Biography
Raimonda Gudavičiūtė completed a master’s degree in contemporary dance at the Theatre Academy of Finland. Gudavičiūtė is a freelance dancer, choreographer, teacher and teaches both professional dancers and beginners. She taught in Lithuania, Finland, Germany and Austria. Raimonda Gudavičiūtė has lived in Frankfurt since 2011 and also works as a dancer/performer in local projects.

About the class
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Information on registration

Biography
Raimonda Gudavičiūtė completed a master’s degree in contemporary dance at the Theatre Academy of Finland. Gudavičiūtė is a freelance dancer, choreographer, teacher and teaches both professional dancers and beginners. She taught in Lithuania, Finland, Germany and Austria. Raimonda Gudavičiūtė has lived in Frankfurt since 2011 and also works as a dancer/performer in local projects.

About the class
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Information on registration

Biography
Raimonda Gudavičiūtė completed a master’s degree in contemporary dance at the Theatre Academy of Finland. Gudavičiūtė is a freelance dancer, choreographer, teacher and teaches both professional dancers and beginners. She taught in Lithuania, Finland, Germany and Austria. Raimonda Gudavičiūtė has lived in Frankfurt since 2011 and also works as a dancer/performer in local projects.

About the class
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Information on registration

Biography
Raimonda Gudavičiūtė completed a master’s degree in contemporary dance at the Theatre Academy of Finland. Gudavičiūtė is a freelance dancer, choreographer, teacher and teaches both professional dancers and beginners. She taught in Lithuania, Finland, Germany and Austria. Raimonda Gudavičiūtė has lived in Frankfurt since 2011 and also works as a dancer/performer in local projects.

About the class
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Information on registration

Biography
Raimonda Gudavičiūtė completed a master’s degree in contemporary dance at the Theatre Academy of Finland. Gudavičiūtė is a freelance dancer, choreographer, teacher and teaches both professional dancers and beginners. She taught in Lithuania, Finland, Germany and Austria. Raimonda Gudavičiūtė has lived in Frankfurt since 2011 and also works as a dancer/performer in local projects.

About the class
The contemporary dance classes are based on floor work, sensation of light and heavy, push and pull principles. With these ideas we will enjoy different dynamic states. The observation of the condition of the own body, the rhythm of breathing and concentrating thoughts on being “here and now” is the main goal of the training.
The training is followed by exercises on the floor and dynamic phrases reaching out in the space with stimulation of lightness of the movement. Important elements are a vast usage of the spine and the center, the potential of gravity, timing and impulses, fast changes of directions of the body and space. An important aspect of the moving is the concentration on the connection between the center and different body parts. The aim is to increase knowledge of your own body, get rid of the movement patterns. It will be a great journey of fluent and round movement material, concentrating on the use of the space, as well as moving with focus and “attack feeling”.

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

more information

About the class
This contemporary training is based on a specific approach to floor-work
technique that includes acrobatic and athletic elements. Dynamic energy,
concentration and fun are key aspects of the class. Participants will train
their technical skills while moving through different levels at varying speeds,
increasing alertness and developing the capacity to adapt to what’s going on
in space.. The training challenges spatial awareness, as well as a dancer’s
ability to sense and react to others in space. Partnering skills including
inviting and receiving weight, trust, and listening are incorporated in the
training. The class culminates with the experience of sharing energy while
dancing as a group.

Biography
Tijana Prendovic began professional dance education at the age of 15, graduating from the ballet school Lujo Davico in Belgrade. Later, she went to Amsterdam to attend Amsterdamse Hogeschool voor de Kunsten, where she graduated in 2012. After dancing with Krisztina de Chatel and Keren Levi she became a member of the dance company Oldenburg. In 2014 she switched to Staatsstheater Mainz until the end of the season 2019/20. In 2017 Tanzmainz won Der Faust theater price for the piece Fall Seven Times. In Tanzmainz she danced in works like My private Odyssey, 4, Small Places and many more. Tijana thought repertoire at many auditions of Tanzmainz for apprentice and full
time members. She is now a freelance performer and floorwork teacher.

Information on registration

About the class
This contemporary training is based on a specific approach to floor-work
technique that includes acrobatic and athletic elements. Dynamic energy,
concentration and fun are key aspects of the class. Participants will train
their technical skills while moving through different levels at varying speeds,
increasing alertness and developing the capacity to adapt to what’s going on
in space.. The training challenges spatial awareness, as well as a dancer’s
ability to sense and react to others in space. Partnering skills including
inviting and receiving weight, trust, and listening are incorporated in the
training. The class culminates with the experience of sharing energy while
dancing as a group.

