Class description
The class is developed around 3 components which are relating to each other in a circular/ spiral direction: mental understanding – physical exploration – sensory perception. Each element leads into another one and creates the setting for the next layer of the circle/spiral. In between these components the breath and the observing eye (reflective mind) generate the transportation from one component to another. I will offer some set movements and some task based exercises, verbal explanations (movement mechanics, alignment) and time for self exploration.

Short biografy
Patscharaporn Krüger-Distakul is a dancer and mother based in Frankfurt am Main. She holds a BA in dance from Codarts, Rotterdam Dance Academy. As a dancer she has worked with the Tanz Luzerner Theater, Ballet Preljocaj, Compagnia Virgilio Sieni, Staatstheater am Gärtnerplatz as well as in various projects in Germany (Nina Vallon, Mia Lawrence, Judith Sanchez Ruiz), Switzerland and France. Currently she is collaborating with Paula Rosolen/ Haptic Hide and engaged in a work by Yasmeen Godder.
Her interest in finding intersections between emotional and physical states as a caregiver and as a dancer has led her to co-initiate the platform re-dance with Katelyn Skelley in early 2020.

Photo: Filip Piskorzynsky

Class description
The class is developed around 3 components which are relating to each other in a circular/ spiral direction: mental understanding – physical exploration – sensory perception. Each element leads into another one and creates the setting for the next layer of the circle/spiral. In between these components the breath and the observing eye (reflective mind) generate the transportation from one component to another. I will offer some set movements and some task based exercises, verbal explanations (movement mechanics, alignment) and time for self exploration.

Short biografy
Patscharaporn Krüger-Distakul is a dancer and mother based in Frankfurt am Main. She holds a BA in dance from Codarts, Rotterdam Dance Academy. As a dancer she has worked with the Tanz Luzerner Theater, Ballet Preljocaj, Compagnia Virgilio Sieni, Staatstheater am Gärtnerplatz as well as in various projects in Germany (Nina Vallon, Mia Lawrence, Judith Sanchez Ruiz), Switzerland and France. Currently she is collaborating with Paula Rosolen/ Haptic Hide and engaged in a work by Yasmeen Godder.
Her interest in finding intersections between emotional and physical states as a caregiver and as a dancer has led her to co-initiate the platform re-dance with Katelyn Skelley in early 2020.

Photo: Filip Piskorzynsky

Class description
The class is developed around 3 components which are relating to each other in a circular/ spiral direction: mental understanding – physical exploration – sensory perception. Each element leads into another one and creates the setting for the next layer of the circle/spiral. In between these components the breath and the observing eye (reflective mind) generate the transportation from one component to another. I will offer some set movements and some task based exercises, verbal explanations (movement mechanics, alignment) and time for self exploration.

Short biografy
Patscharaporn Krüger-Distakul is a dancer and mother based in Frankfurt am Main. She holds a BA in dance from Codarts, Rotterdam Dance Academy. As a dancer she has worked with the Tanz Luzerner Theater, Ballet Preljocaj, Compagnia Virgilio Sieni, Staatstheater am Gärtnerplatz as well as in various projects in Germany (Nina Vallon, Mia Lawrence, Judith Sanchez Ruiz), Switzerland and France. Currently she is collaborating with Paula Rosolen/ Haptic Hide and engaged in a work by Yasmeen Godder.
Her interest in finding intersections between emotional and physical states as a caregiver and as a dancer has led her to co-initiate the platform re-dance with Katelyn Skelley in early 2020.

Photo: Filip Piskorzynsky

Class description
The class is developed around 3 components which are relating to each other in a circular/ spiral direction: mental understanding – physical exploration – sensory perception. Each element leads into another one and creates the setting for the next layer of the circle/spiral. In between these components the breath and the observing eye (reflective mind) generate the transportation from one component to another. I will offer some set movements and some task based exercises, verbal explanations (movement mechanics, alignment) and time for self exploration.

