzón

  • Fri 31.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The training should encourage a consciousness for the whole body by using the principles of the Cunningham-Technique.

Thu 30.01.2020 | 19:30 - 20:30
Duet #4: sonâmesonhameçon Manufactured Series | Fabrice Mazliah
Read more
Guest Performance

Duet #4: sonâmesonhameçon Manufactured Series | Fabrice Mazliah

  • Thu 30.01.2020 | 19:30 - 20:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 12 | € 6

In his “Manufactured Series” Fabrice Mazliah creates ten duets, each between a human and a nonhuman handcrafted body. In the fourth duet of the series, the performer Emilia Giudicelli is collaborating with a rod for fly fishing, which she has made herself. To fly fish is to deeply listen to the different ecosystems that the angler is in contact with and to tune into them. Catching a fish, is not an end in itself, but rather the confirmation of a successful “reading” of the water, the vegetation of the bottom and the insects of the
specific wet biotope. The fly rod can function as an extension of the human body but also as a lever made up of bamboo and line, in order to cast a tiny knot of a string fly onto the surface of the water. Flies are studies of the insects in all the different stages of development. They “play” the fish and queer the fly angler community, still mainly male-gendered, with their colorful garments of paillettes and feathers. In the end the question remains: who catches whom? No language skills required

Thu 30.01.2020 | 10:00 - 11:30
Professional Training with Verónica Garzón
Read more
Professional Training

Professional Training with Verónica Garzón

  • Thu 30.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The training should encourage a consciousness for the whole body by using the principles of the Cunningham-Technique.

Wed 29.01.2020 | 19:30 - 20:30
Duet #4: sonâmesonhameçon Manufactured Series | Fabrice Mazliah
Read more
Guest Performance

Duet #4: sonâmesonhameçon Manufactured Series | Fabrice Mazliah

  • Wed 29.01.2020 | 19:30 - 20:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • € 12 | € 6

In his “Manufactured Series” Fabrice Mazliah creates ten duets, each between a human and a nonhuman handcrafted body. In the fourth duet of the series, the performer Emilia Giudicelli is collaborating with a rod for fly fishing, which she has made herself. To fly fish is to deeply listen to the different ecosystems that the angler is in contact with and to tune into them. Catching a fish, is not an end in itself, but rather the confirmation of a successful “reading” of the water, the vegetation of the bottom and the insects of the
specific wet biotope. The fly rod can function as an extension of the human body but also as a lever made up of bamboo and line, in order to cast a tiny knot of a string fly onto the surface of the water. Flies are studies of the insects in all the different stages of development. They “play” the fish and queer the fly angler community, still mainly male-gendered, with their colorful garments of paillettes and feathers. In the end the question remains: who catches whom? No language skills required

Wed 29.01.2020 | 10:00 - 11:30
Professional Training with Verónica Garzón
Read more
Professional Training

Professional Training with Verónica Garzón

  • Wed 29.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The training should encourage a consciousness for the whole body by using the principles of the Cunningham-Technique.

Tue 28.01.2020 | 10:00 - 11:30
Professional Training with Verónica Garzón
Read more
Professional Training

Professional Training with Verónica Garzón

  • Tue 28.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The training should encourage a consciousness for the whole body by using the principles of the Cunningham-Technique.

Mon 27.01.2020 | 10:00 - 11:30
Professional Training with Verónica Garzón
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Professional Training

Professional Training with Verónica Garzón

  • Mon 27.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The training should encourage a consciousness for the whole body by using the principles of the Cunningham-Technique.

Sat 25.01.2020 | 10:30 - 12:00
Antanzen | Contemporary with Anton Rudakov
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Antanzen | Contemporary with Anton Rudakov

  • Sat 25.01.2020 | 10:30 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 9 Euro

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

Please bring along comfortable training clothes, socks or dance shoes. Normal walking shoes are not allowed in the rehearsal room.

The ANTANZEN format is being carried out in cooperation with dance pedagogues from the region and the national and international network of alumni of the master’s degree in Contemporary Dance Education (MA CoDE) at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK).

Meeting point: Foyer Kammerspiele 15 min. before start
More information & tickets

Fri 24.01.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Richard Oberscheven
Read more
Professional Training

+++ canceled +++ Professional Training with Richard Oberscheven

  • Fri 24.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Richard Oberscheven, living in Frankfurt am Main, is a contemporary dancer, choreographer, lecturer and DJ. He is trained in classical and contemporary dance, Improvisation and Feldenkrais, and completed his Bachelor of Arts in DANCE at the HfMDK in Frankfurt am Main. As a dancer he has received engagements for companies and choreographers such as the Saarland State Ballet, Tanzkompagnie Gießen, Tony Rizzi and the Bad Habits, Taulant Shehu, Célestine Hennermann, Freies Tanz Theater Frankfurt and Dieter Heitkamp. Richard has been showing choreographic works throughout Germany since 2014. As a lecturer he teaches professional dance training at TanzFaktur Köln, Künstlerhaus Mousonturm, tanznetz|Freiburg, gives workshops in various dance studios as well at the Frankfurt University for Applied Sciences. His teaching is inspired and influenced by various improvisation systems such as Improvisation Technologies by William Forsythe. In his practice Richard experiments with dynamic changes of positions and spatial directions and searches for natural elements of movement in order to experience dance as a living anatomy. This year Richard Oberscheven is Artist in Residence of Twain dance production centre in Tuscania.

Class Description
His teaching is based on a combination of ballet and contemporary dance with an emphasis on position and movement efficiency, while at the same time taking into account the individual needs and abilities of each participant. The training is structured with exercises on the bar from simple to complex sequences of movements in space, which sharpen the sense of movement through dynamic changes between positions and spatial orientation. The aim is to discover ballet as a tool in contemporary dance by giving the participants more freedom of movement and awareness of their own movement potential. The training can thus form an innovative basis for improvisation.

Thu 23.01.2020 | 10:00 - 11:30
+++ canceled +++ Professional Training with Richard Oberscheven
Read more
Professional Training

+++ canceled +++ Professional Training with Richard Oberscheven

  • Thu 23.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3

+++ canceled +++ Coronavirus +++ #flatenthecurve

CV
Richard Oberscheven, living in Frankfurt am Main, is a contemporary dancer, choreographer, lecturer and DJ. He is trained in classical and contemporary dance, Improvisation and Feldenkrais, and completed his Bachelor of Arts in DANCE at the HfMDK in Frankfurt am Main. As a dancer he has received engagements for companies and choreographers such as the Saarland State Ballet, Tanzkompagnie Gießen, Tony Rizzi and the Bad Habits, Taulant Shehu, Célestine Hennermann, Freies Tanz Theater Frankfurt and Dieter Heitkamp. Richard has been showing choreographic works throughout Germany since 2014. As a lecturer he teaches professional dance training at TanzFaktur Köln, Künstlerhaus Mousonturm, tanznetz|Freiburg, gives workshops in various dance studios as well at the Frankfurt University for Applied Sciences. His teaching is inspired and influenced by various improvisation systems such as Improvisation Technologies by William Forsythe. In his practice Richard experiments with dynamic changes of positions and spatial directions and searches for natural elements of movement in order to experience dance as a living anatomy. This year Richard Oberscheven is Artist in Residence of Twain dance production centre in Tuscania.

Class Description
His teaching is based on a combination of ballet and contemporary dance with an emphasis on position and movement efficiency, while at the same time taking into account the individual needs and abilities of each participant. The training is structured with exercises on the bar from simple to complex sequences of movements in space, which sharpen the sense of movement through dynamic changes between positions and spatial orientation. The aim is to discover ballet as a tool in contemporary dance by giving the participants more freedom of movement and awareness of their own movement potential. The training can thus form an innovative basis for improvisation.

Wed 22.01.2020 | 10:00 - 11:30
Professional training with Joel Small
Read more
Professional Training

Professional training with Joel Small

  • Wed 22.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

What do we do and why do we do what we do ?
We connect people with themselves and others through dance, movement, rhythm and live sound.
We do this because it can offer people a safe space to sense their body in movement, time and space. The class then can also offer recognition of the other, which ultimately includes You. The You You.

Born in Sydney, Australia. Joel trained at the School of the Hamburg Ballet, graduating and
joining the main company in 2008. In 2012 he moved to Perth, Western Australia, dancing as a
guest at the West Australian Ballet and working on independent projects. In 2013, he began the
honours program of the LINK Dance Company at the Western Australian Academy of Performing Arts. In 2015 he joined the Dresden Frankfurt Dance Company. As freelancer since 2019, he joins Cyril Baldy for ‘Variations for a Few’ and teaches internationally for various establishments.

Tue 21.01.2020 | 10:00 - 11:30
Professional training with Joel Small
Read more
Professional Training

Professional training with Joel Small

  • Tue 21.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

What do we do and why do we do what we do ?
We connect people with themselves and others through dance, movement, rhythm and live sound.
We do this because it can offer people a safe space to sense their body in movement, time and space. The class then can also offer recognition of the other, which ultimately includes You. The You You.

Born in Sydney, Australia. Joel trained at the School of the Hamburg Ballet, graduating and
joining the main company in 2008. In 2012 he moved to Perth, Western Australia, dancing as a
guest at the West Australian Ballet and working on independent projects. In 2013, he began the
honours program of the LINK Dance Company at the Western Australian Academy of Performing Arts. In 2015 he joined the Dresden Frankfurt Dance Company. As freelancer since 2019, he joins Cyril Baldy for ‘Variations for a Few’ and teaches internationally for various establishments.

Mon 20.01.2020 | 10:00 - 11:30
Professional training with Joel Small
Read more
Professional Training

Professional training with Joel Small

  • Mon 20.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

What do we do and why do we do what we do ?
We connect people with themselves and others through dance, movement, rhythm and live sound.
We do this because it can offer people a safe space to sense their body in movement, time and space. The class then can also offer recognition of the other, which ultimately includes You. The You You.

Born in Sydney, Australia. Joel trained at the School of the Hamburg Ballet, graduating and
joining the main company in 2008. In 2012 he moved to Perth, Western Australia, dancing as a
guest at the West Australian Ballet and working on independent projects. In 2013, he began the
honours program of the LINK Dance Company at the Western Australian Academy of Performing Arts. In 2015 he joined the Dresden Frankfurt Dance Company. As freelancer since 2019, he joins Cyril Baldy for ‘Variations for a Few’ and teaches internationally for various establishments.

Sun 19.01.2020 | 20:00
DUA Taulant Shehu
Read more
Guest Performance

DUA Taulant Shehu

  • Sun 19.01.2020 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

Powerful rhythms and virtuoso movements connect the six dancers. “Dua” means in Albanian love or want. In his powerful piece, choreographer Taulant Shehu takes his Albanian roots. The wedding as a summit of solemnity, joy and the promise to stay together forever is in Dua the starting point of a reflection of human coexistence.

Sat 18.01.2020 | 20:00
DUA Taulant Shehu
Read more
Guest Performance

DUA Taulant Shehu

  • Sat 18.01.2020 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt

Powerful rhythms and virtuoso movements connect the six dancers. “Dua” means in Albanian love or want. In his powerful piece, choreographer Taulant Shehu takes his Albanian roots. The wedding as a summit of solemnity, joy and the promise to stay together forever is in Dua the starting point of a reflection of human coexistence.

Sat 18.01.2020 | 10:00 - 11:30
Antanzen | Klassisch with Valerie Sauer
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Antanzen | Klassisch with Valerie Sauer

  • Sat 18.01.2020 | 10:00 - 11:30
  • Hessisches Staatstheater Wiesbaden, Ballettsaal, Christian-Zais-Str. 3, 65189 Wiesbaden
  • 9 Euro

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

Please bring along comfortable training clothes, socks or dance shoes. Normal walking shoes are not allowed in the rehearsal room.

The ANTANZEN format is being carried out in cooperation with dance pedagogues from the region and the national and international network of alumni of the master’s degree in Contemporary Dance Education (MA CoDE) at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK).

Meeting point: 15 minutes before start of session.
More Information & tickets

Fri 17.01.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
Read more
Professional Training

Professional Training with Frédéric De Carlo

  • Fri 17.01.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Thu 16.01.2020 | 19:30 - 21:00
Massala Company: OUM | Work in Progress
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Residenzprogramm

Massala Company: OUM | Work in Progress

  • Thu 16.01.2020 | 19:30 - 21:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 6 Euro

Work in Progress showing

The Moroccan-French choreographer Fouad Boussouf’s latest work by his Massala Dance Company, whose work featured Näss during the Rhein-Main 2018 Dance Festival, re-examines the synthesis of traditional North African and Arabic art and culture and hip-hop. Based on the great Arabian divas such as Oum Kalthoum, Ismahan and Leila Mourad, he uses his dancers to investigate how hip-hop, as a cultural “foreign body”, overwrites memories musically, physically and socially, thus making physical limitations superfluous in conjunction with traditions

Thu 16.01.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
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Professional Training

Professional Training with Frédéric De Carlo

  • Thu 16.01.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Wed 15.01.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
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Professional Training

Professional Training with Frédéric De Carlo

  • Wed 15.01.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Tue 14.01.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
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Professional Training

Professional Training with Frédéric De Carlo

  • Tue 14.01.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Mon 13.01.2020 | 10:00 - 11:30
Professional Training with Frédéric De Carlo
Read more
Professional Training

Professional Training with Frédéric De Carlo

  • Mon 13.01.2020 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Watch out registration via e-mail needed. More information here

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and holds the French Diploma of Dance Teacher. While being a performer in France, he started to develop his own projects focusing on gender issues, representations and bodily practices in different constellations (Frédéric Gies, Paul B. Preciado). Then in Berlin, he was part of the collective group “ Practicable”. In Frankfurt, with Fanti Baum and Joana Tischkau, they created the piece Hors de combat. He was also involved in the performances of Caroline Creutzburg and Ravvina / Veit. He is currently part of the leading team of ID_Frankfurt.

About the training
In these sessions, the focus will be put on the sense of the self, regarding the moving body. With the help of certain anatomy and physiology principles, and through visualization, the participants will question and refine their sense of proprioception, so to speak how they perceive and inscribe their bodies, jointly with movement and time, in space.

Sat 11.01.2020 | 10:45 - 12:45
Massala Dance Company: OUM
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Workshops

Massala Dance Company: OUM

  • Sat 11.01.2020 | 10:45 - 12:45
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11,50 Euro

Hessisches Staatsballett

Workshop

The Moroccan-French choreographer Fouad Boussouf’s latest work by his Massala Dance Company, whose work featured Näss during the Rhein-Main 2018 Dance Festival, re-examines the synthesis of traditional North African and Arabic art and culture and hip-hop. Based on the great Arabian divas such as Oum Kalthoum, Ismahan and Leila Mourad, he uses his dancers to investigate how hip-hop, as a cultural “foreign body”, overwrites memories musically, physically and socially, thus making physical limitations superfluous in conjunction with traditions

Fri 10.01.2020 | 20:00
DUA Taulant Shehu
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Guest Performance

DUA Taulant Shehu

  • Fri 10.01.2020 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 | erm. 9 Euro

Powerful rhythms and virtuoso movements connect the six dancers. “Dua” means in Albanian love or want. In his powerful piece, choreographer Taulant Shehu takes his Albanian roots. The wedding as a summit of solemnity, joy and the promise to stay together forever is in Dua the starting point of a reflection of human coexistence.

Fri 10.01.2020 | 10:00 - 11:30
Professional training with Paul White
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Professional Training

Professional training with Paul White

  • Fri 10.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Thu 09.01.2020 | 20:00
DUA Taulant Shehu
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Guest Performance

DUA Taulant Shehu

  • Thu 09.01.2020 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 | erm. 9 Euro

Powerful rhythms and virtuoso movements connect the six dancers. “Dua” means in Albanian love or want. In his powerful piece, choreographer Taulant Shehu takes his Albanian roots. The wedding as a summit of solemnity, joy and the promise to stay together forever is in Dua the starting point of a reflection of human coexistence.

Thu 09.01.2020 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Thu 09.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Wed 08.01.2020 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Wed 08.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Tue 07.01.2020 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Tue 07.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Mon 06.01.2020 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Mon 06.01.2020 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Dezember 2019
Fri 20.12.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Fri 20.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Thu 19.12.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Thu 19.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Wed 18.12.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Wed 18.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Tue 17.12.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Tue 17.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Mon 16.12.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Mon 16.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Sun 15.12.2019 | 12:00 - 16:00
Copy Club / Tanzklub 13–18 years
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Workshops

Copy Club / Tanzklub 13–18 years

  • Sun 15.12.2019 | 12:00 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 8 Euro

This Tanzklub addresses young people, who are excited about experiencing new forms of movements. Everyone between the ages 13 and 18 is welcome!

Together with choreographer and performer Joana Tischkau, a collection of music videos and internet clips will be copied and imitated as a creative recycling process develops.

As special bonus, all members of the Mousonturm Tanzklubs get a special discount on individual performances.

Sat 14.12.2019 | 12:00 - 16:00
Copy Club / Tanzklub 13–18 years
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Workshops

Copy Club / Tanzklub 13–18 years

  • Sat 14.12.2019 | 12:00 - 16:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 8 Euro

This Tanzklub addresses young people, who are excited about experiencing new forms of movements. Everyone between the ages 13 and 18 is welcome!

Together with choreographer and performer Joana Tischkau, a collection of music videos and internet clips will be copied and imitated as a creative recycling process develops.

As special bonus, all members of the Mousonturm Tanzklubs get a special discount on individual performances.

Sat 14.12.2019 | 10:30 - 12:00
Antanzen | Contemporary with Anton Rudakov
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Antanzen | Contemporary with Anton Rudakov

  • Sat 14.12.2019 | 10:30 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 9 Euro

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

Please bring along comfortable training clothes, socks or dance shoes. Normal walking shoes are not allowed in the rehearsal room.

The ANTANZEN format is being carried out in cooperation with dance pedagogues from the region and the national and international network of alumni of the master’s degree in Contemporary Dance Education (MA CoDE) at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK).

Meeting point: Foyer Kammerspiele 15 min. before start
More information & tickets

Fri 13.12.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Fri 13.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Thu 12.12.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Thu 12.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Wed 11.12.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Wed 11.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Tue 10.12.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Tue 10.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Mon 09.12.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Mon 09.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Fri 06.12.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Fri 06.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Thu 05.12.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Thu 05.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Wed 04.12.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Wed 04.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Tue 03.12.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Tue 03.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Mon 02.12.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
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Professional Training

Professional Training with Kasia Kizior

  • Mon 02.12.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

November 2019
Fri 29.11.2019 | 10:00 - 11:30
Professional Training with Verena Kutschera
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Professional Training

Professional Training with Verena Kutschera

  • Fri 29.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Dynamic Floorwork
The class begins with a warm-up awakening the functional anatomy of the body to explore technical principles of the floor work. Followed by a physical endurance phase focusing on movement phrases using the physical law of expansion and cohesion, the spiral, the centrifugal energy, and gravity. The class ends with a cool-down, to regenerate the flexibility of the body. Kutschera draws on various backgrounds such as Spiral Dynamics, Flying Low (David Zambrano), and Release-Technique to move in and out of the floor

Verena Kutschera, born in Berlin, and works as a professional dancer/performer, choreographer, and lecturer. She received her BA in Dance Theatre from the Trinity Laban Conservatoire of Music and Dance in London and an MA of Contemporary Dance Education from the Frankfurt University of Music and Performing Arts. After several engagements with international choreographers and companies SomoSQuien, La Fura Dels Baus, David Zambrano, Jeremy Nelson, Jun Takahashi, Kutschera develops her artistic works and performs them throughout Europe. As a lecturer she works internationally in various mediation formats, and teaches professional dance training at Centro De Danca Deborah Colker in Rio de Janeiro, La RUCHE in Lyon, the North Karelian College Outokumpu in Finland, TENZA-Schmiede in Dresden, TanzNetz Freiburg, K3 Tanzplan Hamburg.

Thu 28.11.2019 | 10:00 - 11:30
Professional Training with Verena Kutschera
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Professional Training

Professional Training with Verena Kutschera

  • Thu 28.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Dynamic Floorwork
The class begins with a warm-up awakening the functional anatomy of the body to explore technical principles of the floor work. Followed by a physical endurance phase focusing on movement phrases using the physical law of expansion and cohesion, the spiral, the centrifugal energy, and gravity. The class ends with a cool-down, to regenerate the flexibility of the body. Kutschera draws on various backgrounds such as Spiral Dynamics, Flying Low (David Zambrano), and Release-Technique to move in and out of the floor

Verena Kutschera, born in Berlin, and works as a professional dancer/performer, choreographer, and lecturer. She received her BA in Dance Theatre from the Trinity Laban Conservatoire of Music and Dance in London and an MA of Contemporary Dance Education from the Frankfurt University of Music and Performing Arts. After several engagements with international choreographers and companies SomoSQuien, La Fura Dels Baus, David Zambrano, Jeremy Nelson, Jun Takahashi, Kutschera develops her artistic works and performs them throughout Europe. As a lecturer she works internationally in various mediation formats, and teaches professional dance training at Centro De Danca Deborah Colker in Rio de Janeiro, La RUCHE in Lyon, the North Karelian College Outokumpu in Finland, TENZA-Schmiede in Dresden, TanzNetz Freiburg, K3 Tanzplan Hamburg.

Wed 27.11.2019 | 10:00 - 11:30
Professional Training with Verena Kutschera
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Professional Training

Professional Training with Verena Kutschera

  • Wed 27.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Dynamic Floorwork
The class begins with a warm-up awakening the functional anatomy of the body to explore technical principles of the floor work. Followed by a physical endurance phase focusing on movement phrases using the physical law of expansion and cohesion, the spiral, the centrifugal energy, and gravity. The class ends with a cool-down, to regenerate the flexibility of the body. Kutschera draws on various backgrounds such as Spiral Dynamics, Flying Low (David Zambrano), and Release-Technique to move in and out of the floor

Verena Kutschera, born in Berlin, and works as a professional dancer/performer, choreographer, and lecturer. She received her BA in Dance Theatre from the Trinity Laban Conservatoire of Music and Dance in London and an MA of Contemporary Dance Education from the Frankfurt University of Music and Performing Arts. After several engagements with international choreographers and companies SomoSQuien, La Fura Dels Baus, David Zambrano, Jeremy Nelson, Jun Takahashi, Kutschera develops her artistic works and performs them throughout Europe. As a lecturer she works internationally in various mediation formats, and teaches professional dance training at Centro De Danca Deborah Colker in Rio de Janeiro, La RUCHE in Lyon, the North Karelian College Outokumpu in Finland, TENZA-Schmiede in Dresden, TanzNetz Freiburg, K3 Tanzplan Hamburg.

Tue 26.11.2019 | 10:00 - 11:30
Professional Training with Verena Kutschera
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Professional Training

Professional Training with Verena Kutschera

  • Tue 26.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Dynamic Floorwork
The class begins with a warm-up awakening the functional anatomy of the body to explore technical principles of the floor work. Followed by a physical endurance phase focusing on movement phrases using the physical law of expansion and cohesion, the spiral, the centrifugal energy, and gravity. The class ends with a cool-down, to regenerate the flexibility of the body. Kutschera draws on various backgrounds such as Spiral Dynamics, Flying Low (David Zambrano), and Release-Technique to move in and out of the floor

Verena Kutschera, born in Berlin, and works as a professional dancer/performer, choreographer, and lecturer. She received her BA in Dance Theatre from the Trinity Laban Conservatoire of Music and Dance in London and an MA of Contemporary Dance Education from the Frankfurt University of Music and Performing Arts. After several engagements with international choreographers and companies SomoSQuien, La Fura Dels Baus, David Zambrano, Jeremy Nelson, Jun Takahashi, Kutschera develops her artistic works and performs them throughout Europe. As a lecturer she works internationally in various mediation formats, and teaches professional dance training at Centro De Danca Deborah Colker in Rio de Janeiro, La RUCHE in Lyon, the North Karelian College Outokumpu in Finland, TENZA-Schmiede in Dresden, TanzNetz Freiburg, K3 Tanzplan Hamburg.