Biography
Tijana Prendovic began professional dance education at the age of 15, graduating from the ballet school Lujo Davico in Belgrade. Later, she went to Amsterdam to attend Amsterdamse Hogeschool voor de Kunsten, where she graduated in 2012. After dancing with Krisztina de Chatel and Keren Levi she became a member of the dance company Oldenburg. In 2014 she switched to Staatsstheater Mainz until the end of the season 2019/20. In 2017 Tanzmainz won Der Faust theater price for the piece Fall Seven Times. In Tanzmainz she danced in works like My private Odyssey, 4, Small Places and many more. Tijana thought repertoire at many auditions of Tanzmainz for apprentice and full
time members. She is now a freelance performer and floorwork teacher.

Information on registration

About the class
This contemporary training is based on a specific approach to floor-work
technique that includes acrobatic and athletic elements. Dynamic energy,
concentration and fun are key aspects of the class. Participants will train
their technical skills while moving through different levels at varying speeds,
increasing alertness and developing the capacity to adapt to what’s going on
in space.. The training challenges spatial awareness, as well as a dancer’s
ability to sense and react to others in space. Partnering skills including
inviting and receiving weight, trust, and listening are incorporated in the
training. The class culminates with the experience of sharing energy while
dancing as a group.

Biography
Tijana Prendovic began professional dance education at the age of 15, graduating from the ballet school Lujo Davico in Belgrade. Later, she went to Amsterdam to attend Amsterdamse Hogeschool voor de Kunsten, where she graduated in 2012. After dancing with Krisztina de Chatel and Keren Levi she became a member of the dance company Oldenburg. In 2014 she switched to Staatsstheater Mainz until the end of the season 2019/20. In 2017 Tanzmainz won Der Faust theater price for the piece Fall Seven Times. In Tanzmainz she danced in works like My private Odyssey, 4, Small Places and many more. Tijana thought repertoire at many auditions of Tanzmainz for apprentice and full
time members. She is now a freelance performer and floorwork teacher.

Information on registration

About the class
This contemporary training is based on a specific approach to floor-work
technique that includes acrobatic and athletic elements. Dynamic energy,
concentration and fun are key aspects of the class. Participants will train
their technical skills while moving through different levels at varying speeds,
increasing alertness and developing the capacity to adapt to what’s going on
in space.. The training challenges spatial awareness, as well as a dancer’s
ability to sense and react to others in space. Partnering skills including
inviting and receiving weight, trust, and listening are incorporated in the
training. The class culminates with the experience of sharing energy while
dancing as a group.

Biography
Tijana Prendovic began professional dance education at the age of 15, graduating from the ballet school Lujo Davico in Belgrade. Later, she went to Amsterdam to attend Amsterdamse Hogeschool voor de Kunsten, where she graduated in 2012. After dancing with Krisztina de Chatel and Keren Levi she became a member of the dance company Oldenburg. In 2014 she switched to Staatsstheater Mainz until the end of the season 2019/20. In 2017 Tanzmainz won Der Faust theater price for the piece Fall Seven Times. In Tanzmainz she danced in works like My private Odyssey, 4, Small Places and many more. Tijana thought repertoire at many auditions of Tanzmainz for apprentice and full
time members. She is now a freelance performer and floorwork teacher.

Information on registration

About the class
This contemporary training is based on a specific approach to floor-work
technique that includes acrobatic and athletic elements. Dynamic energy,
concentration and fun are key aspects of the class. Participants will train
their technical skills while moving through different levels at varying speeds,
increasing alertness and developing the capacity to adapt to what’s going on
in space.. The training challenges spatial awareness, as well as a dancer’s
ability to sense and react to others in space. Partnering skills including
inviting and receiving weight, trust, and listening are incorporated in the
training. The class culminates with the experience of sharing energy while
dancing as a group.

Biography
Tijana Prendovic began professional dance education at the age of 15, graduating from the ballet school Lujo Davico in Belgrade. Later, she went to Amsterdam to attend Amsterdamse Hogeschool voor de Kunsten, where she graduated in 2012. After dancing with Krisztina de Chatel and Keren Levi she became a member of the dance company Oldenburg. In 2014 she switched to Staatsstheater Mainz until the end of the season 2019/20. In 2017 Tanzmainz won Der Faust theater price for the piece Fall Seven Times. In Tanzmainz she danced in works like My private Odyssey, 4, Small Places and many more. Tijana thought repertoire at many auditions of Tanzmainz for apprentice and full
time members. She is now a freelance performer and floorwork teacher.