Short biografy
Patscharaporn Krüger-Distakul is a dancer and mother based in Frankfurt am Main. She holds a BA in dance from Codarts, Rotterdam Dance Academy. As a dancer she has worked with the Tanz Luzerner Theater, Ballet Preljocaj, Compagnia Virgilio Sieni, Staatstheater am Gärtnerplatz as well as in various projects in Germany (Nina Vallon, Mia Lawrence, Judith Sanchez Ruiz), Switzerland and France. Currently she is collaborating with Paula Rosolen/ Haptic Hide and engaged in a work by Yasmeen Godder.
Her interest in finding intersections between emotional and physical states as a caregiver and as a dancer has led her to co-initiate the platform re-dance with Katelyn Skelley in early 2020.

Photo: Filip Piskorzynsky

Class description
The class is developed around 3 components which are relating to each other in a circular/ spiral direction: mental understanding – physical exploration – sensory perception. Each element leads into another one and creates the setting for the next layer of the circle/spiral. In between these components the breath and the observing eye (reflective mind) generate the transportation from one component to another. I will offer some set movements and some task based exercises, verbal explanations (movement mechanics, alignment) and time for self exploration.

Short biografy
Patscharaporn Krüger-Distakul is a dancer and mother based in Frankfurt am Main. She holds a BA in dance from Codarts, Rotterdam Dance Academy. As a dancer she has worked with the Tanz Luzerner Theater, Ballet Preljocaj, Compagnia Virgilio Sieni, Staatstheater am Gärtnerplatz as well as in various projects in Germany (Nina Vallon, Mia Lawrence, Judith Sanchez Ruiz), Switzerland and France. Currently she is collaborating with Paula Rosolen/ Haptic Hide and engaged in a work by Yasmeen Godder.
Her interest in finding intersections between emotional and physical states as a caregiver and as a dancer has led her to co-initiate the platform re-dance with Katelyn Skelley in early 2020.

Photo: Filip Piskorzynsky

About the class
Contemporary and Improvisation
Release moments and ground work can be found in the class. We start on the ground and work our way into the stand. The bodies Perception, consciousness and gentle movements that move us in a healthy way. The momentum is the starting point of this week. How long can a momentum lead us through space before the next movement comes.

Short biography
Anca Huma, born in 1980 in Romania, works as a dancer and choreographer across a variety of disciplines. She studied dance at Hogeschool voor de Kunsten, Arnhem in Holland (2000/2001) and received her dance diploma at Folkwang University in Essen (2006). Anca has been teaching improvisation and contemporary dance since 2016.

About the class
Contemporary and Improvisation
Release moments and ground work can be found in the class. We start on the ground and work our way into the stand. The bodies Perception, consciousness and gentle movements that move us in a healthy way. The momentum is the starting point of this week. How long can a momentum lead us through space before the next movement comes.

Short biography
Anca Huma, born in 1980 in Romania, works as a dancer and choreographer across a variety of disciplines. She studied dance at Hogeschool voor de Kunsten, Arnhem in Holland (2000/2001) and received her dance diploma at Folkwang University in Essen (2006). Anca has been teaching improvisation and contemporary dance since 2016.

more information

About the class
Contemporary and Improvisation
Release moments and ground work can be found in the class. We start on the ground and work our way into the stand. The bodies Perception, consciousness and gentle movements that move us in a healthy way. The momentum is the starting point of this week. How long can a momentum lead us through space before the next movement comes.

Short biography
Anca Huma, born in 1980 in Romania, works as a dancer and choreographer across a variety of disciplines. She studied dance at Hogeschool voor de Kunsten, Arnhem in Holland (2000/2001) and received her dance diploma at Folkwang University in Essen (2006). Anca has been teaching improvisation and contemporary dance since 2016.

more information

About the class
Contemporary and Improvisation
Release moments and ground work can be found in the class. We start on the ground and work our way into the stand. The bodies Perception, consciousness and gentle movements that move us in a healthy way. The momentum is the starting point of this week. How long can a momentum lead us through space before the next movement comes.