Mon 25.11.2019 | 10:00 - 11:30
Professional Training with Verena Kutschera
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Professional Training

Professional Training with Verena Kutschera

  • Mon 25.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Dynamic Floorwork
The class begins with a warm-up awakening the functional anatomy of the body to explore technical principles of the floor work. Followed by a physical endurance phase focusing on movement phrases using the physical law of expansion and cohesion, the spiral, the centrifugal energy, and gravity. The class ends with a cool-down, to regenerate the flexibility of the body. Kutschera draws on various backgrounds such as Spiral Dynamics, Flying Low (David Zambrano), and Release-Technique to move in and out of the floor

Verena Kutschera, born in Berlin, and works as a professional dancer/performer, choreographer, and lecturer. She received her BA in Dance Theatre from the Trinity Laban Conservatoire of Music and Dance in London and an MA of Contemporary Dance Education from the Frankfurt University of Music and Performing Arts. After several engagements with international choreographers and companies SomoSQuien, La Fura Dels Baus, David Zambrano, Jeremy Nelson, Jun Takahashi, Kutschera develops her artistic works and performs them throughout Europe. As a lecturer she works internationally in various mediation formats, and teaches professional dance training at Centro De Danca Deborah Colker in Rio de Janeiro, La RUCHE in Lyon, the North Karelian College Outokumpu in Finland, TENZA-Schmiede in Dresden, TanzNetz Freiburg, K3 Tanzplan Hamburg.

Fri 22.11.2019 | 10:00 - 11:30
Professional Training with Mila Twiehaus
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Professional Training

Professional Training with Mila Twiehaus

  • Fri 22.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class Milena teaches is an improvisation/task-based training geared towards strengthening and heightening the agility of the body as well as the mind. The tasks that are given are designed to train the connection between body and brain to make them more intuitively responsive to one another. The class is formed as a set of continues instructions that together form a personal research in which ideas, images and exercises are given in movement.
As a teacher Milena draws from her experience as a dancer creating contemporary work with various choreographers.
Nowadays dancers are often required to respond quickly or even immediately to the input of a choreographer or choreographic situation. This skill asks for a certain readiness, combining instinct and conscious choice into an intuitive, sensitive state. As with any other skill, this requires training and maintenance. Two of the main influences to this way of teaching are Gaga movement research and the training method of Amos Ben-Tal.

After her training at a classical conservatory in Den Haag and contemporary dance education at The Juilliard School in New York, Milena danced in a number of companies before becoming a freelance dancer. She has worked with many choreographers (such as Ohad Naharin, Itamar Serussi, Jiri Kylian), and in recent years mainly with Emanuel Gat and Amos Ben-Tal. A lot of her performing experience involves live-choreography and improvisation in many different contexts and combinations. Her teaching practice started in 2005 while dancing in the Ensemble Batsheva in Israel. She is also co-founder of the artist collective OFFprojects in The Netherlands.

Thu 21.11.2019 | 10:00 - 11:30
Professional Training with Mila Twiehaus
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Professional Training

Professional Training with Mila Twiehaus

  • Thu 21.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class Milena teaches is an improvisation/task-based training geared towards strengthening and heightening the agility of the body as well as the mind. The tasks that are given are designed to train the connection between body and brain to make them more intuitively responsive to one another. The class is formed as a set of continues instructions that together form a personal research in which ideas, images and exercises are given in movement.
As a teacher Milena draws from her experience as a dancer creating contemporary work with various choreographers.
Nowadays dancers are often required to respond quickly or even immediately to the input of a choreographer or choreographic situation. This skill asks for a certain readiness, combining instinct and conscious choice into an intuitive, sensitive state. As with any other skill, this requires training and maintenance. Two of the main influences to this way of teaching are Gaga movement research and the training method of Amos Ben-Tal.

After her training at a classical conservatory in Den Haag and contemporary dance education at The Juilliard School in New York, Milena danced in a number of companies before becoming a freelance dancer. She has worked with many choreographers (such as Ohad Naharin, Itamar Serussi, Jiri Kylian), and in recent years mainly with Emanuel Gat and Amos Ben-Tal. A lot of her performing experience involves live-choreography and improvisation in many different contexts and combinations. Her teaching practice started in 2005 while dancing in the Ensemble Batsheva in Israel. She is also co-founder of the artist collective OFFprojects in The Netherlands.

Wed 20.11.2019 | 10:00 - 11:30
Professional Training with Mila Twiehaus
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Professional Training

Professional Training with Mila Twiehaus

  • Wed 20.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class Milena teaches is an improvisation/task-based training geared towards strengthening and heightening the agility of the body as well as the mind. The tasks that are given are designed to train the connection between body and brain to make them more intuitively responsive to one another. The class is formed as a set of continues instructions that together form a personal research in which ideas, images and exercises are given in movement.
As a teacher Milena draws from her experience as a dancer creating contemporary work with various choreographers.
Nowadays dancers are often required to respond quickly or even immediately to the input of a choreographer or choreographic situation. This skill asks for a certain readiness, combining instinct and conscious choice into an intuitive, sensitive state. As with any other skill, this requires training and maintenance. Two of the main influences to this way of teaching are Gaga movement research and the training method of Amos Ben-Tal.

After her training at a classical conservatory in Den Haag and contemporary dance education at The Juilliard School in New York, Milena danced in a number of companies before becoming a freelance dancer. She has worked with many choreographers (such as Ohad Naharin, Itamar Serussi, Jiri Kylian), and in recent years mainly with Emanuel Gat and Amos Ben-Tal. A lot of her performing experience involves live-choreography and improvisation in many different contexts and combinations. Her teaching practice started in 2005 while dancing in the Ensemble Batsheva in Israel. She is also co-founder of the artist collective OFFprojects in The Netherlands.

Tue 19.11.2019 | 10:00 - 11:30
Professional Training with Mila Twiehaus
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Professional Training

Professional Training with Mila Twiehaus

  • Tue 19.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class Milena teaches is an improvisation/task-based training geared towards strengthening and heightening the agility of the body as well as the mind. The tasks that are given are designed to train the connection between body and brain to make them more intuitively responsive to one another. The class is formed as a set of continues instructions that together form a personal research in which ideas, images and exercises are given in movement.
As a teacher Milena draws from her experience as a dancer creating contemporary work with various choreographers.
Nowadays dancers are often required to respond quickly or even immediately to the input of a choreographer or choreographic situation. This skill asks for a certain readiness, combining instinct and conscious choice into an intuitive, sensitive state. As with any other skill, this requires training and maintenance. Two of the main influences to this way of teaching are Gaga movement research and the training method of Amos Ben-Tal.

After her training at a classical conservatory in Den Haag and contemporary dance education at The Juilliard School in New York, Milena danced in a number of companies before becoming a freelance dancer. She has worked with many choreographers (such as Ohad Naharin, Itamar Serussi, Jiri Kylian), and in recent years mainly with Emanuel Gat and Amos Ben-Tal. A lot of her performing experience involves live-choreography and improvisation in many different contexts and combinations. Her teaching practice started in 2005 while dancing in the Ensemble Batsheva in Israel. She is also co-founder of the artist collective OFFprojects in The Netherlands.

Mon 18.11.2019 | 10:00 - 11:30
Professional Training with Hannah Shakti Bühler
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Professional Training

Professional Training with Hannah Shakti Bühler

  • Mon 18.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50
Sat 16.11.2019 | 20:00
Tanzfest
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Tanztag Rhein-Main

Tanzfest

  • Sat 16.11.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Pay as you wish

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 19:30
Der Nussknacker - Tim Plegge / Hessisches Staatsballett
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Tanzfestival Rhein-Main

Der Nussknacker - Tim Plegge / Hessisches Staatsballett

  • Sat 16.11.2019 | 19:30
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 13,50 - 61 Euro

Tim Plegge will present the piece “Der Nussknacker” zusammen mit dem Hessischen Staatsballett at the Tanzfestival Rhein-Main 2019!

Der Nussknacker is one of the world’s most popular story ballets. The focus of the new version of this ballet classic, which Tim Plegge creates for the Hessische Staatsballett, is the story of Marie, who is given a nutcracker as a present on Christmas Eve. She takes it with her on trips through the sugar land, through hopes, wishes and dreams in which the contours between daily life and projections become blurry. Marie begins to believe that she can find what she thinks she misses the most in the dream world, at least until everything also becomes unbalanced here as well. In Plegge’s version, in which fairy-tale elements and the daily life of bare-bones family Christmases intertwine, the story’s dark and bizarre aspects also have their place.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 14:00
Klasse Kinder! - Ligna
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LIGNA: Klasse Kinder!

Klasse Kinder! - Ligna

  • Sat 16.11.2019 | 14:00
  • Offenbach - Komm Shoppings Center-Offenbach
  • Pay as you wish

Tanzfestival Rhein-Main

Get to play air guitar in the train station or a public mall and be part of a dancing gang just for once? During the dance festival the performance collective LIGNA invites children between six and twelve years of age to take part in an extraordinary piece. Equipped with headphones, which feature an audio play that mixes stories and movement instructions, they conquer the public space through dance as they test the ways in which a random motley crew moves without a leader. Inspiration for the piece comes from the choreographer Jenny Gertz (1891–1966), an almost forgotten pioneer of modern dance and visionary in the field of working with children.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 14:00 - 17:00
Tanztee
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Tanzfestival Rhein-Main

Tanztee

  • Sat 16.11.2019 | 14:00 - 17:00
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • Pay as you wish

Dance teas were social highlights in the 1920s as a relaxed way to meet new people. Tea and hors d’ouevres were passed around; people danced, laughed, observed, explored… deep conversations were held and then they danced again. The Hessische Staatsballett’s Tanztee has become an institution at the Tanztag Rhein-Main. This
year, the tradition will be rekindled and it will remind us that dance isn’t just nice to look at, but can be experienced by everyone – and that it usually leads to having a really good mood. And once again, dancing will be accompanied by live salon Music of exquisite taste.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 13:00
Diego - Dance-Battle
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Tanzfestival Rhein-Main

Diego - Dance-Battle

  • Sat 16.11.2019 | 13:00
  • Offenbach - Komm Shoppings Center-Offenbach
  • Eintritt frei / Admission free

In breakdance, dance battles are a standard form of competition in which dancers demonstrate their abilities in various categories in front of a jury while comparing themselves to others. In the Tanzfestival Rhein-Main context, we are inviting everyone to a dance battle of a special kind. Dancers from different styles and genres meet here. In contrast to a conventional breakdance battle, they don’t know who they will form a team with and what music will be played in the respective battle. The audience decides who makes it to the next round.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 12:00
Klasse Kinder! - Ligna
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LIGNA: Klasse Kinder!

Klasse Kinder! - Ligna

  • Sat 16.11.2019 | 12:00
  • Offenbach - Komm Shoppings Center-Offenbach
  • Pay as you wish

Tanzfestival Rhein-Main

Get to play air guitar in the train station or a public mall and be part of a dancing gang just for once? During the dance festival the performance collective LIGNA invites children between six and twelve years of age to take part in an extraordinary piece. Equipped with headphones, which feature an audio play that mixes stories and movement instructions, they conquer the public space through dance as they test the ways in which a random motley crew moves without a leader. Inspiration for the piece comes from the choreographer Jenny Gertz (1891–1966), an almost forgotten pioneer of modern dance and visionary in the field of working with children.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 11:00
Diego - Dance-Battle
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Tanzfestival Rhein-Main

Diego - Dance-Battle

  • Sat 16.11.2019 | 11:00
  • Offenbach - Komm Shoppings Center-Offenbach
  • Eintritt frei / Admission free

In breakdance, dance battles are a standard form of competition in which dancers demonstrate their abilities in various categories in front of a jury while comparing themselves to others. In the Tanzfestival Rhein-Main context, we are inviting everyone to a dance battle of a special kind. Dancers from different styles and genres meet here. In contrast to a conventional breakdance battle, they don’t know who they will form a team with and what music will be played in the respective battle. The audience decides who makes it to the next round.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 10:30 - 12:00
Antanzen | Klassisch with Ricardo Pereira
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Antanzen | Klassisch with Ricardo Pereira

  • Sat 16.11.2019 | 10:30 - 12:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 9 Euro

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 16.11.2019 | 09:45
Tanztag Rhein-Main
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Tanztag Rhein-Main

Tanztag Rhein-Main

  • Sat 16.11.2019 | 09:45
  • diverse Orte in Bad Homburg, Darmstadt, Frankfurt, Kelkheim, Oberursel, Offenbach und Wiesbaden

Swing, Hip Hop, classical ballet, Odissi, Greek folklore and much more. The 7th Tanztag Rhein-Main fulfills dance fans’ most daring dreams. No matter whether you are a beginner or a repeat offender, you can do try-outs in different dance styles and physical practices in 12 cities in the Rhine-Main area for an entire day. This year, there are many offers for children, young adults and their families, including child care at Frankfurt’s Künstlerhaus Mousonturm; parents can also go on a dance adventure tour on their own. Senior citizens and people with disablitiy can also find courses in the program. In over 170 workshops, dance professionals and other movement experts volunteer to share their knowledge and enthusiasm for a variety of the body’s forms of expression. The Tanztag is a completely unique project in Germany. It demonstrates how diverse culture in the Rhine-Main region is and brings together people from all age groups and different backgrounds.

For everyone who still hasn’t had enough after a day full of movement, the Tanzfest at the Künstlerhaus Mousonturm is the ideal opportunity to end the day. It is the crowning event of the Tanzfestival Rhein-Main. Everyone is invited to the Mousonturm’s big hall to enjoy the diversity of dance; every half hour, styles switch. The program includes Lindy Hop, historical dances, circle dances from the balkan region, Bollywood and many more. After short introductions by experts, everyone can dance as they wish in a circle, as a chain or alone from one dance style to the next. And for those who are still not tired after midnight: they can switch to the dance floor of the Mousonturm bar. On the last night of the Tanzfestival Rhein-Main, they will be entertained by the DJs and ancers Joana Tischkau and Richard Oberscheven who will move the turntables.

More Information: https://www.tanzfestivalrheinmain.de/en/calendar/tanztag/

Fri 15.11.2019 | 21:00
Dansöz - Tümay KilinÇel
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Tanzfestival Rhein-Main

Dansöz - Tümay KilinÇel

  • Fri 15.11.2019 | 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro, erm. 6 Euro

If the Orient – according the cultural scientist and pioneer of post-colonialism Edward Said – is a European invention, then shouldn’t all oriental dances, often just called belly dancing, also be considered as a part of European dance history? Why does contemporary dance, which usually implies openness and a diversity of expression, exclude certain forms of dance, in this case belly dancing? In her new solo, Frankfurt-based choreographer Tümay Kılınçel turns existing perspectives around and integrates Oriental dances into the genealogy of the contemporary. How can the exotifying body image of women in belly dance be emancipated socially and thus turn into a means of empowerment? How can Kılınçel as an artist use this body practice without being placed into a prefabricated box?

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Fri 15.11.2019 | 19:00
Tanz - Florentina Holzinger
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Tanzfestival Rhein-Main

Tanz - Florentina Holzinger

  • Fri 15.11.2019 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro, erm. 9 Euro

In her explosive and physically intense pieces, Florentina Holzinger addresses references from the history of performance and dance as well as other disciplines such as kickboxing, acrobatics, striptease and yoga. And thus it’s no surprise when the choreographer describes her new piece, TANZ, as a “sylphidic reverie in stunts”. She brings together dancers from different generations and contexts and asks: what does it mean to place yourself in a heritage that is based on a concept of beauty, which exaggerates and functionalizes the female body? What at first is disguised as a ballet class led by Beatrice Schönherr, who was the first primaballerina to dance Sacre du printemps naked, develops into a rigorous study of the industrial production of a gaze and disciplining the female body. Points of reference are stunt shows, pornography and romantic ballets from the 19th century with their sylphs, winged forest fairies, who represent the concept of weightlessness.

No admission under 18 years.
Please notice that blood is on display at this performance and in some scenes self-injurious acts are shown that could have a disturbing effect on some viewers.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Fri 15.11.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
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Professional Training

Professional Training with Miranda Glikson

  • Fri 15.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts.
This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Thu 14.11.2019 | 20:00
Tanz - Florentina Holzinger
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Tanzfestival Rhein-Main

Tanz - Florentina Holzinger

  • Thu 14.11.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro, erm. 9 Euro

In her explosive and physically intense pieces, Florentina Holzinger addresses references from the history of performance and dance as well as other disciplines such as kickboxing, acrobatics, striptease and yoga. And thus it’s no surprise when the choreographer describes her new piece, TANZ, as a “sylphidic reverie in stunts”. She brings together dancers from different generations and contexts and asks: what does it mean to place yourself in a heritage that is based on a concept of beauty, which exaggerates and functionalizes the female body? What at first is disguised as a ballet class led by Beatrice Schönherr, who was the first primaballerina to dance Sacre du printemps naked, develops into a rigorous study of the industrial production of a gaze and disciplining the female body. Points of reference are stunt shows, pornography and romantic ballets from the 19th century with their sylphs, winged forest fairies, who represent the concept of weightlessness.

No admission under 18 years.
Please notice that blood is on display at this performance and in some scenes self-injurious acts are shown that could have a disturbing effect on some viewers.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Thu 14.11.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
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Professional Training

Professional Training with Miranda Glikson

  • Thu 14.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts.
This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Wed 13.11.2019 | 20:00
Dansöz - Tümay KilinÇel
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Tanzfestival Rhein-Main

Dansöz - Tümay KilinÇel

  • Wed 13.11.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro, erm. 6 Euro

If the Orient – according the cultural scientist and pioneer of post-colonialism Edward Said – is a European invention, then shouldn’t all oriental dances, often just called belly dancing, also be considered as a part of European dance history? Why does contemporary dance, which usually implies openness and a diversity of expression, exclude certain forms of dance, in this case belly dancing? In her new solo, Frankfurt-based choreographer Tümay Kılınçel turns existing perspectives around and integrates Oriental dances into the genealogy of the contemporary. How can the exotifying body image of women in belly dance be emancipated socially and thus turn into a means of empowerment? How can Kılınçel as an artist use this body practice without being placed into a prefabricated box?

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Wed 13.11.2019 | 18:30
Rest Room - Raquel Meseguer
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Tanzfestival Rhein-Main

Rest Room - Raquel Meseguer

  • Wed 13.11.2019 | 18:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eintritt frei / Admission free

Work in Progress – Showing

The British choreographer and dancer Raquel Meseguer is this year’s Tanzfestival Rhein-Main resident artist. “I have an invisble impairment theat means I need to lie down (a lot). I lie down on trains, on benches, in galleries and in theaters. Sometimes I get kick back. And sometimes I get moved on. I thought I might be part of a smal neurodiverse crew who needs to lie down throughout the day. But it turns out it’s a pretty big crew.

During her residency, Meseguer will continue developing her new piece, Rest Room. It tells the story of peoples’ attempts to rest in public. Her process will also continue to work on the Turning Toward methodology she is currently developing with dance artist Sarah Hopfinger. Meseguer will offer an insight into her work process in an informal studio sharing. The sharing will be a relaxed event: it will offer a variety of places to sit, lie down and stand, in a stress-free and low-impact sensory space.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Wed 13.11.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
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Professional Training

Professional Training with Miranda Glikson

  • Wed 13.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts.
This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Tue 12.11.2019 | 20:00
Dansöz - Tümay KilinÇel
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Tanzfestival Rhein-Main

Dansöz - Tümay KilinÇel

  • Tue 12.11.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro, erm. 6 Euro

If the Orient – according the cultural scientist and pioneer of post-colonialism Edward Said – is a European invention, then shouldn’t all oriental dances, often just called belly dancing, also be considered as a part of European dance history? Why does contemporary dance, which usually implies openness and a diversity of expression, exclude certain forms of dance, in this case belly dancing? In her new solo, Frankfurt-based choreographer Tümay Kılınçel turns existing perspectives around and integrates Oriental dances into the genealogy of the contemporary. How can the exotifying body image of women in belly dance be emancipated socially and thus turn into a means of empowerment? How can Kılınçel as an artist use this body practice without being placed into a prefabricated box?

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Tue 12.11.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
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Professional Training

Professional Training with Miranda Glikson

  • Tue 12.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts.
This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Mon 11.11.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
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Professional Training

Professional Training with Miranda Glikson

  • Mon 11.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts.
This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Sun 10.11.2019 | 20:30 - 21:30
Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman
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Tanzfestival Rhein-Main

Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman

  • Sun 10.11.2019 | 20:30 - 21:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Eintritt frei / Admission free

Inspired by the female characters in Homer’s epic The Odyssey, who all live in the shadows of the Trojan war, Lisbeth Gruwez developed the solo Penelope. Completely concentrated on her body and on simple circular movements, Gruwez created a remarkable image for the ambivalent state that Odysseus’ wife Penelope is in while she awaits his return. Everything seems to stand still, even though time passes. This hypnotic work by Lisbeth Gruwez finds a new form in a video installation.

entrance always possible

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sun 10.11.2019 | 19:30
VAriation(s) for a few - Cyril Baldy
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Tanzfestival Rhein-Main

VAriation(s) for a few - Cyril Baldy

  • Sun 10.11.2019 | 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • 19 Euro, erm. 9 Euro

How do we organize ourselves in social space? With his quartet Variation(s) for A Few, the Frankfurt artist Cyril Baldy develops a micro-model for living together. As a classically trained dancer who danced for many years in famous companies such as The Forsythe Company, he stringently directs his attention to the choreographic fundamental categories of body, time and space. For four extraordinary dancers he develops individual solos that are danced in parallel and are based on the same sets of directions. Similar to a musical counterpoint, they are independent of one another and simultaneously permanently related. In this complex weave, the dancers make instantaneous decisions and create an efficient economy that is relieved of codifications and determinations in dance without losing precision and virtuosity; in the process, they formulate an alternative form of togetherness for bodies in time and space.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sun 10.11.2019 | 18:30 - 19:30
Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman
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Tanzfestival Rhein-Main

Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman

  • Sun 10.11.2019 | 18:30 - 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Eintritt frei / Admission free

Inspired by the female characters in Homer’s epic The Odyssey, who all live in the shadows of the Trojan war, Lisbeth Gruwez developed the solo Penelope. Completely concentrated on her body and on simple circular movements, Gruwez created a remarkable image for the ambivalent state that Odysseus’ wife Penelope is in while she awaits his return. Everything seems to stand still, even though time passes. This hypnotic work by Lisbeth Gruwez finds a new form in a video installation.

entrance always possible

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sun 10.11.2019 | 16:00
Danza Contemporánea de Cuba - Julio César Iglesias / Fleur Darkin / George Céspedes
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Tanzfestival Rhein-Main

Danza Contemporánea de Cuba - Julio César Iglesias / Fleur Darkin / George Céspedes

  • Sun 10.11.2019 | 16:00
  • Hessisches Staatstheater Wiesbaden, Kleines Haus, Christian-Zais-Straße 3, 65189 Wiesbaden
  • 12,10 - 41,80 Euro

Danza Contemporánea de Cuba looks back on over 50 years of history; in many ways, it is a reflection of the island state and its peoples. Since dance in Cuba is valued so highly, more than in almost any other country in the world, this company is particularly treasured. Their incomparable aesthetic profile is based on Cuban modern dance techniques that were influenced by an African and Spanish heritage; it connects the most diverse dance styles. In addition to the piece Equilux by the British Fleur Darkin, the ensemble will show the choreography COIL by Julio César Iglesias at the Tanzfestival Rhein-Main. Iglesias belongs to the leading dance makers in Cuba. His works, which are in the repertoire of numerous top-level international contemporary dance companies, have received many awards. The program ends with George Céspedes’ Mambo 3XXI, in which the choreographer seeks the core of Cuban cultural tradition through the example of Mambo.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 09.11.2019 | 21:30
Lisbeth Gruwez dances Bob Dylan - Lisbeth Gruwez / Voetvolk
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Tanzfestival Rhein-Main

Lisbeth Gruwez dances Bob Dylan - Lisbeth Gruwez / Voetvolk

  • Sat 09.11.2019 | 21:30
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 13,20 - 20,90 Euro

