About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

more information

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

more information

About the class
This class is based on Release-Technique inspired by Nancy Topf N. Y., a pioneer teacher in RT, dynamic anatomy. Movements focus on shifting, falling, catching and directing momentum. The use of anatomical and mechanical principals support orientation in Space and increase the sense of gravity. The participants experience technical tasks, anatomical exploration, the play with set material, principles can be applied in other practices. The goal is to find changes in qualities, joy and easiness in movements.

Biography
Britta Schönbrunn is a freelance dancer, choreographer and teacher in somatic and contemporary techniques. She collaborates with international artists from dance, music and Visual Arts. Since September 2017 she works in the three year project „All Our Futures“ at the Schauspiel Frankfurt. Britta completed her studies: Master in Contemporary Dance Education at the Frankfurt University of Music and Performing Arts.

more information

more information

more information

more information

more information

more information

more information

About the class
Gut Symmetries
Can we build on states of movement where movement choices respond to sensorial feedback? This is an improvisation class geared towards challenging the professional dancer to develop, switch, and layer different movement qualities in the body. Building in dynamics drawn from physics (gravity, momentum, and equilibrium), reflexes and momentum, the class develops daily themes of weight, timing, or relations between parts. Movement states that build their own sense logic are then layered, broken down and built back up again. We will create explosions and listen to them resonate

Biography
Laura Hicks (1979) born in Toronto, Canada, currently lives in Frankfurt am Main, where she works as both a movement educator, and choreographer. Most recently she has been collaborating under the name Hicks&Bühler with performances at Tanz Festival Rhein-Main/Mousonturm, Hessische Theater Tage/Staatstheater Kassel, and The Frankfurt Lab. Independently she has been a choreographer with Schauspiel Frankfurt, and company LIGNA. As a teacher she has been a professor of ‘Szenische Korperarbeit’ for the acting department in HfMDK, currently lectures in Anatomy and Improvisation and holds an MA in Contemporary Dance Education (MACoDE 2015). 2016-18, She was a researcher with Project ICI/Labodanse Paris, 2016-18, and was awarded the HTA Postgraduate Alumni Research
Grant in 2016 producing the short practice as research documentary ‘push and reach’.

Information on registration

30-Minute Individual Appointments | Supervised by Prof. Dr. med. Benita Kuni

The Tanzplattform Rhein-Main now offers to dancers of all fields what many professional athletes take for granted – medical and therapeutic support throughout their entire active career. The early morning consultation sessions take place on a regular basis and provide 30-minute one-on-one advice on: the prevention of dance injuries, rehabilitation and returning to the studio and the stage after having sustained a dance injury, analysis of dance technique and technique coaching, information on alternative training methods, a “dance medicine check-up”, as well as guidance and supervision in the field of dance medicine.

Next date: September 28
Appointments here

About the class
Gut Symmetries
Can we build on states of movement where movement choices respond to sensorial feedback? This is an improvisation class geared towards challenging the professional dancer to develop, switch, and layer different movement qualities in the body. Building in dynamics drawn from physics (gravity, momentum, and equilibrium), reflexes and momentum, the class develops daily themes of weight, timing, or relations between parts. Movement states that build their own sense logic are then layered, broken down and built back up again. We will create explosions and listen to them resonate

Biography
Laura Hicks (1979) born in Toronto, Canada, currently lives in Frankfurt am Main, where she works as both a movement educator, and choreographer. Most recently she has been collaborating under the name Hicks&Bühler with performances at Tanz Festival Rhein-Main/Mousonturm, Hessische Theater Tage/Staatstheater Kassel, and The Frankfurt Lab. Independently she has been a choreographer with Schauspiel Frankfurt, and company LIGNA. As a teacher she has been a professor of ‘Szenische Korperarbeit’ for the acting department in HfMDK, currently lectures in Anatomy and Improvisation and holds an MA in Contemporary Dance Education (MACoDE 2015). 2016-18, She was a researcher with Project ICI/Labodanse Paris, 2016-18, and was awarded the HTA Postgraduate Alumni Research
Grant in 2016 producing the short practice as research documentary ‘push and reach’.