Short biography
Anca Huma, born in 1980 in Romania, works as a dancer and choreographer across a variety of disciplines. She studied dance at Hogeschool voor de Kunsten, Arnhem in Holland (2000/2001) and received her dance diploma at Folkwang University in Essen (2006). Anca has been teaching improvisation and contemporary dance since 2016.

more information

About the class
Contemporary and Improvisation
Release moments and ground work can be found in the class. We start on the ground and work our way into the stand. The bodies Perception, consciousness and gentle movements that move us in a healthy way. The momentum is the starting point of this week. How long can a momentum lead us through space before the next movement comes.

Short biography
Anca Huma, born in 1980 in Romania, works as a dancer and choreographer across a variety of disciplines. She studied dance at Hogeschool voor de Kunsten, Arnhem in Holland (2000/2001) and received her dance diploma at Folkwang University in Essen (2006). Anca has been teaching improvisation and contemporary dance since 2016.

more information

more information

Training
The class will provide tools to explore the physical and sensorial aspects of our bodies. The structure is shaped from a warm up inspired by somatic practices, anatomy and martial arts. Followed by floorwork elements seeking moments of improvisation to re-organize the choreographic material. The focus is on the constant search of a flow, using physical laws of movement, spirals, gravity and breathing in order to find oneself (out of) control. The exercises will gradually increase its complexities, until it reaches a cool down. The aim is to transform routines, overcome obstacles, and to explore the possibilities within the impossibilities of our dance. I am looking for playful moments in order to step out of our comfortable zones. From individual to collective investigations, we activate our presence to generate an available body.

Vita
Jorge Bascuñan is a Brazilian Multidisciplinary Artist, Teacher, and Choreographer, currently based in Berlin. He completed his bachelor’s degree in Physical Education, and he is certificated in Cinematography and Actor’s Direction both at his hometown, São Paulo. Since 2012 he is co-director of the ‘Baillistas Collective’ of Photography and Multi-art, and director of Ìdrima, a collective of performance and contemporary art. In 2016 he moved to Germany where he concluded the master’s program in contemporary dance education (MA CoDE, HfMDK, Germany). His dance training includes floor work, martial arts, contact improvisation, dance theater and acting skills. Bascuñan reveals his multidisciplinary experiments, mixing photography, video, drawing, sounds, and text with research on movement, contextualizing it in the realm of art and politics.

Information on registration

Training
The class will provide tools to explore the physical and sensorial aspects of our bodies. The structure is shaped from a warm up inspired by somatic practices, anatomy and martial arts. Followed by floorwork elements seeking moments of improvisation to re-organize the choreographic material. The focus is on the constant search of a flow, using physical laws of movement, spirals, gravity and breathing in order to find oneself (out of) control. The exercises will gradually increase its complexities, until it reaches a cool down. The aim is to transform routines, overcome obstacles, and to explore the possibilities within the impossibilities of our dance. I am looking for playful moments in order to step out of our comfortable zones. From individual to collective investigations, we activate our presence to generate an available body.

Vita
Jorge Bascuñan is a Brazilian Multidisciplinary Artist, Teacher, and Choreographer, currently based in Berlin. He completed his bachelor’s degree in Physical Education, and he is certificated in Cinematography and Actor’s Direction both at his hometown, São Paulo. Since 2012 he is co-director of the ‘Baillistas Collective’ of Photography and Multi-art, and director of Ìdrima, a collective of performance and contemporary art. In 2016 he moved to Germany where he concluded the master’s program in contemporary dance education (MA CoDE, HfMDK, Germany). His dance training includes floor work, martial arts, contact improvisation, dance theater and acting skills. Bascuñan reveals his multidisciplinary experiments, mixing photography, video, drawing, sounds, and text with research on movement, contextualizing it in the realm of art and politics.