Information on registration

About the class
Somatics on the dance floor
The class will be a smooth start into the day. The focus will be put on the sense of the self, regarding the moving body. By looking for a sense of effort economy, it will be about bringing ease into the movements, when circulating between ground and space. It will imply to work with gravity, body dynamics and tonicity modulations. The class will be an invitation to explore movement and body, sometimes through structured movement patterns, but mainly through guided improvisations in silence or in music.

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and is a certified dance teacher. He has worked as performer and choreographer in different constellations, mainly between France and Germany. His projects focus on gender issues, representations and body practices. He currently lives and works in Frankfurt and he’s part of the leading team of ID_Frankfurt, association founded to improve artists’ working conditions.

Information on registration

About the class
Somatics on the dance floor
The class will be a smooth start into the day. The focus will be put on the sense of the self, regarding the moving body. By looking for a sense of effort economy, it will be about bringing ease into the movements, when circulating between ground and space. It will imply to work with gravity, body dynamics and tonicity modulations. The class will be an invitation to explore movement and body, sometimes through structured movement patterns, but mainly through guided improvisations in silence or in music.

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and is a certified dance teacher. He has worked as performer and choreographer in different constellations, mainly between France and Germany. His projects focus on gender issues, representations and body practices. He currently lives and works in Frankfurt and he’s part of the leading team of ID_Frankfurt, association founded to improve artists’ working conditions.

Information on registration

About the class
Somatics on the dance floor
The class will be a smooth start into the day. The focus will be put on the sense of the self, regarding the moving body. By looking for a sense of effort economy, it will be about bringing ease into the movements, when circulating between ground and space. It will imply to work with gravity, body dynamics and tonicity modulations. The class will be an invitation to explore movement and body, sometimes through structured movement patterns, but mainly through guided improvisations in silence or in music.

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and is a certified dance teacher. He has worked as performer and choreographer in different constellations, mainly between France and Germany. His projects focus on gender issues, representations and body practices. He currently lives and works in Frankfurt and he’s part of the leading team of ID_Frankfurt, association founded to improve artists’ working conditions.

Information on registration

About the class
Somatics on the dance floor
The class will be a smooth start into the day. The focus will be put on the sense of the self, regarding the moving body. By looking for a sense of effort economy, it will be about bringing ease into the movements, when circulating between ground and space. It will imply to work with gravity, body dynamics and tonicity modulations. The class will be an invitation to explore movement and body, sometimes through structured movement patterns, but mainly through guided improvisations in silence or in music.

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and is a certified dance teacher. He has worked as performer and choreographer in different constellations, mainly between France and Germany. His projects focus on gender issues, representations and body practices. He currently lives and works in Frankfurt and he’s part of the leading team of ID_Frankfurt, association founded to improve artists’ working conditions.

Information on registration

About the class
Somatics on the dance floor
The class will be a smooth start into the day. The focus will be put on the sense of the self, regarding the moving body. By looking for a sense of effort economy, it will be about bringing ease into the movements, when circulating between ground and space. It will imply to work with gravity, body dynamics and tonicity modulations. The class will be an invitation to explore movement and body, sometimes through structured movement patterns, but mainly through guided improvisations in silence or in music.

Biography
Frédéric De Carlo studied contemporary dance at the Conservatoire National Supérieur de Paris and is a certified dance teacher. He has worked as performer and choreographer in different constellations, mainly between France and Germany. His projects focus on gender issues, representations and body practices. He currently lives and works in Frankfurt and he’s part of the leading team of ID_Frankfurt, association founded to improve artists’ working conditions.

Information on registration

more information

About the class
Orientation of training is the development of perception for one’s own body, as well as for the space around us. Somatic and coordinative exercises create not only control of the body, which usually has to do with on-tension, but rather guidance of our own dance. Dynamic rapid changes take place here almost in the resting state of the mind and out of the maximum relaxation of the body. The hour contains a lot of ground work and is created as a holistic training and working basis for the rest of the working day of the dancers.

Kurzbiografie
Kristina Veit received her diploma as stage dancer at the Hochschule für Musik und Darstellende Kunst in Frankfurt. After completing her studies, she left Germany and worked at various theatres in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. Since 2005 she has worked freelance with companies such as Manopy (Denmark), Cobosmika (Barcelona), the dance festival Montevideo SItiada (Uruguay) and various choreographers from the international space. Frankfurt became her homebase in 2009. She was involved in the founding of Id_Frankfurt e.V and the Z Center for Rehearsals and Research. She works in various performative contexts and collectives. Their own productions have been created under Ravvour Veit in the last 7 years. Since 1997 she has worked intensively on yoga and body work and since 2010 she has been teaching yoga at the HfMDK.