Information on registration

About the class
Gut Symmetries
Can we build on states of movement where movement choices respond to sensorial feedback? This is an improvisation class geared towards challenging the professional dancer to develop, switch, and layer different movement qualities in the body. Building in dynamics drawn from physics (gravity, momentum, and equilibrium), reflexes and momentum, the class develops daily themes of weight, timing, or relations between parts. Movement states that build their own sense logic are then layered, broken down and built back up again. We will create explosions and listen to them resonate

Biography
Laura Hicks (1979) born in Toronto, Canada, currently lives in Frankfurt am Main, where she works as both a movement educator, and choreographer. Most recently she has been collaborating under the name Hicks&Bühler with performances at Tanz Festival Rhein-Main/Mousonturm, Hessische Theater Tage/Staatstheater Kassel, and The Frankfurt Lab. Independently she has been a choreographer with Schauspiel Frankfurt, and company LIGNA. As a teacher she has been a professor of ‘Szenische Korperarbeit’ for the acting department in HfMDK, currently lectures in Anatomy and Improvisation and holds an MA in Contemporary Dance Education (MACoDE 2015). 2016-18, She was a researcher with Project ICI/Labodanse Paris, 2016-18, and was awarded the HTA Postgraduate Alumni Research
Grant in 2016 producing the short practice as research documentary ‘push and reach’.

Information on registration

About the class
Gut Symmetries
Can we build on states of movement where movement choices respond to sensorial feedback? This is an improvisation class geared towards challenging the professional dancer to develop, switch, and layer different movement qualities in the body. Building in dynamics drawn from physics (gravity, momentum, and equilibrium), reflexes and momentum, the class develops daily themes of weight, timing, or relations between parts. Movement states that build their own sense logic are then layered, broken down and built back up again. We will create explosions and listen to them resonate

Biography
Laura Hicks (1979) born in Toronto, Canada, currently lives in Frankfurt am Main, where she works as both a movement educator, and choreographer. Most recently she has been collaborating under the name Hicks&Bühler with performances at Tanz Festival Rhein-Main/Mousonturm, Hessische Theater Tage/Staatstheater Kassel, and The Frankfurt Lab. Independently she has been a choreographer with Schauspiel Frankfurt, and company LIGNA. As a teacher she has been a professor of ‘Szenische Korperarbeit’ for the acting department in HfMDK, currently lectures in Anatomy and Improvisation and holds an MA in Contemporary Dance Education (MACoDE 2015). 2016-18, She was a researcher with Project ICI/Labodanse Paris, 2016-18, and was awarded the HTA Postgraduate Alumni Research
Grant in 2016 producing the short practice as research documentary ‘push and reach’.

Information on registration

About the class
Gut Symmetries
Can we build on states of movement where movement choices respond to sensorial feedback? This is an improvisation class geared towards challenging the professional dancer to develop, switch, and layer different movement qualities in the body. Building in dynamics drawn from physics (gravity, momentum, and equilibrium), reflexes and momentum, the class develops daily themes of weight, timing, or relations between parts. Movement states that build their own sense logic are then layered, broken down and built back up again. We will create explosions and listen to them resonate

Biography
Laura Hicks (1979) born in Toronto, Canada, currently lives in Frankfurt am Main, where she works as both a movement educator, and choreographer. Most recently she has been collaborating under the name Hicks&Bühler with performances at Tanz Festival Rhein-Main/Mousonturm, Hessische Theater Tage/Staatstheater Kassel, and The Frankfurt Lab. Independently she has been a choreographer with Schauspiel Frankfurt, and company LIGNA. As a teacher she has been a professor of ‘Szenische Korperarbeit’ for the acting department in HfMDK, currently lectures in Anatomy and Improvisation and holds an MA in Contemporary Dance Education (MACoDE 2015). 2016-18, She was a researcher with Project ICI/Labodanse Paris, 2016-18, and was awarded the HTA Postgraduate Alumni Research
Grant in 2016 producing the short practice as research documentary ‘push and reach’.

Information on registration

About the class
Being with: inside, outside and each other
In what ways can dancing nourish pathways from the most intimate to the most opened out of ourselves? How can we practice cultivating our sensory perception as a means of meeting ourselves and each other? Grounded by anatomical reference points and functional movement patterns, a dynamic process of breathing, hearing, movement and vocal expression is explored. Oscillating between improvisation and structured movement sequences, the training builds and glides between personal experiencing and group vitality. The training offers a space to energetically engage, build stamina and tune dimensionality through physicality. The aim is to provide multiple impulses in which we can practice moving with attention for ourselves while being with each other – honing skills that can be applied in broader contexts.