A body, alone on the dancefloor, completely lost in the music. Lisbeth Gruwez dances Bob Dylan goes to the limits – between two people, between dance and music, and between language and those moments that are unspeakable. The piece’s set is very simple: Maarten Van Cauwenberghe, co-director of Voetvolk, stands at two turntables and Lisbeth Gruwez dances. The connection in this intimate meeting without words is made by Bob Dylan’s songs, which serve as the soundtrack of the evening. Unexpected dynamics develop between the songs, Van Cauwenberghe and Gruwez. Sometimes they are gentle and fragile, sometimes with an abundance of power, Gruwez translates the special quality of Dylan’s songs into intense movements. A plea for the liberating power of physical extasy, which enthralls everyone, unfolds – regardless of whether you are a Bob Dylan fan or not

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 09.11.2019 | 20:30 - 21:30
Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman
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Tanzfestival Rhein-Main

Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman

  • Sat 09.11.2019 | 20:30 - 21:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Eintritt frei / Admission free

Inspired by the female characters in Homer’s epic The Odyssey, who all live in the shadows of the Trojan war, Lisbeth Gruwez developed the solo Penelope. Completely concentrated on her body and on simple circular movements, Gruwez created a remarkable image for the ambivalent state that Odysseus’ wife Penelope is in while she awaits his return. Everything seems to stand still, even though time passes. This hypnotic work by Lisbeth Gruwez finds a new form in a video installation.

entrance always possible

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 09.11.2019 | 19:30
VAriation(s) for a few - Cyril Baldy
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Tanzfestival Rhein-Main

VAriation(s) for a few - Cyril Baldy

  • Sat 09.11.2019 | 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • 19 Euro, erm. 9 Euro

How do we organize ourselves in social space? With his quartet Variation(s) for A Few, the Frankfurt artist Cyril Baldy develops a micro-model for living together. As a classically trained dancer who danced for many years in famous companies such as The Forsythe Company, he stringently directs his attention to the choreographic fundamental categories of body, time and space. For four extraordinary dancers he develops individual solos that are danced in parallel and are based on the same sets of directions. Similar to a musical counterpoint, they are independent of one another and simultaneously permanently related. In this complex weave, the dancers make instantaneous decisions and create an efficient economy that is relieved of codifications and determinations in dance without losing precision and virtuosity; in the process, they formulate an alternative form of togetherness for bodies in time and space.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 09.11.2019 | 19:00
Danza Contemporánea de Cuba - Julio César Iglesias / Fleur Darkin / George Céspedes
Read more
Tanzfestival Rhein-Main

Danza Contemporánea de Cuba - Julio César Iglesias / Fleur Darkin / George Céspedes

  • Sat 09.11.2019 | 19:00
  • Hessisches Staatstheater Wiesbaden, Kleines Haus, Christian-Zais-Straße 3, 65189 Wiesbaden
  • 12,10 - 41,80 Euro

Danza Contemporánea de Cuba looks back on over 50 years of history; in many ways, it is a reflection of the island state and its peoples. Since dance in Cuba is valued so highly, more than in almost any other country in the world, this company is particularly treasured. Their incomparable aesthetic profile is based on Cuban modern dance techniques that were influenced by an African and Spanish heritage; it connects the most diverse dance styles. In addition to the piece Equilux by the British Fleur Darkin, the ensemble will show the choreography COIL by Julio César Iglesias at the Tanzfestival Rhein-Main. Iglesias belongs to the leading dance makers in Cuba. His works, which are in the repertoire of numerous top-level international contemporary dance companies, have received many awards. The program ends with George Céspedes’ Mambo 3XXI, in which the choreographer seeks the core of Cuban cultural tradition through the example of Mambo.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 09.11.2019 | 18:30 - 19:30
Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman
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Tanzfestival Rhein-Main

Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman

  • Sat 09.11.2019 | 18:30 - 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Eintritt frei / Admission free

Inspired by the female characters in Homer’s epic The Odyssey, who all live in the shadows of the Trojan war, Lisbeth Gruwez developed the solo Penelope. Completely concentrated on her body and on simple circular movements, Gruwez created a remarkable image for the ambivalent state that Odysseus’ wife Penelope is in while she awaits his return. Everything seems to stand still, even though time passes. This hypnotic work by Lisbeth Gruwez finds a new form in a video installation.

entrance always possible

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Sat 09.11.2019 | 10:00 - 11:30
Antanzen | Zeitgenössisch with Jungyeon Kim
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Tanzfestival Rhein-Main

Antanzen | Zeitgenössisch with Jungyeon Kim

  • Sat 09.11.2019 | 10:00 - 11:30
  • Hessisches Staatstheater Wiesbaden, Ballettsaal, Christian-Zais-Str. 3, 65189 Wiesbaden
  • 9 Euro

ANTANZEN is an open training for nonprofessionals that takes place in regular intervals at the Hessische Staatsballett. It offers a space in which different styles and dance techniques – from classical to contemporary dance – can be discovered and explored. Everyone is welcome. No experience necessary.

Fri 08.11.2019 | 20:30 - 21:30
Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman
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Tanzfestival Rhein-Main

Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman

  • Fri 08.11.2019 | 20:30 - 21:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Eintritt frei / Admission free

Inspired by the female characters in Homer’s epic The Odyssey, who all live in the shadows of the Trojan war, Lisbeth Gruwez developed the solo Penelope. Completely concentrated on her body and on simple circular movements, Gruwez created a remarkable image for the ambivalent state that Odysseus’ wife Penelope is in while she awaits his return. Everything seems to stand still, even though time passes. This hypnotic work by Lisbeth Gruwez finds a new form in a video installation.

entrance always possible

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Fri 08.11.2019 | 19:30
My Body is your Body - Overhead Project
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Tanzfestival Rhein-Main

My Body is your Body - Overhead Project

  • Fri 08.11.2019 | 19:30
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 13,20 - 20,90 Euro

In My Body is Your Body the choreographer and specialist for contemporary circus, Tim Behren, confronts the audience with their own perspective. He places the audience in rows of a bi-frontal arena directly in “opposing benches”, just like in the British parliament. What’s the subject of debate? The body, including the “Ich” that is within it. The plea is made by an unequal performance trio which resides in the displayed space in between. Cologne’s dancer Mijin Kim as well as Leonardo García and Leon Börgens, an acrobat duo that lives in Brussels, break with conventional visual axes and symmetries. A mirror precisely throws back what has been thrown into it – with geometric precision. The supposedly objective suddenly becomes questionable in the face of the reflected perspective of our vis-à-vis. Others see other things. On the border between dance, performance and contemporary circus, subtle in-between spaces are created in which a number of seen realities shift.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Fri 08.11.2019 | 19:30
VAriation(s) for a few - Cyril Baldy
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Tanzfestival Rhein-Main

VAriation(s) for a few - Cyril Baldy

  • Fri 08.11.2019 | 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • 19 Euro, erm. 9 Euro

How do we organize ourselves in social space? With his quartet Variation(s) for A Few, the Frankfurt artist Cyril Baldy develops a micro-model for living together. As a classically trained dancer who danced for many years in famous companies such as The Forsythe Company, he stringently directs his attention to the choreographic fundamental categories of body, time and space. For four extraordinary dancers he develops individual solos that are danced in parallel and are based on the same sets of directions. Similar to a musical counterpoint, they are independent of one another and simultaneously permanently related. In this complex weave, the dancers make instantaneous decisions and create an efficient economy that is relieved of codifications and determinations in dance without losing precision and virtuosity; in the process, they formulate an alternative form of togetherness for bodies in time and space.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Fri 08.11.2019 | 18:30 - 19:30
Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman
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Tanzfestival Rhein-Main

Penelope - Lisbeth Gruwez / Voetvolk & Dirk Braeckman

  • Fri 08.11.2019 | 18:30 - 19:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Eintritt frei / Admission free

Inspired by the female characters in Homer’s epic The Odyssey, who all live in the shadows of the Trojan war, Lisbeth Gruwez developed the solo Penelope. Completely concentrated on her body and on simple circular movements, Gruwez created a remarkable image for the ambivalent state that Odysseus’ wife Penelope is in while she awaits his return. Everything seems to stand still, even though time passes. This hypnotic work by Lisbeth Gruwez finds a new form in a video installation.

entrance always possible

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Fri 08.11.2019 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Fri 08.11.2019 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Thu 07.11.2019 | 20:30
Der Geheime Salon - Minimal Violence & Luz1e
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Tanzfestival Rhein-Main

Der Geheime Salon - Minimal Violence & Luz1e

  • Thu 07.11.2019 | 20:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eintritt frei / Admission free

After a six month break, Der Geheime Salon is starting up a new series with an extra danceable edition in the context of the dance festival. Guests are the electronic duo Minimal Violence from Vancouver. In their live sets, Ash Luk und Lida P maneuver a machine park of techno drums and acid synths at high speed towards 90’s rave and trance. In the process, they sound a lot more like punk than a polished glamour club. The turntables are staffed by the Frankfurt-based producer and DJ LUZ1E; she serves up a fittingly eclectic mix of contemporary electronic dance music.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Thu 07.11.2019 | 20:00
Ah|ha - Lisbeth Gruwez / Voetvolk
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Tanzfestival Rhein-Main

Ah|ha - Lisbeth Gruwez / Voetvolk

  • Thu 07.11.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro, erm. 9 Euro

Baring your teeth, your diaphragm twitching, a tremor driving you to tears: in its appropriation of the whole body, laughter borders on the violent. In AH|HA, choreographer and dancer Lisbeth Gruwez dissects this involuntary reflex and breaks it down into its component movements. Assembled into a ravelike, monotonous delirium, Gruwez creates a choreographic trip, an exploration of extasy. AH|HA is an estranging abstraction for five bizarrely dressed characters, which float from one state to the next, almost without volition. It is a behavioral study of human affects – anarchy defined by absolute control – scored to a suggestive soundtrack by composer Maarten Van Cauwenberghe. AH|HA is the first group piece created by Lisbeth Gruwez and Maarten van Cauwenberghe for their company Voetvolk in 2014.

Thu 07.11.2019 | 19:30
My Body is your Body - Overhead Project
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Tanzfestival Rhein-Main

My Body is your Body - Overhead Project

  • Thu 07.11.2019 | 19:30
  • Hessisches Staatstheater Wiesbaden, Wartburg, Schwalbacher Straße 51, 65183 Wiesbaden
  • 13,20 - 20,90 Euro

In My Body is Your Body the choreographer and specialist for contemporary circus, Tim Behren, confronts the audience with their own perspective. He places the audience in rows of a bi-frontal arena directly in “opposing benches”, just like in the British parliament. What’s the subject of debate? The body, including the “Ich” that is within it. The plea is made by an unequal performance trio which resides in the displayed space in between. Cologne’s dancer Mijin Kim as well as Leonardo García and Leon Börgens, an acrobat duo that lives in Brussels, break with conventional visual axes and symmetries. A mirror precisely throws back what has been thrown into it – with geometric precision. The supposedly objective suddenly becomes questionable in the face of the reflected perspective of our vis-à-vis. Others see other things. On the border between dance, performance and contemporary circus, subtle in-between spaces are created in which a number of seen realities shift.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Thu 07.11.2019 | 19:00
STRANGE LOOPS - HICKS&BÜHLER
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Tanzfestival Rhein-Main

STRANGE LOOPS - HICKS&BÜHLER

  • Thu 07.11.2019 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro, erm. 6 Euro

Yodeling meets contemporary dance. The Frankfurt-based dancers Laura Hicks and Hannah Shakti Bühler alias Hicks&Bühler are fans of surprising meetings. In their third choreography after Reaching towards… and Der Klumpen, they are now on a search for the layers that connect the multifarious but often underestimated singing technique of yodeling with dance. The duo has congenial partners in the members of Frankfurt’s Jodlklub Liese Lyon and Johanna Milz as well as the musician Jana Sotzko. The five artists create a polymorphous meeting, an interwoven system of movement and sound, in which very different bodies react to one another in harmony and disharmony, with sense and nonsense.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Thu 07.11.2019 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Thu 07.11.2019 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 06.11.2019 | 20:00
Ah|ha - Lisbeth Gruwez / Voetvolk
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Tanzfestival Rhein-Main

Ah|ha - Lisbeth Gruwez / Voetvolk

  • Wed 06.11.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 Euro, erm. 9 Euro

Baring your teeth, your diaphragm twitching, a tremor driving you to tears: in its appropriation of the whole body, laughter borders on the violent. In AH|HA, choreographer and dancer Lisbeth Gruwez dissects this involuntary reflex and breaks it down into its component movements. Assembled into a ravelike, monotonous delirium, Gruwez creates a choreographic trip, an exploration of extasy. AH|HA is an estranging abstraction for five bizarrely dressed characters, which float from one state to the next, almost without volition. It is a behavioral study of human affects – anarchy defined by absolute control – scored to a suggestive soundtrack by composer Maarten Van Cauwenberghe. AH|HA is the first group piece created by Lisbeth Gruwez and Maarten van Cauwenberghe for their company Voetvolk in 2014.

Wed 06.11.2019 | 19:00
STRANGE LOOPS - HICKS&BÜHLER
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Tanzfestival Rhein-Main

STRANGE LOOPS - HICKS&BÜHLER

  • Wed 06.11.2019 | 19:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro, erm. 6 Euro

Yodeling meets contemporary dance. The Frankfurt-based dancers Laura Hicks and Hannah Shakti Bühler alias Hicks&Bühler are fans of surprising meetings. In their third choreography after Reaching towards… and Der Klumpen, they are now on a search for the layers that connect the multifarious but often underestimated singing technique of yodeling with dance. The duo has congenial partners in the members of Frankfurt’s Jodlklub Liese Lyon and Johanna Milz as well as the musician Jana Sotzko. The five artists create a polymorphous meeting, an interwoven system of movement and sound, in which very different bodies react to one another in harmony and disharmony, with sense and nonsense.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Wed 06.11.2019 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Wed 06.11.2019 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 05.11.2019 | 20:00
STRANGE LOOPS - HICKS&BÜHLER
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Tanzfestival Rhein-Main

STRANGE LOOPS - HICKS&BÜHLER

  • Tue 05.11.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • 12 Euro, erm. 6 Euro

Yodeling meets contemporary dance. The Frankfurt-based dancers Laura Hicks and Hannah Shakti Bühler alias Hicks&Bühler are fans of surprising meetings. In their third choreography after Reaching towards… and Der Klumpen, they are now on a search for the layers that connect the multifarious but often underestimated singing technique of yodeling with dance. The duo has congenial partners in the members of Frankfurt’s Jodlklub Liese Lyon and Johanna Milz as well as the musician Jana Sotzko. The five artists create a polymorphous meeting, an interwoven system of movement and sound, in which very different bodies react to one another in harmony and disharmony, with sense and nonsense.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Tue 05.11.2019 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Tue 05.11.2019 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Mon 04.11.2019 | 10:00 - 11:30
Professional Training with Britta Schönbrunn
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Professional Training

Professional Training with Britta Schönbrunn

  • Mon 04.11.2019 | 10:00 - 11:30
  • Ballett- und Tanzschule Anastasia Dirksen | Ohmstr. 44 | 60486 Frankfurt a.M.
  • Einzelkarte 6 €, 10er-Karte 35 €, Monatskarte 50 €

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Sun 03.11.2019 | 19:30
The Sea Within - Voetvolk | Lisbeth Gruwez
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Tanzfestival Rhein-Main

The Sea Within - Voetvolk | Lisbeth Gruwez

  • Sun 03.11.2019 | 19:30
  • Staatstheater Darmstadt, Kleines Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 8,50 - 37,50 Euro

Lisbeth Gruwez will present her piece The Sea Within at the Tanzfestival Rhein-Main 2019!

The Sea Within, the latest work by this year’s spotlight artist Lisbeth Gruwez, is a magnetizing dance performance. In it, the Belgian choreographer discovers chaos as its own creative power and takes on a perspective that at first glance seems to contradict her work method of the past few years. In many pieces, Gruwez explores individual bodies in extasy and creates instructions for moments in which motoric functions go out of control. In The Sea Within, the foreground is not just filled with individuals, but rather with the dissolution of borders between bodies. In a clear and intense style that is characteristic of Lisbeth Gruwez, the choreographer creates a contemporary ritual in which the ‘we’ embraces the ‘I’ and ten dancers dissolve in a grand breathing landscape.

18:30 Uhr Warm-up
Festivalbar after the performance

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Sun 03.11.2019 | 17:00 - 18:30
Choreografische Werkstatt -
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Choreografische Werkstatt

Choreografische Werkstatt -

  • Sun 03.11.2019 | 17:00 - 18:30
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 6 Euro

Many choreographic talents exist in the Rhine-Main area. Choreografische Werkstatt, which is regularly organized by the Tanzplattform Rhein-Main, offers the opportunity to discover these talents and their works, and enter into an exchange with them. In the context of the dance festival, three dance creators from the region offer an insight into the pieces that they are currently working on. No matter whether these are first ideas, rough sketches or already polished choreographies, the artists show what moves them in 15 minute excerpts – and we see what will be shown on the stages of the Rhine-Main area in the future.

Sat 02.11.2019 | 20:00
Muyte Maker - Flora Détraz / Cie Pli
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Tanzfestival Rhein-Main

Muyte Maker - Flora Détraz / Cie Pli

  • Sat 02.11.2019 | 20:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11 - 19,50 Euro

Flora Détraz will present her piece Muyte Maker together with Cie Pli at the Tanzfestival Rhein-Main 2019!

Four women stare at us. Their bodies are lined up at a long table; their hair fixated with sickles and axes. It is an ambiguous scene that reminds us of a Middle Age torture chamber. But instead of the expected gestures of suffering, the quartet of women begin singing with passion. They laugh polyphonically, dance blindly, and chat cacophonously. Muyte Maker celebrates four disobedient bodies – in a constant state of metamorphosis – that withdraw themselves from standard ideas of femininity. Flora Détraz, the creator of this humorous work, was educated in Lisbon and France and, in addition to her work as dancer for choreographers such as Marlene Monteiro Freitas, has been developing her own pieces since 2013. In Muyte Maker, she continues her research into the voice beyond its functionalism. Détraz presents a grotesque hymn to joy that – recalcitrant and full of creative potential – resists rules of decency and morality.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Sat 02.11.2019 | 14:00
Beyond The Limits Of Imagination - Workshop With Lisbeth Gruwez
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Workshops

Beyond The Limits Of Imagination - Workshop With Lisbeth Gruwez

  • Sat 02.11.2019 | 14:00
  • Staatstheater Darmstadt, Ballettsaal, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11,50 Euro

The Belgian dancer and choreographer Lisbeth Gruwez is at the focus of this year’s dance festival as the Spotlight artist. A two-hour workshop will offer the opportunity to attain deeper knowledge about the artist and her work methods. In a close dialogue with the workshop group, Gruwez communicates different methods of improving improvisational skills. This helps to make your own dance spectrum more precise and to develop movement in a very personal way – beyond the limits of your imagination. Lisbeth Gruwez’s natural enthusiasm immediately creates an open atmosphere; everyone with first movement experiences is welcome!

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Fri 01.11.2019 | 21:00
Muyte Maker - Flora Détraz / Cie Pli
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Tanzfestival Rhein-Main

Muyte Maker - Flora Détraz / Cie Pli

  • Fri 01.11.2019 | 21:00
  • Staatstheater Darmstadt, Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11 - 19,50 Euro

Flora Détraz will present her piece Muyte Maker together with Cie Pli at the Tanzfestival Rhein-Main 2019!

Four women stare at us. Their bodies are lined up at a long table; their hair fixated with sickles and axes. It is an ambiguous scene that reminds us of a Middle Age torture chamber. But instead of the expected gestures of suffering, the quartet of women begin singing with passion. They laugh polyphonically, dance blindly, and chat cacophonously. Muyte Maker celebrates four disobedient bodies – in a constant state of metamorphosis – that withdraw themselves from standard ideas of femininity. Flora Détraz, the creator of this humorous work, was educated in Lisbon and France and, in addition to her work as dancer for choreographers such as Marlene Monteiro Freitas, has been developing her own pieces since 2013. In Muyte Maker, she continues her research into the voice beyond its functionalism. Détraz presents a grotesque hymn to joy that – recalcitrant and full of creative potential – resists rules of decency and morality.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Fri 01.11.2019 | 19:30
Dance of the sun - Geneva Camerata
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Tanzfestival Rhein-Main

Dance of the sun - Geneva Camerata

  • Fri 01.11.2019 | 19:30
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11 - 49 Euro

The Geneva Camerata & Juan Díaz de Garaio Esnaola will present their piece Dance of the sun at the Tanzfestival Rhein-Main 2019!

A symphony orchestra that plays an entire concert by heart? And dances to it at the same time? The Geneva Camerata orchestra, celebrated throughout the world, is known for its daring and innovative concerts. In Dance of the Sun, the thirty-piece ensemble invites us on an exciting journey that begins in the light of music by Jean-Baptiste Lully, who was the house composer at the dancing King Louis XIV’s court and ends passionately with Wolfgang Amadeus Mozart’s symphony no. 40, one of his last compositions. Dance of the Sun completely redefines the experience of attending a concert. In a choreography by Juan Kruz Díaz de Garaio Esnaola, who is a decisive influence for Sasha Waltz & Guest’s work in Berlin, the musicians move while they are playing and create a humorous and deeply meaningful work in which dance and music meld into a synesthetic experience.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Fri 01.11.2019 | 10:00 - 11:30
Professional Training with Antony Rizzi.
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Professional Training

Professional Training with Antony Rizzi.

  • Fri 01.11.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others.
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Oktober 2019
Thu 31.10.2019 | 19:30
Der Nussknacker - Tim Plegge / Hessisches Staatsballett
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Tanzfestival Rhein-Main

Der Nussknacker - Tim Plegge / Hessisches Staatsballett

  • Thu 31.10.2019 | 19:30
  • Hessisches Staatstheater Wiesbaden, Großes Haus, Christian-Zais-Straße 3, 65189 Wiesbaden
  • 9,90 - 62,70 Euro

Tim Plegge will present the piece “Der Nussknacker” zusammen mit dem Hessischen Staatsballett at the Tanzfestival Rhein-Main 2019!

Der Nussknacker is one of the world’s most popular story ballets. The focus of the new version of this ballet classic, which Tim Plegge creates for the Hessische Staatsballett, is the story of Marie, who is given a nutcracker as a present on Christmas Eve. She takes it with her on trips through the sugar land, through hopes, wishes and dreams in which the contours between daily life and projections become blurry. Marie begins to believe that she can find what she thinks she misses the most in the dream world, at least until everything also becomes unbalanced here as well. In Plegge’s version, in which fairy-tale elements and the daily life of bare-bones family Christmases intertwine, the story’s dark and bizarre aspects also have their place.

More information about the Tanzfestival here: https://www.tanzfestivalrheinmain.de/en/

Thu 31.10.2019 | 19:30
Omphalos - Damien Jalet & Ceprodac
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Tanzfestival Rhein-Main

Omphalos - Damien Jalet & Ceprodac

  • Thu 31.10.2019 | 19:30
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11 - 49 Euro

Damien Jalet will present his piece Omphalos at the Tanzfestival Rhein-Main 2019!

Damien Jalet is considered a shooting star in contemporary dance. He has elated audiences worldwide with his powerfully pictorial pieces. After his first cooperation with the Hessisches Staatsballett in 2016, the Belgian-French artist is returning to the Rhine-Main region with a remarkable production.Twenty dancers of the Mexican Centro de Producciòn de Danza Contemporánea (CEPRODAC) move vibrantly on a huge satellite dish to music by Marihiko Hara and Ryuichi Sakamoto. Together with Jalet, they build a bridge between Europe and Mexico, between the ruins of contemporary civilization and indigenous myths. In touchingly intense images, they reflect on the position of human beings in the world. In Omphalos, Jalet devotes himself to subjects that have drawn his attention in many of his pieces: nature, the cosmos and human life. He creates an overwhelming Gesamtkunstwerk of choreography, stage and music. It reveals forgotten stories while addressing current questions and issues.