Information on registration

Training
The class will provide tools to explore the physical and sensorial aspects of our bodies. The structure is shaped from a warm up inspired by somatic practices, anatomy and martial arts. Followed by floorwork elements seeking moments of improvisation to re-organize the choreographic material. The focus is on the constant search of a flow, using physical laws of movement, spirals, gravity and breathing in order to find oneself (out of) control. The exercises will gradually increase its complexities, until it reaches a cool down. The aim is to transform routines, overcome obstacles, and to explore the possibilities within the impossibilities of our dance. I am looking for playful moments in order to step out of our comfortable zones. From individual to collective investigations, we activate our presence to generate an available body.

Vita
Jorge Bascuñan is a Brazilian Multidisciplinary Artist, Teacher, and Choreographer, currently based in Berlin. He completed his bachelor’s degree in Physical Education, and he is certificated in Cinematography and Actor’s Direction both at his hometown, São Paulo. Since 2012 he is co-director of the ‘Baillistas Collective’ of Photography and Multi-art, and director of Ìdrima, a collective of performance and contemporary art. In 2016 he moved to Germany where he concluded the master’s program in contemporary dance education (MA CoDE, HfMDK, Germany). His dance training includes floor work, martial arts, contact improvisation, dance theater and acting skills. Bascuñan reveals his multidisciplinary experiments, mixing photography, video, drawing, sounds, and text with research on movement, contextualizing it in the realm of art and politics.

Information on registration

Training
The class will provide tools to explore the physical and sensorial aspects of our bodies. The structure is shaped from a warm up inspired by somatic practices, anatomy and martial arts. Followed by floorwork elements seeking moments of improvisation to re-organize the choreographic material. The focus is on the constant search of a flow, using physical laws of movement, spirals, gravity and breathing in order to find oneself (out of) control. The exercises will gradually increase its complexities, until it reaches a cool down. The aim is to transform routines, overcome obstacles, and to explore the possibilities within the impossibilities of our dance. I am looking for playful moments in order to step out of our comfortable zones. From individual to collective investigations, we activate our presence to generate an available body.

Vita
Jorge Bascuñan is a Brazilian Multidisciplinary Artist, Teacher, and Choreographer, currently based in Berlin. He completed his bachelor’s degree in Physical Education, and he is certificated in Cinematography and Actor’s Direction both at his hometown, São Paulo. Since 2012 he is co-director of the ‘Baillistas Collective’ of Photography and Multi-art, and director of Ìdrima, a collective of performance and contemporary art. In 2016 he moved to Germany where he concluded the master’s program in contemporary dance education (MA CoDE, HfMDK, Germany). His dance training includes floor work, martial arts, contact improvisation, dance theater and acting skills. Bascuñan reveals his multidisciplinary experiments, mixing photography, video, drawing, sounds, and text with research on movement, contextualizing it in the realm of art and politics.

Information on registration

Training
The class will provide tools to explore the physical and sensorial aspects of our bodies. The structure is shaped from a warm up inspired by somatic practices, anatomy and martial arts. Followed by floorwork elements seeking moments of improvisation to re-organize the choreographic material. The focus is on the constant search of a flow, using physical laws of movement, spirals, gravity and breathing in order to find oneself (out of) control. The exercises will gradually increase its complexities, until it reaches a cool down. The aim is to transform routines, overcome obstacles, and to explore the possibilities within the impossibilities of our dance. I am looking for playful moments in order to step out of our comfortable zones. From individual to collective investigations, we activate our presence to generate an available body.

Vita
Jorge Bascuñan is a Brazilian Multidisciplinary Artist, Teacher, and Choreographer, currently based in Berlin. He completed his bachelor’s degree in Physical Education, and he is certificated in Cinematography and Actor’s Direction both at his hometown, São Paulo. Since 2012 he is co-director of the ‘Baillistas Collective’ of Photography and Multi-art, and director of Ìdrima, a collective of performance and contemporary art. In 2016 he moved to Germany where he concluded the master’s program in contemporary dance education (MA CoDE, HfMDK, Germany). His dance training includes floor work, martial arts, contact improvisation, dance theater and acting skills. Bascuñan reveals his multidisciplinary experiments, mixing photography, video, drawing, sounds, and text with research on movement, contextualizing it in the realm of art and politics.

Information on registration