Biography
Katelyn Skelley holds a BFA in Dance from New York University and a MA in Contemporary Dance Education (HfMDK Frankfurt). She has collaborated as a dancer with Kyle Abraham, Gallim Dance, Katrin Hall, James Sutherland and TU Dance Company where she was also a choreographic assistant and founding teacher (2009-16). To find new ways of approaching, she began performing in devised physical theater productions, studying voice work at the Centre Artistique International Roy Hart and studies Body Mind Centering on an on-going basis with teachers Olive Bieringa and Otto Ramstad. Her approach continues to be influenced by these mediums and how they can dance. Engaging with socio-political aspects in the field through her work on the topic of motherhood and dance as well as advocating for better conditions for dancers in light of #metoo, she teaches professionals, bachelor and master students (HfMDK) and young students (tanzmainz club).

Information on registration

About the class
Being with: inside, outside and each other
In what ways can dancing nourish pathways from the most intimate to the most opened out of ourselves? How can we practice cultivating our sensory perception as a means of meeting ourselves and each other? Grounded by anatomical reference points and functional movement patterns, a dynamic process of breathing, hearing, movement and vocal expression is explored. Oscillating between improvisation and structured movement sequences, the training builds and glides between personal experiencing and group vitality. The training offers a space to energetically engage, build stamina and tune dimensionality through physicality. The aim is to provide multiple impulses in which we can practice moving with attention for ourselves while being with each other – honing skills that can be applied in broader contexts.

Biography
Katelyn Skelley holds a BFA in Dance from New York University and a MA in Contemporary Dance Education (HfMDK Frankfurt). She has collaborated as a dancer with Kyle Abraham, Gallim Dance, Katrin Hall, James Sutherland and TU Dance Company where she was also a choreographic assistant and founding teacher (2009-16). To find new ways of approaching, she began performing in devised physical theater productions, studying voice work at the Centre Artistique International Roy Hart and studies Body Mind Centering on an on-going basis with teachers Olive Bieringa and Otto Ramstad. Her approach continues to be influenced by these mediums and how they can dance. Engaging with socio-political aspects in the field through her work on the topic of motherhood and dance as well as advocating for better conditions for dancers in light of #metoo, she teaches professionals, bachelor and master students (HfMDK) and young students (tanzmainz club).

Information on registration

About the class
Being with: inside, outside and each other
In what ways can dancing nourish pathways from the most intimate to the most opened out of ourselves? How can we practice cultivating our sensory perception as a means of meeting ourselves and each other? Grounded by anatomical reference points and functional movement patterns, a dynamic process of breathing, hearing, movement and vocal expression is explored. Oscillating between improvisation and structured movement sequences, the training builds and glides between personal experiencing and group vitality. The training offers a space to energetically engage, build stamina and tune dimensionality through physicality. The aim is to provide multiple impulses in which we can practice moving with attention for ourselves while being with each other – honing skills that can be applied in broader contexts.

Biography
Katelyn Skelley holds a BFA in Dance from New York University and a MA in Contemporary Dance Education (HfMDK Frankfurt). She has collaborated as a dancer with Kyle Abraham, Gallim Dance, Katrin Hall, James Sutherland and TU Dance Company where she was also a choreographic assistant and founding teacher (2009-16). To find new ways of approaching, she began performing in devised physical theater productions, studying voice work at the Centre Artistique International Roy Hart and studies Body Mind Centering on an on-going basis with teachers Olive Bieringa and Otto Ramstad. Her approach continues to be influenced by these mediums and how they can dance. Engaging with socio-political aspects in the field through her work on the topic of motherhood and dance as well as advocating for better conditions for dancers in light of #metoo, she teaches professionals, bachelor and master students (HfMDK) and young students (tanzmainz club).

Information on registration

About the class
Being with: inside, outside and each other
In what ways can dancing nourish pathways from the most intimate to the most opened out of ourselves? How can we practice cultivating our sensory perception as a means of meeting ourselves and each other? Grounded by anatomical reference points and functional movement patterns, a dynamic process of breathing, hearing, movement and vocal expression is explored. Oscillating between improvisation and structured movement sequences, the training builds and glides between personal experiencing and group vitality. The training offers a space to energetically engage, build stamina and tune dimensionality through physicality. The aim is to provide multiple impulses in which we can practice moving with attention for ourselves while being with each other – honing skills that can be applied in broader contexts.