More information about the festival here: https://www.tanzfestivalrheinmain.de/en/

Thu 31.10.2019 | 10:00 - 11:30
Professional Training with Antony Rizzi.
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Professional Training

Professional Training with Antony Rizzi.

  • Thu 31.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others.
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Wed 30.10.2019 | 10:00 - 11:30
Professional Training with Antony Rizzi.
Read more
Professional Training

Professional Training with Antony Rizzi.

  • Wed 30.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others.
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Tue 29.10.2019 | 10:00 - 11:30
Professional Training with Antony Rizzi.
Read more
Professional Training

Professional Training with Antony Rizzi.

  • Tue 29.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others.
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Mon 28.10.2019 | 10:00 - 11:30
Professional Training with Antony Rizzi.
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Professional Training

Professional Training with Antony Rizzi.

  • Mon 28.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others.
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Fri 18.10.2019 | 10:00 - 11:30
Professional Training with Ashley Wright
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Professional Training

Professional Training with Ashley Wright

  • Fri 18.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • day ticket € 6 | 10-visits € 35 | monthly ticket € 50

Ashley Wright was born in Sydney and followed a dance education at the Australian Ballet School and Victorian College of the Arts. Her training is a non-stop guided improvisation class focusing on body and mind awakening and awareness.

Thu 17.10.2019 | 10:00 - 11:30
Professional Training with Ashley Wright
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Professional Training

Professional Training with Ashley Wright

  • Thu 17.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • day ticket € 6 | 10-visits € 35 | monthly ticket € 50

Ashley Wright was born in Sydney and followed a dance education at the Australian Ballet School and Victorian College of the Arts. Her training is a non-stop guided improvisation class focusing on body and mind awakening and awareness.

Fri 11.10.2019 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Fri 11.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Thu 10.10.2019 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Thu 10.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Wed 09.10.2019 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Wed 09.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Tue 08.10.2019 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Tue 08.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Mon 07.10.2019 | 10:00 - 11:30
Professional Training with Gabrielle Staiger
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Professional Training

Professional Training with Gabrielle Staiger

  • Mon 07.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Gabrielle Staiger’s class was originally designed as preparation for creative processes and aims at activating the „democratic body“ (a body capable of initiating movement from every part or surface of the body). The class begins on the floor, focusing on the spine and then becomes increasingly complex and technically demanding. A technical, kinetic and literally moving experience.

Gabrielle Staiger, freelance choreographer and teacher for contemporary dance technique, composition and Labanprinciples is a teacher very much in demand with leading dance companies like Ballet Preljocaj/Aix-en-Provence, Neuer Tanz/Düsseldorf, Ultima Vez/Brussels, Ballet de Marseille as well as leading education centres in Europe and overseas such as the Hogeschool vor de Kunsten in Amsterdam, the Rotterdamse Dansakademie and SungKyunKwan University in Seoul. For 12 years she directed ARAZZO Tanztheater, a Physical Theatre Company based in Cologne. Her artistic work has won numerous awards. She was educated at the Laban Centre in London and the German College of Physical Education in Cologne.

Fri 04.10.2019 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Fri 04.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Wed 02.10.2019 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Wed 02.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Tue 01.10.2019 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Tue 01.10.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

September 2019
Mon 30.09.2019 | 10:00 - 11:30
Professional Training with Michael Langeneckert
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Professional Training

Professional Training with Michael Langeneckert

  • Mon 30.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

For his contemporary training, Michael Langeneckert draws from 30 years of experience as a professional dancer, choreographer and head trainer. His classes combine release technique, bodywork, improvisation and conditioning. The floor work technique is preceded by warming-up the body on multiple levels. This then advances into defined variations. The focus then shifts to the development of physical intensity and complex movement sequences in space. Central element of the training is the continuous flow of movement and building a connection to beats and energetic sounds, which support the physical body. This is a technical dance training oriented on current tendencies in contemporary dance.

Michael Langeneckert works as a rehearsal director at the Staatstheater Mainz since 2015. He received his training as a dancer in Freiburg and has since worked as a freelancer both at multiple municipal and state theatres in Germany, Switzerland and Austria. He most recently worked with choreographers such as e.g. Sharon Eyal, Johannes Wieland, Club Guy and Roni, Guy Nader and Maria Campos, Koen Augustijnen, Garry Stewart. In Freiburg, he directed his own independent dance company Rebound Prod from 2001 until 2007. He choreographed numerous pieces for his company and was also guest choreographer at various theatres in different formats. As a teacher for contemporary dance, he has taught theatre companies across Germany, at independent centres such as the Tanzhaus NRW Düsseldorf, Marameo Berlin, K3 Hamburg as well as in Holland, Austria, Hungary and Switzerland.

Fri 27.09.2019 | 10:00 - 11:30
Professional Training with Richard Oberscheven
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Professional Training

Professional Training with Richard Oberscheven

  • Fri 27.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50
Thu 26.09.2019 | 10:00 - 11:30
Professional Training with Richard Oberscheven
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Professional Training

Professional Training with Richard Oberscheven

  • Thu 26.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50
Wed 25.09.2019 | 10:00 - 11:30
Professional Training with Richard Oberscheven
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Professional Training

Professional Training with Richard Oberscheven

  • Wed 25.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50
Tue 24.09.2019 | 10:00 - 11:30
Professional Training with Richard Oberscheven
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Professional Training

Professional Training with Richard Oberscheven

  • Tue 24.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50
Mon 23.09.2019 | 10:00 - 11:30
Professional Training with Richard Oberscheven
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Professional Training

Professional Training with Richard Oberscheven

  • Mon 23.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50
Fri 20.09.2019 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Fri 20.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Thu 19.09.2019 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Thu 19.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Wed 18.09.2019 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Wed 18.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Tue 17.09.2019 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Tue 17.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Mon 16.09.2019 | 10:00 - 11:30
Professional Training with Laura Hicks
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Professional Training

Professional Training with Laura Hicks

  • Mon 16.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Let’s arrive into a kinesthetic state: a state where movement choices follow sensorial feedback. Bringing together skills from improvisation with movement sequences, these classes are geared towards the professional dancer who is concerned with a detailed and haptic (felt) relationship to movement, over shape or form. We will work towards mapping kinesthetics through sensory expansion. We will challenge the agility and reflexes of our partners. We will create explosions and listen to them resonate. And we might do some movement phrases in a curious way.

Laura Hicks (1979) is a dancer, choreographer, and movement educator. She trained in Canada at the Toronto Ballet Ensemble, the Alberta Ballet, and the University of Calgary (UofC). Over the last ten years her work has focused substantially on improvisation and Somatics. Her study of anatomy in the department of Kinesiology at UofC, Bartineff Fundamentals, Franklin Technique, contact improvisation, biomechanics, and philosophy are strong influences. She is a teacher in demand at contact improvisation festivals throughout Europe, is involved in a three year project in Paris in the study of ‘intersubjectivity’ in joint improvisation (Project ICI), and was awarded the HTA Postgraduate Alumni Research Grant for her own project in ‘Kinesthetic Mapping’ in 2016. As a choreographer she works with Hannah Shakti Bühler. She is a fully certified trainer of the Pilates Method, and holds an MA in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts.

Fri 13.09.2019 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Fri 13.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Thu 12.09.2019 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Thu 12.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Wed 11.09.2019 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Wed 11.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Tue 10.09.2019 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Tue 10.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Mon 09.09.2019 | 10:00 - 11:30
Professional Training with Raimonda Gudaviciute
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Professional Training

Professional Training with Raimonda Gudaviciute

  • Mon 09.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Fri 06.09.2019 | 10:00 - 11:30
Professional Training with Kristina Veit
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Professional Training

Professional Training with Kristina Veit

  • Fri 06.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Thu 05.09.2019 | 10:00 - 11:30
Professional Training with Kristina Veit
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Professional Training

Professional Training with Kristina Veit

  • Thu 05.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Wed 04.09.2019 | 10:00 - 11:30
Professional Training with Kristina Veit
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Professional Training

Professional Training with Kristina Veit

  • Wed 04.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Tue 03.09.2019 | 10:00 - 11:30
Professional Training with Kristina Veit
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Professional Training

Professional Training with Kristina Veit

  • Tue 03.09.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a gentle warm-up combining breathing techniques and elements from aikido and yoga. The goal is to gradually set the physical body in motion, make it responsive to movement, as well as wake up the spirit and train the attentiveness of the mind. The next section includes combinations that gradually increase in tempo and dynamics and make use of intense floor work, as well as upright placement in space.
Alignment is the development of awareness for one’s own body, as well as for the space around us. This not merely gives us control over the body, which generally has to do with tension, but rather the steering of our own dance. Dynamic swift shifts are thus possible almost in the resting state of the mind and out of a maximum state of physical relaxation. The class is conceived as holistic training to help dancers get a good start into the rest of their working day.

Kristina Veit received her dance diploma from the Frankfurt University for Music and Performing Arts. After graduation, she left Germany and worked at various theaters in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. She left the established venues, when she began making her own work and collaborated with companies such as Manopy in Denmark, Cobosmika in Barcelona, the Dance Festival Montevideo Sitiada in Uruguay and diverse other international choreographers. In 2009, she collaborated on the production of [fi:l], in Denmark as well as Mittendrinnen/PET_3 at Mousonturm. She has been studying yoga and Ayurveda intensely since 1997 and teaches both for professionals, as well as beginners. Currently, she is training to become a body-oriented psychotherapist.

Juni 2019
Fri 28.06.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Fri 28.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Thu 27.06.2019 | 18:30 - 21:00
PRAKTisch
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Workshops

PRAKTisch

  • Thu 27.06.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 27.06.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Thu 27.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Wed 26.06.2019 | 19:30

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Pop up

  • Wed 26.06.2019 | 19:30
  • Hessisches Staatstheater Wiesbaden, Großes Haus, Christian-Zais-Str. 3, 65189 Wiesbaden
  • 9,90 € | keine Ermäßigung
Wed 26.06.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Wed 26.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Tue 25.06.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
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Professional Training

Professional Training with Ilana Reynolds

  • Tue 25.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Mon 24.06.2019 | 10:00 - 11:30
Professional Training with Ilana Reynolds
Read more
Professional Training

Professional Training with Ilana Reynolds

  • Mon 24.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is inspired by the human capacity to jump, to lift off, to propel and to land. How does this sensation live as an energetic dynamic in the body? We begin with a gentle warm-up inspired by somatic and release techniques where breath serves as a fundamental support and movement ease is encouraged through body alignment. The class progresses in space emphasizing a sense of weight, rebound, momentum and spatial dynamics inspired through the act of jumping. Phrase material is then layered together to create a frame to explore these elements. The aim is to ignite a sense of vitality in the body that is continuous and alive.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad. For the past two years she tours her latest collaborative work LIEGEN 0 with performer Philipe Rives in street performance festivals around Europe. Currently Ilana is studying for her Master’s Degree in contemporary dance education at the Hochschule für Musik und Darstellende und Kunst in Frankfurt am Main and is an awarded scholar of the Studienstiftung des deutschen Volkes.
Ilana Reynolds wichtigste Einflüsse als Tänzerin, Performerin und unterrichtende Künstlerin sind der afro-brasilianische Tanz/Capeoira, Release-Technik, somatischen Praxen und Tanzimprovisation. Sie begann ihr Bachelor-Studium im Fach Tanz an der University of Massachusetts-Amherst (USA) und beendete es an der Escola da Fundaçao de Danca in Salvador (Brasilien). Zwischen 2004 und 2012 tanzte Ilana beim brasilianischen Choreografen Augusto Soledade in Miami (USA). Anschließend begleitete sie die Kompanie auf nationalen und internationalen Reisen und arbeitete während dieser Zeit als Tänzerin, Probeleiterin und Repertoire-Lehrerin, wobei sie ebenfalls intensiv mit Kindern arbeitete. 2008 erhielt Ilana zwei Kunststipendien des Staates Florida, um mit der Choreografin Christine Brunel in Essen zusammenarbeiten zu können. Ausgehend von der Inspiration, die mit diesem Austausch für sie verbunden war, entschloss sich Ilana 2012 nach Deutschland zu ziehen. Innerhalb eines Jahres begründete sie die Lake Studios Berlin mit, ein von Künstler*innen geschaffener Probe-, Performance- und Produktionsort, an welchem sie ihre Arbeiten und die Arbeit anderer Künstler*innen produzieren und kuratieren konnte. Daneben arbeitet sie weiterhin als Lehrerin für zeitgenössischen Tanz und unterrichtet sowohl Studierende und professionelle Tanzschaffende in Deutschland und im Ausland. In den vergangenen zwei Jahren tourte sie mit ihrer Arbeit –LIEGEN 0-, welche in Kollaboration mit dem Performer Philipe Rives entstand, zu europäischen Streetart-Festivals. Aktuell absolviert Ilana ihren Master in Contemporary Dance Education an der Hochschule für Musik und Darstellende Kunst in Frankfurt am Main und erhält ein Stipendium der Studienstiftung des deutschen Volkes.

As a dancer, performer and teaching artist, Ilana Reynold’s influences are based in Afro-Brazilian dance/Capeoira, release techniques, somatic practices and dance improvisation. She began her BA in dance at the University of Massachusetts-Amherst/USA and finished her studies at Escola da Fundaçao de Dança in Salvador, Brazil. Between 2004 and 2012, Ilana danced professionally with Brazilian choreographer Augusto Soledade in Miami, FL. She toured nationally and internationally with the company as a dancer, rehearsal director, repertory teacher and worked extensively with children. In 2008 Ilana received two artistic scholarships through the State of Florida to work with choreographer Christine Brunel in Essen, Germany. Deeply inspired by their exchange, she moved to Germany in 2012. Within a year, she co-founded Lake Studios Berlin, an artist initiated rehearsal/performance/production space, where she has produced and curated works of her own and others. She continues to teach contemporary dance approaches to students and professionals in Germany and abroad.

Sat 22.06.2019 | 19:30
Dance Club Presentations | 2019
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Tanzklubs

Dance Club Presentations | 2019

  • Sat 22.06.2019 | 19:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • € 12 / erm. € 6 / € 5 für f.f.m. students Mitglieder

Tanzklub 15 – 25 | Take the 9

Ich bin in den Raum gekommen. Reihe mich in eure Linie ein. Ich beginne meine Gedanken zu vergessen, ich höre auf daran zu denken, was passieren wird. Es ist so still. Was würde deine Hand machen, wenn ich sie berühren will?
Die Körper krachen ineinander, rollen über den Boden, tanzen, erschöpfen sich, wirken zusammen, tragen die Verantwortung und suchen nach Wegen, um den Tanz fortzusetzen. Es macht Spaß. Bin ich da? Oder ist nur ein Teil von mir dort?
Dieses Stück ist zwischen 1994 und 2004 geboren. Seitdem entwickelt es sich. Im Moment befinden wir uns im Tanzsaal und lassen das Stück durch Begegnung mit Bewegung wachsen. Der eigene Körper, die verschiedenen Körper um uns herum, das Suchen, sowie die Verwirrungen, die die jungen Tänzer*innen in ihrem Leben begleiten. Es wurde auf Improvisationsbasis entwickelt, die die Sinne als Einstiegspunkt zum Bewegen nutzt. Es erforscht, wie man Bedingungen für einen Solo- und Gruppentanz schafft, den Zustand des Seins im Moment, sowie den kreativen Fluss und das Auftreten von Engagement

Mit: Sophie Oettinger, Lena Gauly, Nora Eggers, Susanne Mohr, Sarah Mestmacher, Deborah Schmidt-Riese, Laura Giudici, Lu Pahl, Nina Frank
Leitung: Ewelina Zielonka

Ewelina Zielonka ist freischaffende Künstlerin und Tanzlehrerin. Sie absolvierte Movement Studies, Performance und Tanzpädagogik an der Anton Bruckner Universität in Linz. 2015 erwarb sie MA in MA CoDE-Programm an der Hochschule für Musik und Darstellende Kunst in Frankfurt. In diesen Jahren spezialisierte sie sich in zeitgenössischem Tanz, Improvisation und somatischem Bewegungsansatz. Seit vier Jahren arbeitet sie in unterschiedlichen Kontexten in Frankfurt: Tanz in Schulen, Soziale Projekte mit Schüler*innen, mit Kindern, Jugendlichen und Senior*innen. Sie bietet regelmäßig Tanzunterricht an und macht Choreografien für Theaterstücke und Kurzfilme. Sie führt regelmäßig Workshops und vertieft nebenher ihr Hauptinteresse an der Interaktion mit der Umgebung und der Erforschung des Ortsgefühls.

Tanzklub 60+ | Alter ist nichts für Feiglinge

Jeder Mensch altert, jedoch geht jede*r anders damit um. Altern bedeutet weit mehr als das Fortschreiten von Jahren. Den positiven Aspekten wie Erfahrung, Wissen und Gelassenheit stehen die negativen Aspekte wie Nachlassen der Kraft, Vergesslichkeit und Tod gegenüber.
„Mit dem Altwerden ist es wie mit Auf-einen-Berg-Steigen: Je höher man steigt, desto mehr schwinden die Kräfte – aber umso weiter sieht man.“ (Ingmar Bergmann)
Zu der Ausstellung GREY IS THE NEW PINK im Weltkulturen Museum, die sich mit dem Älterwerden auseinandersetzt, haben wir eine ‚performative Führung‘ entwickelt. Diese ist Grundlage für unser Stück Alter ist nichts für Feiglinge. Es ist die Auseinandersetzung damit, wie wir altern und altern möchten.

Mit: Karin Arnold, Heike Bengel, Angelika Bogenschütz, Inge-Maria Böhm, Angela Braun-Krähenhöfer, Barbara Bumann, Licet de Rodriguez, Angelika Geyer, Christel Gold-Hellenkamp, Michael Götze, Renate Hermann, Barbara Jakob, Adelheid Käberich, Alexander Kaestner, Petra Lochner, Adelheid Nake, Michèle Resnik, Jannie Reuels, Anne Rondeau, Claus-H. Schradin, Heide Schucht Lessa, Marianne Spohner
Leitung: Petra Lehr

Tanzklub 25+ | 361° – humans in structures – structures in humans

Strukturen sind Beziehungsgefüge, wobei diese Gefüge mehr sind als die Summe der einzelnen Elemente, aus denen sie bestehen.
Strukturen sind nicht stabil und geschlossen, sondern veränderlich und offen. Die Elemente hängen alle voneinander ab, jede Veränderung eines Elements zieht die Veränderung der übrigen nach sich.
Punkt – Linie – Kreis ⇨ kleiner Tiger

Mit: Elisabeth Aha, Barbara Albers, Ulrike Baumgärtner, Ute Behring, Ana M. Benavent Atienza, Katrin Fischer, Ulla Kirchhoff, Karin Klink, Christa Lips-Schulte, Miriam Loy, Hanna Mach, Ines Mehlhose, Christina Rumpel, Dominique Schäfer, Hermann Schiebener, Marianne Schramm, Dagmar Seitenspinner, Barbara Siebenbürger, Birte Waldeck, Mira Wirth
Leitung: Petra Lehr

Petra Lehr erhielt ihre Ausbildung in Deutschland und den USA (u.a. Martha Graham School of Contemporary Dance, Alvin Ailey American Dance Center). Sie gründete 1993 das co.lab.tanztheater in Frankfurt, mit dem sie bereits 20 Produktionen erarbeitete. Sie unterrichtet Zeitgenössischen Tanz und hatte Lehraufträge an verschiedenen Universitäten. 2012 absolvierte sie eine tanzmedizinische Weiterbildung.

Fri 21.06.2019 | 19:30
Dance Club Presentations | 2019
Read more
Tanzklubs

Dance Club Presentations | 2019

  • Fri 21.06.2019 | 19:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • € 12 / erm. € 6 / € 5 für f.f.m. students Mitglieder

Tanzklub 15 – 25 | Take the 9

Ich bin in den Raum gekommen. Reihe mich in eure Linie ein. Ich beginne meine Gedanken zu vergessen, ich höre auf daran zu denken, was passieren wird. Es ist so still. Was würde deine Hand machen, wenn ich sie berühren will?
Die Körper krachen ineinander, rollen über den Boden, tanzen, erschöpfen sich, wirken zusammen, tragen die Verantwortung und suchen nach Wegen, um den Tanz fortzusetzen. Es macht Spaß. Bin ich da? Oder ist nur ein Teil von mir dort?
Dieses Stück ist zwischen 1994 und 2004 geboren. Seitdem entwickelt es sich. Im Moment befinden wir uns im Tanzsaal und lassen das Stück durch Begegnung mit Bewegung wachsen. Der eigene Körper, die verschiedenen Körper um uns herum, das Suchen, sowie die Verwirrungen, die die jungen Tänzer*innen in ihrem Leben begleiten. Es wurde auf Improvisationsbasis entwickelt, die die Sinne als Einstiegspunkt zum Bewegen nutzt. Es erforscht, wie man Bedingungen für einen Solo- und Gruppentanz schafft, den Zustand des Seins im Moment, sowie den kreativen Fluss und das Auftreten von Engagement

Mit: Sophie Oettinger, Lena Gauly, Nora Eggers, Susanne Mohr, Sarah Mestmacher, Deborah Schmidt-Riese, Laura Giudici, Lu Pahl, Nina Frank
Leitung: Ewelina Zielonka

Ewelina Zielonka ist freischaffende Künstlerin und Tanzlehrerin. Sie absolvierte Movement Studies, Performance und Tanzpädagogik an der Anton Bruckner Universität in Linz. 2015 erwarb sie MA in MA CoDE-Programm an der Hochschule für Musik und Darstellende Kunst in Frankfurt. In diesen Jahren spezialisierte sie sich in zeitgenössischem Tanz, Improvisation und somatischem Bewegungsansatz. Seit vier Jahren arbeitet sie in unterschiedlichen Kontexten in Frankfurt: Tanz in Schulen, Soziale Projekte mit Schüler*innen, mit Kindern, Jugendlichen und Senior*innen. Sie bietet regelmäßig Tanzunterricht an und macht Choreografien für Theaterstücke und Kurzfilme. Sie führt regelmäßig Workshops und vertieft nebenher ihr Hauptinteresse an der Interaktion mit der Umgebung und der Erforschung des Ortsgefühls.

Tanzklub 60+ | Alter ist nichts für Feiglinge

Jeder Mensch altert, jedoch geht jede*r anders damit um. Altern bedeutet weit mehr als das Fortschreiten von Jahren. Den positiven Aspekten wie Erfahrung, Wissen und Gelassenheit stehen die negativen Aspekte wie Nachlassen der Kraft, Vergesslichkeit und Tod gegenüber.
„Mit dem Altwerden ist es wie mit Auf-einen-Berg-Steigen: Je höher man steigt, desto mehr schwinden die Kräfte – aber umso weiter sieht man.“ (Ingmar Bergmann)
Zu der Ausstellung GREY IS THE NEW PINK im Weltkulturen Museum, die sich mit dem Älterwerden auseinandersetzt, haben wir eine ‚performative Führung‘ entwickelt. Diese ist Grundlage für unser Stück Alter ist nichts für Feiglinge. Es ist die Auseinandersetzung damit, wie wir altern und altern möchten.