Information on registration

About the class
Orientation of training is the development of perception for one’s own body, as well as for the space around us. Somatic and coordinative exercises create not only control of the body, which usually has to do with on-tension, but rather guidance of our own dance. Dynamic rapid changes take place here almost in the resting state of the mind and out of the maximum relaxation of the body. The hour contains a lot of ground work and is created as a holistic training and working basis for the rest of the working day of the dancers.

Kurzbiografie
Kristina Veit received her diploma as stage dancer at the Hochschule für Musik und Darstellende Kunst in Frankfurt. After completing her studies, she left Germany and worked at various theatres in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. Since 2005 she has worked freelance with companies such as Manopy (Denmark), Cobosmika (Barcelona), the dance festival Montevideo SItiada (Uruguay) and various choreographers from the international space. Frankfurt became her homebase in 2009. She was involved in the founding of Id_Frankfurt e.V and the Z Center for Rehearsals and Research. She works in various performative contexts and collectives. Their own productions have been created under Ravvour Veit in the last 7 years. Since 1997 she has worked intensively on yoga and body work and since 2010 she has been teaching yoga at the HfMDK.

Information on registration

About the class
Orientation of training is the development of perception for one’s own body, as well as for the space around us. Somatic and coordinative exercises create not only control of the body, which usually has to do with on-tension, but rather guidance of our own dance. Dynamic rapid changes take place here almost in the resting state of the mind and out of the maximum relaxation of the body. The hour contains a lot of ground work and is created as a holistic training and working basis for the rest of the working day of the dancers.

Kurzbiografie
Kristina Veit received her diploma as stage dancer at the Hochschule für Musik und Darstellende Kunst in Frankfurt. After completing her studies, she left Germany and worked at various theatres in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. Since 2005 she has worked freelance with companies such as Manopy (Denmark), Cobosmika (Barcelona), the dance festival Montevideo SItiada (Uruguay) and various choreographers from the international space. Frankfurt became her homebase in 2009. She was involved in the founding of Id_Frankfurt e.V and the Z Center for Rehearsals and Research. She works in various performative contexts and collectives. Their own productions have been created under Ravvour Veit in the last 7 years. Since 1997 she has worked intensively on yoga and body work and since 2010 she has been teaching yoga at the HfMDK.

Information on registration

About the class
Orientation of training is the development of perception for one’s own body, as well as for the space around us. Somatic and coordinative exercises create not only control of the body, which usually has to do with on-tension, but rather guidance of our own dance. Dynamic rapid changes take place here almost in the resting state of the mind and out of the maximum relaxation of the body. The hour contains a lot of ground work and is created as a holistic training and working basis for the rest of the working day of the dancers.

Kurzbiografie
Kristina Veit received her diploma as stage dancer at the Hochschule für Musik und Darstellende Kunst in Frankfurt. After completing her studies, she left Germany and worked at various theatres in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. Since 2005 she has worked freelance with companies such as Manopy (Denmark), Cobosmika (Barcelona), the dance festival Montevideo SItiada (Uruguay) and various choreographers from the international space. Frankfurt became her homebase in 2009. She was involved in the founding of Id_Frankfurt e.V and the Z Center for Rehearsals and Research. She works in various performative contexts and collectives. Their own productions have been created under Ravvour Veit in the last 7 years. Since 1997 she has worked intensively on yoga and body work and since 2010 she has been teaching yoga at the HfMDK.

Information on registration

About the class
Orientation of training is the development of perception for one’s own body, as well as for the space around us. Somatic and coordinative exercises create not only control of the body, which usually has to do with on-tension, but rather guidance of our own dance. Dynamic rapid changes take place here almost in the resting state of the mind and out of the maximum relaxation of the body. The hour contains a lot of ground work and is created as a holistic training and working basis for the rest of the working day of the dancers.

Kurzbiografie
Kristina Veit received her diploma as stage dancer at the Hochschule für Musik und Darstellende Kunst in Frankfurt. After completing her studies, she left Germany and worked at various theatres in Austria and Switzerland with choreographers such as Robert Poole, Philipp Egli, Anna Huber and Rui Horta. Since 2005 she has worked freelance with companies such as Manopy (Denmark), Cobosmika (Barcelona), the dance festival Montevideo SItiada (Uruguay) and various choreographers from the international space. Frankfurt became her homebase in 2009. She was involved in the founding of Id_Frankfurt e.V and the Z Center for Rehearsals and Research. She works in various performative contexts and collectives. Their own productions have been created under Ravvour Veit in the last 7 years. Since 1997 she has worked intensively on yoga and body work and since 2010 she has been teaching yoga at the HfMDK.

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

Information on registration

more information