Biography
Katelyn Skelley holds a BFA in Dance from New York University and a MA in Contemporary Dance Education (HfMDK Frankfurt). She has collaborated as a dancer with Kyle Abraham, Gallim Dance, Katrin Hall, James Sutherland and TU Dance Company where she was also a choreographic assistant and founding teacher (2009-16). To find new ways of approaching, she began performing in devised physical theater productions, studying voice work at the Centre Artistique International Roy Hart and studies Body Mind Centering on an on-going basis with teachers Olive Bieringa and Otto Ramstad. Her approach continues to be influenced by these mediums and how they can dance. Engaging with socio-political aspects in the field through her work on the topic of motherhood and dance as well as advocating for better conditions for dancers in light of #metoo, she teaches professionals, bachelor and master students (HfMDK) and young students (tanzmainz club).

Information on registration

About the class
Being with: inside, outside and each other
In what ways can dancing nourish pathways from the most intimate to the most opened out of ourselves? How can we practice cultivating our sensory perception as a means of meeting ourselves and each other? Grounded by anatomical reference points and functional movement patterns, a dynamic process of breathing, hearing, movement and vocal expression is explored. Oscillating between improvisation and structured movement sequences, the training builds and glides between personal experiencing and group vitality. The training offers a space to energetically engage, build stamina and tune dimensionality through physicality. The aim is to provide multiple impulses in which we can practice moving with attention for ourselves while being with each other – honing skills that can be applied in broader contexts.

Biography
Katelyn Skelley holds a BFA in Dance from New York University and a MA in Contemporary Dance Education (HfMDK Frankfurt). She has collaborated as a dancer with Kyle Abraham, Gallim Dance, Katrin Hall, James Sutherland and TU Dance Company where she was also a choreographic assistant and founding teacher (2009-16). To find new ways of approaching, she began performing in devised physical theater productions, studying voice work at the Centre Artistique International Roy Hart and studies Body Mind Centering on an on-going basis with teachers Olive Bieringa and Otto Ramstad. Her approach continues to be influenced by these mediums and how they can dance. Engaging with socio-political aspects in the field through her work on the topic of motherhood and dance as well as advocating for better conditions for dancers in light of #metoo, she teaches professionals, bachelor and master students (HfMDK) and young students (tanzmainz club).

Information on registration

Further informations

About the class
Working with Tamas can radically empower and enable dancers to function well in a demanding professional environment. His guidance often leads to a new vision on what qualitative performing is and accessing a variety of professional demands at an individual’s greatest capacity. The resulting knowledge from his leadership is applicable to both classical ballet as well as contemporary dance and brings performers to their highest level of authenticity, artistry and grace, regardless of style.

Biography
Tamas is most noted for his collaboration with choreographer William Forsythe, theatre maker Jan Fabre and his recent co-directorship of the Royal Ballet of Flanders
shared with choreographer Sidi Larbi Cherkaoui. With his artistic guidance and management the company performed works by Pina Bausch, William Forsythe, Martha Graham, Merce Cunningham, Maurice Bejart, Nijinsky, Jiri Kylian, Hans Van Manen, Marcia Haydee, Youri Grigorovich, Kurt Joos, Ohad Naharin, Crystal Pite, Edouard Lock, Hofesh Schechter, Akhram Khan, Cherkaoui, Jonah Bokaer, Jaroen Verbruggen, Annabel Lopez-Ochoa, Andonis Foniadakis and many others, raising the artistic level of the company to new heights.

Information on registration

About the class
Working with Tamas can radically empower and enable dancers to function well in a demanding professional environment. His guidance often leads to a new vision on what qualitative performing is and accessing a variety of professional demands at an individual’s greatest capacity. The resulting knowledge from his leadership is applicable to both classical ballet as well as contemporary dance and brings performers to their highest level of authenticity, artistry and grace, regardless of style.

Biography
Tamas is most noted for his collaboration with choreographer William Forsythe, theatre maker Jan Fabre and his recent co-directorship of the Royal Ballet of Flanders
shared with choreographer Sidi Larbi Cherkaoui. With his artistic guidance and management the company performed works by Pina Bausch, William Forsythe, Martha Graham, Merce Cunningham, Maurice Bejart, Nijinsky, Jiri Kylian, Hans Van Manen, Marcia Haydee, Youri Grigorovich, Kurt Joos, Ohad Naharin, Crystal Pite, Edouard Lock, Hofesh Schechter, Akhram Khan, Cherkaoui, Jonah Bokaer, Jaroen Verbruggen, Annabel Lopez-Ochoa, Andonis Foniadakis and many others, raising the artistic level of the company to new heights.