Mit: Karin Arnold, Heike Bengel, Angelika Bogenschütz, Inge-Maria Böhm, Angela Braun-Krähenhöfer, Barbara Bumann, Licet de Rodriguez, Angelika Geyer, Christel Gold-Hellenkamp, Michael Götze, Renate Hermann, Barbara Jakob, Adelheid Käberich, Alexander Kaestner, Petra Lochner, Adelheid Nake, Michèle Resnik, Jannie Reuels, Anne Rondeau, Claus-H. Schradin, Heide Schucht Lessa, Marianne Spohner
Leitung: Petra Lehr

Tanzklub 25+ | 361° – humans in structures – structures in humans

Strukturen sind Beziehungsgefüge, wobei diese Gefüge mehr sind als die Summe der einzelnen Elemente, aus denen sie bestehen.
Strukturen sind nicht stabil und geschlossen, sondern veränderlich und offen. Die Elemente hängen alle voneinander ab, jede Veränderung eines Elements zieht die Veränderung der übrigen nach sich.
Punkt – Linie – Kreis ⇨ kleiner Tiger

Mit: Elisabeth Aha, Barbara Albers, Ulrike Baumgärtner, Ute Behring, Ana M. Benavent Atienza, Katrin Fischer, Ulla Kirchhoff, Karin Klink, Christa Lips-Schulte, Miriam Loy, Hanna Mach, Ines Mehlhose, Christina Rumpel, Dominique Schäfer, Hermann Schiebener, Marianne Schramm, Dagmar Seitenspinner, Barbara Siebenbürger, Birte Waldeck, Mira Wirth
Leitung: Petra Lehr

Petra Lehr erhielt ihre Ausbildung in Deutschland und den USA (u.a. Martha Graham School of Contemporary Dance, Alvin Ailey American Dance Center). Sie gründete 1993 das co.lab.tanztheater in Frankfurt, mit dem sie bereits 20 Produktionen erarbeitete. Sie unterrichtet Zeitgenössischen Tanz und hatte Lehraufträge an verschiedenen Universitäten. 2012 absolvierte sie eine tanzmedizinische Weiterbildung.

Fri 14.06.2019 | 19:30

Read more
Pop up

  • Fri 14.06.2019 | 19:30
  • Staatstheater Darmstadt, Großes Haus, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 9,00 € | keine Ermäßigung
Fri 14.06.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
Read more
Professional Training

Professional Training with Miranda Glikson

  • Fri 14.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies in Australia and Germany, as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts. She is currently undertaking a practice-led creative works PhD at the Queensland University of Technology Brisbane, researching place, embodiment and site-located dance practice.

Thu 13.06.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
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Professional Training

Professional Training with Miranda Glikson

  • Thu 13.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies in Australia and Germany, as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts. She is currently undertaking a practice-led creative works PhD at the Queensland University of Technology Brisbane, researching place, embodiment and site-located dance practice.

Wed 12.06.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
Read more
Professional Training

Professional Training with Miranda Glikson

  • Wed 12.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies in Australia and Germany, as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts. She is currently undertaking a practice-led creative works PhD at the Queensland University of Technology Brisbane, researching place, embodiment and site-located dance practice.

Tue 11.06.2019 | 10:00 - 11:30
Professional Training with Miranda Glikson
Read more
Professional Training

Professional Training with Miranda Glikson

  • Tue 11.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This contemporary training offers a warmup grounded in principles and methods from Bartenieff Fundamentals developmental movement practice. Guided by both set movement patterns and individual explorations, the focus is on renewal and deepening of our earliest infant experiments in movement, breath and sensation. This is accompanied by perception warmups drawn from the Tuning Scores practice of Lisa Nelson. In the second half of the training, tools from the tuning practice are explored further through partner and group improvisations where our sense of composition is awakened and practiced through the sensations and effects of our internal and external environment.

Miranda Glikson is an independent dance artist and educator based in Australia and Germany. She worked with ballet and contemporary companies in Australia and Germany, as a performer, company trainer and choreographic assistant. Miranda holds a Masters in Contemporary Dance Education from Frankfurt University of Music and Performing Arts. She is currently undertaking a practice-led creative works PhD at the Queensland University of Technology Brisbane, researching place, embodiment and site-located dance practice.

Fri 07.06.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
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Professional Training

Professional Training with Natalia Rodina

  • Fri 07.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Thu 06.06.2019 | 18:30 - 21:00
PRAKTisch
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Workshops

PRAKTisch

  • Thu 06.06.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 06.06.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Thu 06.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Wed 05.06.2019 | 18:00

Read more
Tanzklubs

  • Wed 05.06.2019 | 18:00
  • Weltkulturen Museum, Schaumainkai 29-37, 60594 Frankfurt am Main
  • Kosten: 7 € / erm. 3,50 € / ohne Anmeldung
Wed 05.06.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Wed 05.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Tue 04.06.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Tue 04.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Mon 03.06.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Mon 03.06.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Mai 2019
Wed 29.05.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Wed 29.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Tue 28.05.2019 | 19:30 - 21:40

Read more

  • Tue 28.05.2019 | 19:30 - 21:40
  • Staatstheater Darmstadt, Foyer Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 6 € | Keine Ermäßigung
Tue 28.05.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Tue 28.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Mon 27.05.2019 | 10:00 - 11:30
Professional Training with Natalia Rodina
Read more
Professional Training

Professional Training with Natalia Rodina

  • Mon 27.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Natalia Rodina´s class is based on a Cunningham technique and also includes shares of ballet which will be applied and transformed into moving exercises.
Her training moves the body as well as the mind, builds stamina and improves the coordination. During this class your body will learn to move in harmony with specific muscles.

Natalia Rodina, dancer, choreographer and teacher, was born in Moskau in 1985. She studied at the Rotterdam Dance Academy and worked for/with The Forsythe Company, Dansgroep Amsterdam, Galili Dance and others.

Sun 26.05.2019 | 10:45 - 12:45

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Workshops

  • Sun 26.05.2019 | 10:45 - 12:45
  • Staatstheater Darmstadt, Foyer Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11, 50 € | ohne Ermäßigung
Fri 24.05.2019 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
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Professional Training

Professional Training with Fabrice Mazliah

  • Fri 24.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Fabrice Mazliah (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as The Manufactured series Duet#1 (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered
economy of freelance work and the fixed institutional structure of a company.

Thu 23.05.2019 | 18:30 - 21:00
PRAKTisch
Read more
Workshops

PRAKTisch

  • Thu 23.05.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 23.05.2019 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Thu 23.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Fabrice Mazliah (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as The Manufactured series Duet#1 (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered
economy of freelance work and the fixed institutional structure of a company.

Wed 22.05.2019 | 20:00 - 22:00
Choreographic Workshop
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Choreografische Werkstatt

Choreographic Workshop

  • Wed 22.05.2019 | 20:00 - 22:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 2
  • Pay as you wish

The Choreographic Workshop offers local and regional dance professionals the opportunity to present their work-in-progress or research projects, to give an insight into current issues and their working methods, and to talk about them in a subsequent discussion.

Up to three presentations (15 min max.) will be shown per evening. In the subsequent discussion, the artists and the audience will have the opportunity to discuss questions, make references or give suggestions for further development.

Application deadline: Wed. May 8, 2019 via email to info@tanzplattformrheinmain.de

Find all further information in our open call.

Wed 22.05.2019 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Wed 22.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Fabrice Mazliah (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as The Manufactured series Duet#1 (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered
economy of freelance work and the fixed institutional structure of a company.

Tue 21.05.2019 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Tue 21.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Fabrice Mazliah (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as The Manufactured series Duet#1 (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered
economy of freelance work and the fixed institutional structure of a company.

Mon 20.05.2019 | 10:15 - 13:45
Dance medical consultation sessions
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Dance Medical Consultation Sessions

Dance medical consultation sessions

  • Mon 20.05.2019 | 10:15 - 13:45
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eigenkostenanteil / Own contribution: € 15,-

What is taken for granted by many professional athletes – medical and therapeutic support throughout their entire active career – should also become available for dancers!
Priv.-Doz. Dr. med. Benita Kuni will offer support and assistance on the following:

  • Prevention of Dance Injuries
  • Rehabilitation and How to Make a Comeback after a Dance Injury
  • Analysis of Dance Technique and Technique Coaching
  • Alternative Training Methods for Dancers
  • “Dance Medicine Check-Up”
  • Guidance and Supervision in the Field of Dance Medicine

Registration:
Online form

Mon 20.05.2019 | 10:00 - 11:30
Professional Training with Fabrice Mazliah
Read more
Professional Training

Professional Training with Fabrice Mazliah

  • Mon 20.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A warm-up combining different types of practices. Mixing notions of body awareness, Alexander technique, ballet, budo training, multi directional and spiral coordination and extensive stretching. This class offers the possibility to get your body activated and awake, strengthening different types of muscle chain and stimulating new forms of coordination and rhythms. This practice asks for a form of spontaneity and curiosity.

Fabrice Mazliah (1972, Geneva Switzerland) is a choreographer and performer based in Frankfurt/Germany. After studying dance in Geneva, at The National School of Athens and in the Rudra Bejart Atelier in Lausanne, he was part of the Nederlands Dans Theater company in Holland before joining in 1997 the Ballett Frankfurt and further into the Forsythe Company until summer 2015.
In parallel to his work as a dancer performer, since 2002 Mazliah has created and produced many works of his own and in collaboration with others, pieces such as The Manufactured series Duet#1 (2018), In Act and Thought (2015) for the Forsythe Company, Eifo Efi (2013), Cover up (2011) with the mamaza collective and many more. Fabrice has been teaching workshops based on movement research and improvisation, in places such as: P.A.R.T.S (Brussels), La Manufacture (Lausanne) and others. In his recent work he is occupied with the relation between objects, environment, movement and language, attempting at developing new forms of narrativity and poetry.
He is interested in forming alternative formats of working conditions, such as his initiation _ HOOD – A Platform for Creative Exchange_ made of a group of former members of the Forsythe Company, supported by PACT Zollverein Germany between 2015 and 2018. The HOOD model was born of a need for a cohesive artistic community situated between the splintered
economy of freelance work and the fixed institutional structure of a company.

Sun 19.05.2019 | 18:00
ZuKT_right now!
Read more

ZuKT_right now!

  • Sun 19.05.2019 | 18:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 € / erm. 9 €

ZuKT heißt Zeitgenössischer und Klassischer Tanz, ist Titel und zugleich Programm. ZuKT steht bekanntermaßen für ästhetische Vielfalt und sucht die Verbindung von Tradition und Innovation. ZuKT ist immer für Überraschungen gut und macht Lust auf Tanz.
Seit 2003 präsentiert ZuKT jährlich ansprechende und anspruchsvolle Programme im Mousonturm und lockt tanzbegeisterte Menschen in das Künstlerhaus, die bereit sind, sich immer wieder von der unbändigen Bewegungslust der jungen Tänzer*innen anstecken zu lassen.
Das Spektrum der in [ZuKT right now!] gezeigten Choreographien reicht von neuen Choreographien von Luc Dunberry, Peter Mika und Paul Whyte, der zum ersten Mal eine eigene Choreographie mit BAtanz Studierenden erarbeitet, zu Ausschnitten von _Work within Work von William Forsythe und Stücken von Cameron McMillan und Dieter Heitkamp.

Durch die Arbeit mit vielen verschiedenen Choreograph*innen haben die Studierenden Gelegenheit, die zahlreichen Facetten ihrer künstlerischen Gestaltungsfähigkeit spielerisch auszuloten – dynamisch, präzise, achtsam, bestechend, forsch!

Kartenvorbestellung: +49 (69) 40 58 95-20 | www.mousonturm.de

Eine Veranstaltung mit Studierenden des Studiengangs ZuKT_BAtanz der Hochschule für Musik und Darstellende Kunst Frankfurt am Main mit Unterstützung der Hessischen Theaterakademie

Sun 19.05.2019 | 17:00

Read more
Tanzklubs

  • Sun 19.05.2019 | 17:00
  • Weltkulturen Museum, Schaumainkai 29-37, 60594 Frankfurt am Main
  • Kosten: 7 € / erm. 3,50 € / ohne Anmeldung
Sat 18.05.2019 | 20:00
ZuKT_right now!
Read more

ZuKT_right now!

  • Sat 18.05.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 € / erm. 9 €

ZuKT heißt Zeitgenössischer und Klassischer Tanz, ist Titel und zugleich Programm. ZuKT steht bekanntermaßen für ästhetische Vielfalt und sucht die Verbindung von Tradition und Innovation. ZuKT ist immer für Überraschungen gut und macht Lust auf Tanz.
Seit 2003 präsentiert ZuKT jährlich ansprechende und anspruchsvolle Programme im Mousonturm und lockt tanzbegeisterte Menschen in das Künstlerhaus, die bereit sind, sich immer wieder von der unbändigen Bewegungslust der jungen Tänzer*innen anstecken zu lassen.
Das Spektrum der in [ZuKT right now!] gezeigten Choreographien reicht von neuen Choreographien von Luc Dunberry, Peter Mika und Paul Whyte, der zum ersten Mal eine eigene Choreographie mit BAtanz Studierenden erarbeitet, zu Ausschnitten von _Work within Work von William Forsythe und Stücken von Cameron McMillan und Dieter Heitkamp.

Durch die Arbeit mit vielen verschiedenen Choreograph*innen haben die Studierenden Gelegenheit, die zahlreichen Facetten ihrer künstlerischen Gestaltungsfähigkeit spielerisch auszuloten – dynamisch, präzise, achtsam, bestechend, forsch!

Kartenvorbestellung: +49 (69) 40 58 95-20 | www.mousonturm.de

Eine Veranstaltung mit Studierenden des Studiengangs ZuKT_BAtanz der Hochschule für Musik und Darstellende Kunst Frankfurt am Main mit Unterstützung der Hessischen Theaterakademie

Fri 17.05.2019 | 20:00
ZuKT_right now!
Read more

ZuKT_right now!

  • Fri 17.05.2019 | 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main, Saal
  • 19 € / erm. 9 €

ZuKT heißt Zeitgenössischer und Klassischer Tanz, ist Titel und zugleich Programm. ZuKT steht bekanntermaßen für ästhetische Vielfalt und sucht die Verbindung von Tradition und Innovation. ZuKT ist immer für Überraschungen gut und macht Lust auf Tanz.
Seit 2003 präsentiert ZuKT jährlich ansprechende und anspruchsvolle Programme im Mousonturm und lockt tanzbegeisterte Menschen in das Künstlerhaus, die bereit sind, sich immer wieder von der unbändigen Bewegungslust der jungen Tänzer*innen anstecken zu lassen.
Das Spektrum der in [ZuKT right now!] gezeigten Choreographien reicht von neuen Choreographien von Luc Dunberry, Peter Mika und Paul Whyte, der zum ersten Mal eine eigene Choreographie mit BAtanz Studierenden erarbeitet, zu Ausschnitten von _Work within Work von William Forsythe und Stücken von Cameron McMillan und Dieter Heitkamp.

Durch die Arbeit mit vielen verschiedenen Choreograph*innen haben die Studierenden Gelegenheit, die zahlreichen Facetten ihrer künstlerischen Gestaltungsfähigkeit spielerisch auszuloten – dynamisch, präzise, achtsam, bestechend, forsch!

Kartenvorbestellung: +49 (69) 40 58 95-20 | www.mousonturm.de

Eine Veranstaltung mit Studierenden des Studiengangs ZuKT_BAtanz der Hochschule für Musik und Darstellende Kunst Frankfurt am Main mit Unterstützung der Hessischen Theaterakademie

Fri 17.05.2019 | 15:00 - 18:00

Read more
Workshops

  • Fri 17.05.2019 | 15:00 - 18:00
  • Weltkulturen Museum, Schaumainkai 29-37, 60594 Frankfurt am Main
  • 20€
Fri 17.05.2019 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Fri 17.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Thu 16.05.2019 | 10:00 - 11:30
Professional Training with Ildikó Tóth
Read more
Professional Training

Professional Training with Ildikó Tóth

  • Thu 16.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Wed 15.05.2019 | 10:00 - 11:30
Professional Training with Ildikó Tóth
Read more
Professional Training

Professional Training with Ildikó Tóth

  • Wed 15.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Tue 14.05.2019 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Tue 14.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Mon 13.05.2019 | 10:00 - 11:30
Professional Training with Ildikó Tóth
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Professional Training

Professional Training with Ildikó Tóth

  • Mon 13.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class draws from experiences with release-based and traditional modern dance techniques, from the work with contact as well as Forsythe improvisation methods and yoga. Class will begin with a simple warm-up on the floor or with improv exercises focusing on establishing a feeling for the center and the basic connections of the moving body as well as an efficient use of weight and breath. Class will continue with exercises at increasingly higher intensity and with an emphasis on an ever larger range of motion, clear and efficient transitions and an appropriate use of dynamic changes. The class culminates with a longer movement sequence meant to give room to apply technical discoveries that may have been made throughout the class while at the same time allowing for personal experiences in regards to space, the connection to fellow dancers and/or to the pure pleasure of moving. Falling and failure are highly encouraged.

Ildikó Tóth studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating, a DAAD scholarship led her to New York City in 2005 where she worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. Since November 2012 she is a member of the Forsythe Company. She has taught for the department of education at Nederlands Dans Theater among others, and has been assisting Bill Young with staging new work for students at Barnard College in New York City.

Fri 10.05.2019 | 18:00 - 21:00

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Kita TanzWorkshops

  • Fri 10.05.2019 | 18:00 - 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 25 €
  • Der Besuch eines Einführungsworkshops ist Voraussetzung für die Teilnahme an der Weiterbildung KitaTanz.

KitaTanz ist eine berufsbegleitende Weiterbildung in der Tanzvermittlung für pädagogische Fachkräfte entsprechend den Richtlinien des Hessischen Bildungs- und Erziehungsplans im Bereich 0 bis 10 Jahre. Die Weiterbildung KitaTanz ist ein Projekt der Crespo Foundation und der Tanzplattform Rhein-Main und wurde auf einer künstlerisch-pädagogischen Basis konzipiert und entwickelt.

In der Weiterbildung wird praktisch und theoretisch mit der frühkindlichen Bewegungsentwicklung nach Body-Mind Centering® (BMC) und der Laban/Bartenieff Bewegungsstudien (LBBS) gearbeitet. Es werden grundlegende Prinzipien und Techniken der Bewegungsarbeit und Tanzimprovisation vermittelt. Durch:

  • eine kontinuierliche Verbindung von Theorie und Praxis
  • die Verknüpfung von künstlerischen und pädagogischen Prinzipien zu Bewegung
  • die Selbsterfahrung mit Bewegungsentwicklung
  • sowie sensomotorische Körperarbeit
  • multiprofessionelles Team
  • Beratung und Prozessbegleitung beim Transfer der Inhalte vor Ort in den Einrichtungen

Ziel
Die Weiterbildung unterstützt Fachkräfte, Methoden der Tanzvermittlung in ihren jeweiligen Institutionen professionell einzuführen und zu etablieren. Den Teilnehmer*innen wird praktisches Handwerkszeug vermittelt, um Bewegungsangebote und Tanzprojekte nach dem derzeitigen Stand der pädagogischen Tanzvermittlung für Kinder und Jugendliche zu gestalten und darin verschiedene Konzepte und Praktiken zu integrieren. Der Zugang zu Bewegung über einen kreativen und künstlerischen Prozess steht im Vordergrund.

An wen richtet sich KitaTanz?
An Erzieher*innen, Lehrkräfte, Pädagog*innen in der Elementarpädagogik, Kindertagesstätten und sozialpädagogische Einrichtungen, die mit Kindern arbeiten und ihre Kompetenzen im Bereich Tanz und Bewegung einsetzen möchten sowie Menschen, die neugierig auf neue Bewegungs- und Körpererfahrung sind.

Eckdaten/Zeitrahmen
Laufzeit August 2019 – Dezember 2020

  • 180 UE aufgeteilt in 5 Module
  • 14-tägige Trainingseinheiten, mittwochs von 18.00 – 21.00 Uhr, ausgenommen Schulferien
  • sowie ein Workshop pro Modul mit hochqualifizierten Gastdozent*innen, samstags 10.00 – 17.30 Uhr
  • individuelles Coaching in der Kita/Einrichtung
  • Besuch von zeitgenössischen Tanzaufführungen
  • Durchführung eines individuellen Projektes in der Kita/Einrichtung
  • 2 Tage für Projektpräsentationen zum Abschluss der Weiterbildung
  • Abschlussgespräch

Team
Leitung: Nira Priore Nouak | zeitgenössische Tanzpädagogin, Lern- und Entwicklungsbegleiterin
mit Sibylle Magel | Tanz- und Theaterpädagogin, Certified DanceAbility Teacher

Kosten
2.150,00 € pro Teilnehmer*in | zahlbar in 3 Raten je 716 €
Einführungsworkshops: Freitag 29.3. und Freitag 10.5.| Kosten je 25,00 €

  • Anmeldung bis 15.6.2019

Kontakt
Nira Priore Nouak | nira.priore@nouak.de, Tel.: 0160 6281473
Cora Stein | cora.stein@crespo-foundation.de, Tel.: 069 271079514

Fri 10.05.2019 | 10:00 - 11:30
Professional training with Paul White
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Professional Training

Professional training with Paul White

  • Fri 10.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Thu 09.05.2019 | 18:30 - 21:00
PRAKTisch
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Workshops

PRAKTisch

  • Thu 09.05.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 09.05.2019 | 10:00 - 11:30
Professional training with Paul White
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Professional Training

Professional training with Paul White

  • Thu 09.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Wed 08.05.2019 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Wed 08.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Tue 07.05.2019 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Tue 07.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Mon 06.05.2019 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Mon 06.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Fri 03.05.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Fri 03.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Thu 02.05.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Thu 02.05.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

April 2019
Tue 30.04.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Tue 30.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Mon 29.04.2019 | 10:00 - 11:30
Professional Training with Kasia Kizior
Read more
Professional Training

Professional Training with Kasia Kizior

  • Mon 29.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Kasia Kiziors class is based on Gaga. Gaga is the movement language developed by Ohad Naharin throughout many years, parallel to his work as a choreographer and the artistic director of Batsheva Dance Company. Gaga originated from Naharin’s need to communicate with his dancers and his curiosity in the ongoing research of movement.

Gaga classes are predicated on a deep listening to the body and to physical sensations. The instructions are deployed to increase awareness of and further amplify sensation, and rather than turning from one prompt to another, information is layered, building into a multisensory, physically challenging experience. While many instructions are imbued with rich imagery, the research of Gaga is fundamentally physical, insisting on a specific process of embodiment. Inside this shared research, the improvisational nature of the exploration enables each participant’s deeply personal connection with Gaga.

Gaga provides a framework for discovering and strengthening the body and adding
flexibility, stamina, agility, and skills including coordination and efficiency while
stimulating the senses and imagination. The classes offer a workout that investigates form, speed, and effort while traversing additional spectrums such as those between soft and thick textures, delicacy and explosive power, and understatement and exaggeration.
Participants awaken numb areas, increase their awareness of habits, and improve their
efficiency of movement inside multilayered tasks, and they are encouraged to connect to
pleasure inside moments of effort. The language of Gaga is in a continual process of
evolution, and the classes vary and develop accordingly.

Gaga has two tracks: Gaga/people and Gaga/dancers.

Gaga/dancers deepens dancers’ awareness of physical sensations, expands their palette of
available movement options, enhances their ability to modulate their energy and engage
their explosive power, and enriches their movement quality with a wide range of textures. The classes are built on the same principles as Gaga/people classes but also employ the specific vocabulary and skills that are part and parcel of a dancer’s knowledge. The layering of familiar skills with Gaga tasks presents dancers with fresh challenges, and throughout the class, teachers prompt the dancers to visit more unfamiliar places and ways of moving as well, unlocking the endlessness of possibilities. Dancers are guided to connect their effort to pleasure and to discover the virtue of silliness. Gaga/dancers classes are open to professional dancers or advanced dance students ages 16+.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Sun 28.04.2019 | 16:00 - 17:00
100:100 | tribute to Merce Cunningham
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Residenzprogramm in Frankfurt

100:100 | tribute to Merce Cunningham

  • Sun 28.04.2019 | 16:00 - 17:00
  • Metzlerpark (Museum Angewandte Kunst, Schaumainkai 17, 60594 Frankfurt)
  • Eintritt frei / Entrance free

The Rhein-Main Region celebrates the Centennial of Merce Cunningham birth

Merce Cunningham is one of the most famous choreographers in the world. He has revolutionized the understanding of dance and movement with his Cunningham-Technique, philosophy and his constructive-situational approach. His life-long collaboration with John Cage has been influential for the whole arts avant-garde beyond the limits of dance.
Therefore Paula Rosolen/Haptic Hide, Tanzplattform Rhein-Main, Künstlerhaus Mousonturm, the MAK, the Hochschule für Gestaltung and a group of professional dancers, choreographers and dance-amateurs, join forces to pay tribute to the great choreographer. They assemble dance sequences into a large group score, embodying Cunningham’s movement principles and create together an outdoor performance with a live music score by Nicolas Fehr and David Morrow.

Idea, Score: Paula Rosolen/Haptic Hide
Concept: Paula Rosolen & J. M. Fiebelkorn
Choreography: Dancers and Choreographers from the region
Choreography Assistants: Maria Kobzeva, Tamara Saphir
Music: Nicolas Fehr and David Morrow
Production Management: Ingrida Gerbutavičiūtė
Production Assistant: Raimonda Gudaviciute-Haun
Photography: Jörg Baumann

Partners: Kulturamt Frankfurt, Tanzplattform Rhein-Main, Künstlerhaus Mousonturm, Museum Angewandte Kunst, Hochschule für Gestaltung Offenbach, Paula Rosolen/Haptic Hide.

Fri 26.04.2019 | 10:00 - 11:30
Professional training with Lavinia Vago
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Professional Training

Professional training with Lavinia Vago

  • Fri 26.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Analyzing our mind / body channel, we will ride the thin line between losing control and holding control. We will use different improvisational tasks and clear pathways to explore the endless possibilities our bodies can move through. We will push the limits of our physicality while finding comfort, attack and smoothness on the floor, standing, in mid space. We will reimagine how gravity can affect us. Technique will arise from our goal: to push our physical imagination while achieving clarity so our bodies can arrive in the most distorted places, and our minds can master them.

Lavinia Vago is from Italy and currently lives in Seattle. Performed with Sidra Bell Dance New York, Vim Vigor Dance Theater, Loni Landon Projects, Tom Weinberger, Saint Genet, RUBBERBANDance Group, and Kate Wallich/THE YC since 2010. Rehearsal director/choreographic assistant for Loni Landon, Kate Wallich, and Victor Quijada, recently at Staatstheater Mainz. NOESIS X, solo work with sound designer Harald Stojan. She teaches contemporary technique, improvisational investigative workshops, Dance Church™, the RUBBERBAND Method, and Dance for Parkinson’s.

Thu 25.04.2019 | 18:30 - 21:00
PRAKTisch
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Workshops

PRAKTisch

  • Thu 25.04.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 25.04.2019 | 10:00 - 11:30
Professional training with Lavinia Vago
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Professional Training

Professional training with Lavinia Vago

  • Thu 25.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Analyzing our mind / body channel, we will ride the thin line between losing control and holding control. We will use different improvisational tasks and clear pathways to explore the endless possibilities our bodies can move through. We will push the limits of our physicality while finding comfort, attack and smoothness on the floor, standing, in mid space. We will reimagine how gravity can affect us. Technique will arise from our goal: to push our physical imagination while achieving clarity so our bodies can arrive in the most distorted places, and our minds can master them.

Lavinia Vago is from Italy and currently lives in Seattle. Performed with Sidra Bell Dance New York, Vim Vigor Dance Theater, Loni Landon Projects, Tom Weinberger, Saint Genet, RUBBERBANDance Group, and Kate Wallich/THE YC since 2010. Rehearsal director/choreographic assistant for Loni Landon, Kate Wallich, and Victor Quijada, recently at Staatstheater Mainz. NOESIS X, solo work with sound designer Harald Stojan. She teaches contemporary technique, improvisational investigative workshops, Dance Church™, the RUBBERBAND Method, and Dance for Parkinson’s.

Wed 24.04.2019 | 10:00 - 11:30
Professional training with Lavinia Vago
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Professional Training

Professional training with Lavinia Vago

  • Wed 24.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Analyzing our mind / body channel, we will ride the thin line between losing control and holding control. We will use different improvisational tasks and clear pathways to explore the endless possibilities our bodies can move through. We will push the limits of our physicality while finding comfort, attack and smoothness on the floor, standing, in mid space. We will reimagine how gravity can affect us. Technique will arise from our goal: to push our physical imagination while achieving clarity so our bodies can arrive in the most distorted places, and our minds can master them.

Lavinia Vago is from Italy and currently lives in Seattle. Performed with Sidra Bell Dance New York, Vim Vigor Dance Theater, Loni Landon Projects, Tom Weinberger, Saint Genet, RUBBERBANDance Group, and Kate Wallich/THE YC since 2010. Rehearsal director/choreographic assistant for Loni Landon, Kate Wallich, and Victor Quijada, recently at Staatstheater Mainz. NOESIS X, solo work with sound designer Harald Stojan. She teaches contemporary technique, improvisational investigative workshops, Dance Church™, the RUBBERBAND Method, and Dance for Parkinson’s.

Tue 23.04.2019 | 10:00 - 11:30
Professional training with Lavinia Vago
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Professional Training

Professional training with Lavinia Vago

  • Tue 23.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Analyzing our mind / body channel, we will ride the thin line between losing control and holding control. We will use different improvisational tasks and clear pathways to explore the endless possibilities our bodies can move through. We will push the limits of our physicality while finding comfort, attack and smoothness on the floor, standing, in mid space. We will reimagine how gravity can affect us. Technique will arise from our goal: to push our physical imagination while achieving clarity so our bodies can arrive in the most distorted places, and our minds can master them.

Lavinia Vago is from Italy and currently lives in Seattle. Performed with Sidra Bell Dance New York, Vim Vigor Dance Theater, Loni Landon Projects, Tom Weinberger, Saint Genet, RUBBERBANDance Group, and Kate Wallich/THE YC since 2010. Rehearsal director/choreographic assistant for Loni Landon, Kate Wallich, and Victor Quijada, recently at Staatstheater Mainz. NOESIS X, solo work with sound designer Harald Stojan. She teaches contemporary technique, improvisational investigative workshops, Dance Church™, the RUBBERBAND Method, and Dance for Parkinson’s.

Thu 18.04.2019 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Thu 18.04.2019 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Wed 17.04.2019 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Wed 17.04.2019 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Tue 16.04.2019 | 18:00 - 20:00
Choreographic Workshop
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Choreografische Werkstatt

Choreographic Workshop

  • Tue 16.04.2019 | 18:00 - 20:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main,
    Studio 1
  • Pay as you wish

The Choreographic Workshop offers local and regional dance professionals the opportunity to present their work-in-progress or research projects, to give an insight into current issues and their working methods, and to talk about them in a subsequent discussion.

Up to three presentations (15 min max.) will be shown per evening. In the subsequent discussion, the artists and the audience will have the opportunity to discuss questions, make references or give suggestions for further development.

Showings am Di. 16.4.2019:

Gustavo Gomes | The New Fascist

The new performance piece The New Fascist by Brazilian dancer Gustavo Gomes is inspired by the first forms of fascism under Benito Mussolini in northern Italy and also by Pier Paolo Pasolini’s feature film Salo or the 120 Days of Sodom. In it, the dancer embarks on an artistic examination of the past and its relation to current social issues. Who is privileged in our society? How do we encounter minorities? What’s the fear behind homophobia? How do we deal with oppression and threat? Why can religion be used as a justification for violence? How does power, admiration and followers arise? What remains of a culture after decades of colonial rule?
Inspired by the gestures and facial expressions of dictators, he shows strength, power, leadership, he aims, threatens, accuses and does not ignore what he is: a white man. A white man who spreads, oppresses, marks his territory and elevates his vision of right and wrong to the norm.

Music: Gustavo Gomes and Rosa Wernecke | Text: Josefine Sautier | Photos: Alexandre Borba | Duration: 15 min

Eri Funahashi Geen | 262 (working title)

“色即是空
空即是色”
(“Shiki soku ze kuu, kuu soku ze shiki” = “Form is emptiness, emptiness is form”)

The piece is inspired by the Japanese writing of the heart sutra, and seeks to express the 262 kanji (chinese characters) in the language of movement.
Geboren in Japan, aufgewachsen in Japan und Kanada, Eri Funahashi Geen ist heute als freischaffende Tänzerin, Choreografin und Tanzpädagogin in Frankfurt am Main ansässig. Sie studierte Ballett und zeitgenössischen Tanz an der Rambert School of Ballet and Contemporary Dance (UK). Sie war Mitglied im Teatrul de Balet Sibiu (Rumänien), wo sie in Repertoires von klassischen bis hin zu zeitgenössischen Werken tanzte. Im Jahr 2018 absolvierte sie den Masterstudiengang Contemporary Dance Education (MA CoDE) an der Hochschule für Musik und Darstellende Kunst Frankfurt am Main. Derzeit unterrichtet sie regelmäßig Ballett und zeitgenössischen Tanz für verschiedene Zielgruppen in Frankfurt und Umgebung. Als Tänzerin ist sie am Hessisches Staatstheater Wiesbaden engagiert.

Laura Brechmann | Bahr belá mà – Meer ohne Wasser

Die Performance Bahr belá mà – Meer ohne Wasser ist der Versuch des choreografierten Falls aus der Ordnung. In dem Versuch, ihren Taumel verstehen zu wollen, riskieren sich die drei Figuren. Hier wird die Welt zum instabilen Möglichkeitsraum.
Im allgemeinen Sprachgebrauch sprechen wir von „Wüste“, wenn das Gegenteil von Heimat, Geborgenheit und Sicherheit ausgedrückt werden soll. In der Wüste, im Serir, ist der Mensch Gefühlen von Verlassenheit, Orientierungslosigkeit und Einsamkeit ausgesetzt. Er taumelt, die Welt gerät aus ihrem Gleichgewicht. Wie lässt sich diese Wahrnehmung in eine Choreografie umsetzen? Die Performer*innen verlassen den selbstgesteckten Sicherheitsraum. Sie taumeln, aus Angst vor dem Unbekannten. Denn sie wissen nicht, was die Wüste bereithält, welche Gefahren, welche Geheimnisse sie ihnen offenbart. In dem Versuch, ihren Taumel verstehen zu wollen, riskieren sie, sich und ihre Welt zu verlieren. Der Fall aus der Balance, Desstabilität und Kontrollverlust sind jedoch nur die eine Seite der menschlichen Empfindungen. Im Taumel erfährt das Individuum auch ein unbeschreibliches Gefühl der Freiheit. Hier, in ihrem surrealen Bahr belá mà (dt. Meer ohne Wasser) gibt es keine Beschränkungen mehr. Die Welt wird zu dem eigenen Möglichkeitsraum. In der Bewegung (emp)findet man Freude und Spaß. Und plötzlich fragt man sich, wovor man sich eigentlich fürchtet.

Inszenierung und Performance: Laura Brechmann, Giulio Hesse, Marlene Ruther | Video und Bühnenbild: Anja Plonka | Kostümbild: Marlene Ruther | Outside Eye: Katarína Marková, Florent Golfier | Produktionsleitung: Anna-Lena Werner

Next Choreographic Workshop: May 22, 2019
Application deadline: Wed. May 8, 2019 via email to info@tanzplattformrheinmain.de

Find all further information in our OPEN CALL

Tue 16.04.2019 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Tue 16.04.2019 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Mon 15.04.2019 | 10:00 - 11:30
Professional training with Jason Jacobs
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Professional Training

Professional training with Jason Jacobs

  • Mon 15.04.2019 | 10:00 - 11:30
  • Frankfurt LAB, Schmidtstr. 12, 60326 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

About the class
In this contemporary training, emphasis is placed on developing movement quality by activating the participants’ center, softening the body’s joints, and releasing the weight of the body into the floor. Improvisation exercises will be guided with the use of visual imagery to bring attention to specific movement characteristics and encourage the participants’ individual approach to movement. Following a gentle warm-up, the class will increase in complexity involving set movement material. Through integrating partner-work the participants will have the possibility to explore dancing with others. The training will challenge coordination, agility and control. The aim is to provide a focused energetic movement experience.

Biography
Jason Jacobs is a dance teacher, maker and performer. He has worked with artists including Hofesh Shechter, Johannes Wieland, Alonzo King and Dwight Rhoden. Together with Ekaterine Giorgadze, he is part of the artistic collaboration MuddyBoots. Jason’s choreographic work has been presented at Hofesh Shechter’s In Good Company 2011, tanzhaus nrw, Mousonturm, International Tanz Festival Ingolstadt, and TanzArt Ost/West. As a teacher, he uses improvisational tools to encourage awareness and cultivate an understanding of movement quality. To further improve his artistic development and refine his ability to communicate movement, Jason joined the Master’s Program Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

Fri 12.04.2019 | 10:00 - 11:30
Professional training with Paul White
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Professional Training

Professional training with Paul White

  • Fri 12.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Thu 11.04.2019 | 18:30 - 21:00
PRAKTisch
Read more
Workshops

PRAKTisch

  • Thu 11.04.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 11.04.2019 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Thu 11.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Wed 10.04.2019 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Wed 10.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Tue 09.04.2019 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Tue 09.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Mon 08.04.2019 | 10:00 - 11:30
Professional training with Paul White
Read more
Professional Training

Professional training with Paul White

  • Mon 08.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Paul’s class is designed to warm, stretch, release and tone the whole body. Not based in any singular contemporary technique, although influenced by yoga, release technique, Kung Fu and floor work. The class focuses on grounding the body’s energy and power in dynamic movement. The exercises aim at articulating the spine as the instigator of movement and at working strongly the core to increase weight transfer ability out into the space. Opening up different sequential movement pathways to find power and grace. Continually working in and out of the floor seamlessly and efficiently. Physically demanding.

Australian born dance-artist Paul White has been living in Germany since 2011. Until 2017, he was employed by Tanztheater Wuppertal Pina Bausch, as the first dancer to join the company after Bausch’s death. His twenty year long career history as a performer and artistic collaborator includes working with companies and directors; Tanztheater Wuppertal Pina Bausch, Lloyd Newson (DV8 Physical Theatre), Tanja Liedtke, Nigel Jamieson and Garry Stewart (Australian Dance Theatre), Narelle Benjamin, Kristina Chan, Martin Del Amo, Danzahoy.
Paul is the Honorary Patron of Tanzrauschen Wuppertal, a dance-on-film society founded in Wuppertal, and is a founding member of the Free Arts Scene Society, Wuppertal Germany. He is the recipient of eight national and international awards for his performance and choreographic work. (Australian Dance Awards, Helpmann Awards, Tänzer des Jahres, UK Critics Circle Award)
In 2019, Paul is looking forward to choregraphic residencies in Limerick, Frankfurt and Chicago for various insitutions, and thrilled to have further presentation opportunities for the piece Cella, co-choreographed with long-term friend Narelle Benjamin.

Mon 08.04.2019 | 09:00 - 14:00
LIGNA: Klasse Kinder!
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Ensemble Mobil

LIGNA: Klasse Kinder!

  • Mon 08.04.2019 | 09:00 - 14:00
  • Römerberg

Get to play air guitar right on Frankfurt’s Römerberg and be part of a dancing gang just for once? The performance collective LIGNA invites kids between age six and twelve to participate in an extraordinary piece. Equipped with headphones, which feature an audio play that mixes stories and movement instructions, they conquer Frankfurt’s central square through dance as they test the ways in which a random motley crew moves without a leader. Inspiration for the piece comes from the 1966-deceased choreographer Jenny Gertz, an almost forgotten pioneer of modern dance and visionary in the field of working with children. In “Klasse Kinder!”, LIGNA gives Gertz a voice and reawakens her revolutionary ideas to life together with the children.
The piece “Klasse Kinder!” is the third Ensemble Mobil. Once a year, the Tanzplatform Rhein-Main invites dance makers to develop a piece that leaves the theatre space.

PREMIERE: June 9, 2018 | Römerberg, Frankfurt

Further performances:
June 17, 2018 | Römerberg, Frankfurt
September 21 + 22, 2018 | HELLERAU, Dresden
September 26, 2018 | Robert-Schumann-Schule, Wiesbaden
November 26, 2018 | I.E. Lichtigfeldschule, Frankfurt
November 29, 2018 | Burg-Schule, Eppstein
March 1, 2019 | Kampnagel, Hamburg
April 8, 2019 | Schuldorf Bergstraße, Seeheim-Jugenheim

Conzept, Text, Production: LIGNA (Ole Frahm, Michael Hüners, Torsten Michaelsen) | Narration: Katharina Bach & children of the class 4d of Riederbergschule, Wiesbaden | Music: Elischa Kaminer | Choreographic Support: Ekaterine Giorgadze | Choreographic Advisor: Stefi Schmid | Mastering: Günter Reznicek | Costumes: Gloria Brillowska

A production of Tanzplattform Rhein-Main, in coproduction with Kampnagel and HELLERAU – Europäisches Zentrum der Künste Dresden, supported by the NATIONALE PERFORMANCE NETZ Koproduktionsförderung Tanz, and by the Federal Government Commissioner for Culture and Media.

Klasse Kinder! can be booked for individual performances by schools and other institutions in the Rhine-Main area.
Contact: Sina Schönfeld, Phone: 0049 69 – 40 58 95 62

Fri 05.04.2019 | 10:00 - 11:30
Professional training with Peter Mika
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Professional Training

Professional training with Peter Mika

  • Fri 05.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

After a proper warm-up, the class challenges the dancers technically. Starting slow, with a respectful heating of the body and a kinesiologic basis it develops progressively into highly dynamic and structured patterns. Besides placement special attention is given to a proper release of the weight into the floor, alternation of balance and off-balance material, and a constant change of energy. The final part of the lesson includes the learning of a choreographic phrase as a means to develop interpretation skills as well as an individual expressivity of the dancer.

Improvising freely or on set material using theatrical imagery and text, with partners as well as sharing the creative process with the whole group, are some of the tools to explore new choreographic material. As the workshop develops and new movement is created, the focus will shift naturally to composition and possibly to the structuring of small pieces of choreography. The general aim is to stimulate self-confidence in the creative skills of the dancers.

Peter Mika was born in Michalovce, Slovakia, in 1972. He received his education at the University of Music and Dramatic Art in Bratislava. He has danced with Torzo Ballet in Bratislava, with Bruno Genty in Paris, and was a member of S.O.A.P. Dance Theatre Frankfurt for four years. Afterwards he joined the Robert Pool Dance Company in Essen. In 1999 he was a member of Rui Horta stage works in Munich. In 1998, he was awarded the prize of the Rudolf Nureyev Foundation at the 8th International Concours de Dance de Paris. In 2002, he and Olga Cobos – with whom he has been directing the CobosMika Company since 2002 – received the Tanzförderpreis of the City of Munich.

He regularly teaches at Iwanson dance school in Munich where he also restaged a piece (Mozart) by Rui Horta. He cooperates with Bratislava Dance theater as a guest teacher and, together with Olga Cobos, as a guest choreographer. He regularly holds dance workshops at several dance festivals, for example in Toulouse, Prague, Munich, Barcelona, Madrid or London.

For the TV station Arte he and Marcus Beherens made a documentary about the S.O.A.P. Dance Theatre, and a short film of the duo piece Duet. Lately, he worked for Russell Maliphant and performed solo and duet pieces together with Olga Cobos. During the last six years he has been performing in Europe, the USA, Canada and Russia, in theatres like Joyce Theater (New York), The Place (London), Royal Opera (London) or the Théâtre de la Ville (Paris).

Thu 04.04.2019 | 10:00 - 11:30
Professional training with Peter Mika
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Professional Training

Professional training with Peter Mika

  • Thu 04.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

After a proper warm-up, the class challenges the dancers technically. Starting slow, with a respectful heating of the body and a kinesiologic basis it develops progressively into highly dynamic and structured patterns. Besides placement special attention is given to a proper release of the weight into the floor, alternation of balance and off-balance material, and a constant change of energy. The final part of the lesson includes the learning of a choreographic phrase as a means to develop interpretation skills as well as an individual expressivity of the dancer.

Improvising freely or on set material using theatrical imagery and text, with partners as well as sharing the creative process with the whole group, are some of the tools to explore new choreographic material. As the workshop develops and new movement is created, the focus will shift naturally to composition and possibly to the structuring of small pieces of choreography. The general aim is to stimulate self-confidence in the creative skills of the dancers.

Peter Mika was born in Michalovce, Slovakia, in 1972. He received his education at the University of Music and Dramatic Art in Bratislava. He has danced with Torzo Ballet in Bratislava, with Bruno Genty in Paris, and was a member of S.O.A.P. Dance Theatre Frankfurt for four years. Afterwards he joined the Robert Pool Dance Company in Essen. In 1999 he was a member of Rui Horta stage works in Munich. In 1998, he was awarded the prize of the Rudolf Nureyev Foundation at the 8th International Concours de Dance de Paris. In 2002, he and Olga Cobos – with whom he has been directing the CobosMika Company since 2002 – received the Tanzförderpreis of the City of Munich.

He regularly teaches at Iwanson dance school in Munich where he also restaged a piece (Mozart) by Rui Horta. He cooperates with Bratislava Dance theater as a guest teacher and, together with Olga Cobos, as a guest choreographer. He regularly holds dance workshops at several dance festivals, for example in Toulouse, Prague, Munich, Barcelona, Madrid or London.

For the TV station Arte he and Marcus Beherens made a documentary about the S.O.A.P. Dance Theatre, and a short film of the duo piece Duet. Lately, he worked for Russell Maliphant and performed solo and duet pieces together with Olga Cobos. During the last six years he has been performing in Europe, the USA, Canada and Russia, in theatres like Joyce Theater (New York), The Place (London), Royal Opera (London) or the Théâtre de la Ville (Paris).

Wed 03.04.2019 | 18:00

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Tanzklubs

  • Wed 03.04.2019 | 18:00
  • Weltkulturen Museum, Schaumainkai 29-37, 60594 Frankfurt am Main
  • Kosten: 7 € / erm. 3,50 € / ohne Anmeldung
Wed 03.04.2019 | 10:00 - 11:30
Professional training with Peter Mika
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Professional Training

Professional training with Peter Mika

  • Wed 03.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

After a proper warm-up, the class challenges the dancers technically. Starting slow, with a respectful heating of the body and a kinesiologic basis it develops progressively into highly dynamic and structured patterns. Besides placement special attention is given to a proper release of the weight into the floor, alternation of balance and off-balance material, and a constant change of energy. The final part of the lesson includes the learning of a choreographic phrase as a means to develop interpretation skills as well as an individual expressivity of the dancer.

Improvising freely or on set material using theatrical imagery and text, with partners as well as sharing the creative process with the whole group, are some of the tools to explore new choreographic material. As the workshop develops and new movement is created, the focus will shift naturally to composition and possibly to the structuring of small pieces of choreography. The general aim is to stimulate self-confidence in the creative skills of the dancers.

Peter Mika was born in Michalovce, Slovakia, in 1972. He received his education at the University of Music and Dramatic Art in Bratislava. He has danced with Torzo Ballet in Bratislava, with Bruno Genty in Paris, and was a member of S.O.A.P. Dance Theatre Frankfurt for four years. Afterwards he joined the Robert Pool Dance Company in Essen. In 1999 he was a member of Rui Horta stage works in Munich. In 1998, he was awarded the prize of the Rudolf Nureyev Foundation at the 8th International Concours de Dance de Paris. In 2002, he and Olga Cobos – with whom he has been directing the CobosMika Company since 2002 – received the Tanzförderpreis of the City of Munich.

He regularly teaches at Iwanson dance school in Munich where he also restaged a piece (Mozart) by Rui Horta. He cooperates with Bratislava Dance theater as a guest teacher and, together with Olga Cobos, as a guest choreographer. He regularly holds dance workshops at several dance festivals, for example in Toulouse, Prague, Munich, Barcelona, Madrid or London.

For the TV station Arte he and Marcus Beherens made a documentary about the S.O.A.P. Dance Theatre, and a short film of the duo piece Duet. Lately, he worked for Russell Maliphant and performed solo and duet pieces together with Olga Cobos. During the last six years he has been performing in Europe, the USA, Canada and Russia, in theatres like Joyce Theater (New York), The Place (London), Royal Opera (London) or the Théâtre de la Ville (Paris).