Information on registration

About the class
Working with Tamas can radically empower and enable dancers to function well in a demanding professional environment. His guidance often leads to a new vision on what qualitative performing is and accessing a variety of professional demands at an individual’s greatest capacity. The resulting knowledge from his leadership is applicable to both classical ballet as well as contemporary dance and brings performers to their highest level of authenticity, artistry and grace, regardless of style.

Biography
Tamas is most noted for his collaboration with choreographer William Forsythe, theatre maker Jan Fabre and his recent co-directorship of the Royal Ballet of Flanders
shared with choreographer Sidi Larbi Cherkaoui. With his artistic guidance and management the company performed works by Pina Bausch, William Forsythe, Martha Graham, Merce Cunningham, Maurice Bejart, Nijinsky, Jiri Kylian, Hans Van Manen, Marcia Haydee, Youri Grigorovich, Kurt Joos, Ohad Naharin, Crystal Pite, Edouard Lock, Hofesh Schechter, Akhram Khan, Cherkaoui, Jonah Bokaer, Jaroen Verbruggen, Annabel Lopez-Ochoa, Andonis Foniadakis and many others, raising the artistic level of the company to new heights.

Information on registration

About the class
Working with Tamas can radically empower and enable dancers to function well in a demanding professional environment. His guidance often leads to a new vision on what qualitative performing is and accessing a variety of professional demands at an individual’s greatest capacity. The resulting knowledge from his leadership is applicable to both classical ballet as well as contemporary dance and brings performers to their highest level of authenticity, artistry and grace, regardless of style.

Biography
Tamas is most noted for his collaboration with choreographer William Forsythe, theatre maker Jan Fabre and his recent co-directorship of the Royal Ballet of Flanders
shared with choreographer Sidi Larbi Cherkaoui. With his artistic guidance and management the company performed works by Pina Bausch, William Forsythe, Martha Graham, Merce Cunningham, Maurice Bejart, Nijinsky, Jiri Kylian, Hans Van Manen, Marcia Haydee, Youri Grigorovich, Kurt Joos, Ohad Naharin, Crystal Pite, Edouard Lock, Hofesh Schechter, Akhram Khan, Cherkaoui, Jonah Bokaer, Jaroen Verbruggen, Annabel Lopez-Ochoa, Andonis Foniadakis and many others, raising the artistic level of the company to new heights.

Information on registration

About the class
Working with Tamas can radically empower and enable dancers to function well in a demanding professional environment. His guidance often leads to a new vision on what qualitative performing is and accessing a variety of professional demands at an individual’s greatest capacity. The resulting knowledge from his leadership is applicable to both classical ballet as well as contemporary dance and brings performers to their highest level of authenticity, artistry and grace, regardless of style.

Biography
Tamas is most noted for his collaboration with choreographer William Forsythe, theatre maker Jan Fabre and his recent co-directorship of the Royal Ballet of Flanders
shared with choreographer Sidi Larbi Cherkaoui. With his artistic guidance and management the company performed works by Pina Bausch, William Forsythe, Martha Graham, Merce Cunningham, Maurice Bejart, Nijinsky, Jiri Kylian, Hans Van Manen, Marcia Haydee, Youri Grigorovich, Kurt Joos, Ohad Naharin, Crystal Pite, Edouard Lock, Hofesh Schechter, Akhram Khan, Cherkaoui, Jonah Bokaer, Jaroen Verbruggen, Annabel Lopez-Ochoa, Andonis Foniadakis and many others, raising the artistic level of the company to new heights.

Information on registration

About the class
Inner Tools
The class is based on the center of Human conditions as a source. The creation of tools to control your actions and emotions, using all your potential and being aware of it, having the “NOW ” as main role.
Inner tools is a search of control in our physical and mental sources to re/direct it in a performative way, to go in and out of states, being truly with yourself – Future is NOW!. Floor Practice : is an extension of Inner Tools practice that focuses on floor work , how to go into the floor and how to exit the floor using all your power to bring it into the space.This practice gives you a strong awareness in your center , being the main source for movement .

Biography
During his time as a student, he received numerous prizes for his work as a Choreographer in different national events. He has done choreographic works for Contemporary Dance of Cuba, “Danza Abierta’’, “Danza Retazos”, and several works of street intervention for the event “Cities in Movement” in Old Havana..His Recently works are Breath Fragment and Dust and Stones / Unusuals Symptoms – Triptique ,for Pottporus – Drown the Road (La Macana /Unusuals Symptoms).