Tue 02.04.2019 | 10:00 - 11:30
Professional training with Peter Mika
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Professional Training

Professional training with Peter Mika

  • Tue 02.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

After a proper warm-up, the class challenges the dancers technically. Starting slow, with a respectful heating of the body and a kinesiologic basis it develops progressively into highly dynamic and structured patterns. Besides placement special attention is given to a proper release of the weight into the floor, alternation of balance and off-balance material, and a constant change of energy. The final part of the lesson includes the learning of a choreographic phrase as a means to develop interpretation skills as well as an individual expressivity of the dancer.

Improvising freely or on set material using theatrical imagery and text, with partners as well as sharing the creative process with the whole group, are some of the tools to explore new choreographic material. As the workshop develops and new movement is created, the focus will shift naturally to composition and possibly to the structuring of small pieces of choreography. The general aim is to stimulate self-confidence in the creative skills of the dancers.

Peter Mika was born in Michalovce, Slovakia, in 1972. He received his education at the University of Music and Dramatic Art in Bratislava. He has danced with Torzo Ballet in Bratislava, with Bruno Genty in Paris, and was a member of S.O.A.P. Dance Theatre Frankfurt for four years. Afterwards he joined the Robert Pool Dance Company in Essen. In 1999 he was a member of Rui Horta stage works in Munich. In 1998, he was awarded the prize of the Rudolf Nureyev Foundation at the 8th International Concours de Dance de Paris. In 2002, he and Olga Cobos – with whom he has been directing the CobosMika Company since 2002 – received the Tanzförderpreis of the City of Munich.

He regularly teaches at Iwanson dance school in Munich where he also restaged a piece (Mozart) by Rui Horta. He cooperates with Bratislava Dance theater as a guest teacher and, together with Olga Cobos, as a guest choreographer. He regularly holds dance workshops at several dance festivals, for example in Toulouse, Prague, Munich, Barcelona, Madrid or London.

For the TV station Arte he and Marcus Beherens made a documentary about the S.O.A.P. Dance Theatre, and a short film of the duo piece Duet. Lately, he worked for Russell Maliphant and performed solo and duet pieces together with Olga Cobos. During the last six years he has been performing in Europe, the USA, Canada and Russia, in theatres like Joyce Theater (New York), The Place (London), Royal Opera (London) or the Théâtre de la Ville (Paris).

Mon 01.04.2019 | 10:15 - 13:45
Dance medical consultation sessions
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Dance Medical Consultation Sessions

Dance medical consultation sessions

  • Mon 01.04.2019 | 10:15 - 13:45
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Eigenkostenanteil / Own contribution: € 15,-

What is taken for granted by many professional athletes – medical and therapeutic support throughout their entire active career – should also become available for dancers!
Priv.-Doz. Dr. med. Benita Kuni will offer support and assistance on the following:

  • Prevention of Dance Injuries
  • Rehabilitation and How to Make a Comeback after a Dance Injury
  • Analysis of Dance Technique and Technique Coaching
  • Alternative Training Methods for Dancers
  • “Dance Medicine Check-Up”
  • Guidance and Supervision in the Field of Dance Medicine

Registration:
Online form

Mon 01.04.2019 | 10:00 - 11:30
Professional training with Peter Mika
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Professional Training

Professional training with Peter Mika

  • Mon 01.04.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

After a proper warm-up, the class challenges the dancers technically. Starting slow, with a respectful heating of the body and a kinesiologic basis it develops progressively into highly dynamic and structured patterns. Besides placement special attention is given to a proper release of the weight into the floor, alternation of balance and off-balance material, and a constant change of energy. The final part of the lesson includes the learning of a choreographic phrase as a means to develop interpretation skills as well as an individual expressivity of the dancer.

Improvising freely or on set material using theatrical imagery and text, with partners as well as sharing the creative process with the whole group, are some of the tools to explore new choreographic material. As the workshop develops and new movement is created, the focus will shift naturally to composition and possibly to the structuring of small pieces of choreography. The general aim is to stimulate self-confidence in the creative skills of the dancers.

Peter Mika was born in Michalovce, Slovakia, in 1972. He received his education at the University of Music and Dramatic Art in Bratislava. He has danced with Torzo Ballet in Bratislava, with Bruno Genty in Paris, and was a member of S.O.A.P. Dance Theatre Frankfurt for four years. Afterwards he joined the Robert Pool Dance Company in Essen. In 1999 he was a member of Rui Horta stage works in Munich. In 1998, he was awarded the prize of the Rudolf Nureyev Foundation at the 8th International Concours de Dance de Paris. In 2002, he and Olga Cobos – with whom he has been directing the CobosMika Company since 2002 – received the Tanzförderpreis of the City of Munich.

He regularly teaches at Iwanson dance school in Munich where he also restaged a piece (Mozart) by Rui Horta. He cooperates with Bratislava Dance theater as a guest teacher and, together with Olga Cobos, as a guest choreographer. He regularly holds dance workshops at several dance festivals, for example in Toulouse, Prague, Munich, Barcelona, Madrid or London.

For the TV station Arte he and Marcus Beherens made a documentary about the S.O.A.P. Dance Theatre, and a short film of the duo piece Duet. Lately, he worked for Russell Maliphant and performed solo and duet pieces together with Olga Cobos. During the last six years he has been performing in Europe, the USA, Canada and Russia, in theatres like Joyce Theater (New York), The Place (London), Royal Opera (London) or the Théâtre de la Ville (Paris).

März 2019
Fri 29.03.2019 | 18:00 - 21:00

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Kita TanzWorkshops

  • Fri 29.03.2019 | 18:00 - 21:00
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • 25 €
  • Der Besuch eines Einführungsworkshops ist Voraussetzung für die Teilnahme an der Weiterbildung KitaTanz.

KitaTanz ist eine berufsbegleitende Weiterbildung in der Tanzvermittlung für pädagogische Fachkräfte entsprechend den Richtlinien des Hessischen Bildungs- und Erziehungsplans im Bereich 0 bis 10 Jahre. Die Weiterbildung KitaTanz ist ein Projekt der Crespo Foundation und der Tanzplattform Rhein-Main und wurde auf einer künstlerisch-pädagogischen Basis konzipiert und entwickelt.

In der Weiterbildung wird praktisch und theoretisch mit der frühkindlichen Bewegungsentwicklung nach Body-Mind Centering® (BMC) und der Laban/Bartenieff Bewegungsstudien (LBBS) gearbeitet. Es werden grundlegende Prinzipien und Techniken der Bewegungsarbeit und Tanzimprovisation vermittelt. Durch:

  • eine kontinuierliche Verbindung von Theorie und Praxis
  • die Verknüpfung von künstlerischen und pädagogischen Prinzipien zu Bewegung
  • die Selbsterfahrung mit Bewegungsentwicklung
  • sowie sensomotorische Körperarbeit
  • multiprofessionelles Team
  • Beratung und Prozessbegleitung beim Transfer der Inhalte vor Ort in den Einrichtungen

Ziel
Die Weiterbildung unterstützt Fachkräfte, Methoden der Tanzvermittlung in ihren jeweiligen Institutionen professionell einzuführen und zu etablieren. Den Teilnehmer*innen wird praktisches Handwerkszeug vermittelt, um Bewegungsangebote und Tanzprojekte nach dem derzeitigen Stand der pädagogischen Tanzvermittlung für Kinder und Jugendliche zu gestalten und darin verschiedene Konzepte und Praktiken zu integrieren. Der Zugang zu Bewegung über einen kreativen und künstlerischen Prozess steht im Vordergrund.

An wen richtet sich KitaTanz?
An Erzieher*innen, Lehrkräfte, Pädagog*innen in der Elementarpädagogik, Kindertagesstätten und sozialpädagogische Einrichtungen, die mit Kindern arbeiten und ihre Kompetenzen im Bereich Tanz und Bewegung einsetzen möchten sowie Menschen, die neugierig auf neue Bewegungs- und Körpererfahrung sind.

Eckdaten/Zeitrahmen
Laufzeit August 2019 – Dezember 2020

  • 180 UE aufgeteilt in 5 Module
  • 14-tägige Trainingseinheiten, mittwochs von 18.00 – 21.00 Uhr, ausgenommen Schulferien
  • sowie ein Workshop pro Modul mit hochqualifizierten Gastdozent*innen, samstags 10.00 – 17.30 Uhr
  • individuelles Coaching in der Kita/Einrichtung
  • Besuch von zeitgenössischen Tanzaufführungen
  • Durchführung eines individuellen Projektes in der Kita/Einrichtung
  • 2 Tage für Projektpräsentationen zum Abschluss der Weiterbildung
  • Abschlussgespräch

Team
Leitung: Nira Priore Nouak | zeitgenössische Tanzpädagogin, Lern- und Entwicklungsbegleiterin
mit Sibylle Magel | Tanz- und Theaterpädagogin, Certified DanceAbility Teacher

Kosten
2.150,00 € pro Teilnehmer*in | zahlbar in 3 Raten je 716 €
Einführungsworkshops: Freitag 29.3. und Freitag 10.5.| Kosten je 25,00 €

  • Anmeldung bis 15.6.2019

Kontakt
Nira Priore Nouak | nira.priore@nouak.de, Tel.: 0160 6281473
Cora Stein | cora.stein@crespo-foundation.de, Tel.: 069 271079514

Fri 29.03.2019 | 10:00 - 11:30
Professional training with Luis Lara Malvacías
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Professional Training

Professional training with Luis Lara Malvacías

  • Fri 29.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a simple warm-up focusing on the breathing, internal structure, weight and the body’s articulations. Directed exercises give the opportunity to each of the students to observe and experience their own particularity and range of mobility. As the class progresses we look to integrate the parts of the body and the use of the floor. Towards the end of the class a phrase will be provided to be used for individual explorations: to manipulate it, to follow it, to watch it, to re-interpret or to copy it. This class is the result of personal investigations and is influenced by many years of study of somatic technics and work with Jerem Nelson, Klein-Mahler Technique, Alexander Technique™, BodyMind-Centering® and the Feldenkrais Method.

Luis Lara Malvacías is a Venezuelan choreographer, dancer, dance teacher and multidisciplinary artist. He has danced in the work of Jeremy Nelson (1994 – 2004), David Zambrano, Mark Tompkins, John Jasperse, Yoshiko Chuma, and in his own choreography. He has presented his work in New York since 1994, including DTW, PS122, Danspace Project, the Kitchen and Joyce SoHo among others. In the United States he has taught, created and presented work in several colleges and institutions. Internationally, he regularly teaches and present work in many countries in Europe, South America, North America and Asia. He was a 1998/1999 and 2002/2003 Movement Research Artist-in-Residence and a 2006 Dance New Amsterdam Artist in Residence. He is the recipient of a 2006 NYFA Fellowship for choreography.

Thu 28.03.2019 | 18:30 - 21:00
PRAKTisch
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Workshops

PRAKTisch

  • Thu 28.03.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 28.03.2019 | 10:00 - 11:30
Professional training with Luis Lara Malvacías
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Professional Training

Professional training with Luis Lara Malvacías

  • Thu 28.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a simple warm-up focusing on the breathing, internal structure, weight and the body’s articulations. Directed exercises give the opportunity to each of the students to observe and experience their own particularity and range of mobility. As the class progresses we look to integrate the parts of the body and the use of the floor. Towards the end of the class a phrase will be provided to be used for individual explorations: to manipulate it, to follow it, to watch it, to re-interpret or to copy it. This class is the result of personal investigations and is influenced by many years of study of somatic technics and work with Jerem Nelson, Klein-Mahler Technique, Alexander Technique™, BodyMind-Centering® and the Feldenkrais Method.

Luis Lara Malvacías is a Venezuelan choreographer, dancer, dance teacher and multidisciplinary artist. He has danced in the work of Jeremy Nelson (1994 – 2004), David Zambrano, Mark Tompkins, John Jasperse, Yoshiko Chuma, and in his own choreography. He has presented his work in New York since 1994, including DTW, PS122, Danspace Project, the Kitchen and Joyce SoHo among others. In the United States he has taught, created and presented work in several colleges and institutions. Internationally, he regularly teaches and present work in many countries in Europe, South America, North America and Asia. He was a 1998/1999 and 2002/2003 Movement Research Artist-in-Residence and a 2006 Dance New Amsterdam Artist in Residence. He is the recipient of a 2006 NYFA Fellowship for choreography.

Wed 27.03.2019 | 10:00 - 11:30
Professional training with Luis Lara Malvacías
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Professional Training

Professional training with Luis Lara Malvacías

  • Wed 27.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a simple warm-up focusing on the breathing, internal structure, weight and the body’s articulations. Directed exercises give the opportunity to each of the students to observe and experience their own particularity and range of mobility. As the class progresses we look to integrate the parts of the body and the use of the floor. Towards the end of the class a phrase will be provided to be used for individual explorations: to manipulate it, to follow it, to watch it, to re-interpret or to copy it. This class is the result of personal investigations and is influenced by many years of study of somatic technics and work with Jerem Nelson, Klein-Mahler Technique, Alexander Technique™, BodyMind-Centering® and the Feldenkrais Method.

Luis Lara Malvacías is a Venezuelan choreographer, dancer, dance teacher and multidisciplinary artist. He has danced in the work of Jeremy Nelson (1994 – 2004), David Zambrano, Mark Tompkins, John Jasperse, Yoshiko Chuma, and in his own choreography. He has presented his work in New York since 1994, including DTW, PS122, Danspace Project, the Kitchen and Joyce SoHo among others. In the United States he has taught, created and presented work in several colleges and institutions. Internationally, he regularly teaches and present work in many countries in Europe, South America, North America and Asia. He was a 1998/1999 and 2002/2003 Movement Research Artist-in-Residence and a 2006 Dance New Amsterdam Artist in Residence. He is the recipient of a 2006 NYFA Fellowship for choreography.

Tue 26.03.2019 | 10:00 - 11:30
Professional training with Luis Lara Malvacías
Read more
Professional Training

Professional training with Luis Lara Malvacías

  • Tue 26.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a simple warm-up focusing on the breathing, internal structure, weight and the body’s articulations. Directed exercises give the opportunity to each of the students to observe and experience their own particularity and range of mobility. As the class progresses we look to integrate the parts of the body and the use of the floor. Towards the end of the class a phrase will be provided to be used for individual explorations: to manipulate it, to follow it, to watch it, to re-interpret or to copy it. This class is the result of personal investigations and is influenced by many years of study of somatic technics and work with Jerem Nelson, Klein-Mahler Technique, Alexander Technique™, BodyMind-Centering® and the Feldenkrais Method.

Luis Lara Malvacías is a Venezuelan choreographer, dancer, dance teacher and multidisciplinary artist. He has danced in the work of Jeremy Nelson (1994 – 2004), David Zambrano, Mark Tompkins, John Jasperse, Yoshiko Chuma, and in his own choreography. He has presented his work in New York since 1994, including DTW, PS122, Danspace Project, the Kitchen and Joyce SoHo among others. In the United States he has taught, created and presented work in several colleges and institutions. Internationally, he regularly teaches and present work in many countries in Europe, South America, North America and Asia. He was a 1998/1999 and 2002/2003 Movement Research Artist-in-Residence and a 2006 Dance New Amsterdam Artist in Residence. He is the recipient of a 2006 NYFA Fellowship for choreography.

Mon 25.03.2019 | 10:00 - 11:30
Professional training with Luis Lara Malvacías
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Professional Training

Professional training with Luis Lara Malvacías

  • Mon 25.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The class begins with a simple warm-up focusing on the breathing, internal structure, weight and the body’s articulations. Directed exercises give the opportunity to each of the students to observe and experience their own particularity and range of mobility. As the class progresses we look to integrate the parts of the body and the use of the floor. Towards the end of the class a phrase will be provided to be used for individual explorations: to manipulate it, to follow it, to watch it, to re-interpret or to copy it. This class is the result of personal investigations and is influenced by many years of study of somatic technics and work with Jerem Nelson, Klein-Mahler Technique, Alexander Technique™, BodyMind-Centering® and the Feldenkrais Method.

Luis Lara Malvacías is a Venezuelan choreographer, dancer, dance teacher and multidisciplinary artist. He has danced in the work of Jeremy Nelson (1994 – 2004), David Zambrano, Mark Tompkins, John Jasperse, Yoshiko Chuma, and in his own choreography. He has presented his work in New York since 1994, including DTW, PS122, Danspace Project, the Kitchen and Joyce SoHo among others. In the United States he has taught, created and presented work in several colleges and institutions. Internationally, he regularly teaches and present work in many countries in Europe, South America, North America and Asia. He was a 1998/1999 and 2002/2003 Movement Research Artist-in-Residence and a 2006 Dance New Amsterdam Artist in Residence. He is the recipient of a 2006 NYFA Fellowship for choreography.

Fri 22.03.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Fri 22.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Thu 21.03.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Thu 21.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Wed 20.03.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Wed 20.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Tue 19.03.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Tue 19.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Mon 18.03.2019 | 10:00 - 11:30
Professional training with Mar Rodríguez Valverde
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Professional Training

Professional training with Mar Rodríguez Valverde

  • Mon 18.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

This class is informed by different practices such as Tai-Chi, floor work, and releasing techniques. With a deep focus on spine mobilization, we work on finding movement ease while playing with a distinct use of movement qualities. We challenge our coordination and spatial orientation. Starting with a gentle but energetic warm-up, the class builds up towards complexity combining explorative and task-oriented exercises as well as movement sequences and combinations. The aim is to embrace a mindful physicality.

Mar Rodríguez is a freelance teacher, dancer and choreographer from Spain. She graduated in Performance and Choreography from the CSDMA, Madrid and she also studied the Master’s degree in Contemporary Dance Education (MA CoDE) established at the Frankfurt University of Music and performance Arts.
As a dancer she worked for Ballet de Teatres, Ava Dance Company, Dani Pannullo Dance Theatre Co, dance company DA MOTUS!, amongst others. She is deeply interested in collaborative choreographic processes and her work has been performed internationally. As a teacher, she is involved in different projects teaching contemporary dance, ballet, composition and improvisation in different institutions from Spain, France, Germany, Italy and Finland.

Fri 15.03.2019 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Fri 15.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Thu 14.03.2019 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Thu 14.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Wed 13.03.2019 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Wed 13.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Tue 12.03.2019 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Tue 12.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Mon 11.03.2019 | 10:00 - 11:30
Professional training with Antony Rizzi
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Professional Training

Professional training with Antony Rizzi

  • Mon 11.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Release Ballet – The Joy of Movement
This class is a classical ballet class but using the principals of describing space and sensing motion that I learned while improvising for Forsythe for many years. The class is body friendly and allows us to learn some “tricks of the trade” to make our lines more clear and long. We also will be approaching things with speed, deriving from my Balanchine training. Like the title suggests I also look for ways that we can explore the joy of movement in a ballet class, incorporating the whole body and to be able to see that ballet is still dancing.

Antony Rizzi, an Italian American coming from Boston, was from 1985 to 2003 a principal dancer and artistic advisor to William Forsythe at the Ballett Frankfurt. He has been teaching Classical Ballet and Improvisation since 1987, first at The Boston Ballet and over the years at various companies like, Wuppertal Dancetheatre, Munich Ballet, La Scala Ballet, Pennsylvania Ballet, Ballet Theatre Munich, Ballett Frankfurt and others. He has been creating works as well since 1984 for various companies like The Royal Ballet, The Boston Ballet, The Ballett Frankfurt and the Scapino Ballet. In addition he created works for his own company, MOVING PRODUCTIONS including “Snowman Sinking”, “Judy was angry”, “The Role I Should Have Done”, “1 2 3 you and me”, “Being Human Being” and most recently “Some of my best friends are trash”. Rizzi also works as an actor, with the Forsythe Company, Jan Fabre and most recently at the Deutsche Oper am Rhein in the Opera THE FASHION directed by Michael Simon.

Fri 08.03.2019 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Fri 08.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Thu 07.03.2019 | 18:30 - 21:00
PRAKTisch
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Workshops

PRAKTisch

  • Thu 07.03.2019 | 18:30 - 21:00
  • Künstlerhaus Mousonturm, Walsschmidtstr. 4, 60316 Frankfurt am Main, Probebühne 3
  • kostenlos

PRAKTisch is a platform initiated by the Frankfurt dancer and choreographer Anja Sauer, which allows professional dancers from the region to meet regularly, try out and exchange ideas. At the centre of this very special regular’s table is joint physical experimentation and research – independent from consistent artistic concepts and cultural institutions. A space for meetings, in which participants can exchange practical exercises, drafts, suggestions, or working methods.

Thu 07.03.2019 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Thu 07.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Wed 06.03.2019 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Wed 06.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Tue 05.03.2019 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Tue 05.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Mon 04.03.2019 | 10:00 - 11:30
Professional training with Gregory Livingston
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Professional Training

Professional training with Gregory Livingston

  • Mon 04.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

A contemporary approach using the basic movement principles of José Limón, in collaboration with technique and improvisation. Basic to complex exercises and movement exploration tasks will fine tune the senses and wake up the ability to listen and respond to what is happening at the moment. The class will investigate the usage of weight, space, and dynamics, while concentrating on alignment, musicality, focus, breath of the movement. The class will provide an environment for exploring different modes of learning and developing movement material, thus providing the body with an increased physical activity as the class proceeds.

Gregory Livingston was born in Washington, Tacoma & grew up in NYC. He received his BFA from the SUNY Purchase Conservatory of Dance. Upon graduation he went abroad to join the City Contemporary Dance Company in Hong Kong. He then made his way to Europe and Germany, where he’s been ever since performing for Roberto Galvan, Jean Renshaw, Ismael Ivo, Rui Horta, Iris Tenge, Joseph Tmim, and Claire Russ.
Since 2001, Gregory has been dancing, teaching and choreographing nationally and internationally in conjunction with NY Institute of Dance & Education (NYIDE), The Korean National University of Arts (KNUA), Salzburg Experimental Academy of Dance (SEAD), Akram Khan, Tanzplan Frankfurt / Germany, Iwanson School, Codarts-Rotterdam Dance Academy, Balettakademien Stockholm, Folkhögskola Härnösand, Dance Ireland, Opéra de Monte Carlo, Theater Erfurt, Hessisches Staatstheater Wiesbaden, as well as other theaters within Germany. Gregory is a guest artist with the Limon Company since 2011 and a graduate of the MA Contemporary Dance Education program at the Frankfurt University of Music and Performing Arts (HfMDK).

Fri 01.03.2019 | 11:00 - 13:00
LIGNA: Klasse Kinder!
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Ensemble Mobil

LIGNA: Klasse Kinder!

  • Fri 01.03.2019 | 11:00 - 13:00
  • Römerberg

Get to play air guitar right on Frankfurt’s Römerberg and be part of a dancing gang just for once? The performance collective LIGNA invites kids between age six and twelve to participate in an extraordinary piece. Equipped with headphones, which feature an audio play that mixes stories and movement instructions, they conquer Frankfurt’s central square through dance as they test the ways in which a random motley crew moves without a leader. Inspiration for the piece comes from the 1966-deceased choreographer Jenny Gertz, an almost forgotten pioneer of modern dance and visionary in the field of working with children. In “Klasse Kinder!”, LIGNA gives Gertz a voice and reawakens her revolutionary ideas to life together with the children.
The piece “Klasse Kinder!” is the third Ensemble Mobil. Once a year, the Tanzplatform Rhein-Main invites dance makers to develop a piece that leaves the theatre space.

PREMIERE: June 9, 2018 | Römerberg, Frankfurt

Further performances:
June 17, 2018 | Römerberg, Frankfurt
September 21 + 22, 2018 | HELLERAU, Dresden
September 26, 2018 | Robert-Schumann-Schule, Wiesbaden
November 26, 2018 | I.E. Lichtigfeldschule, Frankfurt
November 29, 2018 | Burg-Schule, Eppstein
March 1, 2019 | Kampnagel, Hamburg
April 8, 2019 | Schuldorf Bergstraße, Seeheim-Jugenheim

Conzept, Text, Production: LIGNA (Ole Frahm, Michael Hüners, Torsten Michaelsen) | Narration: Katharina Bach & children of the class 4d of Riederbergschule, Wiesbaden | Music: Elischa Kaminer | Choreographic Support: Ekaterine Giorgadze | Choreographic Advisor: Stefi Schmid | Mastering: Günter Reznicek | Costumes: Gloria Brillowska

A production of Tanzplattform Rhein-Main, in coproduction with Kampnagel and HELLERAU – Europäisches Zentrum der Künste Dresden, supported by the NATIONALE PERFORMANCE NETZ Koproduktionsförderung Tanz, and by the Federal Government Commissioner for Culture and Media.

Klasse Kinder! can be booked for individual performances by schools and other institutions in the Rhine-Main area.
Contact: Sina Schönfeld, Phone: 0049 69 – 40 58 95 62

Fri 01.03.2019 | 10:00 - 11:30
Professional Training with Patricia Gimeno
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Professional Training

Professional Training with Patricia Gimeno

  • Fri 01.03.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The goal of the class is to train physicality and stamina by using principles of contemporary dance in order to generate an available body, open to access to one’s own movement identity.
Through the practice of different movement patterns across the space, executing phrases and training stamina, the class will prepare us to research choreographic principles like continuity, repetition, gravity, directionality, decision-making… with the aim of connecting each individual to their own way of composing dance in real time.

Patricia Gimeno is a contemporary dancer working mainly between Germany and Spain. Her dance education includes Ballet, Modern dance, Contemporary dance, Improvisation and Contact Improvisation, having studied in Europe and USA with teachers like Francesc Bravo, Cristiane Boullosa, Reinhild Hoffmann, Carolyn Carlson, Nancy Stark Smith and Sara Shelton Mann among others. Her interest in learning further brought her to graduate in Dance, Psychology and MA in Contemporary Dance Pedagogy, which are relevant influences in her teaching approach. She has always been combining her career as an interpreter of dance with her interest in teaching.
She has collaborated with artists like William Forsythe, Los Ballets de Madrid, Thiasos or Pioré Danza. During the last two years she has been part of the teachers team at Professional Dance Academy in Castilla y León and MOVE arte para todos, where she keeps coordinating different projects. Moreover she is dancing with choreographers like Meyling Bisogno, Billinger&Schülz and Hicks&Bühler, and mingling these experiences with her own artistic work.

Februar 2019
Thu 28.02.2019 | 10:00 - 11:30
Professional Training with Patricia Gimeno
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Professional Training

Professional Training with Patricia Gimeno

  • Thu 28.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The goal of the class is to train physicality and stamina by using principles of contemporary dance in order to generate an available body, open to access to one’s own movement identity.
Through the practice of different movement patterns across the space, executing phrases and training stamina, the class will prepare us to research choreographic principles like continuity, repetition, gravity, directionality, decision-making… with the aim of connecting each individual to their own way of composing dance in real time.

Patricia Gimeno is a contemporary dancer working mainly between Germany and Spain. Her dance education includes Ballet, Modern dance, Contemporary dance, Improvisation and Contact Improvisation, having studied in Europe and USA with teachers like Francesc Bravo, Cristiane Boullosa, Reinhild Hoffmann, Carolyn Carlson, Nancy Stark Smith and Sara Shelton Mann among others. Her interest in learning further brought her to graduate in Dance, Psychology and MA in Contemporary Dance Pedagogy, which are relevant influences in her teaching approach. She has always been combining her career as an interpreter of dance with her interest in teaching.
She has collaborated with artists like William Forsythe, Los Ballets de Madrid, Thiasos or Pioré Danza. During the last two years she has been part of the teachers team at Professional Dance Academy in Castilla y León and MOVE arte para todos, where she keeps coordinating different projects. Moreover she is dancing with choreographers like Meyling Bisogno, Billinger&Schülz and Hicks&Bühler, and mingling these experiences with her own artistic work.

Wed 27.02.2019 | 10:00 - 11:30
Professional Training with Patricia Gimeno
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Professional Training

Professional Training with Patricia Gimeno

  • Wed 27.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The goal of the class is to train physicality and stamina by using principles of contemporary dance in order to generate an available body, open to access to one’s own movement identity.
Through the practice of different movement patterns across the space, executing phrases and training stamina, the class will prepare us to research choreographic principles like continuity, repetition, gravity, directionality, decision-making… with the aim of connecting each individual to their own way of composing dance in real time.

Patricia Gimeno is a contemporary dancer working mainly between Germany and Spain. Her dance education includes Ballet, Modern dance, Contemporary dance, Improvisation and Contact Improvisation, having studied in Europe and USA with teachers like Francesc Bravo, Cristiane Boullosa, Reinhild Hoffmann, Carolyn Carlson, Nancy Stark Smith and Sara Shelton Mann among others. Her interest in learning further brought her to graduate in Dance, Psychology and MA in Contemporary Dance Pedagogy, which are relevant influences in her teaching approach. She has always been combining her career as an interpreter of dance with her interest in teaching.
She has collaborated with artists like William Forsythe, Los Ballets de Madrid, Thiasos or Pioré Danza. During the last two years she has been part of the teachers team at Professional Dance Academy in Castilla y León and MOVE arte para todos, where she keeps coordinating different projects. Moreover she is dancing with choreographers like Meyling Bisogno, Billinger&Schülz and Hicks&Bühler, and mingling these experiences with her own artistic work.

Tue 26.02.2019 | 18:45 - 21:00
Workshop | Sita Ostheimer, "Complex Simplicity"
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Workshops

Workshop | Sita Ostheimer, "Complex Simplicity"

  • Tue 26.02.2019 | 18:45 - 21:00
  • Staatstheater Darmstadt, Foyer Kammerspiele, Georg-Büchner-Platz 1, 64283 Darmstadt
  • 11,50 €

Participants will be guided through an improvisations’ technique. This lab gives the dancers an understanding of their connection between mind and body in order to be in control of their own physical instrument and therefore continue growing creatively and technically. The workshop allows for a continuous flow of images, situations, feelings, rhythm and the tasks to embody those.
Ostheimer’s specific physicality is built on fast rhythmical changes of emotions and images. Her language is expressive, fluent, sensual and earthy. The unique animalistic movements that seem to arise from human instincts is her particular and peculiar signature in dance.

Tue 26.02.2019 | 10:00 - 11:30
Professional Training with Patricia Gimeno
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Professional Training

Professional Training with Patricia Gimeno

  • Tue 26.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The goal of the class is to train physicality and stamina by using principles of contemporary dance in order to generate an available body, open to access to one’s own movement identity.
Through the practice of different movement patterns across the space, executing phrases and training stamina, the class will prepare us to research choreographic principles like continuity, repetition, gravity, directionality, decision-making… with the aim of connecting each individual to their own way of composing dance in real time.

Patricia Gimeno is a contemporary dancer working mainly between Germany and Spain. Her dance education includes Ballet, Modern dance, Contemporary dance, Improvisation and Contact Improvisation, having studied in Europe and USA with teachers like Francesc Bravo, Cristiane Boullosa, Reinhild Hoffmann, Carolyn Carlson, Nancy Stark Smith and Sara Shelton Mann among others. Her interest in learning further brought her to graduate in Dance, Psychology and MA in Contemporary Dance Pedagogy, which are relevant influences in her teaching approach. She has always been combining her career as an interpreter of dance with her interest in teaching.
She has collaborated with artists like William Forsythe, Los Ballets de Madrid, Thiasos or Pioré Danza. During the last two years she has been part of the teachers team at Professional Dance Academy in Castilla y León and MOVE arte para todos, where she keeps coordinating different projects. Moreover she is dancing with choreographers like Meyling Bisogno, Billinger&Schülz and Hicks&Bühler, and mingling these experiences with her own artistic work.

Mon 25.02.2019 | 10:00 - 11:30
Professional Training with Patricia Gimeno
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Professional Training

Professional Training with Patricia Gimeno

  • Mon 25.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The goal of the class is to train physicality and stamina by using principles of contemporary dance in order to generate an available body, open to access to one’s own movement identity.
Through the practice of different movement patterns across the space, executing phrases and training stamina, the class will prepare us to research choreographic principles like continuity, repetition, gravity, directionality, decision-making… with the aim of connecting each individual to their own way of composing dance in real time.

Patricia Gimeno is a contemporary dancer working mainly between Germany and Spain. Her dance education includes Ballet, Modern dance, Contemporary dance, Improvisation and Contact Improvisation, having studied in Europe and USA with teachers like Francesc Bravo, Cristiane Boullosa, Reinhild Hoffmann, Carolyn Carlson, Nancy Stark Smith and Sara Shelton Mann among others. Her interest in learning further brought her to graduate in Dance, Psychology and MA in Contemporary Dance Pedagogy, which are relevant influences in her teaching approach. She has always been combining her career as an interpreter of dance with her interest in teaching.
She has collaborated with artists like William Forsythe, Los Ballets de Madrid, Thiasos or Pioré Danza. During the last two years she has been part of the teachers team at Professional Dance Academy in Castilla y León and MOVE arte para todos, where she keeps coordinating different projects. Moreover she is dancing with choreographers like Meyling Bisogno, Billinger&Schülz and Hicks&Bühler, and mingling these experiences with her own artistic work.

Fri 22.02.2019 | 10:00 - 11:30
Profitraining mit Nina Wollny
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Professional Training

Profitraining mit Nina Wollny

  • Fri 22.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Nina Wollny studied contemporary dance at the Rotterdam Dance Academy, now Codarts, in the Netherlands. After her graduation in 2002 she joined the company anoukvandijk dc and has worked there as dancer, rehearsal director and artistic assistant for more than 10 years. She performed in, or contributed to all of Anouk van Dijk’s work during that time, including the collaborations with director and playwright Falk Richter Trust, Protect me and Rausch. Since 2004 Nina is a passionate teacher of the Countertechnique and is regularly teaching at dance academies, companies and studios for professional dancers around the world. She also teaches performers with various backgrounds like break dancers, physical theater performers, circus artists and actors. As one of the main teachers of Countertechnique she has contributed to the continuous development of the technique.
Since 2012 Nina is working with different choreographers in Europe amongst others she is regularly performing and collaborating with German choreographer Jenny Beyer at Kampnagel in Hamburg. In 2016/2017 Nina joined Anouk van Dijk’s most recent collaboration with playwright Falk Richter at the Frankfurter Schauspielhaus, Safe Places.

Thu 21.02.2019 | 10:00 - 11:30
Profitraining mit Nina Wollny
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Professional Training

Profitraining mit Nina Wollny

  • Thu 21.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Nina Wollny studied contemporary dance at the Rotterdam Dance Academy, now Codarts, in the Netherlands. After her graduation in 2002 she joined the company anoukvandijk dc and has worked there as dancer, rehearsal director and artistic assistant for more than 10 years. She performed in, or contributed to all of Anouk van Dijk’s work during that time, including the collaborations with director and playwright Falk Richter Trust, Protect me and Rausch. Since 2004 Nina is a passionate teacher of the Countertechnique and is regularly teaching at dance academies, companies and studios for professional dancers around the world. She also teaches performers with various backgrounds like break dancers, physical theater performers, circus artists and actors. As one of the main teachers of Countertechnique she has contributed to the continuous development of the technique.
Since 2012 Nina is working with different choreographers in Europe amongst others she is regularly performing and collaborating with German choreographer Jenny Beyer at Kampnagel in Hamburg. In 2016/2017 Nina joined Anouk van Dijk’s most recent collaboration with playwright Falk Richter at the Frankfurter Schauspielhaus, Safe Places.

Wed 20.02.2019 | 10:00 - 11:30
Profitraining mit Nina Wollny
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Professional Training

Profitraining mit Nina Wollny

  • Wed 20.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Nina Wollny studied contemporary dance at the Rotterdam Dance Academy, now Codarts, in the Netherlands. After her graduation in 2002 she joined the company anoukvandijk dc and has worked there as dancer, rehearsal director and artistic assistant for more than 10 years. She performed in, or contributed to all of Anouk van Dijk’s work during that time, including the collaborations with director and playwright Falk Richter Trust, Protect me and Rausch. Since 2004 Nina is a passionate teacher of the Countertechnique and is regularly teaching at dance academies, companies and studios for professional dancers around the world. She also teaches performers with various backgrounds like break dancers, physical theater performers, circus artists and actors. As one of the main teachers of Countertechnique she has contributed to the continuous development of the technique.
Since 2012 Nina is working with different choreographers in Europe amongst others she is regularly performing and collaborating with German choreographer Jenny Beyer at Kampnagel in Hamburg. In 2016/2017 Nina joined Anouk van Dijk’s most recent collaboration with playwright Falk Richter at the Frankfurter Schauspielhaus, Safe Places.

Tue 19.02.2019 | 10:00 - 11:30
Profitraining mit Nina Wollny
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Professional Training

Profitraining mit Nina Wollny

  • Tue 19.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Nina Wollny studied contemporary dance at the Rotterdam Dance Academy, now Codarts, in the Netherlands. After her graduation in 2002 she joined the company anoukvandijk dc and has worked there as dancer, rehearsal director and artistic assistant for more than 10 years. She performed in, or contributed to all of Anouk van Dijk’s work during that time, including the collaborations with director and playwright Falk Richter Trust, Protect me and Rausch. Since 2004 Nina is a passionate teacher of the Countertechnique and is regularly teaching at dance academies, companies and studios for professional dancers around the world. She also teaches performers with various backgrounds like break dancers, physical theater performers, circus artists and actors. As one of the main teachers of Countertechnique she has contributed to the continuous development of the technique.
Since 2012 Nina is working with different choreographers in Europe amongst others she is regularly performing and collaborating with German choreographer Jenny Beyer at Kampnagel in Hamburg. In 2016/2017 Nina joined Anouk van Dijk’s most recent collaboration with playwright Falk Richter at the Frankfurter Schauspielhaus, Safe Places.

Mon 18.02.2019 | 10:00 - 11:30
Profitraining mit Nina Wollny
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Professional Training

Profitraining mit Nina Wollny

  • Mon 18.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

Nina Wollny studied contemporary dance at the Rotterdam Dance Academy, now Codarts, in the Netherlands. After her graduation in 2002 she joined the company anoukvandijk dc and has worked there as dancer, rehearsal director and artistic assistant for more than 10 years. She performed in, or contributed to all of Anouk van Dijk’s work during that time, including the collaborations with director and playwright Falk Richter Trust, Protect me and Rausch. Since 2004 Nina is a passionate teacher of the Countertechnique and is regularly teaching at dance academies, companies and studios for professional dancers around the world. She also teaches performers with various backgrounds like break dancers, physical theater performers, circus artists and actors. As one of the main teachers of Countertechnique she has contributed to the continuous development of the technique.
Since 2012 Nina is working with different choreographers in Europe amongst others she is regularly performing and collaborating with German choreographer Jenny Beyer at Kampnagel in Hamburg. In 2016/2017 Nina joined Anouk van Dijk’s most recent collaboration with playwright Falk Richter at the Frankfurter Schauspielhaus, Safe Places.

Fri 15.02.2019 | 10:00 - 11:30
Professional training with Raimonda Gudaviciute
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Professional Training

Professional training with Raimonda Gudaviciute

  • Fri 15.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.

Raimonda Gudaviciute
Raimonda was born 1984 in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Thu 14.02.2019 | 10:00 - 11:30
Professional training with Raimonda Gudaviciute
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Professional Training

Professional training with Raimonda Gudaviciute

  • Thu 14.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.

Raimonda Gudaviciute
Raimonda was born 1984 in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Wed 13.02.2019 | 10:00 - 11:30
Professional training with Raimonda Gudaviciute
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Professional Training

Professional training with Raimonda Gudaviciute

  • Wed 13.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.

Raimonda Gudaviciute
Raimonda was born 1984 in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Tue 12.02.2019 | 10:00 - 11:30
Professional training with Raimonda Gudaviciute
Read more
Professional Training

Professional training with Raimonda Gudaviciute

  • Tue 12.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.

Raimonda Gudaviciute
Raimonda was born 1984 in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Mon 11.02.2019 | 10:00 - 11:30
Professional training with Raimonda Gudaviciute
Read more
Professional Training

Professional training with Raimonda Gudaviciute

  • Mon 11.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6 | 10er-Karte € 35 | Monatskarte € 50

The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.

Raimonda Gudaviciute
Raimonda was born 1984 in Lithuania. She has started her dance education at the Aura Dance Theater in Kaunas at the age of nine. She has been a member of Aura Dance Theater for a long time and performed in a great number of dance festivals and venues both in Lithuania and abroad. She has extended her education with a dance and acting degree in the Lithuanian Music and Theater Academy, where she graduated with a BA in 2007. Moreover, she participated in a student’s exchange program at the National Lyon Conservatory of Music and Dance in France. In 2009 she was a member of the TADaC´ 09 Company and successfully completed her master degree in contemporary dance at the Theatre Academy of Finland.
R. Gudaviciute is a freelancer teacher and teaches both professional, as well as beginners. She was teaching in Lithuania, Finland, Germany (K3 – Zentrum für Choreographie Hamburg) and Austria, where she was assisting Kerstin Kussmaul in the ImpulsTanz ’09 Vienna International Dance Festival.
Her previous dance experience includes Tossi Dance Company, Tanzquartier Wien, Flokki Dance Company and Tanzpanorama2011.

Fri 08.02.2019 | 10:00 - 11:30
Professional training with Verónica Garzón
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Professional Training

Professional training with Verónica Garzón

  • Fri 08.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Living inside the instrument
This class aims to stimulate a continuous whole body movement awareness by applying some of the core principles from Cunningham Technique based on the unlimited potential of the body for temporal-spatial design.
During the week the class will evolve through complexity, playing all at once with Isolation patterns and Rhythm and Coordination of the limbs in the space through different combinations which will make use of sound and repetition differently. By allowing the participants to be continuously challenged to problem-solving, the dancing experience will result in an accurate sense of phrasing and mental strength which will reveal an ever-present quality.

VERÓNICA GARZÓN was trained in Classical Ballet, Modern Jazz, Modern Dance, Contemporary Dance, Releasing Techniques, Contact-Improvisation, and Butoh. Graduated in both Spanish Dance and Performance and Choreography of Contemporary Dance in Madrid, she holds a MA in Contemporary Dance Education by the University of Music and Performing Arts Frankfurt. As a choreographer she has presented her work in several venues through her Dance Company project BQ-MR, working as well as a dancer for Jean-Philippe Dury, Muriel Romero & Pablo Palacio, Hicks&Bühler, Larumbe Danza and Christoph Marthaler. As Dance Educator, she works for diverse Dance Programs in Dance Conservatories and Universities in Spain, Finland, Germany, and Switzerland.

Thu 07.02.2019 | 10:00 - 11:30
Professional training with Verónica Garzón
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Professional Training

Professional training with Verónica Garzón

  • Thu 07.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Living inside the instrument
This class aims to stimulate a continuous whole body movement awareness by applying some of the core principles from Cunningham Technique based on the unlimited potential of the body for temporal-spatial design.
During the week the class will evolve through complexity, playing all at once with Isolation patterns and Rhythm and Coordination of the limbs in the space through different combinations which will make use of sound and repetition differently. By allowing the participants to be continuously challenged to problem-solving, the dancing experience will result in an accurate sense of phrasing and mental strength which will reveal an ever-present quality.

VERÓNICA GARZÓN was trained in Classical Ballet, Modern Jazz, Modern Dance, Contemporary Dance, Releasing Techniques, Contact-Improvisation, and Butoh. Graduated in both Spanish Dance and Performance and Choreography of Contemporary Dance in Madrid, she holds a MA in Contemporary Dance Education by the University of Music and Performing Arts Frankfurt. As a choreographer she has presented her work in several venues through her Dance Company project BQ-MR, working as well as a dancer for Jean-Philippe Dury, Muriel Romero & Pablo Palacio, Hicks&Bühler, Larumbe Danza and Christoph Marthaler. As Dance Educator, she works for diverse Dance Programs in Dance Conservatories and Universities in Spain, Finland, Germany, and Switzerland.

Wed 06.02.2019 | 10:00 - 11:30
Professional training with Verónica Garzón
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Professional Training

Professional training with Verónica Garzón

  • Wed 06.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Living inside the instrument
This class aims to stimulate a continuous whole body movement awareness by applying some of the core principles from Cunningham Technique based on the unlimited potential of the body for temporal-spatial design.
During the week the class will evolve through complexity, playing all at once with Isolation patterns and Rhythm and Coordination of the limbs in the space through different combinations which will make use of sound and repetition differently. By allowing the participants to be continuously challenged to problem-solving, the dancing experience will result in an accurate sense of phrasing and mental strength which will reveal an ever-present quality.

VERÓNICA GARZÓN was trained in Classical Ballet, Modern Jazz, Modern Dance, Contemporary Dance, Releasing Techniques, Contact-Improvisation, and Butoh. Graduated in both Spanish Dance and Performance and Choreography of Contemporary Dance in Madrid, she holds a MA in Contemporary Dance Education by the University of Music and Performing Arts Frankfurt. As a choreographer she has presented her work in several venues through her Dance Company project BQ-MR, working as well as a dancer for Jean-Philippe Dury, Muriel Romero & Pablo Palacio, Hicks&Bühler, Larumbe Danza and Christoph Marthaler. As Dance Educator, she works for diverse Dance Programs in Dance Conservatories and Universities in Spain, Finland, Germany, and Switzerland.

Tue 05.02.2019 | 10:00 - 11:30
Professional training with Verónica Garzón
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Professional Training

Professional training with Verónica Garzón

  • Tue 05.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Living inside the instrument
This class aims to stimulate a continuous whole body movement awareness by applying some of the core principles from Cunningham Technique based on the unlimited potential of the body for temporal-spatial design.
During the week the class will evolve through complexity, playing all at once with Isolation patterns and Rhythm and Coordination of the limbs in the space through different combinations which will make use of sound and repetition differently. By allowing the participants to be continuously challenged to problem-solving, the dancing experience will result in an accurate sense of phrasing and mental strength which will reveal an ever-present quality.

VERÓNICA GARZÓN was trained in Classical Ballet, Modern Jazz, Modern Dance, Contemporary Dance, Releasing Techniques, Contact-Improvisation, and Butoh. Graduated in both Spanish Dance and Performance and Choreography of Contemporary Dance in Madrid, she holds a MA in Contemporary Dance Education by the University of Music and Performing Arts Frankfurt. As a choreographer she has presented her work in several venues through her Dance Company project BQ-MR, working as well as a dancer for Jean-Philippe Dury, Muriel Romero & Pablo Palacio, Hicks&Bühler, Larumbe Danza and Christoph Marthaler. As Dance Educator, she works for diverse Dance Programs in Dance Conservatories and Universities in Spain, Finland, Germany, and Switzerland.

Mon 04.02.2019 | 10:00 - 11:30
Professional training with Verónica Garzón
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Professional Training

Professional training with Verónica Garzón

  • Mon 04.02.2019 | 10:00 - 11:30
  • Künstlerhaus Mousonturm, Waldschmidtstr. 4, 60316 Frankfurt am Main
  • Einzelkarte € 6,-, 10er-Karte € 35,-, Monatskarte € 50,-

Living inside the instrument
This class aims to stimulate a continuous whole body movement awareness by applying some of the core principles from Cunningham Technique based on the unlimited potential of the body for temporal-spatial design.
During the week the class will evolve through complexity, playing all at once with Isolation patterns and Rhythm and Coordination of the limbs in the space through different combinations which will make use of sound and repetition differently. By allowing the participants to be continuously challenged to problem-solving, the dancing experience will result in an accurate sense of phrasing and mental strength which will reveal an ever-present quality.

VERÓNICA GARZÓN was trained in Classical Ballet, Modern Jazz, Modern Dance, Contemporary Dance, Releasing Techniques, Contact-Improvisation, and Butoh. Graduated in both Spanish Dance and Performance and Choreography of Contemporary Dance in Madrid, she holds a MA in Contemporary Dance Education by the University of Music and Performing Arts Frankfurt. As a choreographer she has presented her work in several venues through her Dance Company project BQ-MR, working as well as a dancer for Jean-Philippe Dury, Muriel Romero & Pablo Palacio, Hicks&Bühler, Larumbe Danza and Christoph Marthaler. As Dance Educator, she works for diverse Dance Programs in Dance Conservatories and Universities in Spain, Finland, Germa