Information on registration

About the class
Inner Tools
The class is based on the center of Human conditions as a source. The creation of tools to control your actions and emotions, using all your potential and being aware of it, having the “NOW ” as main role.
Inner tools is a search of control in our physical and mental sources to re/direct it in a performative way, to go in and out of states, being truly with yourself – Future is NOW!. Floor Practice : is an extension of Inner Tools practice that focuses on floor work , how to go into the floor and how to exit the floor using all your power to bring it into the space.This practice gives you a strong awareness in your center , being the main source for movement .

Biography
During his time as a student, he received numerous prizes for his work as a Choreographer in different national events. He has done choreographic works for Contemporary Dance of Cuba, “Danza Abierta’’, “Danza Retazos”, and several works of street intervention for the event “Cities in Movement” in Old Havana..His Recently works are Breath Fragment and Dust and Stones / Unusuals Symptoms – Triptique ,for Pottporus – Drown the Road (La Macana /Unusuals Symptoms).

Information on registration

About the class
Inner Tools
The class is based on the center of Human conditions as a source. The creation of tools to control your actions and emotions, using all your potential and being aware of it, having the “NOW ” as main role.
Inner tools is a search of control in our physical and mental sources to re/direct it in a performative way, to go in and out of states, being truly with yourself – Future is NOW!. Floor Practice : is an extension of Inner Tools practice that focuses on floor work , how to go into the floor and how to exit the floor using all your power to bring it into the space.This practice gives you a strong awareness in your center , being the main source for movement .

Biography
During his time as a student, he received numerous prizes for his work as a Choreographer in different national events. He has done choreographic works for Contemporary Dance of Cuba, “Danza Abierta’’, “Danza Retazos”, and several works of street intervention for the event “Cities in Movement” in Old Havana..His Recently works are Breath Fragment and Dust and Stones / Unusuals Symptoms – Triptique ,for Pottporus – Drown the Road (La Macana /Unusuals Symptoms).

Information on registration

About the class
Inner Tools
The class is based on the center of Human conditions as a source. The creation of tools to control your actions and emotions, using all your potential and being aware of it, having the “NOW ” as main role.
Inner tools is a search of control in our physical and mental sources to re/direct it in a performative way, to go in and out of states, being truly with yourself – Future is NOW!. Floor Practice : is an extension of Inner Tools practice that focuses on floor work , how to go into the floor and how to exit the floor using all your power to bring it into the space.This practice gives you a strong awareness in your center , being the main source for movement .

Biography
During his time as a student, he received numerous prizes for his work as a Choreographer in different national events. He has done choreographic works for Contemporary Dance of Cuba, “Danza Abierta’’, “Danza Retazos”, and several works of street intervention for the event “Cities in Movement” in Old Havana..His Recently works are Breath Fragment and Dust and Stones / Unusuals Symptoms – Triptique ,for Pottporus – Drown the Road (La Macana /Unusuals Symptoms).

Information on registration

About the class
Inner Tools
The class is based on the center of Human conditions as a source. The creation of tools to control your actions and emotions, using all your potential and being aware of it, having the “NOW ” as main role.
Inner tools is a search of control in our physical and mental sources to re/direct it in a performative way, to go in and out of states, being truly with yourself – Future is NOW!. Floor Practice : is an extension of Inner Tools practice that focuses on floor work , how to go into the floor and how to exit the floor using all your power to bring it into the space.This practice gives you a strong awareness in your center , being the main source for movement .

Biography
During his time as a student, he received numerous prizes for his work as a Choreographer in different national events. He has done choreographic works for Contemporary Dance of Cuba, “Danza Abierta’’, “Danza Retazos”, and several works of street intervention for the event “Cities in Movement” in Old Havana..His Recently works are Breath Fragment and Dust and Stones / Unusuals Symptoms – Triptique ,for Pottporus – Drown the Road (La Macana /Unusuals Symptoms).

Information on registration

Further informations

30-Minute Individual Appointments | Supervised by Prof. Dr. med. Benita Kuni

The Tanzplattform Rhein-Main now offers to dancers of all fields what many professional athletes take for granted – medical and therapeutic support throughout their entire active career. The early morning consultation sessions take place on a regular basis and provide 30-minute one-on-one advice on: the prevention of dance injuries, rehabilitation and returning to the studio and the stage after having sustained a dance injury, analysis of dance technique and technique coaching, information on alternative training methods, a “dance medicine check-up”, as well as guidance and supervision in the field of dance medicine.

Next date: September 28
Appointments here